Collection of Scripts for Our Miss Brooks, 1950-1956
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L11ar2tu Represented by Edward Petry 8 Co., Inc
RTES Plans Time Course THIRTEEN -WEEK course designed for new members of the time -buying and time -selling business will begin Oct. 26 at a luncheon ses- sion in New York at Toots Shor's restaurant and will be held at the same place every Tues- day thereafter. Seminar, sponsored by the Radio and Television Executives Society, will cover such subjects as audience research, agen- cy, network and sales practices and merchan- dising. Speakers are being selected from agen- cy, advertiser, network and station representa- tive fields. Fee for the course is $47.50. NETWORK PEOPLE Garrett E. Hollihan, account executive, KGO San Francisco, appointed sales manager, ABC Pacific Coast Radio Network, headquartered in that city. Jack Smight, director, NBC-TV One Man's Family, appointed producer -director. John Scott Trotter, music director, CBS Radio Bing Crosby Show, to NBC -TV George Gobel Show in similar capacity. Charles Standard, salesman, NBC-TV, Chicago, transfers to sales dept., N. Y. Ernest Sloman, columnist and acting city editor, Pasadena Independent, Pasadena, Calif., to CBS -TV, Hollywood, as publicist. S etu Chuck Thompson, disc m.c., WITH Baltimore, signed by DuMont Tv to do play -by -play on Pro -Football Game of the Week. up Mary Margaret McBride, formerly with ABC, to NBC Radio as conductor, five -minute com- mentary program (Mon.-Fri., 3 -3:05 p.m. EST). the norfolk market H. Malcolm Stuart, account executive, DuMont Tv, appointed to handle sale of all network political telecasts. with a one station buy George P. Herro, promotion and public relations director, midwest operations, MBS, appointed member, Council of Business Management Rep- resentatives to Citizens of Greater Chicago or- ganization. -
EDGE: Mama Bears
m o 77 c . o t o h p k c o t s i . w w w So you think your mother-in-law is bad… By Sarah Rossbach y husband used to tease me that my me for marrying her middle son. While no money was mother paid him a huge fee to marry me. exchanged, I registered the gratitude that with her son in But that jest perhaps hides the real truth: my hands, she had one less worry on her mind. I must admit I was lucky in the mother-in-law department. MOn Christmas Eve, the year we were married, my mother-in-law, martini glass in hand, Mother-in-law. An appellation so resonant that it is almost cornered me at a family gathering and tearfully thanked onomatopoetic in evoking a mixture of fear, humor, VISIT US ON THE WEB www.edgemagonline.com 78 FAMILY We are invasiveness and sometimes loathing. My father used to say that he married a “Rose that grew from a dung heap.” ready for And when my mother married my dad, her new sister-in- law took her to lunch to warn her about the well- manicured claws of her future mother-in-law. My mother summer! actually got along swell with my grandmother, perhaps because she was a vast improvement to her own mother. Meanwhile, the sister-in law’s mother was referred to by her husband as “The Toad.” That being said, mothers-in- Stop in to view our new collections law can occasionally be outright fun. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Media Narratives and Possibilities for Teachers' Embodied Concepts of Self
Available online at www.jmle.org The National Association for Media Literacy Education’s Journal of Media Literacy Education 4:2 (2012) 149-158 Media Narratives and Possibilities for Teachers’ Embodied Concepts of Self Jane S. Townsend School of Teaching and Learning, University of Florida, Gainesville, FL, USA Patrick A. Ryan School of Education and Human Services, Mount St. Mary’s University, Emmitsburg, MD, USA Abstract Non-print media of radio, television, and film tell narratives about the image and practice of teachers, but how might these media narratives shape conceptions of teachers as well as teachers’ conceptions of themselves? What elements of the media narratives do we incorporate and reject in the narratives that we construct about their professional identities? How do these media and personal narratives interact with larger social narratives, such as the purposes for schools and gender role expectations? We take a historical view of the shaping power of media narratives and the contexts in which they flourished by looking to past depictions of teachers in radio, television, and film. Keywords: teacher image, popular media, narrative analysis, ideological frames, audience reception “We are shaped according to the habit of spectacle.” rests on their ability to offer sufficient coherence within (Fleckenstein 2003, 55) our ideological frames. Because of the evolving social, In reviewing trends in media literacy cultural, and historical contexts in which we create education, Martens (2010) emphasizes helping K-12 narratives as well as our own individual sense of self, students analyze mass media texts, with some scholarly these texts are often revised as new information is discussion about higher education contexts. -
Dear Friends, Do You Have Any Special 4Th of July
