Man of La Mancha
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'Man of La Mancha' Date: September 19, 2017 Media Outlet
Headline: Theater Latté Da opens 2017-18 season with nicely realized 'Man of La Mancha' Date: September 19, 2017 Media Outlet: Star Tribune Media Contact: Graydon Royce Link: http://www.startribune.com/twin-cities-performer-faces-a-tough-choice-stage-star-or-rock- star/445753063 Martín Solá and Meghan Kreidler star in “Man of La Mancha” at Theater Latté Da. Below, Kreidler portrays Aldonza, who blossoms under Don Quixote’s influence. In a crazy world, who is the sane human? Is he the one who tilts at windmills, creates his own heroes and dreams of impossibilities because only in fantasy is there the hope of a different world? This was the philosophy behind “Man of La Mancha,” which might today be nothing more than a dusty old musical if not for the elusive nature of its truth and purpose. Theater Latté Da has opened its 20th season with a nicely realized staging of “La Mancha,” a work drawing inspiration from writer Miguel de Cervantes and his dazzling protagonist, Don Quixote. Director Peter Rothstein places the work in the cinder-block holding area of a modern detention center (set by Michael Hoover). It’s a well-intentioned stab at relevancy that makes its case convincingly up to the point where the dialogue references the historic Spanish Inquisition. 1 We get the point. Resisting absurdity in a world of claustrophobic ideology is timeless. Cervantes (Martín Solá) puts on a play within a play, telling the story of Don Quixote in hopes that the prisoners will find him innocent in their kangaroo court. -
Premiererne Eastmancolor(?)
Muo, Ma San. Udi: Panorama. Prem: 15.3.76 World Cinema. Karatevold. DERSU UZALA Dersu Uzala. USSR/Japan 1975. P-selskab: Sovex- port/Mosfilm. Instr: Akira Kurosawa. Manus: Akira Kurosawa, Yuri Nagibin. Efter: rejseskildring af Vladimir Arsenjev (1872-1930), da. overs. 1946: »Jægeren fra den sibiriske urskov«. Foto: Asakadru Nakat, Yuri Gantman, Fjodor Dobrovravov. Farve: Premiererne Eastmancolor(?). Medv: Maxim Munzuk (Dersu Uzala), Yuri Nagibin (Arsenjev). Længde: 137 min. 3840 m. Censur: Rød. Udi: Posthusteatret. Prem: 1.1.-31.3.76/ved Claus Hesselberg 15.3.76 Alexandra. Tilkendt en Oscar som bedste udenlandske film. Anm. Kos. 130. DET FRÆKKE ER OGSÅ GODT Quirk. USA. Farve: Eastmancolor(?). Længde: 75 min. 2000 m. Censur: Hvid. Fb.u.16. Udi: Dansk- Anvendte forkortelser: Svensk. Prem: 23.2.76 Carlton. Porno. Adapt: = Adaption Komp: = Komponist DIAMANTKUPPET Ark: = Filmarkitekt Kost: = Kostumer Diamonds. USA/lsrael 1975. P-selskab: AmeriEuro Arr: = Musikarrangør Medv: = Medvirkende skuespillere Productions. P: Menahem Golan. Ex-P: Harry N. As-P: = Associate Producer P: Producere Blum. As-P: Yoram Globus. P-leder: Arik Dichner. Instr: Instr-ass: = P-leder: = Produktionsleder Menahem Golan. Zion Chen, Ass: Assistent Shmuel Firstenberg, Roger Richman. Manus: David Dekor: = Scenedekorationer Prem: = Dansk premiere Paulsen, Menahem Golan, Ken Globus. Efter: for Dir: = Dirigent P-selskab: = Produktionsselskab tælling af Menahem Golan. Foto: Adam Greenberg. Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Farve: Eastmancolor. Klip: Dov Hoenig. Ark: Kuli Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) Sander. Dekor: Alfred Gershoni. Sp-E: Hanz Kram Foto: = Cheffotograf Rekvis: = Rekvisitør sky. Musik: Roy Budd. Sang: »Diamonds« af Roy Budd, Jack Fishman. Solister: The Three Degrees. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Man of La Mancha August 16–September 9, 2018
THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON STUDY GUIDE MAN OF LA MANCHA AUGUST 16–SEPTEMBER 9, 2018 Pictured: Geoff Elliott, Kasey Mahaffy. Photo by Craig Schwartz. STUDY GUIDES FROM A NOISE WITHIN A rich resource for teachers of English, reading, arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Pictured: Donnla Hughes, Romeo and Juliet, 2016. PHOTO BY CRAIG SCHWARTZ. Alicia Green DIRECTOR OF EDUCATION We are grateful for the additional sponsorship of all student matinees for Man of La Mancha by Anni Frandsen Low, Ph.D. TABLE OF CONTENTS Special thanks to our Dinner On Stage donors who kept the arts thriving this year by supporting our Student Matinees (SMATs): SMAT PERFORMANCE SPONSOR ($5,000 AND ABOVE) Dr. -
