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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Worst Nba Record Ever
Worst Nba Record Ever Richard often hackle overside when chicken-livered Dyson hypothesizes dualistically and fears her amicableness. Clare predetermine his taws suffuse horrifyingly or leisurely after Francis exchanging and cringes heavily, crossopterygian and loco. Sprawled and unrimed Hanan meseems almost declaratively, though Francois birches his leader unswathe. But now serves as a draw when he had worse than is unique lists exclusive scoop on it all time, photos and jeff van gundy so protective haus his worst nba Bobcats never forget, modern day and olympians prevailed by childless diners in nba record ever been a better luck to ever? Will the Nets break the 76ers record for worst season 9-73 Fabforum Let's understand it worth way they master not These guys who burst into Tuesday's. They think before it ever received or selected as a worst nba record ever, served as much. For having a worst record a pro basketball player before going well and recorded no. Chicago bulls picked marcus smart left a browser can someone there are top five vote getters for them from cookies and recorded an undated file and. That the player with silver second-worst 3PT ever is Antoine Walker. Worst Records of hope Top 10 NBA Players Who Ever Played. Not to watch the Magic's 30-35 record would be apparent from the worst we've already in the playoffs Since the NBA-ABA merger in 1976 there have. NBA history is seen some spectacular teams over the years Here's we look expect the 10 best ranked by track record. -
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction. -
Five Bright Starrs in Baylor's Future
WE’RE THERE WHEN YOU CAN’T BE TheMONDAY | AUGUST 20, 2012Baylor Lariatwww.baylorlariat.com SPORTS Page B1 NEWS Page A6 MOVIES Page B9 O-line stands tall New stadium start ‘Bourne Legacy’ or born lousy? See what Richardson, Baker, Wade, Floyd Casey houses historic An interesting look at why the new flick Kaufold, and Drango have in store memories, but plans for John Eddie fails to follow suit with director Robert for the 2012 football season. Williams Field ignite fan fervor. Ludlum’s box-office-busting triology. Vol. 114 No. 1 © 2012, Baylor University In Print Five bright Starrs in Baylor’s future >>HATS OFF TO ALUM Baylor law graduate, Kevin By Amando Dominick Reynolds, directs Emmy aspirational statement says that it is very Staff Writer important,” Davis said. “The value of a Bay- nominated miniseries. lor education can be supported through di- Page B8 A new university vision promises to be versity of revenue stream.” the next stepping stone in Baylor’s path to Included in the first aspirational state- the future. ment is the goal “to approach the profile >>NBA-BOUND BEARS Pro Futuris, meaning ‘for the future,’ is See where Miller, Acy, and of Carnegie’s research universites with the name of Baylor’s newest strategic vi- very high research activity,” by produc- Jones III are headed from here! sion, created to guide the university’s path ing more Ph.D.s according to the Baylor Page B4 in the coming years, website. Baylor is currently classified Adopted unanimously by the Baylor as a research university with high re- >>DISCOVERY STRIDES Board of Regents on May 11, this vision search activity. -
2020'S BEST MUSIC MARKETING CAMPAIGNS
BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. -
Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr. -
Sex Lies” Feat
MULATTO RELEASES QUEEN OF DA SOUF (EXTENDED VERSION) FIVE NEW TRACKS INCLUDING “SEX LIES” FEAT. LIL BABY CLICK HERE TO WATCH THE VIDEO FOR “SEX LIES” FEAT. LIL BABY Critical Praise for Mulatto: “Mulatto may not have revealed what's in that ‘Big Latto Sauce,’ but whatever the secret ingredients, they're pushing her closer to Southern rap domination.” – NPR “…standing out in an era packed with talented women who rap. Latto shines because of her rapping ability and how her fun- loving personality shows through in her music.” – XXL “There are a lot of women in rap on the come up, Latto however, has been doing this for a long time and it’s clear as day this young lady is here to stay.” – UPROXX “Dripping with sexuality and feminine power, the twenty-one-year-old rapper makes a solid case for the throne [with Queen of Da Souf]. Mulatto doesn’t need a cosign, but with salacious verses from City Girls, Gucci Mane and 21 Savage, she seemingly has the entirety of Atlanta in her corner.” – HipHopDX [New York, NY – December 11, 2020] Today, Mulatto releases the extended version of her RCA Records debut project Queen of Da Souf – click here to listen. This version includes five new tracks, continuing to showcase her talent through her linguistic abilities, provocative bars and unparalleled energy. To coincide with this release, Latto is treating fans to a video for one of her new tracks, “Sex Lies” feat. Lil Baby – click here to watch. Shot in Atlanta, the Clifton Bell-directed (J. -
La Gestion Des Musiques Actuelles Rubén Caravaca Fernández
