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Antihero- Level 2 Theme 2008
DEFINITION AND TEXT LIST - ENGLISH - LITERATURE Teenage Anti-Hero UNIT STANDARD 8823 version 4 4 Credits - Level 2 (Reading) Investigate a theme across an inclusive range of selected texts Characteristics in protagonists that merit the label “Anti-hero” can include, but are not limited to: • imperfections that separate them from typically "heroic" characters (selfishness, ignorance, bigotry, etc.); • lack of positive qualities such as "courage, physical prowess, and fortitude," and "generally feel helpless in a world over which they have no control"; • qualities normally belonging to villains (amorality, greed, violent tendencies, etc.) that may be tempered with more human, identifiable traits (confusion, self-hatred, etc.); • noble motives pursued by bending or breaking the law in the belief that "the ends justify the means." Literature • Roland Deschain from Stephen King's The Dark Tower series Alex, the narrator of Anthony Burgess' A Clockwork • Raoul Duke from Hunter S. Thompson's Fear and Orange. • Loathing in Las Vegas Redmond Barry from William Makepeace • Tyler Durden and the Narrator of Chuck Palahniuk's Thackeray's The Luck of Barry Lyndon • Fight Club Patrick Bateman from Bret Easton Ellis' American • Randall Flagg from Stephen King's The Stand, Eyes of Psycho. • the Dragon and The Dark Tower. Leopold Bloom from James Joyce's Ulysses. • Artemis Fowl II from the Artemis Fowl series. Pinkie Brown from Graham Greene's Brighton Rock. • • Gully Foyle from Alfred Bester's The Stars My Holden Caulfield from J.D. Salinger's Catcher in the • • Destination Rye. Victor Frankenstein from Mary Shelley's Conan from the stories by Robert E. Howard, the • • Frankenstein archetypal "amoral swordsman" of the Sword and Jay Gatsby from F. -
September-0Ctober 2013
september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Supervision Curriculum for Family and Person Centered Practice: Supervision 201: the Assessment, Performance Evaluation and Professional Development Planning Track
Table of Contents: The Supervision Curriculum for Family and Person Centered Practice: Supervision 201: The Assessment, Performance Evaluation and Professional Development Planning Track Learning Objectives 4 The Self Assessment for Supervisors 7 Introduction 7 The Self Assessment for Supervisors: A Completed Example 10 Part 1: Supervision Skills 10 Part 2: Values & Principles 13 Part 3: Job Skills & Activities 16 Part 4: Policy, Procedure and Best Practice 21 Scenario: Rhonda 21 Supervisor’s Individualized Professional Development Plan: A Completed Example 26 The Self Assessment for Supervisors: Forms 35 Part 1: Supervision Skills 36 Part 2: Values & Principles 39 Part 3: Job Skills & Activities 42 Part 4: Policy, Procedure and Best Practice 46 Scenario: Rhonda – Child Protective Services, School & Mental Health 47 Scenario: James & Gina – Health, Court & Mental Health 49 Scenario: Jorge – Mental Health, Child Protective Services and School 54 Scenario: John & Sarah – Aging, Illness & Death 59 Supervision 201 © 2008. ALL RIGHTS RESERVED. May not be copied, duplicated and/or transmitted electronically without written permission from E. Mary Grealish, M.Ed. 1 Tailoring the Self Assessment: Options for Supervisors 63 Part 1: Additional Supervision Skills 63 Part 2: Additional Values & Principles 65 Part 3: Additional Job Skills & Activities 68 Part 4: Additional Scenarios for Policy, Procedure and Best Practice 78 Scenario: Christy and Aliya – Developmental Disability, Court 78 Scenario: LaShawnna and Narell – Drugs and Alcohol, Child Protective -
THOMAS MARVEL Director of Photography 2821 3Rd Street Santa Monica, CA 90405