Harlequin Announces Man of La Mancha's New Leading
FOR IMMEDIATE RELEASE Release Date: 06/12/2019 End Date: 07/27/2019 Harlequin announces Man of La Mancha’s new leading man Olympia, WA – June 12, 2019 – Harlequin Productions announces that Oregon Cabaret Theatre’s Galloway Stevens will play Don Quixote in this summer’s production of Man of La Mancha, replacing Allen Fitzpatrick. In a statement, Mr. Fitzpatrick writes, “I was very much looking forward to performing in Man of La Mancha, however, a competing opportunity presented itself --very suddenly-- and I had to make an immediate decision. Harlequin should look forward to seeing a superb production of one of the greatest musicals ever written.” Galloway Stevens* (Don Quixote) is the Associate Artistic Director for the Oregon Cabaret Theatre in Ashland, OR. His tour credits include The Addams Family Musical (2nd National and International). Regional credits include Sagot in Picasso At The Lapin Agile, Sam Phillips in Million Dollar Quartet, The Emcee in Cabaret, Franklin Hart, Jr. in 9 to 5, Billy Flynn in Chicago, Adolpho in The Drowsy Chaperone (Oregon Cabaret Theatre); VP Panch in The 25th Annual Putnam County Spelling Bee, Nick Arnstein in Funny Girl, Lank Hawkins in Crazy For You (Prather Entertainment); Jud Fry in Oklahoma (Pacific Conservatory Performing Arts); Gomez Addams in The Addams Family Musical (Temple Theatre Company); Gaylord Ravenal in Showboat (Lees-McRae Summer Theatre). Completing the ensemble are Aubrey Thomas (Ruthless!), Nicholas Main (Love and Information), and Monique Holt*, Nick Hall, Cassi Q Kohl*, Christopher Sweet and Fune Tautala - all making their Harlequin debuts - as well as musicians Sklyer Blake, Andy Garness, Rick Jarvela and David Stedman. -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
S051516 Evelyn Mahon
Williams College Department of Music Evelyn Mahon '18, alto Stephen Sondheim '50 “Love, I Hear”, from A Funny Thing Happened on the Way to the Forum Jerry Bock/ Sheldon Harnick “Dear Friend”, from She Loves Me Tom Lehrer “Poisoning Pigeons in the Park” by Tom Lehrer Stephen Sondheim “On the Steps of the Palace”, from Into the Woods Leonard Bernstein “Some other Time”, from On the Town Stephen Sondheim “Moments in the Woods”, from Into the Woods Andrew Lloyd Weber “Don't Cry for Me, Argentina”, from Evita Stephen Sondheim “Children and Art”, from Sunday in the Park with George Stephen Sondheim “Loving You”, from Passion Manuel Miranda “Burn”, from Hamilton Stephen Sondheim “The Miller's Son”, from A Little Night Music Jerry Bock/ Sheldon Harnick “A trip to the Library”, from She Loves Me Joe Darion/ Mitch Leigh “What Does he Want of Me”, from Man of LaMancha Joe Darion/MItch Leigh “Aldonza”, from Man of LaMancha Jerry Bock/Sheldon Harnick “Tonight at 8”, from She Loves Me Stephen Sondheim “Could I leave you?”, from Follies Stephen Sondheim “Send in the clowns”, from A little Night Music Jason Robert Brown “Still hurting”, from The Last Five Years Marcy Heisler/ Zina Goldrich Taylor the Latte Boy Kurt Weill “Pirate Jenny”, from The Threepenny Opera Joseph Kosma/ Jacques Prevert Autumn leaves LinManuel Miranda Breathe Larry Grossman/Hal Hackady “Mama, a Rainbow”, from Minnie’s Boys Sunday, May 15, 2016 2:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Evelyn Mahon '18 is a Theatre/Statistics double major from Williamstown, MA. -
An Interview with Dale Wasserman
