Art of the 1990S
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Centre of Arts and Nature
CENTRE OF ARTS AND NATURE EXHIBITIONS AND INSTALLATIONS 04 APRIL 01 NOVEMBER 2015 WWW.DOMAINE-CHAUMONT.FR PHONE. +33(0)254 209 922 VAL DE LOIRE DOMAINE DE CHAUMONT-SUR-LOIRE CONTENTS Introduction Page 3 I. Visual arts Page 5 Centre-Loire Valley Region special commission Page 6 Gabriel Orozco Annual commissions Page 11 Tunga El Anatsui Gerda Steiner and Jörg Lenzlinger Antti Laitinen Christian Lapie Cornelia Konrads II. Photography Page 29 Edward Burtynsky Naoya Hatakeyama Alex MacLean Xavier Zimmermann Jean-Christophe Ballot Melik Ohanian Gérard Rancinan III. Lasting installations Page 45 IV. The Centre of Arts and Nature Page 51 1. A multifaceted mission 2. A range of objectives 3. The Park and Domaine metamorphosed 4. New areas in 2015 5. The Domaine’s key players 6. Major projects 2008 - 2014 7. 2015 Cultural programming V. Useful information Page 61 VI. Selection of visuals available for the press Page 63 1 INTRODUCTION n Domaine de Chaumont’s 2015 programme, fifteen or so new artists, visual artists Iand photographers will be lending their own interpretation to the atmosphere that reigns here. 2015 will mark the second phase in the work of the great Mexican artistGabriel Orozco, who is working on a special commission for the Centre-Loire Valley Region with new, huge and altogether unusual “phantom flowers”, inspired by the old tapestries in the long-abandoned bedrooms of the Château’s princely apartments. Trees and their mysteries will feature prominently in the programme of the Chaumont- sur-Loire Centre of Arts and Nature, with the exceptional “fossilised tree” by renowned Brazilian artistTunga - a magnificent grey and blue marbled stone trunk harking back to the dawn of time, set up in the Stables Indoor Ring - as well as the ”armour” tree knight by Finnish artist Antti Laitinen, and the majestic giant figures by Christian Lapie. -
Olafur Eliasson Biography
Olafur Eliasson Biography 1967 Born in Copenhagen 1989 – 1995 Studied at the Royal Danish Academy of Fine Arts in Copenhagen Lives in Copenhagen and Berlin Solo Exhibitions 2019 Olafur Eliasson: In real life, Tate Modern, London, United Kingdom, July 11, 2019 – January 5, 2020. Travel to Guggenheim Bilbao, Spain, February 14, 2020 – June 21, 2021. Tree of Codes, Opéra Bastille, Paris, France, June 26 – July 13. Y/our future is now, The Serralves Museum of Contemporary Art, Porto, Portugal, July 31, 2019 – June 14, 2020. 2018 Objets définis par l’activité, Espace Muraille, Genève, Switzerland, January 24 — April 28. Una mirada a lo que vendrá (A view of things to come), Galería Elvira González, Madrid, Spain, February 13 – April 28. Reality Projector, Marciano Art Foundation, Los Angeles, USA, March 1 – August 25. The unspeakable openness of things, Red Brick Art Museum, Beijing, People’s Republic of China, March 25 – August 12. Multiple Shadow House, Danish Achitecture Center (DAC), Copenhagen, Denmark, May 17 – Oktober 21. Olafur Eliasson: WASSERfarben (WATERcolours) , Graphische Sammlung – Pinakothek der Moderne, Munich, Germany, June 7 – September 2. The speed of your attention, Tanya Bonakdar Gallery, New York / Los Angeles, September 15 – December 22. 2017 Olafur Eliasson, Fischli/Weiß, Art Project Ibiza & Lune Rouge, Ibiza, Spain, January 21 – April 29. Olafur Eliasson: Pentagonal landscapes, EMMA – Espoo Museum of Modern Art, Espoo, Finnland, February 8 – May 21. Olafur Eliasson: Green light – An artistic workshop, The Moody Center of the Arts, Houston, Texas, USA, February 24 – Mid May. Olafur Eliasson: The listening dimension, Tanya Bonakdar Gallery, New York, March 23 – April 22. -
Asia Arts Awards Hong Kong Auction to Benefit Asia Society Thursday, March 23, 2017 1
