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MEDIA UPDATES3 30.Pdf
Dean *Anthony Vidler to receive ACSA Centennial Award The Association of Collegiate Schools of Architecture (ACSA) announced today that Anthony Vidler will receive a special Centennial Award at next week’s 100th ACSA Annual Meeting in Boston. Anthony Vidler is Dean and Professor at the Irwin S. Chanin School of Architecture of The Cooper Union, where he has served since 2001. The Centennial Award was created by the ACSA Board of Directors in recognition of Dean Vidler’s wide ranging contributions to architectural education. Says Judith Kinnard, FAIA, ACSA president: “Anthony Vidler’s teaching and scholarship have had a major impact on architectural education. We invited him to receive this special award during our 100th anniversary and give the keynote lecture because of his extraordinary ability to link current issues in architecture and urbanism to a broad historic trajectory. His work forces us to question our assumptions as we engage contemporary conditions as designers.” Anthony Vidler received his professional degree in architecture from Cambridge University in England, and his doctorate in History and Theory from the University of Technology, Delft, the Netherlands. Dean Vidler was a member of the Princeton University School of Architecture faculty from 1965 to 1993, serving as the William R. Kenan Jr. Chair of Architecture, the Chair of the Ph.D. Committee, and Director of the Program in European Cultural Studies. In 1993 he took up a position as professor and Chair of the Department of Art History at the University of California, Los Angeles, with a joint appointment in the School of Architecture from 1997. -
News of the Strange
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices. -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Universalmuseum Joanneum Press Office Media.Art.Collecting
Universalmuseum Joanneum Press office Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-316/8017-9211 www.museum-joanneum.at media.art.collecting Perspectives of a collection Kunsthaus Graz, Space 02, Lendkai 1, 8020 Graz Opening: 15.06.2012, 7pm Duration: 15.06.2012-02.06.2013 Curators: Günther Holler-Schuster, Katrin Bucher Trantow, Katia Huemer Information: +43-316/8017-9200, [email protected] How does media art define itself in the course of an almost 40-year-old collection? What changes, what comes to form a whole, what was overlooked and where does it go from here? Audiovisual Messages – the 1973 edition of the trigon Biennal – placed a major emphasis on media art, putting local artists in direct relation to international developments. This exhibition marked the beginning of a dynamic that made Graz appear a special place for media art. With influential works by artists such as Nam June Paik, Keith Sonnier, Gottfried Bechtold, Trisha Brown and Bruce Naumann, what emerges is a web of topics that have captivated media art from the beginning, including space-time penetration, media discussion and -reflection or the painterly/musical qualities of new media – topics showing a clearly traceable development in relation to more recent work. Thus the exhibition media art collecting deals with collecting activities at the Neue Galerie Graz in the area of media art, the essence of which becomes evident in the spectrum of exhibitions held over the past 40 years. Building on the 2009 exhibition Rewind/Fast Forward at the Neue Galerie Graz and its first-ever survey of the institution’s video art collection, the current exhibition media.art.collecting. -
New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Faculty and Staff Activities 2014–2015
FACULTY AND STAFF ACTIVITIES 2014–2015 COOPER AT ARCHITECTURE Professor Diana Agrest’s film “The Making of an Avant- Assistant Professor Adjunct John Hartmann, co-founder Visiting Professor Joan Ockman was a co-editor for MAS: Garde: The Institute for Architecture and Urban Studies with Lauren Crahan of Freecell Architecture, spoke at The The Modern Architecture Symposia 1962-1966: A Critical Edition 1967-1984” was screened at the Graham Foundation, Hammons School of Architecture at Drury University as part (Yale University Press). The publication was reviewed in Princeton University, Cornell University, UC Berkeley of the 2014-2015 Lecture Series. Architectural Record. She was a presenter at The Building EDITED BY EMMY MIKELSON; DESIGN BY INESSA SHKOLNIKOV, CENTER FOR DESIGN AND TYPOGRAPHY; PHOTOGRAPHY BY JOÃO ENXUTO WITH SPECIAL ASSISTANCE FROM THE SCHOOL OF ARCHITECTURE ARCHIVE AND ELIZABETH O’DONNELL, ACTING DEAN ARCHIVE AND ELIZABETH O’DONNELL, ACTING FROM THE SCHOOL OF ARCHITECTURE WITH SPECIAL ASSISTANCE ENXUTO BY JOÃO DESIGN AND TYPOGRAPHY; PHOTOGRAPHY CENTER FOR SHKOLNIKOV, EDITED BY EMMY MIKELSON; DESIGN INESSA College of Environmental Design and followed by a panel Symposium held at Columbia University GSAPP. discussion with Agrest, Nicholas de Monchaux, Sylvia Lavin Director of the School of Architecture Archive, and Stanley Saitowitz, the 10th Annual Cinema Orange Film Steven Hillyer, co-produced Christmas Without Tears, Acting Dean and Professor Elizabeth O’Donnell was the Series, Newport Beach Film Festival at Orange County a four-city tour of holiday-themed variety shows hosted co-chair and delivered the introductory remarks for Museum of Art, the San Diego Design Film Festival, and Cite by Judith Owen and Harry Shearer, which included “The Sultanate of Oman: Geography, Religion and Culture” de l’Architecture in Paris, France, which was followed by a performances by Mario Cantone, Catherine O’Hara, held at The Cooper Union. -
