Carteri, fresh from her conquest of San Francisco - as Mimi. Tall for Only Tape Recorder a singer, and on the stage exquisitely beautiful, she sang with the most with Simple Single -Knob Control delicate sensitive musicality and awareness of word values, in a lovely, warm, lyric voice. To be perfectly frank, the effect on any opera enthusiast of coming almost at once on three unfamiliar artists so undebatably of the abso- lutely top rank as Miss Callas, Miss Carteri, and Miss Simionato is some- what unhinging. And these three did not sing alone. Mirto Picchi sang Pollione with a bright, ringing, soundly produced voice and acted quite dependably, and as Don José in reinforced the impression he had made earlier. As Almaviva in II Barbiere and Alfredo in La Traviata, Leopold Simoneau phrased most tastefully and looked well on the stage, and as Rodolfo in La Bohème Giacinto Prandelli proved as reliably worthy as ever. The of the season, though, was Giuseppe di Stefano, improved as an actor, and as a specifically operatic singer, out of all recognition since his early, careless Metropolitan days. He sang extraordinarily well, especially in the last act of Lucia and the last act of PENTRON TAPE RECORDER , which had Eleanor Steber giving her impressive all in the title role. with exclusive MONOMATIC Rcontrol The two principal baritones were , who sang Figaro, Ger- This sensational new Pentron gives you the recording -playback quality mont, and Scarpia, and Gian Giacomo and all the features of recorders selling for up to twice this price .. . Guelfi, who sang Marcello, Ashton, plus fool -proof Monomatic Control, featured in no other recorder at and Escamillo. Mr. Gobbi made a any price! great impression as both stylist and actor. Mr. Guelfi, whose voice must With Monomatic Control, a flick of the finger instantly gives you be one of the hugest since Titta selection of Record or Play, in either 7% " or 3% " tape speeds, or Fast Ruffo, used it all with a kind of Forward and Fast Rewind. happy enthusiasm over the sound Simplest control ever devised for recording. MONOMATIC that submerged any possibility of Control is your error -proof assurance of getting what you want, subtlety but was enormously im- when you want it, every time. pressive. The American novelty, Vittorio 2 tape speeds-7W and True fidelity perform- The Taming of the Shrew, 3Y4" ance Giannini's Horizontal or vertical hardly have had a test more 2 -hour recording and could playback operation acid than that of being presented Instantaneous braking - Straight line slot loading no tape spilling in conjunction with such a reper- toire, so cast, but it came out very See it -hear it-to believe it! Ask your Pentron well. The Shakespeare text may not dealer to demonstrate Monomatic Control. make an ideal libretto, but it does Send for complete details today provide beautiful words, and the has set expertly. The St EXCLUSIVE composer them PENTRON CORPORATION score is neither hyper -conservative Dept. HF1, 777 S. Tripp Ave., Chicago 24, Illinois nor defiantly modern, and its full - Please send detailed literature on Pentron with Monomatic. bodied harmonies sound out freely Please send nome of my nearest Pentron source. Name and confidently in a big opera house. Address It had a very real success with its Canada: Anas Radio. Ltd., Toronto City Zone State Continued on page 104

JANUARY, 1955

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