Mens Santa Claus Union Suit Red
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A Pattern Language for Costumes in Films
Institute of Architecture of Application Systems A Pattern Language for Costumes in Films David Schumm1, Johanna Barzen2, Frank Leymann1, and Lutz Ellrich2 1 Institute of Architecture of Application Systems, University of Stuttgart, Germany {schumm, leymann}@iaas.uni-stuttgart.de 2 Institut für Theater-, Film- und Fernsehwissenschaft, Universität zu Köln, Germany {jbarzen, lutz.ellrich}@uni-koeln.de : @inproceedings,{INPROC42012419,, ,,,author,=,{David,Schumm,and,Johanna,Barzen,and,Frank,Leymann,and,Lutz, ,Ellrich},, ,,,title,=,{{A,Pattern,Language,for,Costumes,in,Films}},, ,, ,booktitle,=,{Proceedings,of,the,17th,European,Conference,on, ,Pattern,Languages,of,Programs,(EuroPLoP,2012)},, ,,,editor,=,{Christian,Kohls,and,Andreas,Fiesser},, ,,,address,=,{New,York,,NY,,USA},, ,,,publisher,=,{ACM},, ,,,year,=,{2012},, ,,,isbn,=,{97841445034294349}, }, © 2012 David Schumm, Johanna Barzen, Frank Leymann, and Lutz Ellrich. A Pattern Language for Costumes in Films David Schumm1, Johanna Barzen2, Frank Leymann1, and Lutz Ellrich2 1 Institute of Architecture of Application Systems, University of Stuttgart, Universitätsstr. 38, 70569 Stuttgart, Germany. {schumm, leymann}@iaas.uni-stuttgart.de 2 Institute of Media Culture and Theater, University of Cologne, Meister-Ekkehard-Str. 11, 50937 Köln, Germany. {jbarzen, lutz.ellrich}@uni-koeln.de Abstract. A closer look behind the scenes of film making and media science reveals that the costumes used in film productions are products of a complex construction process. The costume designer has to put a lot of creative and investigative effort into the creation of costumes to provide the right clothes for a particular role, which means the costume reflects the place and time of play as well as it shows understanding of the characteristics of the role, actor and screenplay overall. -
PE2430 About Your Child's Hickman Or Broviac Central Line
About Your Child’s Hickman or Broviac Central Line Hickman and Broviac catheters allow for your child to get fluids and nutrition through their vein while still giving them freedom to move and be active. What is a A central line is an IV (intravenous) line that is surgically placed into a large central line? (central) blood vessel of the body. Two very common types of central lines are called Hickman and Broviac catheters. They are placed into a major blood vessel in or near the heart. Part of the line goes under the skin and enters a blood vessel several inches away. This type of central line is called a tunneled central line. The tunneled central line has a cuff under the skin near the exit site. The cuff is a small felt-like piece of material that encircles the central line. Skin will grow around the cuff just inside the body to help hold the line in place and help from it getting pulled out. The cuff also acts like a barrier to decrease the chance of infection. The other end of the tubing remains outside the skin and has an opening for placing IV nutrition, medicines and fluids. 1 of 4 To Learn More Free Interpreter Services • Intestinal Rehab Program • In the hospital, ask your nurse. 206-987-5662 • From outside the hospital, call the • Ask your child’s healthcare provider toll-free Family Interpreting Line, 1-866-583-1527. Tell the interpreter • seattlechildrens.org the name or extension you need. About Your Child’s Hickman or Broviac Central Line Why is a central A central line is used for giving medicine, fluids, IV nutrition and for drawing line used? blood. -
Line Count/Costumes PDF Click Here to View
Character information for ______________________________________________________________ NB – for larger schools, extra speaking characters can easily be added to scenes and the existing lines shared out between them. Equally, for smaller schools, because many characters only appear in one scene, multiple parts can be played by a single actors. ______________________________________________________________ 37 speaking characters order of appearance. ______________________________________________________________ * A ‘line’ is defined as each time a character speaks - usually between one and five actual lines of text each time. Number of Speaking Character spoken lines * Costume Suggestions Rudolph 13 A red nose, a reindeer ‘onesie’ or brown top, leggings and antlers. Gabriel 14 Traditional