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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Black Panther: Volume 1: the Complete Collection Pdf, Epub, Ebook
BLACK PANTHER: VOLUME 1: THE COMPLETE COLLECTION PDF, EPUB, EBOOK Mark Texeira,Joe Jusko,Christopher Priest | 416 pages | 25 Aug 2015 | Marvel Comics | 9780785192671 | English | New York, United States Black Panther: Volume 1: The Complete Collection PDF Book Rhodey shows up and hates everybody because his sister died. The library didn't have it though, so then took a while to get my hands on my own copy and now they do have the entire series sigh but then I was sort of moving away from superhero comics for a bit Similarly, I'm not sure if disability vs ability is ever confronted. Ayla Pendragon rated it really liked it Jan 13, Be the first to ask a question about Black Panther by Christopher Priest. About Christopher J. May 31, Joe Lunday rated it really liked it Shelves: comics-graphic-novels. Aug 11, Scott rated it really liked it. Trevor Hairsine Illustrations ,. View Product. Who is the Black Panther - and what is the secret history of Wakanda? His story is just amazingly epic! Home 1 Books 2. Priest is also a baptist minister. If you're interested in t With the film on the way, I wanted to be caught up on some of the histories of the character, as the cinematic version will pull some inspiration from this series. There's even a scene where thousands of black people come to the city to see a glimpse of the black panther. Science Fiction. Jere Pilapil rated it really liked it Oct 03, Books by Christopher J. He stands featureless and masked up in a generic, light-swallowing Panther costume. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Feb 18 Customer Order Form
#365 | FEB19 PREVIEWS world.com Name: ORDERS DUE FEB 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Feb19 Cover ROF and COF.indd 1 1/10/2019 11:11:39 AM SAVE THE DATE! FREE COMICS FOR EVERYONE! Details @ www.freecomicbookday.com /freecomicbook @freecomicbook @freecomicbookday FCBD19_STD_comic size.indd 1 12/6/2018 12:40:26 PM ASCENDER #1 IMAGE COMICS LITTLE GIRLS OGN TP IMAGE COMICS AMERICAN GODS: THE MOMENT OF THE STORM #1 DARK HORSE COMICS SHE COULD FLY: THE LOST PILOT #1 DARK HORSE COMICS SIX DAYS HC DC COMICS/VERTIGO TEEN TITANS: RAVEN TP DC COMICS/DC INK TEENAGE MUTANT NINJA ASCENDER #1 TURTLES #93 STAR TREK: YEAR FIVE #1 IMAGE COMICS IDW PUBLISHING IDW PUBLISHING TEENAGE MUTANT NINJA TURTLES #93 IDW PUBLISHING THE WAR OF THE REALMS: JOURNEY INTO MYSTERY #1 MARVEL COMICS XENA: WARRIOR PRINCESS #1 DYNAMITE ENTERTAINMENT FAITHLESS #1 BOOM! STUDIOS SIX DAYS HC DC COMICS/VERTIGO THE WAR OF LITTLE GIRLS THE REALMS: OGN TP JOURNEY INTO IMAGE COMICS MYSTERY #1 MARVEL COMICS TEEN TITANS: RAVEN TP DC COMICS/DC INK AMERICAN GODS: THE MOMENT OF XENA: THE STORM #1 WARRIOR DARK HORSE COMICS PRINCESS #1 DYNAMITE ENTERTAINMENT STAR TREK: YEAR FIVE #1 IDW PUBLISHING SHE COULD FLY: FAITHLESS #1 THE LOST PILOT #1 BOOM! STUDIOS DARK HORSE COMICS Feb19 Gem Page ROF COF.indd 1 1/10/2019 3:02:07 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Strangers In Paradise XXV Omnibus SC/HC l ABSTRACT STUDIOS The Replacer GN l AFTERSHOCK COMICS Mary Shelley: Monster Hunter #1 l AFTERSHOCK COMICS Bronze Age Boogie #1 l AHOY COMICS Laurel & Hardy #1 l AMERICAN MYTHOLOGY PRODUCTIONS Jughead the Hunger vs. -
The Batman Adventures Comic!