CAROLEE SCHNEEMANN B
CAROLEE SCHNEEMANN b. 1939, Fox Chase, PA d. 2019, New Paltz, NY EDUCATION MFA, University of Illinois, Urbana, Illinois BA, Bard College, Annandale-On-Hudson, New York School of Painting and Sculpture, Columbia University, New York The New School for Social Research, New York La Universidad De Puebla, Mexico SOLO EXHIBITIONS 2022 Carolee Schneemann, Barbican Museum, London, UK (forthcoming) 2021 After Carolee: Tender and Fierce, Artpace, San Antonio, TX 2020 Liebeslust und Totentanz (Love’s Joy and Dance of Death), Bündner Kunstmuseum, Chur, Switzerland Off the Walls: Gifts from Professor John R. Robertson, Blanton Museum of Art, Austin, TX American Women: The Infinite Journey, La Patinoire Royale, galerie Valérie Bach, Saint-Gilles, Belgium All of Them Witches, curated by Dan Nadal and Laurie Simmons, Jeffrey Deitch, Los Angeles, CA Don’t Let this be Easy, Walker Art Center, Minneapolis, MN Barney, Scheemann, Shiraga, Tanaka, Fergus McCaffrey, Tokyo, Japan 2019 Carolee Schneeman, les Abattoirs, Toulouse, France Up to and Including Her Limits: After Carolee Schneemann, Museum Susch, Zernez, Switzerland Exhibition of Edition Works, Michele Didier, Paris, France Carolee Schneeman, mfc-michele Didier, Paris, France 2017 Kinetic Painting, Museum fur Moderne Kunst, Frankfurt, Germany; MoMA PS 1, Long Island City, NY More Wrong Things, Hales Gallery, London, United Kingdom 2016 Further Evidence – Exhibit A, P·P·O·W, New York, NY Further Evidence – Exhibit B, Galerie Lelong, New York, NY 2015 Kinetic Painting, Museum der Moderne Salzburg, Salzburg, -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Inventing the I-Beam: Richard Turner, Cooper & Hewitt and Others
Inventing the I-Beam: Richard Turner, Cooper &Hewitt and Others Author(s): Charles E. Peterson Source: Bulletin of the Association for Preservation Technology, Vol. 12, No. 4 (1980), pp. 3-28 Published by: Association for Preservation Technology International (APT) Stable URL: http://www.jstor.org/stable/1493818 . Accessed: 17/09/2013 16:52 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Association for Preservation Technology International (APT) is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the Association for Preservation Technology. http://www.jstor.org This content downloaded from 128.59.130.200 on Tue, 17 Sep 2013 16:52:33 PM All use subject to JSTOR Terms and Conditions APTVol. X11N' 4 1980 INVENTINGTHE I-BEAM: RICHARDTURNER, COOPER & HEWITTAND OTHERS' by CharlesE. Peterson,F.A.I.A.* Forwell over a centurythe I-beam,rolled first in wroughtiron -the bulb-tee used from1848 on forsupporting fireproof brick and then in steel, has been one of the most widely used building floorsand ceilings. By 1856 a trueI-beam was rolledat Trenton, elementsever invented. The story of itsdevelopment is stillobscure New Jerseyand it was at once adoptedfor the new Federalbuild- at severalpoints. -
1,545 Sf Retail Space Available 27 Saint Marks Place | East Village, Ny
BETWEEN SECOND & THIRD AVENUES 1,545 SF RETAIL SPACE AVAILABLE 27 SAINT MARKS PLACE | EAST VILLAGE, NY Great Restaurant/QSR Potential 1,545 SF COMING SOON AVAILABLE DAVID SINGER DAVID YABLON Sales Associate Director [email protected] [email protected] (212) 257-5061 (212) 433-1986 Blue Meadow Flowers Purse Props City of Saints Coffee Roasters Blockheads Kollegie Third North Courtyard Cafe 12th Street Ale House Sundaes and Cones Ippudo NY Turntable ab Ruby’s Cafe HIGHLIGHTS Kotobuki E 11 Happy Bowls NYC Black & hite TH STREET Bar Veloce Prime retailEast Village space Thrift Shop available on bustling Saint Marks Place between Second & E 12 Third Avenues in the East Village.TH The space has 12’ of frontage, 10’ ceilings Ikinari Steak John’s of 12th Street STREET and ampleCacio e Pepe basement storage. Potential for venting. Yuba Kanoyama Motorino The Central Bar POSSESSIONNumero 28 Pizzeria ASKING PRICE E 10 E 8 TH Immediate Upon Request TH AVENUE STREET STREET RD 3 Bluestone ane Abacus Pharmacy Tribe AFAYETTE STREET ASTOR PLACE SUWA STATION 4 6 5,111,358 RIDERS ANNUALL RETAIL SPACE AVAILABLEPULIC SCOOL 1 STUYVESANT STREET Pan Ya EAST E Yuan Dim Sum King TH 1,545 SF Ground Casey Rubber Stamps STREET 212 Hisae’s 800 SF Cellar Tokyo Joe The Alley Klong U2 Karaoke Chikaicious Dessert Bar Buffalo Echange Boka Yakitori Taisho Solas Kingston Hall Veniero’s Pasticceria & Caffe imited to One Record Shop TE GREAT ALL Udon est Cha-An Teahouse The 13th Step Ray’s Pizza & Bagel AVENUE NEIGHBORS AT COOPER UNION Cloister Cafe ND Iggy’s Pizzeria HairMates St.