A Comparative Analysis of Promos During the Super Bowl for Fox and NBC Nathan R
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Informação À Imprensa – XX De Abril De 2008
Títulos disponíveis em Star no Disney+, em Portugal, no dia 23 de fevereiro Séries de televisão 24: LIVE ANOTHER DAY 9/11 FIREHOUSE ACCORDING TO JIM (YR 1 2001/02 EPS 1-22) ACCORDING TO JIM (YR 2 2002/03 EPS 23-50) ACCORDING TO JIM (YR 3 2003/04 EPS 51-79) ACCORDING TO JIM (YR 4 2004/05 EPS 80-106) ACCORDING TO JIM (YR 5 2005/06 EPS 107-128) ACCORDING TO JIM (YR 6 2006/07 EPS 129-146) ACCORDING TO JIM (YR 7 2007/08 EPS 147-164) ACCORDING TO JIM (YR 8 2008/09 EPS 165-182) ALIAS (YR 1 2001/02 EPS 1-22) ALIAS (YR 2 2002/03 EPS 23-44) ALIAS (YR 3 2003/04 EPS 45-66) ALIAS (YR 4 2004/05 EPS 67-88) ALIAS (YR 5 2005/06 EPS 89-105) BIG SKY (YR 1 2020/21 EPS 1-18) BLACKISH (YR 1 2014/15 EPS 1-24) BLACKISH (YR 2 2015/16 EPS 25-48) BLACKISH (YR 3 2016/17 EPS 49-72) BLACKISH (YR 4 2017/18 EPS 73-95) BLACKISH (YR 5 2018/19 EPS 96-118) BROTHERS & SISTERS (YR 1 2006/07 EPS 1-23) BROTHERS & SISTERS (YR 2 2007/08 EPS 24-39) BROTHERS & SISTERS (YR 3 2008/09 EPS 40-63) BROTHERS & SISTERS (YR 4 2009/10 EPS 64-87) BROTHERS & SISTERS (YR 5 2010/11 EPS 88-109) BUFFY THE VAMPIRE SLAYER (YR 1 1996/97 EPS 1-12) BUFFY THE VAMPIRE SLAYER (YR 2 1997/98 EPS 13-34) BUFFY THE VAMPIRE SLAYER (YR 3 1998/99 EPS 35-55) BUFFY THE VAMPIRE SLAYER (YR 4 1999/00 EPS 56-78) BUFFY THE VAMPIRE SLAYER (YR 5 2000/01 EPS 79-100) BUFFY THE VAMPIRE SLAYER (YR 6 2001/02 EPS 101-122) BUFFY THE VAMPIRE SLAYER (YR 7 2002/03 EPS 123-144) CASTLE (YR 1 2008/09 EPS 1-10) CASTLE (YR 2 2009/10 EPS 11-34) CASTLE (YR 3 2010/11 EPS 35-58) CASTLE (YR 4 2011/12 EPS 59-81) CASTLE (YR 5 2012/13 EPS 82-105) -
The Evolving Perception of Controversial Movies
ARTICLE Received 6 Jul 2015 | Accepted 2 Nov 2015 | Published 8 Dec 2015 DOI: 10.1057/palcomms.2015.38 OPEN The evolving perception of controversial movies Luca Amendola1, Valerio Marra2 and Miguel Quartin3 ABSTRACT Polarization of opinion is an important feature of public debate on political, social and cultural topics. The availability of large internet databases of users’ ratings has permitted quantitative analysis of polarization trends—for instance, previous studies have included analyses of controversial topics on Wikipedia, as well as the relationship between online reviews and a product’s perceived quality. Here, we study the dynamics of polarization in the movie ratings collected by the Internet Movie database (IMDb) website in relation to films produced over the period 1915–2015. We define two statistical indexes, dubbed hard and soft controversiality, which quantify polarized and uniform rating distributions, respec- tively. We find that controversy decreases with popularity and that hard controversy is relatively rare. Our findings also suggest that more recent movies are more controversial than older ones and we detect a trend of “convergence to the mainstream” with a time scale of roughly 40–50 years. This phenomenon appears qualitatively different from trends observed in both online reviews of commercial products and in political debate, and we speculate that it may be connected with the absence of long-lived “echo chambers” in the cultural domain. This hypothesis can and should be tested by extending our analysis to other forms -
Perception of Super Bowl Xlvi TV Advertisements in the USA: a Case of College Students
International Journal of Business and Social Science Vol. 4 No. 2; February 2013 Perception of Super Bowl Xlvi TV Advertisements in the USA: A Case of College Students Okan Akcay, DBA Qian (Susan) Sun, PhD Liangyu Chen, MBA Professor of Marketing Department of Business Administration College of Business, DF # 217 Kutztown University of Pennsylvania Kutztown, Pennsylvania, 19530, USA Abstract The purpose of this research paper is toanalyze male and female perceptions of Super Bowl XVLI advertising among college students in the USA. The Super Bowl promises to deliver on three main benefits for the audience, an exciting football game, very memorable ads from different industries and a half-time show (Bickle, 2012; Liguori, 2012). Popular commercials can play a critical role in helping to shape customer perception and influence buying decisions. This study has four sections: introduction and importance of topic, review of literature, methodology and hypotheses, and presentation of results and conclusions. Key Words: Marketing, Sports Marketing, Super Bowl Advertising and Consumer Behavior. 