An Overview of Fish Bioacoustics and the Impacts of Anthropogenic Sounds on Fishes*
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Chapter 5 Bioacoustics Approaches in Biodiversity Inventories
Chapter 5 Bioacoustics approaches in biodiversity inventories by Martin K. Obrist Swiss Federal Research Institute WSL, Biodiversity and Conservation Biology Zürcherstrasse 111, CH-8903 Birmensdorf, Switzerland Email: [email protected] Gianni Pavan Centro Interdisciplinare di Bioacustica e Ricerche Ambientali Dipartimento di Biologia Animale, Università di Pavia Via Taramelli 24, 27100 Pavia, Italy Email: [email protected] Jérôme Sueur Muséum national d'Histoire naturelle, Département Systématique et Evolution UMR 7205 CNRS OSEB, 45 rue Buffon, 75005 Paris, France Email: [email protected] Klaus Riede Zoologisches Forschungsmuseum Alexander Koenig Adenauerallee 160, 53113 Bonn, Germany Email: [email protected] Diego Llusia Fonoteca Zoológica, Museo Nacional de Ciencias Naturales (CSIC) José Gutierrez Abascal 2, 28006 Madrid, Spain Email: [email protected] Rafael Márquez Fonoteca Zoológica, Museo Nacional de Ciencias Naturales (CSIC) José Gutierrez Abascal 2, 28006 Madrid, Spain Email: [email protected] 68 Abstract Acoustic emissions of animals serve communicative purposes and most often contain species-specific and individual information exploitable to listeners, rendering bioacoustics predestined for biodiversity monitoring in visually inaccessible habitats. The physics of sound define the corner stones of this communicative framework, which is employed by animal groups from insects to mammals, of which examples of vocalisations are presented. Recording bioacoustic signals allows reproducible identification and documentation of species’ occurrences, but it requires technical prerequisites and behavioural precautions that are summarized. The storing, visualizing and analysing of sound recordings is illustrated and major software tools are shortly outlined. Finally, different approaches to bioacoustic monitoring are described, tips for setting up an acoustic inventory are compiled and a key for procedural advancement and a checklist to successful recording are given. -
The Musical Influences of Nature: Electronic Composition and Ornithomusicology
University of Huddersfield Repository McGarry, Peter The Musical Influences of Nature: Electronic Composition and Ornithomusicology Original Citation McGarry, Peter (2020) The Musical Influences of Nature: Electronic Composition and Ornithomusicology. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/35489/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Peter McGarry U1261720 The Musical Influences of Nature: 1 Electronic Music and Ornithomusicology University Of Huddersfield The School of Music, Humanities and Media Masters Thesis Peter McGarry The Musical Influences of Nature: Electronic Composition and Ornithomusicology Supervisor: Dr. Geoffery Cox Submitted: 23/12/2020 Peter McGarry U1261720 The Musical Influences of Nature: 2 Electronic Music and Ornithomusicology Abstract Zoomusicology is the study of animal sounds through a musical lens and is leading to a new era of sonic ideas and musical compositions. -
Definition and Measurement of Sound Energy Level of a Transient Sound Source
J. Acoust. Soc. Jpn. (E) 8, 6 (1987) Definition and measurement of sound energy level of a transient sound source Hideki Tachibana,* Hiroo Yano,* and Koichi Yoshihisa** *Institute of Industrial Science , University of Tokyo, 7-22-1, Roppongi, Minato-ku, Tokyo, 106 Japan **Faculty of Science and Technology, Meijo University, 1-501, Shiogamaguti, Tenpaku-ku, Nagoya, 468 Japan (Received 1 May 1987) Concerning stationary sound sources, sound power level which describes the sound power radiated by a sound source is clearly defined. For its measuring methods, the sound pressure methods using free field, hemi-free field and diffuse field have been established, and they have been standardized in the international and national stan- dards. Further, the method of sound power measurement using the sound intensity technique has become popular. On the other hand, concerning transient sound sources such as impulsive and intermittent sound sources, the way of describing and measuring their acoustic outputs has not been established. In this paper, therefore, "sound energy level" which represents the total sound energy radiated by a single event of a transient sound source is first defined as contrasted with the sound power level. Subsequently, its measuring methods by two kinds of sound pressure method and sound intensity method are investigated theoretically and experimentally on referring to the methods of sound power level measurement. PACS number : 43. 50. Cb, 43. 50. Pn, 43. 50. Yw sources, the way of describing and measuring their 1. INTRODUCTION acoustic outputs has not been established. In noise control problems, it is essential to obtain In this paper, "sound energy level" which repre- the information regarding the noise sources. -
A Definition of Song from Human Music Universals Observed in Primate Calls