nativity angel costume, with wings and halo. Charles Dickens 10 Victorian look – bow-tie, waistcoat and jacket. Long goatee beard. Erika Winterbörn 9 Viking tunic and helmet. Fur shawl or wrap. Festivius Maximus 10 Roman toga, laurel crown and red cloak. Senilius 11 Roman toga and red cloak. White beard. Tipsius 6 Plain brown or grey tunic, belted. Violentia 2 Armour breast plate over a white tunic, greaves and a helmet. Bratius 2 Plain brown or grey tunic, belted. Moodica 2 Plain brown or grey tunic, belted. Lavatoria 1 Long, belted elegant dress, tiara and jewellery. Olaf 6 Viking tunic and helmet. Fur shawl or wrap. Astrid 5 Viking tunic and helmet. Fur shawl or wrap. Hair in plaits. Cow 1 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 2 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 3 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. -
Dressing with Pride: Clothing for the Elderly and Disabled Evelyn Kennedy Commentucci, Sewtique March 16, 2016
Dressing with Pride: Clothing for the Elderly and Disabled Evelyn Kennedy Commentucci, Sewtique March 16, 2016 Summary by Salem Amanda Moritz Evelyn Kennedy Commentucci, the founder of Sewtique, presented the University of Rhode Island’s TMD students with samples of her clothing designs for the elderly and disabled that she made in the 1950s. Having experienced three years of her life with a full leg cast and forearm crutches, Evelyn was well aware of the struggles of a handicapped person, especially when it came to dressing. From there, she was inspired to design and alter traditional clothing so it is not only more comfortable and practical, but also stylish. Evelyn first told us about a group of four girls she had worked with who lived in an institution for disabled children. She described them as being completely dependent on their caretakers and having “no daily living skills.” Evelyn was determined to change that. In order to help these girls learn to dress themselves she began by giving them large squares of fabric with buttons, snaps, or Velcro. By practicing with these weekly, they further developed their fine motor coordination. Eventually, the girls were given special dresses designed and created by Evelyn that opened and closed with the same closures they had practiced on, and the girls were able to dress themselves much more independently than before. Then Evelyn began thinking about other types of clothing that could use improvement for children with varying forms of disabilities. She started by taking ready-to-wear clothing and making alterations so they could more easily be put on and taken off, such as zippers to open the neckline for sleeve access, or extending a zipper to the toe of a onesie instead of it ending at the hip. -
Munsingwear" Still Alive in 1894 When Munsing Left to Pursue a Career As an Inventor
MH f/ QCO ccz!" ODO ILU-I KATIMES.COM , When your underwear is in a bundle, creeping and crawling where it does not belong, the discomfort can have a significant impact on the quality of your day. Hence, the quest for perfect-fitting undergarments. Admittedly, even our worst options today are far superior to the loin cloths, corsets and wool union suits our ancestors had to wear. George D. AAunsing understood the importance of comfort, and he initiated a huge leap forward in the underwear department during the late 1800s. Among his numerous patents involving knitting, sewing and crocheting machines, his most famous involved an itchless wool union suit and better-fitting undershirts and underpants. The company he helped found, which eventually became known as AAunsingwear, was part of the fabric of Minneapolis history for more than 100 years. Here's a brief "under-view" of some of the more colorful swatches of AAunsingwear history. ///////////////////////////^^^^ company couldn't keep up with demand. Unable to deliver the goods, they struggled to keep the business alive. In 1887, three well-known Minneapolis businessmen - Charles A. Pillsbury (flour), Clinton Morrison (banking) and Thomas Lowry (transportation) - served on the board of directors "Don't Say and purchased stock to infuse capital into the company. Two key decisions kept the business Underwear afloat: the company set up a distribution office in — Say New York and established temporary agreements with textile subcontractors. The business was Munsingwear" still alive in 1894 when Munsing left to pursue a career as an inventor. The other two founding In 1974 sales were $104 partners had also left the company by this time. -
