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Applying Theories of Digital Rhetoric, Procedural Rhetoric, and Electracy To
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2018-01-01 Rethinking Multimodality In First-Year Composition: Applying Theories Of Digital Rhetoric, Procedural Rhetoric, And Electracy To Multimodal Assignments Jennifer Falcon University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Rhetoric Commons Recommended Citation Falcon, Jennifer, "Rethinking Multimodality In First-Year Composition: Applying Theories Of Digital Rhetoric, Procedural Rhetoric, And Electracy To Multimodal Assignments" (2018). Open Access Theses & Dissertations. 1426. https://digitalcommons.utep.edu/open_etd/1426 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. RETHINKING MULTIMODALITY IN FIRST-YEAR COMPOSITION: APPLYING THEORIES OF DIGITAL RHETORIC, PROCEDURAL RHETORIC, AND ELECTRACY TO MULTIMODAL ASSIGNMENTS JENNIFER ANDREA FALCON Doctoral Program in Rhetoric and Composition APPROVED: Beth Brunk-Chavez, Ph.D., Chair Laura Gonzales, Ph.D. William Robertson, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Jennifer Andrea Falcon 2018 Dedication This dissertation is dedicated to my grandfather, José Franco Sandoval. Grandpa, your devotion to hard work and education will always guide me. RETHINKING MULTIMODALITY IN FIRST-YEAR -
Digital Humanities Pedagogy: Practices, Principles and Politics
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/161 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Digital Humanities Pedagogy: Practices, Principles and Politics Edited by Brett D. Hirsch http://www.openbookpublishers.com © 2012 Brett D. Hirsch et al. (contributors retain copyright of their work). Some rights are reserved. The articles of this book are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://creativecommons.org/licenses/by-nc-nd/3.0/ As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website at: http://www.openbookpublishers.com/product/161 ISBN Hardback: 978-1-909254-26-8 ISBN Paperback: 978-1-909254-25-1 ISBN Digital (pdf): 978-1-909254-27-5 ISBN Digital ebook (epub): 978-1-909254-28-2 ISBN Digital ebook (mobi): 978-1-909254-29-9 Typesetting by www.bookgenie.in Cover image: © Daniel Rohr, ‘Brain and Microchip’, product designs first exhibited as prototypes in January 2009. Image used with kind permission of the designer. For more information about Daniel and his work, see http://www.danielrohr.com/ All paper used by Open Book Publishers is SFI (Sustainable Forestry Initiative), and PEFC (Programme for the Endorsement of Forest Certification Schemes) Certified. -
Navigating Black Identity Development: the Power of Interactive Multicultural Read Alouds with Elementary-Aged Children
education sciences Article Navigating Black Identity Development: The Power of Interactive Multicultural Read Alouds with Elementary-Aged Children Rebekah E. Piper College of Education and Human Development, Texas A&M University-San Antonio, San Antonio, TX 78224, USA; [email protected] Received: 9 April 2019; Accepted: 23 April 2019; Published: 18 June 2019 Abstract: Racial identity development in young children is influenced by interactions with teachers and curriculum in schools. This article, using the framework of critical race theory, critical literacy, and critical pedagogy, explores how three elementary-aged Black children view their own identity development. Specifically, observing how children interact with Movement-Oriented Civil Rights-Themed Children’s Literature (MO-CRiTLit) in the context of a non-traditional summer literacy program, Freedom Schools, to influence their Black identity. Professional development and preservice teacher preparation are needed to support teachers as they navigate through learning about pedagogical practices that increase student engagement. Keywords: critical literacy; Civil Rights; Black identity; children 1. Introduction The central question addressed by the Supreme Court during the Brown v. Board of Education of Topeka, Kansas (1954) [1] was whether the segregation of children in public schools based on their race, deprived minoritized children of equal educational opportunities when everything else was equal [2–4]. This question has been, and continues to be, answered in the negative, as evidenced in an educational system in which Children of Color are repeatedly reported to have lower reading and numeracy scores in comparison to their white peers. In 2003, Education Trust, Inc. reported that, nationally, fourth-grade African-Americans fell behind their white peers in reading. -
Collin College in May 20162—
