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Sweet and Dirty a Collaboration of Sweet Brenda and Dirty Red Band Bios
Sweet and Dirty A collaboration of Sweet Brenda and Dirty Red Band Bios When Dirty Red – Eric McDaniel – leader of modern day powerhouse band, Dirty Red and the Soul Shakers invited legendary Oklahoma Blues Singer, Sweet Brenda – Bren Severson – on stage the first time to sit in with the band, a lightning bolt of electricity melded them together and shot their sound and energy into an unsuspecting blues audience that soaked it up like fireball whiskey on freaky Saturday night. From that moment this energetic collaboration has caused quite a stirring in the blues scene. Both musicians have made a name for themselves across the blues nation with experience and expertise that speaks for itself. When all of that is combined with the background and expertise of the rest of the band, a stage full of all-stars is born. Besides the giant personalities of Dirty Red and Sweet Brenda, the scary tight rhythm section of Cliff the “Iron Man” Belcher and Forrest Worrell, both of Watermelon Slim and the Workers fame, and the lonesome but ripping tasty blues guitar of Big Robb Hibbard, former lead for Miss Blues and the Blue Notes, put the icing on the cake. Add to all of that, the fact that Dirty Red and Sweet Brenda both write all the songs with soulful and pertinent lyrics written for all people, and a jolting beat that never stops, the dance floor is full and crazy, the room is packed with a punch of energy and the blues appetite is wildly satisfied. Sweet and Dirty is a collaboration of blues monsters bragging over 130 years of performance altogether culminating into this fabulous high- energy show. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
The Place of Music, Race and Gender in Producing Appalachian Space
University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Dom Flemons Bio Dom Flemons Is a GRAMMY Award Winning Musician
Dom Flemons Bio Dom Flemons is a GRAMMY Award winning musician, singer-songwriter, and slam poet. Carrying on the songster tradition, Flemons strives to mix traditional music forms with a contemporary approach, to create new sounds that will appeal to wider audiences. In his recent solo album Prospect Hill (2014), Flemons drew from a wide range of styles, including ragtime, Piedmont blues, spirituals, southern traditional music, string band music, fife and drum music, and jug-band music. He began his career as a performer in the Arizona music scene, where he produced 25 albums for singer-songwriters and slam poets in Pheonix. In 2005, Flemons co- found the Carolina Chocolate Drops, an African-American string band that won a Grammy for its 2010 album Genuine Negro Jig. Today, he tours throughout the United States and internationally as “The American Songster. In February 2016, Dom performed at Carnegie Hall for a Tribute to Lead Belly. In September 2016, Dom performed at the opening ceremonies for the National Musuem of African American History and Culture in Washington, DC. Dom has been touring internationally and has released his latest album called “Ever Popular Favourites” with British Guitar player, Martin Simpson. The album was released on Fledg’ling recordings in October 2016. Dom’s newest album to be released through Smithsonian Folkways will be celebrating the stories and songs of the black cowboys. Dom has released two instructional DVDs through Stefan Grossman’s Guitar Workshop. Dom has a new podcast called American Songster Radio and it is in conjunction with WUNC North Carolina Public Radio. -
Carolina Chocolate Drops
Carolina Chocolate Drops “An appealing grab-bag of antique country, blues, jug band hits and gospel hollers, all given an agreeably downhome production. The Carolina Chocolate Drops are still the most electrifying acoustic act around.” -The Guardian “The Carolina Chocolate Drops are...revisiting, with a joyful vengeance, black string-band and jug-band music of the Twenties and Thirties—the dirt-floor dance electricity of the Mississippi Sheiks and Cannon’s Jug Stompers.” —Rolling Stone In early 2012, Grammy award-winning Carolina Chocolate Drops released their studio album Leaving Eden (Nonesuch Records) produced by Buddy Miller. The traditional African-American string band's album was recorded in Nashville and featured founding members Rhiannon Giddens and Dom Flemons, along with multi-instrumentalist Hubby Jenkins and cellist Leyla McCalla, already a familiar presence at the group's live shows. With Flemons and McCalla now concentrating on solo work, the group's 2014 lineup will feature two more virtuosic players alongside Giddens and Jenkins - cellist Malcolm Parson and multi-instrumentalist Rowan Corbett -- illustrating the expansive, continually exploratory nature of the Chocolate Drops' music. Expect a new disc from this quartet in 2015. The Chocolate Drops got their start in 2005 with Giddens, Flemons and fiddle player Justin Robinson, who amicably left the group in 2011. The Durham, North Carolina-based trio would travel every Thursday night to the home of old-time fiddler and songster Joe Thompson to learn tunes, listen to stories and, most importantly, to jam. Joe was in his 80s, a black fiddler with a short bowing style that he inherited from generations of family musicians. -