The La Tarde Dine Thou Want To
THELA TARDE DINEUS 20180271176A1 THOU WANT TO ( 19) United States (12 ) Patent Application Publication (10 ) Pub. No. : US 2018/ 0271176 A1 Harrell ( 43 ) Pub . Date : Sep . 27 , 2018 ( 54 ) UNDERGARMENTS WITH MULTI- LAYER (52 ) U . S . CI. BARRIERS TO LESSEN EMF/ EMR /EHS CPC . .. A41B 9 / 12 ( 2013 . 01 ) ; A61F 2013 / 8408 EMITTING FEATURES AND MOISTURE ( 2013 .01 ) ; A41B 9 / 02 ( 2013 . 01 ) ; A41B 13 / 08 MANAGEMENT PROPERTIES (2013 .01 ) ; A41B 9 / 04 ( 2013 .01 ) ; A41C 3 /005 (2013 .01 ) ; A41B 17 /00 (2013 .01 ) ; A41B 13 /04 ( 71 ) Applicant : Delores Harrell, Ellenwood , GA (US ) (2013 .01 ) ; A41C 3 / 12 ( 2013 .01 ) ; B32B 5 / 02 ( 2013 .01 ) ; B32B 5 / 26 ( 2013 .01 ) ; A61F ( 72 ) Inventor: Delores Harrell, Ellenwood, GA (US ) 13 / 8405 (2013 . 01 ) ; A41B 2400 / 52 ( 2013 . 01 ) ; A41B 2400 /62 (2013 .01 ) ; B32B 2307 / 212 (21 ) Appl. No. : 15 /912 , 905 (2013 . 01 ) ; B32B 2555 /02 (2013 .01 ) ; A41B 9 / 06 ( 2013 .01 ) ( 22 ) Filed : Mar. 6 , 2018 (57 ) ABSTRACT Related U . S . Application Data Undergarments are worn beneath other clothing articles and have direct contact to human skin and vital body organs. The (60 ) Provisional application No . 62 / 469 ,478 , filed on Mar . rationale behind the development of this invention is to 9 , 2017 . minimize electromagnetic fields / frequency ( EMF ) ; electro magnetic radiation ( EMR ) ; and electromagnetic hypersen Publication Classification sitivity ( EHS ) while managing moisture production within (51 ) Int. Cl. the same. Multiple textile barrier linings will serve as A41B 9 / 12 ( 2006 . 01 ) blocking measures to minimize the hazardous effects linked A41B 9 / 06 ( 2006 .01 ) to various EMR / EMF emitting exposure as well as introduce A41B 9 / 02 ( 2006 .01 ) moisture and absorption properties . -
Clothing Days
4-H CLOTHING DAYS Rhodes Center Auditorium, Ohio State Fairgrounds Tuesday, July 31 – Thursday, August 2 Shannon Carter, Jami Dellifield & Christine Kendle, Assistant Superintendents GENERAL GUIDELINES: 1. Age of Participants • 4-H Age as of 1/1/2018 • *New for 2018: Sew Fun, Junior category (age 8-10) and Senior category (age 11 & up) as of 1/1/2018. • *New for 2018: Shopping Savvy and Look Great for Less, Junior category (age 8-13) and Senior (age 14 and up) as a 1/1/2018. 2. Participation Guidelines: • All participants will take part in the judging and fashion revue indicated for their class. • Counties may select one individual to participate in each class, J-1 through J-21. • Participants must be enrolled in and have completed the project in which they are enrolled as listed in the 2018 Family Guide to 4-H. Note: It is unethical and strictly prohibited for members to switch from one project to another after completing the project in order to participate at the State Fair Fashion Revue. • Individuals may participate in a total of 2 classes as long as they are in different style reviews – see schedule below. • 4-H’ers who take more than one clothing project must complete separate learning experiences related to each, including creating a separate, complete, total look outfit FOR EACH PROJECT. (e.g. A top made for one project cannot be used in another project; an outfit used in one project cannot be used with an Outerwear project.) • The Clock Trophy winner of any class prior to this year is not eligible to participate in the same class for this year. -
Students Protest Uniforms
SteinmetzVolume 82, Number 2, October-November 2016 Star www.steinmetzstar.com Students protest uniforms By Ethan Miranda and Agape Alfaro his year, Steinmetz dropped a bomb with the new uniform policy that re- Tquires khaki pants and the green polo. It did not go well with students. Plain and simple, the students despise it and wish to be able to wear whatever they choose to wear. When 690 freshmen, sophomores, juniors and seniors were asked their preference in a Star survey distributed in October, only four percent said they liked the uniform. Photo by Vinnie Rivera Vinnie by Photo Students began protesting the new policy Jessy MartinezMeeting by photos during the first weeks of school, gathering sig- Isaiah Roman speaks at the Sept. 14 LSC meeting about students showing school spirit by wearing shirts other than the polo. He also spoke at the natures on a petition and speaking at the Local October and November LSC meetings. Ethan Miranda addresses students who took part in the Nov. 7 uniform boycott, organized on Facebook. School Council (LSC) meeting on Sept. 14. As the weeks went on, they continued voic- “We didn’t get our way,” sophomore An- ing their concerns directly to Principal Stephen gelique Ortiz said. “We settled for less.” Ngo and again at the October LSC meeting. “The no-uniform protest really failed us,” Finally, on Nov. 7 they organized a one-day sophomore Keyla Garcia said. “It just shows boycott, in which more than 100 students that the school doesn’t care for what we have to came to school out of uniform. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Fashion Content Standards Guide
Walmart Fashion Content Standards Updated Q4 2020 updated on: 11-17-20 Table of Contents Section 1: Content Section 4: Attribution Guidelines Importance of Content Men's & Women's Uniform & Workwear - Gowns & Coveralls 3 41 Attribute Definitions 82 Children's Apparel 42-45 How to Add Attributes 83 Section 2: Image Guidelines Gifting Sets Apparel 46-47 All Apparel Attributes 84-90 Image Requirements 5 All Tops, Items with Tops & Full Body Garments – Additional Attributes 91 Image Attributes 6 Section 3: Copy Guidelines All Tops with Collars, Robes, and Items with Collars – Additional Attributes 92 Silo Image Requirements - Photo Direction 7 Copy Standards 49 All Tops, Items with Tops, Intimates, Swimwear, & Dresses – Additional Attributes 93 Copy Definitions 50 Women's Dresses & Jumpsuits 8 All Jackets/Coats/Outerwear Tops & Sets with Jackets/Coats Additional Attributes 94 Search Engine Optimization 51 Women's Bodysuits & Outfit Sets 9 All Jackets/Coats/Outerwear & Weather Specific Bottoms –Additional Attributes 95 Writing Descriptions for Fashion 52 Women's Tops & Bottoms 10 All Athletic & Activewear - Additional Attributes 96 Women's Jackets & Coats 11 Legal Copy Information for All Categories 53 All Bottoms, Overalls/Coveralls, & Items with Bottoms - Additional Attributes 97 Women's Cloaks & Ponchos 12 All Upper Body Garments – Title Structures 54 All Pants, Overalls, & Items with Pants/Bottoms - Additional Attributes 98 Women’s Bundled/Multipacks – Tops 13 All Upper Body Garments - Copy Guidelines 55 All Shorts & Items with Shorts - -
By Craig Sodaro
By Craig Sodaro © Copyright 2012, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155 . All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” THE SECRET CASE OF SHERLOCK HOLMES A Comedy by CRAIG SODARO CAST OF CHARACTERS (In Order of Speaking) # of lines 1886 CHARACTERS MISS PINCHLEY ........................Arthur Conan Doyle’s secretary 16 H.G. WELLS ..............................20-year old aspiring author 33 SHERLOCK HOLMES ..................young detective just 267 starting out DR. JOHN WATSON ....................his friend and partner 219 VOICE OF MRS. -
Close to the Skin: a Revealing Look at Lingerie
Close to the Skin: A Revealing look at Lingerie Wedding gown House of Worth, France ca. 1878 Silk faille; silk embroidery; glass pearls; lace #67.446 Charles Frederick Worth (1825-1895) is considered the founder of haute couture. This early Worth creation illustrates his patronage by wealthy Americans, who had to travel to Paris to purchase their custom made dresses. Sarah Noyes Tibbets wore this dress when she married John Wool Griswold on January 15, 1878. Petticoat ca. 1878 Cotton #67.446c This petticoat was probably coordinated to go with the elaborate wedding gown by Charles Frederick Worth, made for Sarah Noyes Tibbett. The fineness of the cotton petticoat matches that of the gown. Pantaloons or drawers United States 1870s Plain weave light brown mixed fiber (silk, cotton, and/or wool) #57.920 Hoop skirt United States Ca. 1870 Steel springs; cotton twill tape No acc. # Hoop skirts could on occasion flip up, due to tripping or high wind. Pantaloons, or drawers, proved helpful in covering the legs if such a faux paus occurred. Corset R & G Corset Co. 1875-1900 White twill-weave cotton, lace, steel #67.591 Close to the Skin: A Revealing look at Lingerie Dress 1925-1930 Floral print silk chiffon with pink silk faille underdress. #59.379 Simpler, sheerer dresses in fashion in the 1920s often borrowed elements from undergarments. This example has a pink slip that is integral to the sheer overdress, including a matching printed hem that extends below the outer hemline. The edge of the wide collar is finished in a manner similar to fine lingerie.