Appellate Case: 18-6102 Document: 010110085921 Date Filed: 11/19/2018 Page: 1 Case No. 18-6102/ 18-6165 In the United States Court of Appeals for the Tenth Circuit ___________________ DR. RACHEL TUDOR, Plaintiff-Appellant/Cross-Appellee v. SOUTHEASTERN OKLAHOMA STATE UNIVERSITY AND REGIONAL UNIVERSITY SYSTEM OF OKLAHOMA, Defendants-Appellees/Cross-Appellants ___________________ On Appeal from the United States District Court for the Western District of Oklahoma, Case No. 5:15-cv-324-C, Hon. Robin Cauthron ___________________ PLAINTIFF-APPELLANT/CROSS-APPELLEE DR. RACHEL TUDOR’S APPENDIX VOLUME 3 OF 9 ___________________ EZRA ISHMAEL YOUNG BRITTANY M. NOVOTNY LAW OFFICE OF EZRA YOUNG NATIONAL LITIGATION LAW GROUP 30 Devoe Street, #1A PLLC Brooklyn, NY 11211 2401 NW 23rd St., Ste. 42 (949) 291-3185 Oklahoma City, OK 73107 [email protected] (405) 896-7805 [email protected] MARIE EISELA GALINDO LAW OFFICE OF MARIE E. GALINDO Wells Fargo Bldg. 1500 Broadway, Ste. 1120 Lubbock, TX 79401 (806) 549-4507 [email protected] Attorneys for Plaintiff-Appellant/Cross-Appellee Case No. 18-6102/ 18-6165 Appellate Case: 18-6102 Document: 010110085921 Date Filed: 11/19/2018 Page: 2 VOLUME 3 TABLE OF CONTENTS 15-CV-324-C – Relevant Docket Entries Appendix Filer Date of Doc Title of Pleading Pg. # Filing # 001-010 Plaintiff 12/29/2017 271 Reply to Defendants’ Opposition to Reinstatement 011-026 Plaintiff 12/29/2017 271- Reply to Response to 1 Motion for Order for Reinstatement Exhibit 1 Tudor Declaration 027-116 Plaintiff 12/29/2017 271- Reply -
Composition Studies 42.1 (2014) from the Editor Hat’S the Best Part of Your Job?” a Student in Advanced Composition “Wasked Me This Question Last Week
Volume 42, Number 1 Spring 2014 composition STUDIES composition studies volume 42 number 1 Composition Studies C/O Parlor Press 3015 Brackenberry Drive Anderson, SC 29621 New Releases First-Year Composition: From Theory to Practice Edited by Deborah Coxwell-Teague & Ronald F. Lunsford. 420 pages. Twelve of the leading theorists in composition stud- ies answer, in their own voices, the key question about what they hope to accomplish in a first-year composition course. Each chapter, and the accompanying syllabi, pro- vides rich insights into the classroom practices of these theorists. A Rhetoric for Writing Program Administrators Edited by Rita Malenczyk. 471 pages. Thirty-two contributors delineate the major issues and questions in the field of writing program administration and provide readers new to the field with theoretical lenses through which to view major issues and questions. Recently Released . Writing Program Administration and the Community College Heather Ostman. The WPA Outcomes Statement—A Decade Later Edited by Nicholas N. Behm, Gregory R. Glau, Deborah H. Holdstein, Duane Roen, & Edward M. White. Writing Program Administration at Small Liberal Arts Colleges Jill M. Gladstein and Dara Rossman Regaignon. GenAdmin: Theorizing WPA Identities in the Twenty-First Century Colin Charlton, Jonikka Charlton, Tarez Samra Graban, Kathleen J. Ryan, & Amy Ferdinandt Stolley and with the WAC Clearinghouse . Writing Programs Worldwide: Profiles of Academic Writing in Many Places Edited by Chris Thaiss, Gerd Bräuer, Paula Carlino, Lisa Ganobcsik-Williams, & Aparna Sinha International Advances in Writing Research: Cultures, Places, Measures Edited by Charles Bazerman, Chris Dean, Jessica Early, Karen Lunsford, Suzie Null, Paul Rogers, & Amanda Stansell www.parlorpress.com 2013–2014 Reviewers A journal is only as good as its reviewers. -
ENC 1136: Multimodal Writing & Digital Literacy ENC1136
ENC 1136: Multimodal Writing & Digital Literacy ENC1136 (Section 9122, Class 23684, SP20) Brandon Murakami MWF:3 (9:35-10:25a) [email protected] Room: M: WEIL 408D / WF: WEIL 408E OH: TBA COURSE DESCRIPTION Multimodal Composition teaches digital literacy and digital creativity. This course teaches students to compose and circulate multimodal documents in order to convey creative, well- researched, carefully crafted, and attentively written information through digital platforms and multimodal documents. This course promotes digital writing and research as central to academic, civic, and personal expression. COURSE OBJECTIVES Multimodal writing objectives are designed to teach students how to compose, revise, and circulate information in digital forms. The course emphasizes: • Applying composing processes in digital forms • Demonstrating invention/creativity approaches when working with digital resources and tools • Choosing which digital tools best serve contextual needs • Creating documents in six different forms that contribute to multimodal production (see below) • Using problem-solving methods to navigate digital tools • Appraising methods for self-guided learning about emerging digital tools (i.e. learning how to learn) REQUIRED MATERIALS Note: Many of the “readings” assigned in this class will be online tutorials for using the digital tools needed to compose, produce, and circulate the assigned documents. Because the course focuses on hands-on, active production, the focus of readings often will be tutorials and student work for critique. All texts will be provided on our course website on Canvas. GENERAL EDUCATION OBJECTIVES: COMPOSITION (C) Composition courses provide instruction in the methods and conventions of standard written English (i.e. grammar, punctuation, usage) and the techniques that produce effective texts. -