Celebrating Batman: The Animated Series’ 25th Anniversary! September 2017 No.99 $8.95 Harley Quinn history! The Batman Adventures comic! The animated DC Universe in comics! And a tribute to the late, great Mike Parobeck! featuring Altieri • Burchett • Conroy • Dini • Pasko • Sorkin • Strong • Timm & more! 1 82658 00102 5 g y g Volume 1, Number 99 September 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST Bruce Timm (Harley Quinn commission from the collection of John Hicks.) COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Kevin Altieri Paul Levitz Brian Augustyn Judi Lewinson Brooke Barnett/DPN Elliot S. Maggin Talent Agency Tifiney McCullough Mike W. Barr Dennis O’Neil Norm Breyfogle Mike Parobeck Laren Bright Appreciation Society Rick Burchett Martin Pasko Alan Burnett Scott Peterson KC Carlson Mike Pigott Kevin Conroy Dr. Harleen Quinzell Gerry Conway Dan Riba Karen Crary Randy Rogel DC Comics Andrea Romano Sean Catherine Derek Nino Santiago Paul Dini Arleen Sorkin PRO2PRO ROUNDTABLE: Batman: The Animated Series: An Oral History . 2 Chuck Dixon Len Strazewski Animators, writers, and voice talent discuss the evolution of the classic Batman TV show Mark Evanier Tara Strong Lance Falk Rick Taylor EPISODE GUIDE: Batman: The Animated Series. 23 Jordan B. Gorfinkel Steven Thompson Grand Comics Bruce Timm BACKSTAGE PASS: Bob Hastings, the Voice of Commissioner Gordon . 30 Database John Trumbull This actor/voice actor was no stranger to comics-related roles Heritage Comics Steve Vance Auctions Warner Bros. Animation John Hicks Glenn Whitmore TOY BOX: The Animated Batmobile . 32 Christopher Jones Marv Wolfman Collectibles of the coolest cartoon car ever Karl Kesel Walden Wong Charlie Kochman World’s Finest Online FLASHBACK: The Batman Adventures: An Enduring Legacy . -
Psychiatry (Eds D Bhugra, K Bhui): 301–13
Mental health problems in young people from minority ethnic groups 3 Rutter M, Quinton D. Psychiatric disorders: ecological factors and concepts 7 Stevens GWJM, Vollebergh WAM. Mental health in migrant children. of causation. In Ecological Factors in Human Development (ed H McGurk): J Child Psychol Psych 2008; 49: 276–94. 173–87. North-Holland, 1977. 8 Green H, McGinnity A, Meltzer H, Ford T, Goodman R. Mental Health of 4 Dogra N, Vostanis P, Karnik N. Childhood and adolescent psychiatric Children and Young People in Great Britain, 2004. Palgrave Macmillan, 2005. disorders. In Textbook of Cultural Psychiatry (eds D Bhugra, K Bhui): 301–13. 9 Ho¨ lling H, Kurth BM, Rothenbeger A, Becker A, Schlack R. Cambridge University Press, 2007. Assessing psychopathological problems of children and adolescents from 3 to 17 years in a nationwide representative sample: results 5 Department of Health, Department for Education and Skills. The National of the German health interview and examination survey for children Service Framework for Children, Young People and Maternity Services. and adolescents (KiGGS). Eur Child Adolesc Psychiatry 2008; 17 (suppl 1): Department of Health, 2004. 34–41. 6 Department for Education and Skills. Every Child Matters: Change for 10 Singh SP. Shooting the messenger: the science and politics of ethnicity Children. TSO (The Stationery Office), 2004. research. Br J Psychiatry 2009; 195: 1–2. psychiatry Dr Harley Quinn, the villain from Gotham City in pictures with dependent personality disorder Jose´ Alexandre S. Crippa and Jaime E. C. Hallak Dr Harley Quinn is a super-villain, enemy of Batman, whose name was suggested by the Joker as a play with the word ‘harlequin’ and her original name, Harleen Quinzel. -
Graphic Ink the DC Comics Art of Darwyn Cooke Free
FREE GRAPHIC INK THE DC COMICS ART OF DARWYN COOKE PDF Darwyn Cooke | 400 pages | 27 Oct 2015 | DC Comics | 9781401258092 | English | United States Graphic Ink: The DC Comics Art of Darwyn Cooke by Darwyn Cooke Presented without masthead, logos or branding. Parts of the image wrap to the inside of the Graphic Ink the DC Comics Art of Darwyn Cooke board. Front panel art is original to this book. Size to fit with overlap on third page. Includes inside front cover. Character vignettes from many sources. Lists of contributors, DC Comics' executives, original sources, copyright holders and publication data. The unused pencils of the first page of the story are presented with an small inset of the published page followed by the remaining 4 published pages. Credits include "special thanks" to Steve Manale. The ship is named after original Doctor Fate artist Howard Sherman. Full image, without clipping. Presented without, logos or branding. Masthead is part of original art. Title is truncated to "Introduction By Rip Hunter". Jared Fletcher is credited on the "Table of Comics" page. This is a framing story, with pages between some of the other stories. Story is not mentioned or titled on the "Table of Comics" page. Special thanks to Bruce Timm. Only writer and artist are credited in the "Table of Comics" and on Graphic Ink the DC Comics Art of Darwyn Cooke story page. The story page credits have been reworked from the original publication in House of Mystery 36 June DC, Series. Confirmation of credit by Todd Klein Full size, un-cropped image, presented without masthead, logos or branding, split over two pages. -