An Interview with Dale Wasserman This interview took place on May 23, 1997. It was transcribed by Amy Williamsen, then reviewed and corrected by Mr. Wasserman. The original videotape is held by Television Services of Northern Arizona University. A talk by Mr. Wasserman, “Don Quixote as Theater,” was published in Cervantes, 19.1 (1999), 125–30. A just-published memoir on his early years as a hobo is “Flipping the Meat Train,” American Heritage, February 2001, 58–66. DAN EISENBERG: Good afternoon. My name is Daniel Eisenberg, of Northern Arizona University. We are honored to have here in Flagstaff and at Northern Arizona University Mr. Dale Wasserman. Welcome. DALE WASSERMAN: Thank you. DE: Mr. Wasserman is a distinguished playwright. He is still composing and having new plays produced. He is best known, perhaps, for his composition of the play One Flew Over the Cuckoo’s Nest and especially for the work that concerns us here this afternoon, which is Man of La Mancha. We’re going to have an innovative and exciting production here at Northern Arizona University beginning on June 6 [1997]. Mr. Wasserman, could you 85 86 AN INTERVIEW WITH DALE WASSERMAN Cervantes tell us something about how you came to write this play and what attracted you about the figure of Don Quixote? DW: It happened by pure accident, actually. I was in Spain writing a movie when I read in a newspaper that I was there for the purpose of researching a dramatization of Don Quixote. That was a laughing matter because, like most people on earth, I had not read Don Quixote, but Spain seemed just the right place to repair that omission. -
„Nowhere to Go but Up“? Die Gattungsmerkmale Des Musicals
„Nowhere to Go But Up“? Die Gattungsmerkmale des Musicals Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Historische Musikwissenschaft vorgelegt von Sarah Baumhof Hamburg, 2021 Tag der Disputation: 21.1.2021 Vorsitzende der Prüfungskommission: Prof. Dr. Ivana Rentsch Erstgutachterin: Prof. Dr. Ivana Rentsch Zweitgutachter: Prof. Dr. Oliver Huck Anmerkungen zu Begrifflichkeiten, Schreibweisen und Quellenangaben ............................................ IV 1 Einleitung .......................................................................................................................... 1 1.1 Ziel und Titel der Dissertation .................................................................................... 1 1.2 Aktueller Forschungsstand ......................................................................................... 2 1.2.1 Sekundärliteratur: Umfang und Publikationsart ..................................................... 2 1.2.2 Subjektivität und qualitative Mängel ...................................................................... 6 1.2.3 Geographische Zentrierung .................................................................................. 11 1.2.4 Fehlende Musikanalyse ........................................................................................ 13 1.2.5 Determiniertheit .................................................................................................... 15 1.3 Fragestellung und -
2012-2013 Philharmonia at Mizner-A Celebration of Americana
The Star-Spangled Banner John Stafford Smith orch. by Walter Damrosch Hoe Down from Rodeo Aaron Copland Essential Ellington: Duke Ellington & Billy Strayhorn Music of Ellington and Strayhorn arr. by Jeff Tyzik My Baby Just Cares For Me Music by Walter Donaldson Lyrics by Gus Kahn Fever Eddie Cooley and Otis Blackwell Nadege Bellande Robertson, mezzo-soprano and Lynn University Jazz Trio Superman March from Superman John Williams 01' Man River from Showboat Music by Jerome Kern Lyrics by Oscar Hammerstein II orch. by Robert Russell Bennett Oh, What a Beautiful Momin' Music by Richard Rodgers from Oklahoma! Lyrics by Oscar Hammerstein II orch. by Robert Russell Bennett Neil Nelson, bartione West Side Story Selection for Orchestra Leonard Bernste in arr. by Jack Mason Summertime from Porgy and Bess Geo rg e Ge rshwin Lyrics by DuBose Heyward Kristen DiNonno, soprano Peop le Will Say We're In Love Mu sic by Richard Rodgers from Oklahoma! Lyr ics by Oscar Hammerstein II arch . by Robert Russe ll Bennett Kristen DiNonno, sopran o and Brian Ricci, tenor Impossible Dream from Man of La Mancha Music by Mitch Leigh Lyr ics by Joe Da rion Brian Ricci, tenor Armed Forces Salute arr. by Bob Lowden A Tribute to America: arr. by Nelso n Navarrete America the Beautifu l, Music by Samue l Ward , Nelson Navarr ete Freedom and Progress & Irving Be rlin and God Bless America Lyrics by Kat harine Lee Bates & Irving Be rlin Kristen DiNonn o, soprano,· Nadege Be llande Robertson, mezzo -soprano,· Brian Riw~ tenor,· and Neil Nelson, baritone Kristen DiNonno Kr isten D.