The Role of Children's Racial Identity and Its Impact on Their
THE ROLE OF CHILDREN’S RACIAL IDENTITY AND ITS IMPACT ON THEIR SCIENCE EDUCATION by Lisa Mekia McDonald Dissertation Committee: Professor Felicia Moore Mensah, Sponsor Professor Denise Mahfood Approved by the Committee on the Degree of Doctor of Education Date: ___________________________________February 12, 2020 Submitted in partial fulfillment of the requirements of the degree of Doctor of Education in Teachers College, Columbia University 2020 ABSTRACT THE ROLE OF CHILDREN’S RACIAL IDENTITY AND ITS IMPACT ON THEIR SCIENCE EDUCATION Lisa Mekia McDonald Racial identity plays an important role in the development of children’s narratives. In the structure of the classroom there is a disconnect for students between home and school. The structure of the classroom consists of the social relationships that children have with their peers and teachers. The structure of the classroom also includes how the classroom is set up for learning, such as the curriculum. Racial identity is also a valuable aspect in the construction of knowledge as children learn science. Racial identity is not often addressed with young children and science. Young children need to be able to see themselves in science regardless of their own race or ethnicity. Critical race theory (CRT) was used to examine and situate the context of race with children’s identity. Sociocultural theory was used to describe their process of learning. The participants of this study included 10 children in grades 3 through 5 who attended a diverse urban school located in New York City and their parents (10 parents). A qualitative approach was used to allow both children and parents to share their perspectives on their experience with science and difficult topics that pertain to race and/or skin color. -
From Theory to Practice in a Critical Race Pedagogy Classroom Van T
i.e.: inquiry in education Volume 9 | Issue 1 Article 3 2017 In Real Time: From Theory to Practice in a Critical Race Pedagogy Classroom Van T. Lac University of Texas-San Antonio, [email protected] Follow this and additional works at: http://digitalcommons.nl.edu/ie Recommended Citation Lac, Van T.. (2017). In Real Time: From Theory to Practice in a Critical Race Pedagogy Classroom. i.e.: inquiry in education: Vol. 9: Iss. 1, Article 3. Retrieved from: http://digitalcommons.nl.edu/ie/vol9/iss1/3 Copyright © 2017 by the author(s) i.e.: inquiry in education is published by the Center for Practitioner Research at the National College of Education, National-Louis University, Chicago, IL. Cover Page Footnote I would like to thank the following individuals for offering me critical feedback on this manuscript: Kim Bancroft, Gwen Baxley, Margarita Bianco, Carolyn Kelley, Andy Hatcher, and Pete Miller. This article is available in i.e.: inquiry in education: http://digitalcommons.nl.edu/ie/vol9/iss1/3 Lac: In Real Time In Real Time From Theory to Practice in a Critical Race Pedagogy Classroom Van T. Lac University of Texas-San Antonio, San Antonio, USA Introduction I enter this teacher action research project with an interest in studying how I, as a high school teacher, developed a critical race pedagogy (CRP) curriculum for students in an out-of-school context. My intrigue with race started at an early age growing up in Oakland, California, where my classmates were primarily of African American, Central American, and Southeast Asian descent. As a Southeast Asian student in Oakland schools, even with 100% students of color in my classes, my teachers in school rarely talked about race or racism. -
Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 6-2021 Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy Lindsey Albracht The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4285 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BEYOND AUTHORIZATION: TOWARD ABOLITIONIST TRANSLITERACIES ECOLOGIES AND AN ANTI-RACIST TRANSLINGUAL PEDAGOGY by LINDSEY ALBRACHT A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 ©2021 LINDSEY ALBRACHT All Rights Reserved ii Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy by Lindsey Albracht This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ______________________________________ Date Amy J. Wan Chair of Examining Committee _________________ _____________________________________ Date: Kandice Chuh Executive Officer Supervisory Committee: Mark McBeth Jessica Yood THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy by Lindsey Albracht Advisor: Amy J. Wan This project explores the recent paradigm shift within Writing Studies toward a translingual approach, situating many of the critiques of this approach as limitations produced by dominant liberal models of Writing Studies pedagogy. -
Friday, November 16