ASIA ARTS AWARDS HONG KONG AUCTION TO BENEFIT ASIA SOCIETY THURSDAY, MARCH 23, 2017 1. Xu Bing (b. 1955, Chongqing, China; lives and works in Beijing and New York) Phoenix, 2015 Digital print on paper 15 3/4 x 18 3/4 in. (40.1 x 47.7 cm) Artist Proof 1 of 8 Courtesy of the artist Suggested value: US$1,500.00 Xu Bing is a conceptual artist whose work draws on the creative use of language, words, and text. This is a print of an original drawing of Xu’s large-scale installation of the same name made from construction debris and light-emitting diodes. Phoenixes are traditionally associated with rebirth and Xu’s interpretation may be seen as a reflection on urbanization. The artist received a BFA in printmaking in 1981 and an MFA in 1987 from the Central Academy of Fine Arts (CAFA), Beijing. A recipient of the MacArthur Fellowship in 1999, Xu’s artworks have been exhibited worldwide, including at the 56th and 45th Venice Biennales (2015, 1993); Arthur M. Sackler Gallery, Washington, D.C. (2013, 2001); the Victoria and Albert Museum, London (2013); The Museum of Modern Art, New York (2007); The Metropolitan Museum of Art, New York (2006); the Biennale of Sydney (2002); and Johannesburg Biennale (1997), among others. The artist served as the Vice President of the Central Academy of Fine Arts, Beijing, from 2008 to 2014, and is currently a professor and member of the Academic Committee at CAFA. He was awarded a Doctorate of Humane Letters by Columbia University in 2010. -
Rodney Graham CV
Rodney Graham Lives and works in Vancouver, Canada 1979–80 Simon Fraser University, Burnaby, Canada 1968–71 University of British Columbia, Vancouver, Canada 1949 Born in Vancouver, Canada Selected Solo Exhibitions 2020 ‘Artists and Models', Serlachius Museum Gösta, Mänttä, Finland ‘Painting Problems’, Lisson Gallery 2019 303 Gallery, New York, NY, USA 2018 ‘Central Questions of Philosophy’, Lisson Gallery, London, UK 2017 ‘Lightboxes’, Museum Frieder Burda, Baden-Baden, Germany 303 Gallery, New York, NY, USA ‘That’s Not Me’, BALTIC Centre for Contemporary Art, Gateshead, UK; Museum Voorlinden, Wassenaar, Netherlands; Irish Museum of Modern Art, Dublin, Ireland ‘Canadian Impressionist’, Canada House, London, UK ‘Media Studies’, Hauser & Wirth, Zurich, Switzerland 2016 ‘You should be an Artist’, Le Consortium, Dijon, France ‘Waterloo Billboard Commissions’, Hayward Gallery, London, UK ‘Jack of All Trades’, Prefix Institute of Contemporary Art, Toronto, Canada ‘Più Arte dello Scovolino!’, Lisson Gallery, Milan, Italy Alt Art Space, Istanbul Turkey 2015 Sammlung Goetz, Munich, Germany ‘Kitchen Magic Drawings’, Galerie Rüdinger Schöttle, Munich, Germany 2014 ‘Rodney Graham: Props and Other Paintings’, Charles H. Scott Gallery, Emily Carr University of Art + Design, Vancouver, Canada ‘Collected Works’, Rennie Collection, Vancouver, Canada ‘Torqued Chandelier Release and Other Works’, Belkin Gallery, University of British Columbia, Vancouver, Canada 2013 Lisson Gallery, London, UK 303 Gallery, New York, NY, USA ‘The Four Seasons’, Hauser & Wirth, Zurich, Switzerland 2012 ‘Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada Johnen Galerie, Berlin, Germany 2011 Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich, Switzerland ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria ‘The Voyage or Three Years at Sea: Part 1. -
PHILIPPE PARRENO Lives and Works in Paris, France Education
PHILIPPE PARRENO Lives and works in Paris, France Education 1983 – 1988 École des Beaux-Arts, Grenoble, France 1988 – 1989 Institut des Hautes Etudes en arts plastiques, Palais de Tokyo, Paris Selected Solo Exhibitions 2019 “Philippe Parreno: A Manifestation of Objects,” Watari Museum of Contemporary Art, Tokyo “Echo,” Museum of Modern Art, New York “Displacing Realities,” LVMH Venice, Venice, Italy “Philippe Parreno,” Gladstone Gallery, New York 2018 “My Room is Another Fish Bowl,” Tensta Konsthall, Stockholm, Sweden “Philippe Parreno,” Pilar Corrias Gallery, London “Philippe Parreno,” Martin-Gropius-Bau, Berlin “Philippe Parreno: Two Automatons for One Duet (My Room Is Another Fish Bowl, 1996–2016, and With a Rhythmic Instinction to Be Able to Travel beyond Existing Forces of Life, 2014),” Art Institute of Chicago, Chicago 2017 “La Levadura y el Anfitrión,” Museo Jumex, Mexico City “Philippe Parreno: Synchronicity,” Rockbund Art Museum, Shanghai, China “Philippe Parreno,” Museu de Arte Contemporânea de Serralves, Porto, Portugal 2016 “Philippe Parreno: Thenabouts,” Australian Center for the Moving Image, Melbourne, Australia “Anywhen,” Hyundai Commission 2016, Turbine Hall, Tate Modern, London “My Room is Another Fish Bowl, The Brooklyn Museum, New York “IF THIS THEN ELSE,” Gladstone Gallery, New York 2015 “H{N)YPN(Y}OSIS,” Park Avenue Armory, New York “Hypothesis,” HangarBicocca, Milan, Italy 2014 “Quasi Objects,” Esther Schipper, Berlin “With a Rhythmic Instinction to be Able to Travel Beyond Existing Forces of Life,” Pilar Corrias, -