{FREE} Avengers Vs. Thanos
AVENGERS VS. THANOS PDF, EPUB, EBOOK Jim Starlin,Mike Friedrich,Steve Englehart | 472 pages | 05 Mar 2013 | Marvel Comics | 9780785168508 | English | New York, United States Thanos Vs Darkseid: Who Is Really Stronger? | CBR The League more often than not only manage to escape him rather than beat him. Enter Darkseid - the supervillain with the signature move to end all others. Using his Omega Beams, Darkseid has ruled worlds with an iron fist. The Omega Beams are capable of traveling galaxy-wide distances and are locked on its target till eternity unless directed on something else. The Omega Beams are a one-shot kill for the most part and have been used by Darkseid for teleportation, resurrection, and all-out disaster. Both Thanos and Darkseid have one MacGuffin that is used as part of their core characterization. Darkseid is hardly ever shown having acquired the Anti-Life Equation; even if he does achieve it, its main power is to cause widespread loss of brain function, enabling the holder to make his victims dance like his personal puppets to his every whim. Both these supervillains are intergalactic despots who have conquered hundreds of worlds. Thanos is well-known for being wanted in the solar system for his crimes, and he carries these out by using his forces comprising of Outriders, personal underlings, and armada like the Sanctuary. Being the unquestioned king of Apokolips, Darkseid has his army of Paradeamons, who know only a thirst for fear and hunt in astonishingly large groups. Add to that, Darkseid commands several generals like Steppenwolf, Big Barda, Kalibak , among others, whose personal physiologies themselves are equivalent to armies. -
Lake Orion Lights
Issue Winter 2020 Charter Township of Orion Michigan Lake Orion Lights up the winter nights Wha’s Insi Important updates for Orion Township's garbage and recycling program Keep active this winter with Orion Township Library and Orion Parks & Recreation activities Your quarterly Shopping and date night options from the Township, Chamber and DDA STEM program ignites elementary guid student imaginations to life in Orion Photo byPhoto MyPic Photography Orion Area Orion Area CHAMBER OF COMMERCE WELCOME TO Useful Locations Useful Numbers Take advantage of the ORION TOWNSHIP HALL & EMERGENCIES winter beauty OAKLAND COUNTY SHERIFFS SUBSTATION Orion has to offer Joslyn Road NONEMERGENCY DISPATCH he majority of the leaves have already per person living in Orion Township ORION CENTER ORION AREA CHAMBER OF COMMERCE POLICE/FIRE/EMS fallen from their branches and winter that is counted in the Census Not only & ONTV weather has slowly begun to sneak up that but agencies and businesses rely on O on us It seems like it’s just dark outside census statistics to plan for a variety of LIVING RION Joslyn Road LAKE ORION POLICE all the time now and it would be so easy residential needs including new roads VILLAGE OF LAKE ORION & POLICE DEPARTMENT DEPARTMENT VILLAGE to pull the blankets back up over your schools emergency services and where head and go back to sleep But there is to open new businesses This is the fi rst USEFUL INFORMATION USEFUL East Church Street so much beauty to see throughout the year that you will be able to respond ORION TOWNSHIP -
Table of Contents Introduction 2 Young Readers 3 Middle School 7 High School 14 Older Teens 22
An Annotated Bibliography by Jack Baur and Amanda Jacobs-Foust with Carla Avitabile, Casey Gilly, Jessica Lee, Holly Nguyen, JoAnn Rees, Shawna Sherman, and Elsie Tep May 17th, 2012 Table of Contents Introduction 2 Young Readers 3 Middle School 7 High School 14 Older Teens 22 Prepared by BAYA for the California Library Association 1 Introduction It’s no secret that comics (or “graphic novels,” if you prefer) are hot items in the library world these days. Oh, we’ve known that for years, but recently publishers have been getting into the game in a big way. Too big, arguably. As publishers struggle, it seems like more and more they are turning to graphic novels as new revenue streams, to diversify existing properties, or as ways to repackage old content. With the deluge of titles coming at us, it’s becoming increasingly difficult for a librarian who isn’t deeply invested in their GN collection or tuned into the world of comics publishing to discern the excellent titles from the merely popular, and the quality from the... well, crap. And oh there’s a lot of crap out there these days... But there’s a whole lot of great stuff, too. Comics are a wonderful and unique medium, which allow any kind of story or instruction to be delivered in a way that is fun, engaging, and accessible. Just like other storytelling forms, the content can be simple and amusing, or it can be deep and challenging. It’s no surprise that comics are seeing such a jump in popularity and acceptance now.