THOMAS MARVEL Director of Photography 2821 3rd Street Santa Monica, CA 90405 1986- Hamilton College, Clinton NY, Bachelor of Arts 1987- Grotowski Studio Theatre, Wroclaw, Poland 1987-1989 Production Assistant 1989-1994 Studio Lighting Technician 1994-1998 Chief Lighting Technician 1998- Present, Director of Photography 2015 NARRATIVE “The Nice Guys” Camera Operator, Directed by Shane Black, DP Philippe Rousselot COMMERCIALS Harbin Beer, “Shaq and Friends” directed by Gil Green MUSIC VIDEOS Mary J. Blige “Doubt” directed by Ethan Lader 2014 COMMERCIALS Sandals Foundation, “Soles of Youth” directed by Gil Green Mexico CPTM Tourismo, “Vivirlo para Creerlo” directed by Michael Abt Diners Club, “Club Miles” directed by Alejandro Dube Novo Nordisk, “Rev Run Diabetes Awareness” directed by Ron Jacobs Novo Nordisk , “Debbie Allen Diabetes Awareness” directed by Ron Jacobs Domino’s Pizza, “Must Try” directed by Francisco Pugliese MUSIC VIDEOS Wisin ft. Pitbull, “Control” directed by Carlos Perez Ricardo Arjona, “Apnea” directed by Carlos Perez 2013 NARRATIVE “The Veil” feature film directed by Brent Ryan Green COMMERCIALS Park Hyatt, “Anthem” directed by Josh Hayward Nissan, “Skylar Gray” directed by Declan Whitbeloom 1 Pepsi, “Wally Lopez” directed by Gil Green Sanofi Pasteur, “Dana Torres PSA” directed by Ron Jacobs YouTube, “Comedy Week Promo with Arnold Schwarzenneger” directed by Nick Ryan Tigo, “Verdades” directed by Roberto Mancia Valspar Paint, “Tori and Dean” directed by Natalie Barandes WalMart, “Gain” directed by Francisco Pugliese -
PDF: V121-N17.Pdf
MIT's The eather Oldest and Largest Today: Mostly unny, 53°F (l2°C) Tonight: Mostly clear 35°F (2°C) ewspaper Tomorrow: Partly cloudy, 50°F (l0° Details Page 2 Volume 121 02139 Tue day, April 10,2001 MIT Makes Changes, Renames Residential Coordinator Position By Matthew Palmer nity input was important to the revi- NEWS EDITOR sion. "The final draft we are now The Office of Residential Life and using reflects student, staff, and tudent Life Program has revised its housemaster input," he said. RLSLP de cription for Residential Coordina- and Benedict held several forums tors, and given them a new name. and meetings with dorms to gauge The latest description focuses public opinion. more on the specific services that the newly renamed Residential Life cormick to hou e an RL Associates will provide. The main McCormick Hall is planning on characteristics remain unchanged; housing an RLA, which may replace four RLAs will still be housed in the need for Burton-Conner House undergraduate and graduate resi- to do so, said McCormick House- dences to provide various support master Charles Stewart III. services to the MIT community. Benedict said the residences of "We always had a support role in the RLAs should finalized by next mind," said Assistant Dean for week. RLSLP Katherine G. O'Dair. "The McCormick will accept an RLA AARON D. MIHALIK-THE TECH fir t [job description) didn't reflect as long as the offices will be in a 320°F mow ZERG-Joshua C. Randall '01 (left) and Jeffrey C. Barrett '02 use liquid nitrogen and that." She said that the new name also separate dormitory, said hall Presi- all-natural ingredients to produce a blend of ice cream unique to East Campus during Campus Pre- better reflects their responsibilities. -
PDF Compressor Pro
PDF Compressor Pro 978-602-17017-7-5 LANGUAGE MAI\TENANCE AND SOLIDARITY AMONG AFRICAN- ANIERICANS Sastika Seli, S.Pd., M.A. STKIP-PGRI Lubuklinggau rshe I lee(r=i; ),ah oo. com 081293278768 A bstract This article aims to explain the language phenomena in sociolinguistics. namely, Ianguage maintenance and solidarity. Language maintenance is the phenomena u'here the speakers of the language n-raintain to use the language rvithout affected bl other laneuages nearby'. This language maintenance may be influenced by solidarity inside the language communitl . The anall'sis derived from my previous research of "English spoken in Oakland and Atlanta in movie Romeo Must Die and Beauty Shop".The phenomena rvere drarvn liom the context of the movies uhere the speakers used Aliican-American Vernacular English (AAVE) in their daily communication. African American is a minority language community in America compared to native speakers of American English. \\'ith a good solidarit)' among the black, they rvere not realll influenced by English used by the \\'hite American although there is still a lan-euage contact among them. They' tend to make a gap betrveen their communitr and the outsider. Besides. their culture also influences the language maintenance among them. Rap and Hiphop culture is everyr.vhere in this rvorld. It is also one of the reasons r.vhy AAVE is not only used bl Alrican American as the minority but also used by' manr peopie a-. the tan of these music genres. It creates more solidarit-r inside the communitl.'. This is also the reilr*-i African-American still use their AAVE in erendav communication in everv situation rvith other diller::.: language speakers, too. -