1. Introduction The Super Bowl and the World Series are two high profile sporting events that are extremely attractive to advertisers. Similar amounts of advertising dollars are spent on both events (McKenna, et al., 2012) but there are significant differences between the two. The super Bowl is a one game, one day telecast and the World Series is four to seven games spread over a one to two week period (Kelley, et al., 2004; Parry, 2005; Mohr, 2007; Kim, et al., 2011; Steinberg, 2008). People won’t be watching the World Series just to see the commercials-whichhappens fairly often during the Super Bowl. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
NFL World Championship Game, the Super Bowl Has Grown to Become One of the Largest Sports Spectacles in the United States
/ The Golden Anniversary ofthe Super Bowl: A Legacy 50 Years in the Making An Honors Thesis (HONR 499) by Chelsea Police Thesis Advisor Mr. Neil Behrman Signed Ball State University Muncie, Indiana May 2016 Expected Date of Graduation May 2016 §pCoJI U ncler.9 rod /he. 51;;:, J_:D ;l.o/80J · Z'7 The Golden Anniversary ofthe Super Bowl: A Legacy 50 Years in the Making ~0/G , PG.5 Abstract Originally known as the AFL-NFL World Championship Game, the Super Bowl has grown to become one of the largest sports spectacles in the United States. Cities across the cotintry compete for the right to host this prestigious event. The reputation of such an occasion has caused an increase in demand and price for tickets, making attendance nearly impossible for the average fan. As a result, the National Football League has implemented free events for local residents and out-of-town visitors. This, along with broadcasting the game, creates an inclusive environment for all fans, leaving a lasting legacy in the world of professional sports. This paper explores the growth of the Super Bowl from a novelty game to one of the country' s most popular professional sporting events. Acknowledgements First, and foremost, I would like to thank my parents for their unending support. Thank you for allowing me to try new things and learn from my mistakes. Most importantly, thank you for believing that I have the ability to achieve anything I desire. Second, I would like to thank my brother for being an incredible role model. -
Everybody Loves Raymond” Let’S Shmues--Chat
THANKSGIVING WITH THE CAST OF “EVERYBODY LOVES RAYMOND” LET’S SHMUES--CHAT The Yiddish word for “turkey” is “indik.” “Dankbar” is the Yiddish word for “thankful.” By MARJORIE GOTTLIEB WOLFE 46 “milyon” turkeys are eaten each Thanksgiving. Turkey consumption has increased 104% since 1970. And 88% of Americans surveyed by the National Turkey Federation eat turkey on this holiday. Marie Barone (Doris Roberts) is devoted to making sure her boys are well-fed. She gets her adult children back with food. It’s like a culinary hostage trade-off. Marie wants Debra, her daughter-in-law, to be a better cook. She calls her “cooking-challenged” and thinks that she should live directly opposite Zabar’s. Marie want the children to have better food. She says, “A mother’s love for her sons is a lot like a dog’s piercing bark: protective, loyal, and impossible to ignore. Many episodes of “Everybody Loves Raymond” dealt with Thanksgiving. Grab a #2 pencil and see if you can identify which of the following story lines is real or fabricated. Good luck. EPISODE 1. Thanksgiving has arrived. Marie is on a “diete.” She has just returned from a residential treatment facility for weight (“vog”) loss at Duke University in North Carolina. It was an expensive (“tayer”) program. The lockdown began: Low-Fat, No-Sugar (“tsuker”), No Taste foods, and 750 calories a day. (That’s the equivalent of a slice of chocolate cake.) One woman in the program sent herself “Candygrams” each week (“vokh”). Doris eats very little (“a bisl”) at the Thanksgiving table, but as she is preparing to leave Debra’s house, she asks for a little leftover turkey and apple (“epl”) chutney. -
