Jonathan Houlding Production Designer

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JONATHAN HOULDING PRODUCTION DESIGNER FILM SAVE THE CINEMA Director: Sara Sugarman Production Company: Tempo Productions Ltd. & Sky Cinema SHORT FILM OUR SISTER Director: Rosie Westhoff Production Company: Adapted Pictures SENIOR ART DIRECTOR IN ART DEPARTMENT POOR THINGS Director: Yorgos Lanthimos Production Company: Element Pictures & Fruit Tree MASTERS OF THE AIR Director: Cary Joji Fukunaga, Anna Boden, Ryan Fleck, Dee Rees Production Company: Amblin Television, Playtone & Apple TV ART DIRECTOR IN ART DEPARTMENT THE KID WHO WOULD BE KING Director: Joe Cornish Production Company: Big Talk Productions, Twentieth Century Fox & Working Title Winner, BFDG Awards, British Film Designers Guild Awards (2019) BRIDGET JONES’S BABY Director: Sharon Mcguire Production Company: Working Title & Universal Pictures LUX ARTISTS | 1 MR HOLMES Director: Bill Condon Production Company: Miramax, BBC Film & Twenty First City Official Selection, Berlinale Film Festival (2015) ART DIRECTOR IN SET DECORATION INFINITE Director: Antoine Fuqua Production Company: Di Bonaventure Pictures & Paramount Pictures AVENUE 5 Director: Armando Iannucci Production Company: Dundee & HBO ARTEMIS FOWL Director: Kenneth Branagh Production Company: Disney LIFE (Supervising Art Director for Set Decoration) Director: Daniel Espinosa Production Company: Colombia Pictures & Skydance Media THE MARTIAN Director: Ridley Scott Production Company: Scott Free Productions & Twentieth Century Fox Nominated, Best Production Design & Best Motion Picture, Academy Awards (2016) Winner, Excellence in Production Design, ADG Awards (2016) Nominated, Best Production Design, BAFTA Awards (2016) Winner, Best Motion Picture & Actor, Golden Globes (2016) Official Selection, Toronto Film Festival (2015) EXODUS: GODS AND KINGS Director: Ridley Scott Production Company: Scott Free Productions & Chernin Entertainment CONCEPT/ILLUSTRATOR THEIR FINEST Director: Lone Scherfig Production Company: BBC Films, Wildgaze Films & Number 9 Films Official Selection, Sundance Film Festival (2017) Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) SUFFRAGETTE Director: Sarah Gavron Production Company: Film4, BFI, Pathé & Ruby Films LUX ARTISTS | 2.

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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011).
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Runaway Production Problem? the Phenomenon of “Runaway” Film and Television Production from the U.S
U.S. RUNAWAY FILM AND TELEVISION PRODUCTION STUDY REPORT TABLE OF CONTENTS I. Executive Summary Page 2 II. The U.S. Runaway Film and Television Production Problem – A. Runaway Activity/Trends Page 6 – B. Total Economic Impact Page 11 – C. U.S. Regional Impact Page 15 – D. Direct Labor Impact Page 16 – E. Future Impact Page 17 III. The Causes – A. Production Location Decision Drivers Page 18 – B. Exchange Rates and Factor Costs Page 19 – C. Foreign Tax Incentives Page 20 – D. Total Cost Differences Page 23 – E. Foreign Infrastructure Page 23 – F. The Integrated Approach and Canada Page 24 IV. Study Methodology and Key Terms Page 27 V. About Monitor Company Page 29 1 I. EXECUTIVE SUMMARY “economic” runaways. Note that the study’s scope included theatrical films, films for television, Background television mini-series, and thirty and sixty minute television series. Other types of productions such as In January 1999, the Directors Guild of America commercials, and news and sports programming (DGA) and Screen Actors Guild (SAG) retained were not included. Monitor Company, a leading management consulting firm, to conduct an investigation into What Is The U.S. Runaway Production Problem? the phenomenon of “runaway” film and television production from the U.S. The Guilds (on an The study results show that economic runaway film anecdotal basis) had been noting an accelerating and television productions are a persistent, growing, runaway phenomenon, and the need to create an and very significant issue for the U.S. In 1998, of objective quantitative analysis led to the study being the 1,075 U.S.-developed film and television commissioned.