Dear friends, Do you have any special 4th of July memories? We certainly would love to be able to come visit and hear some of those stories in person. But, alas; this doggone quarantine is still upon us. And that means swapping stories over coffee and “When Swing Was King” shows will have to wait just a bit longer. In the meantime, we have yet another in our “anti-boredom” packets for you. And, if I’m counting right, this is Number 18 in the series which we created to help relieve the boredom, to engage your mind and memories, to lift your spirits, and to remind you that you are in our ongoing thoughts and prayers. But before we get going, let me start with a few 4th of July jokes some of the kids I know passed along to me. 1) Joey: My brother swallowed a box of firecrackers. Jane: Is he all right now? Joe: I don’t know. We haven’t heard the last report. 2) Teacher: Tommy, can you tell us just where the Declaration of Independence was signed? Tommy: Yes, ma’am. At the bottom. 3) Question: How come there's no Knock Knock joke about America? Answer: Because freedom rings. 4) Question: How is a healthy person like the United States? Answer: They both have good constitutions! 5) Question: What would you say if everyone in the U.S. sneezed at the same time? Answer: “God bless America!” 1 Multiple Choice Questions 6) What two famous singers appeared in both the films High Society and 1) Who was Batman’s young Robin and the 7 Hoods? crime-fighting partner? A) Bing Crosby & Frank Sinatra A) Bat Boy B) Nat King Cole & Louis Armstrong B) Tom Swift C) Elvis Presley & Roy Orbison C) Robin, the Boy Wonder D) Don & Phil (The Everly Brothers) D) Eddie Eagle 7) Nag, filly, dobbin, and gee-gee are 2) In which U.S. -
{Dоwnlоаd/Rеаd PDF Bооk} Maude Kindle
MAUDE PDF, EPUB, EBOOK Donna Foley Mabry | 496 pages | 16 Oct 2014 | Createspace | 9781501086137 | English | [Place of publication not identified, United States Manufacturer and User Facility Device Experience Database - (MAUDE) | FDA S1, Ep6. After Maude fails to argue her way out of a speeding ticket, she proceeds to traffic court to plead her case and ignores Arthur's attempts to fix it behind the scenes. S1, Ep7. Tired of being single, Carol agrees to marry a man she doesn't love much to Maude's chagrin. S1, Ep8. The early returns of the presidential election find Maude and Walter reminiscing to four years earlier when they were first dating. S1, Ep9. Maude must make a difficult decision when she finds out she's pregnant at S1, Ep Walter does not want to be a father, Maude decides not to have the baby. Maude welcomes her old college friend for a visit but is stricken with regret when she sees how successful the friend has become. Maude and her friends are determined to get arrested in protest after a 17 year-old kid is arrested for possession of marijuana. Walter and Maude purchase an apartment building for an investment. The residents being to picket in front of the Findley house, calling Walter and Maude slumlords. During a trip to attend Walter's convention, Maude tells Walter she is discouraged about finding a job and thinks it is because she is a woman Maude decides to speak about woman's lib at Walter's convention. Maude throws a party for Walter's 50th birthday. -
R Mohawk Valley NOW Presents
NATIONAL ORGANIZATION FOR WOMEN Non-Profit Organization Mohawk Valley Chapter US Postage Paid P.O. Box 1066 Utica, NY Utica, NY 13503 Permit 1612 Address Correction Requested Kate Oser 1055 South St. 9-. ~ 2... ~o,>:. \OSS C\'-cv,..o<" C'l~ \~">'2..~ r Mohawk Valley NOW presents ... /1 NOW'S 20TH ANNIVERSARY SHOW ) On Videocassette Live from the Dorothy Chandler Pavilion < More than 100 actors and entertainers committed their talents to NOW's 20th Anniversary celebration which was marked by a live, two-hour show on December 1 at the Dorothy Chandler Pavilion in Los Angeles, produced by Peg Yorkin and Susan Dietz and directed by Anne Commire. Written by Doris Baizley and Ms. Commire based on the 20-year chronology of NOW's history compiled by Toni Carabillo and Judith Meuli, the show is a moving and funny, informative and entertaining, and fast-paced blend of history and entertainment. It's a serious, yet humorous account of some of the events and actions that changed women's lives since NOW's founding in 1966. Interspersed between celebrities describing landmark events, there is archival film, two major film essays narrated by Marlo Thomas (one on the Vermont state ERA campaign and one on Title IX), a monologue by lily Tomlin, a stirring speech by NOW's president, Eleanor Smeal, and she musical numbers accompanied by a 31-piece orchestra conducted by Peter Matz, including: "Miss Celie's Blues" performed by Mariette Hartley "I Am Woman" performed by Helen Reddy "Sisters Are Doing It For Themselves" performed by Mara Getz & Alaina Reed "All Girl Band" performed by Edie Adams, Alaina Reed, Jackee Harry Medley of "girl" songs performed by the NOW Broadway Chorus "Together We Can Make The Dream Come True" performed by Melissa Manchester written especially for the snow by Ms. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 TWILIGHT AND SHADOWS: THE LESBIAN PRESENCE IN HLM NOIR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Terry L. -
To Download The
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Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
Lucille Ball and the Vaudeville Heritage of Early American Television Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: White, Rosie (2016) Funny peculiar: Lucille Ball and the vaudeville heritage of early American television comedy. Social Semiotics, 26 (3). pp. 298-310. ISSN 1035-0330 Published by: Taylor & Francis URL: http://dx.doi.org/10.1080/10350330.2015.1134826 <http://dx.doi.org/10.1080/10350330.2015.1134826> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/25818/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published