An Apology for Modernity
NSK STaTE PavIlION — 57Th vENIcE BIENNalE 2017 11 May – 15 July 2017 Exhibition: Palazzo Ca’ Tron, IUAV University of Venice Commissioned by IRWIN Inaugural lecture by Slavoj Žižek Curated by Zdenka Badovinac and Charles Esche 11 May 2017, Aula Magna Tolentini Installation by Ahmet Öğüt AN APOLOGY List of contents FOR MODERNITY It is cruel to refuse shelter to refugees. For the state in time, transgression of But it is much more cruel to make people the bounds of the ethical idea is as serious Introduction by IRWIN 2 refugees. The refugees fleeing to Europe as violation of the boundaries for the state are put in an impossible situation of seek - in space. It is imperative for NSK as the Zdenka Badovinac and Charles Esche, NSK State ing help from the perpetrators of their suf - state in time that we take a categorical Pavilion in the context of the 57th Venice Biennale 3 fering and misery. We, the liberal Western stance toward these developments. Since world, have destroyed their life world. we cannot expect our Western leaders to Editor’s note by Mara Ambrozič 4 The governments of our states in space act ethically, we take the burden of moral have done it. We as their citizens are all responsibility and guilt on ourselves and Slavoj Žižek, The Courage of Hopelessness 4 complicit in the crimes our elected and sincerely apologize to the refugees, as well unelected leaders have committed or as - as to those who were unable to or chose Eda Čufer, It is Time to Rethink the State: sisted in the regions from which the not to flee, for all the crimes and suffering On NSK State 5 refugees flee. -
LUCY + JORGE ORTA Lucy Orta, B
LUCY + JORGE ORTA Lucy Orta, b. United Kingdom, 1966 Jorge Orta, b. Argentina, 1953 SOLO EXHIBITIONS & COMMISSIONS 2020 Orta Drawing Lab, Drawing Lab, Paris, France Antarctica World Passport: UK-Tour, National Maritime Museum, Harewood House, London, UK Lucy + Jorge Orta, Les Tenneries – Centre d’art contemporain, Amilly, France OrtaWater, LMCC Arts Center, Governors Island, New York, US 2019 70 x 7 The Meal Act XLII Matera, European Cultural Capital, Matera, Italy Life Guards, Palazzo Vecchio, Museo Novecento, Museo Ferragamo, Florence, Italy Potential Architecture, Jane Lombard Gallery, New York, NY Gazing Ball, Yorkshire Sculpture Park, West Bretton, UK 2018 Antarctica World Passport – Displacement, Migration Week, Marrakesh, Morocco Procession Banners, Medicine Bakery and Gallery, Birmingham, UK The Gazing Ball – Potential Architecture, Folly! 2018, Fountains Abbey and Studley Royal North Yorkshire, UK PEEWIT, European Capital of Culture Leeuwarden-Fryslån, Sloten, The Netherlands 70 x 7 The Meal Act XLI, NTU Centre for Contemporary Art, Singapore 2017 Raft if the Medusa, Hull, UK Lucy + Jorge Orta, UNTITLED Art Fair, Jane Lombard Gallery Miami Beach, Florida, USA Antarctica World Passport Bureau, Frieze Projects, curated by Raphael Gygax, Frieze London, UK Lucy + Jorge Orta, Galerie Valerie Bach, Brussels, Belgium 70 x 7 The Meal, Ideas Fest, Cities for the People, NTU Centre for Contemporary Art, Singapore 2016 Lucy + Jorge Orta : Food, City Gallery, Peterborough Museum, Priestgate, Peterborough, UK Lucy + Jorge Orta : Antarctica, Jane Lombard Gallery, New York, NY Lucy + Jorge Orta, Attenborough Arts Centre, University of Leicester, Leicester, UK 2015 Antarctica World Passport Bureau, COP21, Le Grand Palais, Paris, France 70 x 7 The Meal, Harvest in Peterborough, Peterborough, UK Displacement. -