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BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
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Tom Cruise Stars in the Critically Acclaimed $789M+ Global Hit MISSION: IMPOSSIBLE—FALLOUT, Debuting on Digital November 20 and 4K Ultra HD, Blu-Ray™ & DVD December 4
Tom Cruise Stars in the Critically Acclaimed $789M+ Global Hit MISSION: IMPOSSIBLE—FALLOUT, Debuting on Digital November 20 and 4K Ultra HD, Blu-ray™ & DVD December 4 October 2, 2018 HOLLYWOOD, Calif.--(BUSINESS WIRE)--Oct. 2, 2018-- “The action is off-the-charts spectacular” ( Peter Travers, Rolling Stone) in the “wildly entertaining” ( Chris Nashawaty, Entertainment Weekly) worldwide blockbuster MISSION: IMPOSSIBLE—FALLOUT, arriving on Digital November 20, 2018 and on 4K Ultra HD, Blu-ray, and DVD December 4 from Paramount Home Media Distribution. The exhilarating, action-packed movie will also be available as part of the MISSION: IMPOSSIBLE 6-movie Blu-ray and 4K Ultra HD + Blu-ray Collection, the perfect gift for the holidays. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20181002006109/en/ Produced by Tom Cruise and Bad Robot, Paramount Pictures and Skydance present MISSION: IMPOSSIBLE—FALLOUT, one of the best reviewed movies of the year, thrilling critics and audiences alike and boasting a 97% Fresh rating on Rotten Tomatoes. Now fans can go deeper into the Mission with over an hour of high-octane, behind-the-scenes footage highlighting the incredible stunts, heart-pounding action and exotic locations on Digital*, a 3-disc 4K Ultra HD Combo Pack or a 3-disc Blu-ray Combo Pack. Drop from the sky, race through Paris, and cling to a cliff with Ethan Hunt as the cast and crew reveal the incredible work that went into creating the breathtaking action. Plus, check out deleted scenes, storyboards, multiple commentaries, and much more.
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Der Polarexpress
Filmheft Ideen und Materialien für den Unterricht mit didaktisch-methodischen Anregungen für die Filmbesprechung Autor: Holger Twele Der Polarexpress CGI-Weihnachtsfilm von Robert Zemeckis, USA 2004 Filmheft DER POLAREXPRESS IMPRESSUM Herausgeber: Kinderkinobüro der JugendKulturService gGmbH, gefördert von der Medienboard Berlin-Brandenburg Autor: Holger Twele Redaktion: Katya Janho (Kinderkinobüro der JugendKulturService gGmbH Berlin) Satz und Layout: Holger Twele Bildnachweis: Warner Bros. Pictures Germany © September 2018 (Holger Twele, Kinderkinobüro der JugendKulturService gGmbH Berlin) Kontakt: Kinderkinobüro der JKS gGmbH Obentrautstr. 55 10963 Berlin Fon: 030 / 2355 6251 Fax: 030 / 2355 6220 [email protected] www.kinderkinobuero.de Holger Twele www.holgertwele.de Schulvorstellungen buchen: Bei der Suche nach einem geeigneten Kino hilft Ihnen gerne der Vertrieb des Films: Warner Bros. Entertainment GmbH Humboldtstraße 62 22083 Hamburg Tel.: 040-226 500 www.warnerbros.de – 2 – Filmheft DER POLAREXPRESS CREDITS Der Polarexpress (OT: The Polar Express) USA 2004 Regie: Robert Zemeckis Drehbuch: Robert Zemeckis & William Broyles jr. nach dem Buch von Chris Van Allsburg Kamera: Don Burgess, Robert Presley Schnitt: Jeremiah O‘Driscoll & R. Orlando Duenas Sounddesign: Randy Thom Musik: Alan Silvestri, mit Originalsongs von Glen Ballard und Alan Silvestri Produktionsdesign: Rick Carter, Doug Chiang Visual Effects: Ken Ralston, Jerome Chen Darsteller: Tom Hanks (Der kleine Held, Vater, Schaffner, Weihnachtsmann, Landstreicher), Michael Jeter (Zugführer Smokey, Heizer Steamer), Leslie Zemeckis (Schwester Sarah, Mutter), Eddie Deezen (Der Besser- wisser), Nona Gaye (Das Mädchen), Peter Scolari (Der Einsame/Billy), Charles Fleischer (General der Elfen) u. a. Produktion: Castle Rock Entertainment, Shangri-La Entertainment, Playtone, Imagemovers, Golden Mean-Production Produzenten: Steve Starkey, Robert Zemeckis, Gary Goetzman, William Teitler Länge: 100 Min.