FRIDAY, NOVEMBER 16 7:00–7:45 A.M. v First-Timers’ Welcome GRAND BALLROOM A Set your alarm so you don’t miss Ernest Morrell this event we’re holding just for you! Join first-time attendees and NCTE leaders for an informative session to kick off your NCTE annual convention experience. You’ll have the opportunity to hear from NCTE members Ernest Morrell and Donalyn Miller as well as connect with other NCTE members. The special gathering provides an opportunity for you to gain quick tips and strategies that will expand your knowledge of NCTE and your professional network. Donalyn Miller 56 2018 NCTE ANNUAL CONVENTION PROGRAM FRIDAY GENERAL SESSION 8:00–9:15 A.M. v Students Raising Their Voices GENERAL ASSEMBLY THEATRE ABC Presiding: Antero Garcia, Stanford University, CA FRIDAY Kristin Ziemke, Big Shoulders Project, Chicago, IL Friday’s General Session will be fast and full of energy. This session will be a celebration of students who are using their voices to change the world and will be facilitated by NCTE Antero Garcia members Antero Garcia and Kristin Ziemke. Seven students ages 11 to 21 will share their passions with attendees. Speakers at this session include students who have created movements or organizations, raising their voices to create change. Kristin Ziemke Andrea Cipriani Mecchi Andrea Marley Dias Alex King Xiuhtezcatl Martinez Social activist behind Student advocate Indigenous climate activist #1000blackgirlbooks for gun reform and hip-hop artist Sara Abou Rashed Zephyrus Todd Olivia Van Ledjte Jordyn Zimmerman Inspirational multilingual Student and social Reader, thinker, and Avid speaker and poet and author media creator kids’ voice believer advocate for all students 20182018 NCTE NCE ANNUAL CONVENTION PROGRAM 57 C SESSIONS / 9:30–10:45 A.M. -
ULMER - Introduction: Electracy 1 to Comment on SPECIFIC PARAGRAPHS, Click on the Speech Bubble Next to That Paragraph
ULMER - Introduction: Electracy 1 To comment on SPECIFIC PARAGRAPHS, click on the speech bubble next to that paragraph. There is an analogy for what we are doing when we collaboratively explore the possibilities of new media. We are to the Internet what students of Plato and Aristotle were to the Academy and Lyceum. When the Greeks invented alphabetic writing they were engaged in a civilizational shift from one apparatus to another (from orality to literacy). They invented not only alphabetic writing but also a new institution (School) within which the practices of writing were devised. Here is the salient point: all the operators of “science” as a worldview had to be invented, by distinguishing from religion a new possibility of reason. Electracy similarly is being invented, not to replace religion and science (orality and literacy), but to supplement them with a third dimension of thought, practice, and identity. “Electracy” is to digital media what literacy is to alphabetic writing: an apparatus, or social machine, partly technological, partly institutional. We take for granted now the skill set that orients literate people to the collective mnemonics that confront anyone entering a library or classroom today. Grammatology (the history and theory of writing) shows that the invention of literacy included also a new experience of thought that led to inventions of identity as well: individual selfhood and the democratic state. Thus there are three interrelated invention streams forming a matrix of possibilities for electracy, only one of which is technological. There is no technological determinism, other than the fundamental law of change: that everything is mutating together into something other, different, with major losses and gains. -
View Bad Ideas About Writing
BAD IDEAS ABOUT WRITING Edited by Cheryl E. Ball & Drew M. Loewe BAD IDEAS ABOUT WRITING OPEN ACCESS TEXTBOOKS Open Access Textbooks is a project created through West Virginia University with the goal of produc- ing cost-effective and high quality products that engage authors, faculty, and students. This project is supported by the Digital Publishing Institute and West Virginia University Libraries. For more free books or to inquire about publishing your own open-access book, visit our Open Access Textbooks website at http://textbooks.lib.wvu.edu. BAD IDEAS ABOUT WRITING Edited by Cheryl E. Ball and Drew M. Loewe West Virginia University Libraries Digital Publishing Institute Morgantown, WV The Digital Publishing Institute believes in making work as openly accessible as possible. Therefore, this work is licensed under a Creative Commons Attribution 4.0 International License. This license means you can re-use portions or all of this book in any way, as long as you cite the original in your re-use. You do not need to ask for permission to do so, although it is always kind to let the authors know of your re-use. To view a copy of this CC license, visit http://creative- commons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. This book was set in Helvetica Neue and Iowan Old Style and was first published in 2017 in the United States of America by WVU Libraries. The original cover image, “No Pressure Then,” is in the public domain, thanks to Pete, a Flickr Pro user.