PREVIEWS PLUS #1181 ORDER NOW! 1 2 PREVIEWS PLUS #1181 Previewsworld.Com (APR158249D) 32Pgs, FC������������������������������������������������������ 06/24/15
READ ABOUT THESE ITEMS AND MORE AT PREVIEWSworld.com #1181 When a new item’s so hot it can’t wait to be solicited in the next issue of PREVIEWS, you’ll find it here in PREVIEWS Plus! Order anything listed in this week’s PREVIEWS Plus from your favorite comic book shop by MONDAY, JUNE 1 DARTH VADER #3 -- STAR WARS #2 -- GRANOV 3RD PTG. VARIANT CASSADAY 5TH PTG. VARIANT (W) Kieron Gillen (A) Salvador (W) Jason Aaron (A/CA) John Cassaday Larroca (CA) Adi Granov From Marvel Comics. The greatest space From Marvel Comics. When a adventure of all time continues! The Rebel Dark Lord needs help, who can he assault on Cymoon 1 continues! Luke turn to? Meet Aphra -- the galaxy’s Skywalker -- cornered by Darth Vader! foremost raider of lost weaponry! Han, Leia, and the others -- trapped! Plus: could these be the deadly Scheduled to ship 06/24/15. (161) droids she’s looking for? Rated (STK682083) T. Scheduled to ship 06/24/15. (APR158278D) (161) (STK682077) 32pgs, FC ..................... SRP: $3.99 (APR158274D) 32pgs, FC ............SRP: $3.99 .com world DARTH VADER #4 -- GRANOV 3RD PTG. VARIANT (W) Kieron Gillen (A) Salvador Larroca (CA) Adi Granov From Marvel Comics. Revenge of PREVIEWS the Battle Droids??? Vader returns to Geonosis to build his army! The Dark Lord’s ascension continues! Rated T. Scheduled to ship 06/24/15. (161) (STK682079) (APR158275D) 32pgs, FC .............. SRP: $3.99 DARTH VADER #2 -- GRANOV 4TH PTG. VARIANT THESE PRODUCTS AND MORE AVAILABLE FROM: (W) Kieron Gillen (A) Salvador Larroca (CA) Adi Granov From Marvel Comics. -
1 Direct: 310-993-1790
Direct: 310-993-1790 www.zoebattles.com [email protected] REEL IMDb M U S I C V I D E O S Costume Designer / Key Stylist Director 311 “First Straw” Scott Winig Airbourne “No Way but the Hard Way” Steve Jocz Against Me “I Was a Teenage Anarchist” Marc Klasfeld Apocalyptica “I'm Not Jesus” ft. Corey Taylor Tony Pettrosian Bad Azz “Wrong Idea” ft. Snoop Dogg Jeremy Rall Biffy Clyro “Bubbles” Marc Klasfeld Bloodhound Gang “Foxtrot Uniform Charlie Kilo” Marc Klasfeld By Chance “Baby, it’s on” Lionel C. Martin C-Murder “Back to Life” Dave Meyers Crazy Loop “Joanna (Shut up)” Marc Klasfeld Dave Matthews Band “Tripping Billies” Ken Fox Ee-De “Let’s Get to It” R. Malcom Jones Hozier “From Eden” Henry Chen & Ssong Yang Jay Chou “Double Blade” Alexi Tan Jay Z “Legacy” The Bullitts Jermaine Dupri “It’s Nothin’” ft. DaBrat & R.O.C. Darren Grant Kirk Franklin “Brighter Day” co-stylist: Arnelle Simpson Bille Woodruff Lil Bow Wow “Bounce Wit Me” ft. Jermaine Dupri, Jagged Edge & Da Brat Dave Myers Lil’ Bow Wow “My Baby” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Lil’ Bow Wow “The Don the Dutch” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Liz Primo “State of Amazing” Evan Winter Master P “Oohwee” Terry Heller & Danny Passman Master P “Pockets Gone’ Stay Fat/Golds in They Mouth” co-stylist: Arnelle Simpson Christopher Morrison Mil “Ride Out” ft. Lil’ Wayne, Juvenile, Slim, Beanie Segal & Baby Sylvain White Public Announcement “A Man Ain’t Supposed to Cry” Christopher Erskin Rachelle Ferrell “With Open Arms” Pam Robinson Run the Jewels “Crown” Peter Martin Ruff Endz “No More” Bille Woodruff Seven Mary Three “Wait” John Stockwell Stone Sour “St Marie” Marc Klasfeld Travie McCoy “Billionaire” ft. -
Joe Montana FOOTBALL SUPERSTARS