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Sage Intacct Entertainment
Success Story Sage Intacct Entertainment Sage Intacct and RKL Take a Leading Role With Skydance Media Like the saying goes, “there’s no business like show business.” Even when it comes to technology, the entertainment industry’s business Industry management requirements are unique. Nobody knows that better than Entertainment / Media Skydance Media, a Santa Monica, California-based production company Client Name specializing in film (think blockbusters like Mission Impossible or Star Skydance Media Trek: Into Darkness), animation, TV, and video games. Location The diversity of Skydance’s projects and media channels creates Santa Monica, CA accounting challenges unique to the entertainment industry. Faced with a growing workload of time-consuming and manual processes to System Sage Intacct produce an ever-increasing number of essential reports, the company Adaptive Insights realized it was time to replace their legacy accounting software. That’s Nexonia when Skydance looked to the cloud and found Sage Intacct and RKL eSolutions. Challenge Act 1: The Scene is Set Skydance Media’s legacy system “When I first came to Skydance,” says Anne Price, Skydance Media, Senior Vice couldn’t support their multi-entity President and Controller, “we were using an older Sage ERP product that we outgrew growth and reporting needs. long ago.” In the entertainment industry, she explains every movie, TV show, star, game or brand is tracked as an individual entity, with its own profit and loss. Then, Solution they have to generate reports on each of those entities individually as well as combine Sage Intacct provides a flexible, user- them all into a single report to monitor the business as a whole.
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Downloadable Text (Finkelstein and Mccleery 2006, 1)
A Book History Study of Michael Radford’s Filmic Production William Shakespeare’s The Merchant of Venice A thesis submitted in fulfilment of the requirements for the degree of MASTER OF ARTS of RHODES UNIVERSITY by BRYONY ROSE HUMPHRIES GREEN March 2008 ABSTRACT Falling within the ambit of the Department of English Literature but with interdisciplinary scope and method, the research undertaken in this thesis examines Michael Radford’s 2004 film production William Shakespeare’s The Merchant of Venice using the Book History approach to textual study. Previously applied almost exclusively to the study of books, Book History examines the text in terms of both its medium and its content, bringing together bibliographical, literary and historical approaches to the study of books within one theoretical paradigm. My research extends this interdisciplinary approach into the filmic medium by using a modified version of Robert Darnton’s “communication circuit” to examine the process of transmission of this Shakespearean film adaptation from creation to reception. The research is not intended as a complete Book History study and even less as a comprehensive investigation of William Shakespeare’s The Merchant of Venice . Rather, it uses a Shakespearean case study to bring together the two previously discrete fields of Book History and filmic investigation. Drawing on film studies, literary concepts, cultural and media studies, modern management theory as well as reception theories and with the use of both quantitative and qualitative data, I show Book History to be an eminently useful and constructive approach to the study of film. ii ACKNOWLEDGEMENTS I want to thank the Mandela Rhodes Foundation for the funding that allowed me to undertake a Master’s degree.
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1 Skydance Media and Alibaba Pictures Join Forces To
SKYDANCE MEDIA AND ALIBABA PICTURES JOIN FORCES TO FINANCE AND PRODUCE FLYING TIGERS FEATURE FILM Oscar-Nominated Writer Randall Wallace to Script _____________________________________________________________________________ Santa Monica, CA and Beijing, China – April 6, 2016 – Skydance, a diversified media company that creates elevated, event-level entertainment for global audiences, and Alibaba Pictures, Alibaba Group’s entertainment affiliate, today announced that they will join forces to finance and produce a Flying Tigers feature film for global release. It has been designated by Skydance Media and Alibaba Pictures as a high-priority development project. The screenplay will be written by Oscar-nominated writer Randall Wallace (Braveheart) and the film will be produced by David Ellison and Dana Goldberg of Skydance together with a team from Alibaba Pictures. The Flying Tigers – formally known as the 1st American Volunteer Group of the Chinese Air Force – was a group of volunteer pilots from the U.S. Air Force, Navy and Marine Corps. Led by Captain Claire Lee Chennault, the group fought alongside the Chinese during World War II. The Flying Tigers project will tell the story of the unique brotherhood formed by these intrepid soldiers. “This production partnership with Alibaba Pictures on Flying Tigers marks an important next step in our strategy to expand the reach of the Skydance brand on a global basis,” said David Ellison, Chief Executive Officer of Skydance Media. “We could not be more excited to work with the incomparable Randall Wallace to bring to life the extraordinary, untold story of the great commitment and sacrifices made by this courageous group of pilots.” “Flying Tigers carries with it a rich legacy and a movie about this subject matter has been highly anticipated for a very long time,” added Zhang Wei, President of Alibaba Pictures.
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How Are the Major Streaming Services Reshaping the Film Industry
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