Clarissa Ricci Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition
Journal On Biennials Why Venice? Vol. I, No. 1 (2020) and Other Exhibitions Clarissa Ricci Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition Abstract This paper argues that Cardinal Points of Art, directed by Achille Bonito Oliva has been decisive in the formation of the contemporary Venice Biennale. The 45th Venice Biennale, (1993) was memorable for many reasons: the first exhibi- tion of Chinese painters in Venice, its transnational approach, and because it was the last time the Aperto exhibition was shown. Nevertheless, this was a complex and much criticised Biennale whose specific characteristics are also connected to the process of reform that the institution had been undergoing since the 1970s. The analysis of the exhibition starts with the examination of this legacy and continues by questioning Bonito Oliva’s curatorial contribution in order to define the specific features which helped to shape the contemporary Venice Biennale. Keywords Venice Biennale, Aperto, 1993, Achille Bonito Oliva, Nomadism, Coexistence, Contemporaneity OBOE Published online: September 16, 2020 Journal On Biennials and Other Exhibitions To cite this article: Clarissa Ricci, “Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition”, OBOE Journal I, no. 1 (2020): ISSN 2724-086X 78-98. oboejournal.com To link to this article: https://doi.org/10.25432/2724-086X/1.1.0007 Journal On Biennials Why Venice? Vol. I, No. 1 (2020) and Other Exhibitions Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition¹ Clarissa Ricci Introduction The format of today’s Venice Biennale is the result of a long intellectual and polit- ical negotiation. -
KEN GONZALES-DAY Born 1964, Santa Clara, CA Lives and Works
1110 Mateo Street, Los Angeles CA 90021 213 395 0762 | [email protected] luisdejesus.com KEN GONZALES-DAY Born 1964, Santa Clara, CA Lives and works in Los Angeles, CA EDUCATION 1995 MFA, Studio Art, University of California, Irvine, Irvine, CA 1991 MA, “Another Colonial American: Mission Architecture in New Mexico,” Art History, City University of New York, New York, NY 1987 BFA, Painting, Minor in Art History minor, Pratt Institute, Brooklyn, NY 1983 Certificate, Studio Art, St. Luc: L’Ecole Des Arts Plastique, Liége, Belgium FELLOWSHIPS & AWARDS 2018 Mary W. Johnson Faculty Achievement Award, Scripps College, Claremont, CA 2017 Fellowship, John Simon Guggenheim Memorial Foundation, New York, NY 2014 Artist Research Fellowship, National Portrait Gallery, Smithsonian Institution, Washington, DC 2013 American Senior Artist, Terra Summer Residency Program, Giverny, France Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA), Paris, France 2012 Creative Capital Grant to continue Profiled series 2011 Chercheur Accueilli, Institut National d’Histoire de l’Art (INHA), Paris France City of Los Angeles (COLA) Individual Artist Fellowship, City of Los Angeles Department of Cultural Affairs, Los Angeles, CA 2008-9 Visiting Scholar + Artist-In-Residence, Getty Research Institute, J. Paul Getty Museum, Los Angeles, CA 2008 Art Matters Grant, New York, NY 2007 Mid-Career Fellowship for Los Angeles Artists, California Community Foundation, Los Angeles, CA 2003-4 Senior Fellow, Latino Initiatives Program, Smithsonian Institution, -
Tváře 21/6 – 16/9 2012 Kurátor Výstavy / Ladislav Kesner Marina
Tváře 21/6 – 16/9 2012 Kurátor výstavy / Ladislav Kesner Marina Abramović 1946 narozena v Bělehradu / born in Belgrade 1970 graduated from the Academy of Fine Arts, Belgrade 1972 postgraduate studies in Zagreb 1976 moved to Amsterdam Ocenění 2009 Lorenzo il Magnifico career Award, Florence Biennale, Florence 2008 Austrian Decoration of Honor for Science & Art 2004 Honorary Doctorate from The Art Institute of Chicago 2003 AICA USA Award (The House with the Ocean View) 2003 Niedersächsischer Kunstpreis 2003 New York Dance and Performance Award (The Bessies) 2003 International Association of Art Critics, Best Show in a Commercial Gallery Award 1997 Golden Lion Award, 47th Venice