2013 R&B Festival at Metrotech Kicks Off A
2013 R&B Festival at MetroTech kicks off a summer of free live funk, dub, Afrobeat, brass band, West African, blues, and soul Thursdays (except Avery*Sunshine on Wednesday, July 3) Jun 6—Aug 8, 12—2pm MetroTech Commons June 6: Mint Condition June 13: Bobby Rush June 20: Kaleta & ZoZo Afrobeat June 27: Stooges Brass Band July 3: Avery*Sunshine July 11: Sly & Robbie featuring Bunny Rugs from Third World July 18: Fatoumata Diawara July 25: Bombino Aug 1: Sheila E. Aug 8: Shuggie Otis First New York Partners is the Presenting Sponsor of the 2013 R&B Festival at MetroTech. Brooklyn, NY/May 2, 2012—BAM announces the 2013 BAM R&B Festival at MetroTech. Now in its 19th year, the festival continues to feature R&B legends alongside vibrant and groundbreaking newcomers with 10 free outdoor concerts from June 6 through August 8. Event producer Danny Kapilian said, "With this year's 19th annual BAM R&B Festival, the total number of artists who have graced our stage reaches 202! (Booker T & the MG's remains the only act to perform twice). Classic stars making their MetroTech debuts in 2013 include the Twin City funk/pop legends Mint Condition (opening on June 6th), Chicago's timeless star Bobby Rush bandleader, percussionist, and Prince alumnus Sheila E and Mr. "Strawberry Letter 23" himself Shuggie Otis (closing on August 8th). New Orleans funk returns with the fabulous Stooges Brass Band, and contemporary soul diva Avery*Sunshine spreads her love and music on July 3rd (the season's only Wednesday afternoon concert, due to the holiday). -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2008 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2008 By: Representatives Coleman (65th), Bailey, To: Rules Broomfield, Calhoun, Campbell (72nd), Clark, Clarke, Coleman (29th), Espy, Evans (70th), Evans (91st), Gardner, Harrison, Holloway, Huddleston (30th), Middleton, Robinson, Scott, Smith (27th), Straughter, Thomas, Watson, Wooten, Brown HOUSE CONCURRENT RESOLUTION NO. 102 1 A CONCURRENT RESOLUTION COMMENDING AND CONGRATULATING MALACO 2 RECORDS ON RECEIVING A MARKER ON THE MISSISSIPPI BLUES TRAIL. 3 WHEREAS, Malaco Records, which is based in Jackson, 4 Mississippi, was honored on Tuesday, April 8, 2008, with a marker 5 on the Mississippi Blues Trail; and 6 WHEREAS, The Mississippi Blues Trail was created by the 7 Mississippi Blues Commission under the leadership of Governor 8 Haley Barbour and is designed to preserve the state's musical 9 heritage through historical markers and interpretive sites; and 10 WHEREAS, the roots of Malaco Records originated with 11 Cofounder Tommy Couch, Sr., who began booking R&B bands at the 12 University of Mississippi as Social Chairman of Pi Kappa Alpha 13 Fraternity; and 14 WHEREAS, after Mr. Couch graduated from college, he came to 15 Jackson to work as a pharmacist and formed a booking agency called 16 Malaco Productions with his brother-in-law, Mitchell Malouf; and 17 WHEREAS, in 1966, Malaco moved into recording and Couch's 18 fraternity brother, Gerald "Wolf" Stephenson, joined as a partner, 19 and in Malaco's initial years, it focused on leasing masters to 20 labels such as I Do Not Play No Rock 'N Roll by down-home 21 bluesman, Mississippi Fred McDowell; and 22 WHEREAS, Malaco found its niche in the early 1980s when it 23 signed Texan Z.Z. -
Cécile Mclorin Salvant, Wycliffe Cécile Mclorin Salvant Gordon, and More
Wednesday Evening, February 24, 2016, at 8:30 m a r g Swimming in Dark Waters— o r Other Voices of the American P Experience e h T Featuring Rhiannon Giddens, Leyla McCalla & Bhi Bhiman This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts. Artist catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Thursday Evening, February 25, at 8:30 La Santa Cecilia Friday Evening, February 26, at 8:30 Charles Busch: The Lady at the Mic A cabaret tribute to Elaine Stritch, Polly Bergen, Mary Cleere Haran, Julie Wilson & Joan Rivers Saturday Evening, February 27, at 8:30 Terri Lyne Carrington’s Mosaic Project: Love & Soul featuring Valerie Simpson & Oleta Adams IN THE STANLEY H. KAPLAN PENTHOUSE: Wednesday Evening, March 16, at 8:00 Luluc Thursday Evening, March 17, at 8:00 Anaïs Mitchell Friday Evening, March 18, at 8:00 The Cooper Clan All Together The Appel Room is located in Jazz at Lincoln Center’s Frederick P. -
Gazette Volume 22, No