Thirty-Third Sunday in Ordinary Time NOVEMBER 15 2020
Thirty-third Sunday in ordinary time NOVEMBER 15 2020 WELCOME Mass AT T H E CAT H E D R A L Daily 12:05pm and Sunday Masses have resumed. All Masses are limited capacity. 7am Daily Masses have NOT resumed. Saturday, Nov 14 12:05pm Daily Mass—Church † Donald & Mary Lintner 4:30pm Sunday Vigil Mass—Church † Elmer & Mildred Lintner Sunday, Nov 15 10:00am Sunday Mass—Church (televised|live‐streamed) ALS Interpretaon † Ted Hauser 12:00pm Misa Dominical en Español—Iglesia Familia Parroquial 5:30pm Sunday Mass—Church † Sam Macaluso 7:30pm Sunday Contemplave Mass—Church † Fr. Dennis Morrow Monday, Nov 16 12:05pm Daily Mass—Church † James Philips Oleck Tuesday, Nov 17 12:05pm Daily Mass—Church Int. Gabriela Cochrane Wednesday, Nov 18 12:05pm Daily Mass—Church Int. Orlando & Enid Benedict Thursday, Nov 19 12:05pm Daily Mass—Church Int. Andrea Creswick Friday, Nov 20 12:05pm Daily Mass—Church Int. Novakoski family Saturday, Nov 21 12:05pm Daily Mass—Church 4:30pm Sunday Vigil Mass—Church † Joseph & Catherine Wojkowski Sunday, Nov 22 10:00am Sunday Mass—Church (televised|live‐streamed) ALS Interpretaon † Don Jandernoa 12:00pm Misa Dominical en Español—Iglesia Familia Parroquial 5:30pm Sunday Mass—Church † Samantha Pas 7:30pm Sunday Contemplave Mass—Church † Michael Monica & † Gregory Monica Confession schedule: Weekdays Confessions follow 12:05pm Mass Saturdays Confessions 11‐11:45am in Chapel God bless, (or by appointment) Very Rev. René Constanza, CSP Rector Watch Sunday 10am Mass Online page 2 Go to grdiocese.org or the Cathedral’s Facebook page Scripture Reading.. -
Ed Phelps Logs His 1,000 DTV Station Using Just Himself and His DTV Box. No Autologger Needed
The Magazine for TV and FM DXers October 2020 The Official Publication of the Worldwide TV-FM DX Association Being in the right place at just the right time… WKMJ RF 34 Ed Phelps logs his 1,000th DTV Station using just himself and his DTV Box. No autologger needed. THE VHF-UHF DIGEST The Worldwide TV-FM DX Association Serving the TV, FM, 30-50mhz Utility and Weather Radio DXer since 1968 THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, SAUL CHERNOS, KEITH MCGINNIS, JAMES THOMAS AND MIKE BUGAJ Treasurer: Keith McGinnis wtfda.org/info Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Creative Director: Saul Chernos Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, John Zondlo and Mike Bugaj The WTFDA Board of Directors Doug Smith Saul Chernos James Thomas Keith McGinnis Mike Bugaj [email protected] [email protected] [email protected] [email protected] [email protected] Renewals by mail: Send to WTFDA, P.O. Box 501, Somersville, CT 06072. Check or MO for $10 payable to WTFDA. Renewals by Paypal: Send your dues ($10USD) from the Paypal website to [email protected] or go to https://www.paypal.me/WTFDA and type 10.00 or 20.00 for two years in the box. Our WTFDA.org website webmaster is Tim McVey, [email protected]. -
News1.1335.Pdf
News We live in a complex society and need information to make personal, political, economic decisions. News = “What new?” Politics, crime … also weather, sports, entertainment. Most Americans get their national news from TV (61%; 2011). 41% online, 31% newspapers, 16% radio; online growing fast. Where Americans get their news Where young journalists get their news A 2010 study says 78% watch local TV news. No. 1 reason for watching? Weather. WFAA weather - tornado Many people who get news online will use local TV/radio websites. http://www.wfaa.com/ “Big Three” networks – NBC, CBS and ABC – dominated national radio and TV news well into the ’80s. More on the early history of broadcast news later. Many other sources of electronic news today. Public Broadcasting System (PBS) began 1969; National Public Radio (NPR) began in 1971; not dependent on ratings, advertising; more in-depth, avoid sensationalism. PBS News Hour NPR Morning Edition CNN launched in 1980; beginning of the "24-hour news cycle;" Later, CNN Headline News, Fox News, MSNBC. 24-hour news - clip 1 24-hour news - clip 2 coverage of Malaysian jetliner crash Jon Stewart - CNN missing Malaysian airliner On cable news, viewers should be careful to distinguish between objective news programs and opinion programs (O'Reilly Factor, Rachel Maddow). O'Reilly Factor – subprime mortgages All-sports news (ESPN News); All-business news (CNBC, Fox Business); All-weather (The Weather Channel); All-entertainment (E!). "Mock news" -- John Stewart (Daily Show), Stephen Colbert (Colbert Report). Many young people get their "news" from these programs, but news delivered to get a laugh may not be fairly reported. -