Biennale, Venice Vybrané samostatné výstavy 2011 Marina Abramović - The Artist is Present, The Garage, Moscow 2011 Marina Abramović, Pinnacle Gallery, Savannah 2010 Marina Abramović - The Artist is Present, Museum of Modern Art, New York 2010 Personal Archeology, Sean Kelly Gallery, New York 2009 Unconditional Love, Arsenale Novissimo Tesa 89, Venice Biennale, Venezia 2008 Les traces du sacré, Centre Georges Pompidou, Paris 2007 Marina Abramović: Retrospective, Kappatos Gallery, Athens 2005 The Solomon R. Guggenheim Museum, New York 2004 Performing Body: Video Works By Marina Abramovic, The Speed Art Museum, Louisville 2003 The Star, Contemporary Art Museum, Kumamoto, Japan 2001 Marina Abramović: The Hero, Hirshhorn Museum and Sculpture Garden, Washington 2001 Marking the Territory, The Irish Museum of Modern Art, Dublin 2000 Cleaning the House: Travelling Cabinet, -
Download Artist's CV
Anish Kapoor 1954 Born in Bombay, India 1973-77 Hornsey College of Art, London 1977-78 Chelsea School of Art, London Selected Solo Exhibitions 2022 ‘Anish Kapoor’, Gallerie Accademia, Venice, Italy (forthcoming) 2021 ‘Anish Kapoor’, Lisson Gallery, London, UK ‘Anish Kapoor;, Museum of Contemporary Art and Urban Planning, Shenzhen, China ‘Anish Kapoor: Painting’, Modern Art Oxford, Oxford, UK 2020-2021 ‘Anish Kapoor’, Pinakothek der Moderne, Munich, Germany 2020 ‘Anish Kapoor’, Houghton Hall, Norfolk, UK 2019-2020 ‘Anish Kapoor: Surge’, Fundación Proa, Buenos Aires, Argentina ‘Anish Kapoor’, Imperial Ancestral Temple, Beijing, China ‘Anish Kapoor’, Central Academy of Fine Arts Museum, Beijing, China 2019 ‘Surge’, Fundación Proa, Buenos Aires, Argentina Lisson Gallery, New York, USA, Beijing, China ‘Anish Kapoor’, Lisson Gallery, London, UK ‘Anish Kapoor’, Fundación CorpArtes, Santiago, Chile ‘Anish Kapoor’, Pitzhanger Manor & Gallery, London, UK 2018 ‘Anish Kapoor in Beppu’, Beppu Park, Oita, Japan ‘Daniel Buren & Anish Kapoor’, Galleria Continua, San Gimignano, Italy ‘Anish Kapoor’, Serralves Museum, Porto, Portugal ‘Anish Kapoor’, Gallery F 15, Moss, Norway 2017 Galleria Massimo Minini, Brescia, Italy Lisson Gallery, London, UK ‘Anish Kapoor: Descension’, Public Art Fund, Brooklyn Bridge Park Pier 1, New York, USA ‘Anish Kapoor: Destierro’, Parque de la Memoria, Buenos Aires, Argentina ‘Concept of Happiness: Anish Kapoor’s Outline of Collapse’, EYE OF GYRE, Tokyo, Japan ‘Places of Origin – Monuments for the 21st Century’, MAST Foundation, -
OCMA Announces the 2017 California-Pacific Triennial Artists
FOR IMMEDIATE RELEASE: November 28, 2016 Media Contact: Kirsten Schmidt [email protected] | 949.759.1122 ext 207 OCMA Announces the 2017 California-Pacific Triennial Artists With a focus on the Built Environment, 25 artists and artists’ collectives from 12 countries around the Pacific Rim have been selected to participate in the exhibition On view May 6 through September 3, 2017 NEWPORT BEACH, CA—The Orange County Museum of Art (OCMA) today announced the names of 25 artists and artists’ collectives whose work will appear in the 2017 California-Pacific Triennial: Building As Ever. This is the second iteration of the program that places important California art practices within those from countries surrounding the Pacific Ocean. California’s geographical position on the Pacific Ocean has long enriched its cultural prominence, and the demographics of the state are strongly linked to the diverse countries along the Pacific Rim. With a focus on the topic of architecture and the temporal precariousness of the built environment, OCMA Senior Curator Cassandra Coblentz selected the final artists from the US and 11 other countries around the Pacific Ocean. The 2017 California-Pacific Triennial will be accompanied by a full-color catalogue and the exhibition is on view May 6 through September 3, 2017. 2017 California-Pacific Triennial: Building As Ever Participating Artists (Full list of bios at end) anothermountainman (Stanley Wong) Renée Lotenero | Los Angeles, USA Hong Kong, China Cybele Lyle | Oakland, USA Carmen Argote | Los Angeles, USA Ronald