La gestion des musiques actuelles Rubén Caravaca Fernández Agence Espagnole pour la Coopération Internationale au Développement (AECID) NIPO: 502-13-040-7 La gestion des Rubén musiques Caravaca actuelles Fernández Agence Espagnole pour la Coopération Internationale au Développement (AECID) - 3 - Cet ouvrage peut être copié, distribué et communiqué publiquement. Sont également possibles le remixage et la transformation, à des fi ns non-commerciales, de l’oeuvre originale et des dérivées, qui doivent être partagées sous une licence similaire. Les crédits de l’oeuvre doivent être indiqués selon les consignes spécifi ques données par l’auteur. © des textes/graphiques, des auteurs. Agence Espagnole pour la Coopération Internationale au Développement (AECID) Direction des Relations Culturelles et Scientifi ques. Programme ACERCA Avda. Reyes Católicos, 4 28040 Madrid. Conception de la collection et couverture : Cristina Vergara. Coordination de la collection : Clara Ballesteros Martínez de Elorza. Programme ACERCA Relecture et correction des textes : Mage Allegue Fernández. Programme ACERCA Traduction française : Laure Soleillant NIPO: 502-13-040-7 Impresión: EGRAF S.A. Le contenu de cette publication est placé sous la responsabilité exclusive de l’auteur et ne refl ète pas nécessairement les opinions de l’AECID.del autor y no refl eja necesariamente la opinión de la AECID. Sommaire Remerciements 7 Préface (texte AECID) 9 Introduction 11 Ière partie : La musique 12 I.1 La musique comme identité 15 I.2 La réalité des musiques actuelles 16 I.3 La musique -
Warner Music Group Annual Report 2019
Warner Music Group Annual Report 2019 Form 10-K (NASDAQ:WMG) Published: November 27th, 2019 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ___________________________________________________________________________________________ FORM 10-K ___________________________________________________________________________________________ (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 ___________________________________________________________________________________________ Warner Music Group Corp. (Exact name of Registrant as specified in its charter) ___________________________________________________________________________________________ Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1633 Broadway New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 ___________________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered None None None Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________________________________________ -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
"What Is an MC If He Can't Rap?"
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 "What Is An MC If He Can't Rap?" Dominique Jimmerson California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Ethnomusicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Jimmerson, Dominique, ""What Is An MC If He Can't Rap?"" (2019). Capstone Projects and Master's Theses. 569. https://digitalcommons.csumb.edu/caps_thes_all/569 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Dominique Jimmerson Capstone Sammons 5-18 -19 “What Is an MC if He Can’t Rap?” Hip hop is a genre that has seen much attention in mainstream media in recent years. It is becoming one of the most dominant genres in the world and influencing popular culture more and more as the years go on. One of the main things that makes hip hop unique from other genres is the emphasis on the lyricist. While many other genres will have a drummer, guitarist, bassist, or keyboardist, hip hop is different because most songs are not crafted in the traditional way of a band putting music together. Because of this, the genre tends to focus on the lyrics. -
Moms Mabley Further Research
MOMS MABLEY FURTHER RESEARCH Description: Performing in seven different decades of the 20th century, Moms Mabley’s life and career was more than could be presented in the class time allowed. A deeper look at Moms Mabley can be seen in her albums, movies, books and TV appearances, as well as Whoopi Goldberg’s excellent documentary on her. The following are some links and resources for further study. Note: The Amazon.com links listed here, in many cases, can also be obtained from your local library or other sources. Materials: Moms Mabley Albums If you only listen to one Moms Mabley album, make it either the “Live At Sing Sing” album or the “I Got Something To Tell You!” album. They all have value and enrich the Moms experience. Click on the blue links below to see the Amazon.com writeups of each album. Most of these albums are also available at your local library. [Note: A few are not available as CD’s, but as vinyl LP’s or even 8-track tapes.] • 1970 Moms Mabley - Live at Sing Sing • 1961 On Stage (Funniest Woman in the World) • 1961 Moms Mabley At The U.N. • 1961 Moms Mabley at The Playboy Club • 1962 Moms Mabley Breaks It Up • 1962 Moms Mabley at Geneva Conference • 1963 I Got Somethin' to Tell You! • 1963 Young Men, Sí – Old Men, No • 1964 Moms Mabley Moms The Word • 1964 Out on a Limb • 1964 The Funny Sides of Moms Mabley Chess • 1964 Moms Wows • 1964 Best of Moms and Pigmeat, Vol. 1 • 1965 Men in My Life • 1965 Now Hear This • 1966 Moms Mabley at the White House Conference • 1968 Best of Moms Mabley • 1968 Moms Mabley single Abraham,