Recovery from Disorders of Consciousness: Mechanisms, Prognosis and Emerging Therapies
REVIEWS Recovery from disorders of consciousness: mechanisms, prognosis and emerging therapies Brian L. Edlow 1,2, Jan Claassen3, Nicholas D. Schiff4 and David M. Greer 5 ✉ Abstract | Substantial progress has been made over the past two decades in detecting, predicting and promoting recovery of consciousness in patients with disorders of consciousness (DoC) caused by severe brain injuries. Advanced neuroimaging and electrophysiological techniques have revealed new insights into the biological mechanisms underlying recovery of consciousness and have enabled the identification of preserved brain networks in patients who seem unresponsive, thus raising hope for more accurate diagnosis and prognosis. Emerging evidence suggests that covert consciousness, or cognitive motor dissociation (CMD), is present in up to 15–20% of patients with DoC and that detection of CMD in the intensive care unit can predict functional recovery at 1 year post injury. Although fundamental questions remain about which patients with DoC have the potential for recovery, novel pharmacological and electrophysiological therapies have shown the potential to reactivate injured neural networks and promote re-emergence of consciousness. In this Review, we focus on mechanisms of recovery from DoC in the acute and subacute-to-chronic stages, and we discuss recent progress in detecting and predicting recovery of consciousness. We also describe the developments in pharmacological and electro- physiological therapies that are creating new opportunities to improve the lives of patients with DoC. Disorders of consciousness (DoC) are characterized In this Review, we discuss mechanisms of recovery by alterations in arousal and/or awareness, and com- from DoC and prognostication of outcome, as well as 1Center for Neurotechnology mon causes of DoC include cardiac arrest, traumatic emerging treatments for patients along the entire tempo- and Neurorecovery, brain injury (TBI), intracerebral haemorrhage and ral continuum of DoC. -
Call for Entries: 03 August 2020 Closing Date: 2 October 2020
CALL FOR ENTRIES: 03 AUGUST 2020 CLOSING DATE: 2 OCTOBER 2020 CAT SUBMISSION DURATION CATEGORY TYPE CATEGORY TITLE DESCRIPTION NO. VIDEO QTY (not exceeding) Any on-air promo created in-house that portrays the programming range, quality or Image 01 BEST IN-HOUSE STATION IMAGE one 120 secs brand image of a channel, platform or service. Single entry Any on-air promo created out-of-house that portrays the programming range, quality Image 02 BEST OUT-OF-HOUSE STATION IMAGE one 90 secs or brand image of a channel, platform or service. Single entry A group of thematically-related spots promoting a programme, series of programmes, minimum 3 2min 15secs Image 03 BEST THEMED CAMPAIGN episode, live events, stunt, season's line up or film on TV or VOD. Campaign entry maximum 5 each Any video-based promo created to promote a film, series of films or made for TV Genre-Specific 04 BEST MOVIE PROMO movie. (Entries cannot be for titles which are currently in theatrical release.) one 90 secs Single entry Any video-based promo created to promote drama programmes or miniseries. Genre-Specific 05 BEST DRAMA PROMO one 120 secs Single entry Any video-based promo created to promote sports programmes or sports event. Genre-Specific 06 BEST SPORTS PROMO one 90 secs Single entry Any video-based promo created to promote children's programmes. Genre-Specific 07 BEST CHILDREN'S PROMO one 90 secs Single entry Any video-based promo created to promote entertainment, talk show, comedy, Genre-Specific 08 BEST ENTERTAINMENT PROMO [Revised] variety programme, game/quiz show, leisure or lifestyle programmes.