GAZETTE Volume 22, No. 16 • April 22, 2011 • A weekly publication for Library staff Cuts Won’t Force Layoffs Or Furloughs By Mark Hartsell The spending bill signed last week by President Obama reduced appropriations for the Library of Congress by nearly $15 million from 2010 levels but will not force layoffs or furloughs during the remainder of the fiscal year. The Library received an appropria- Stephen Winick tion of $628.7 million for the 2011 fiscal Dom Flemons of the Grammy-winning Carolina Chocolate Drops, a frequent visitor to the Library, uses the card catalog in the Folklife Reading Room. year – a reduction of $14.7 million, or 2.3 percent, from the base appropriation for the previous fiscal year. In AFC Archive, Musicians Find However, the Library’s Executive Com- mittee, in meetings held after the measure Inspiration Worthy of a Grammy passed the House and Senate last week, determined that no reduction in staff or “The Library of Congress archives furloughs would be necessary to help By Erin Allen have always been there in our minds, in absorb the decrease in funding for the The Grammy Award goes to the an abstract way,” said Flemons. “It has fiscal year that ends Sept. 30. Library of Congress, in a manner of speak- such a diversity of American music.” “Our service-unit heads closely fol- ing. Materials in the Library’s American In particular, Flemons has conducted lowed the deliberations on the FY 2011 Folklife Center (AFC) repeatedly have research using the Lomax field recordings budget and were prepared for the various been the inspiration for Grammy Award and the Deep River Song Collection. -
Click Here to Continue
Premieres Sunday September 28 at 9pm on This interactive document contains printable pages, downloadable photography, a video sample, music samples, and a link to The Blues Web site at www.pbs.org/theblues. Note that you can elcome navigate this document using the table of contents and the navigation buttons on each page. W Click here to continue. This document automatically adjusts to the size of your screen. The view may be adjusted under the View menu. Click below to navigate What is the Blues? Series Release Fact Sheet About the Films Director and Producer Biographies Performances in The Blues Quotes for The Blues Volkswagen “Celebrates the Arts” Release Contents Photography Index Video Sample Music Samples www.pbs.org/theblues Home pbs.org/theblues By Jason Emmons and edited by Robert Santelli, Blues Historian and Director & CEO of Experience Music Project In 1903 W. C. Handy, the African American leader of a dance orchestra, got stuck one night waiting for a train in the hamlet of Tutwiler, Mississippi. With hours to kill and nowhere else to go, Handy fell asleep at the empty depot on a hard wooden bench. When he woke, a ragged black man was sitting next to him, singing about “goin’ where the Southern cross the Dog” and sliding a knife against the strings of a guitar. The musician repeated the line three times and answered it with his guitar. Intrigued, Handy asked what the line meant. It turned out that the tracks of the Yazoo & Mississippi Valley Railroad, which locals called the Yellow Dog, crossed the tracks of the Southern Railroad in the town of Moorehead, where the musician was headed, and he’d put it into a song. -
Birthplace of the Blues
REST YOUR SOUL Jackson has many options for your overnight stay, the WELCOME TO THE GEN-UINE, BONA-FIDE, historic King Edward Hotel, now the Hilton Garden Inn, was a hub for music and used as a recording studio many years ago. You’ll find a Mississippi Blues Trail marker just outside BIRTHPLACE the front entrance acknowledging its historic significance. More recently, The Westin Jackson opened its doors in the OF THE BLUES downtown area. Its architectural design pays homage to the music. Don’t miss the “Music Legends of Mississippi” innovative program, which celebrates the birthplace of America’s Music by showcasing exact replica guitars from legendary Mississippi pioneers of American music. Musicians include Muddy Waters, Elvis Presley, B.B. King, Jimmy Buffet and Marty Stuart. You can play one of these guitars in the comfort of your own room. What a way to connect to the music! FEED YOUR SOUL You can’t visit Jackson, Mississippi without experiencing some good down-home cooking. Bully’s Restaurant has served the African American community for close to 40 years, the doors are open to all and the food is enjoyed by everyone! You can find Mr. Bully standing behind the counter with his bouffant cap on and a smile. This James Beard Foundation award- winning restaurant serves fresh collards, turnips and mustard greens, cornbread, neckbones, meatloaf, spaghetti, oxtails, turkey wings, cornbread dressing, macaroni and cheese, fried green tomatoes, yams and homemade fruit cobblers. That’s not all, but you get the picture! The Big Apple Inn is in the heart of where the Blues began.