FOOTBALL SUPERSTARS Joe Montana FOOTBALL SUPERSTARS Tiki Barber Tom Brady John Elway Brett Favre Peyton Manning Dan Marino Donovan McNabb Joe Montana Walter Payton Jerry Rice Ben Roethlisberger Barry Sanders FOOTBALL SUPERSTARS Joe Montana Adam Woog My thanks to Tom DeGraff for his generous gifts of time and expertise. —A.W. JOE MONTANA Copyright © 2008 by Infobase Publishing All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information, contact: Chelsea House An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Woog, Adam, 1953- Joe Montana / Adam Woog. p. cm. — (Football superstars) Includes bibliographical references and index. ISBN 978-0-7910-9568-3 (hardcover) 1. Montana, Joe, 1956—Juvenile literature. 2. Football players—United States— Biography—Juvenile literature. I. Title. II. Series. GV939.M59W66 2008 796.332092—dc22 [B] 2008005714 Chelsea House books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Chelsea House on the World Wide Web at http://www.chelseahouse.com Text design by Erik Lindstrom Cover design by Ben Peterson Printed in the United States of America Bang EJB 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Tony Montana's Paradise Pie in Scarface Kim
The World Is Yours: Tony Montana’s Paradise Pie in Scarface Kim Nicolini (LONG MESSY UNCUT VERSION OF THE ESSAY) In Harmony Korine’s recent film Spring Breakers (2012), the film’s central anti-hero “Alien” dies face down on a dock during a shootout with a rival gang in St. Petersburg, Florida. Alien is a complete American mash-up -- a white guy who talks, acts and raps like a black man; a self-created gangster who was born poor and made his way to the American Dream by dealing in drugs and firearms. In one scene, he brings the four young white girls who star in the film to his house, and he boasts about all his material acquisitions. “Look at all my shit!” he says, walking through his sprawling house on the Florida coast and showing off everything from his gun collection to his alien- shaped bong to his designer sneakers. "This is my fuckin' dream y'all. I got shit! I got fuckin' shorts y'all! I got Scarface on repeat y'all! I got Calvin Klein Escape!" The girls are in awe that Scarface plays repeat, and they acknowledge it as the greatest movie ever. Never mind Calvin Klein. Never mind Nike tennis shoes. It’s Scarface that counts. When Alien dies at the end of Spring Breakers, the effect on the audience is not unlike that of the death of his hero Tony Montana at the end of Scarface. We find that against everything we think we believe in, we care about this gangster a lot more than we think we should or could. -
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La resignificación cultural de las historias Para el avance de la sociedad en el ámbito cinematográfico Bruno Blanco 12/09/2017 Lic. Dirección Cinematográfica / Guión de Cine y Tv Ensayo Historia y Tendencias Agradecimientos A la familia por el esfuerzo y acompañamiento brindado en el desarrollo del día a día. A las amistades y compañeros por el apoyo en cada momento y en los proyectos relacionados a la vocación. A los docentes de las carreras con vinculación temática sobre el proyecto: Gabriel Los Santos, Jonatan Shutz, Andrés Olaizola y Christian Busquier; así como las docentes que asesoraron sobre la presentación metodológica: Lila Somma y Lía Noguera. 2 Índice Introducción .................................................................................................................... 4 Capítulo 1. Formas de transmitir las historias .............................................................10 1.1. La transmisión cultural, la narración y las artes .....................................................10 1.2. El guión de manual ...............................................................................................16 1.3. Diversidad de conceptos contrapuestos ................................................................19 Capítulo 2. Teoría enmarcada .......................................................................................23 2.1. Versiones de manual ............................................................................................23 2.2. La direccionalidad del conflicto y la dimensionalidad del