bioRxiv preprint doi: https://doi.org/10.1101/649459; this version posted May 24, 2019. The copyright holder for this preprint (which was not certified by peer review) is the author/funder. This article is a US Government work. It is not subject to copyright under 17 USC 105 and is also made available for use under a CC0 license. A definition of song from human music universals observed in primate calls David Schruth1*, Christopher N. Templeton2, Darryl J. Holman1 1 Department of Anthropology, University of Washington 2 Department of Biology, Pacific University *Corresponding author, [email protected] bioRxiv preprint doi: https://doi.org/10.1101/649459; this version posted May 24, 2019. The copyright holder for this preprint (which was not certified by peer review) is the author/funder. This article is a US Government work. It is not subject to copyright under 17 USC 105 and is also made available for use under a CC0 license. Abstract Musical behavior is likely as old as our species with song originating as early as 60 million years ago in the primate order. Early singing likely evolved into the music of modern humans via multiple selective events, but efforts to disentangle these influences have been stifled by challenges to precisely define this behavior in a broadly applicable way. Detailed here is a method to quantify the elaborateness of acoustic displays using published spectrograms (n=832 calls) culled from the literature on primate vocalizations. Each spectrogram was scored by five trained analysts via visual assessments along six musically relevant acoustic parameters: tone, interval, transposition, repetition, rhythm, and syllabic variation. -
SEM Awards Honorary Memberships for 2020
Volume 55, Number 1 Winter 2021 SEM Awards Honorary Memberships for 2020 Jacqueline Cogdell DjeDje Edwin Seroussi Birgitta J. Johnson, University of South Carolina Mark Kligman, UCLA If I could quickly snatch two words to describe the career I first met Edwin Seroussi in New York in the early 1990s, and influence of UCLA Professor Emeritus Jacqueline when I was a graduate student and he was a young junior Cogdell DjeDje, I would borrow from the Los Angeles professor. I had many questions for him, seeking guid- heavy metal scene and deem her the QUIET RIOT. Many ance on studying the liturgical music of Middle Eastern who know her would describe her as soft spoken with a Jews. He greeted me warmly and patiently explained the very calm and focused demeanor. Always a kind face, and challenges and possible directions for research. From that even she has at times described herself as shy. But along day and onwards Edwin has been a guiding force to me with that almost regal steadiness and introspective aura for Jewish music scholarship. there is a consummate professional and a researcher, teacher, mentor, administrator, advocate, and colleague Edwin Seroussi was born in Uruguay and immigrated to who is here to shake things up. Beneath what sometimes Israel in 1971. After studying at Hebrew University he appears as an unassuming manner is a scholar of excel- served in the Israel Defense Forces and earned the rank lence, distinction, tenacity, candor, and respect who gently of Major. After earning a Masters at Hebrew University, he pushes her students, colleagues, and community to dig went to UCLA for his doctorate. -
Monitoring of Sound Pressure Level
1. INTRODUCTION Noise is one of the main environmental problems of modern life and it is inseparable from human activities, urban and technological growth. National and international standards provide for a minimum of acoustic comfort for coexistence between man and industrial development. That's why a study of noise emission and environmental noise at the PALAGUA - CAIPAL Field was carried out; samples of measurements were taken in specific (punctual) manner to meet the sound pressure level (SPL) with a duration of five minutes per sample/measurement for noise measurements and 15 minutes for ambient or environmental noise in each direction: (north, east, south, west and vertical). The result of these measurements was compared with the maximum permissible noise emission and environmental noise standards stated in Resolution 627 of 2006 Ministry of Environment, Housing, and Territorial Development (MAVDT) and thus it was verified that they comply with environmental regulations in the PALAGUA - CAIPAL Field. 1 INFORME DE LABORATORIO 0860-09-ECO. NIVELES DE PRESIÓN SONORA EN EL AREA DE PRODUCCION CAMPO PALAGUA - CAIPAL PUERTO BOYACA, BOYACA. NOVIEMBRE DE 2009. 2. OBJECTIVES • To evaluate the emission of noise and environmental noise encountered in the PALAGUA - CAIPAL Gas Field area, located in the municipality of Puerto Boyacá, Boyacá. • To compare the obtained sound pressure levels at points monitored, with the permissible limits of resolution 627 of the Ministry of Environment, SECTOR C: RESTRICTED INTERMEDIATE NOISE, which allows a maximum of 75 dB in the daytime (7:01 to 21:00) and 70 dB in the night shift (21:01 to 7: 00 hours) 2 INFORME DE LABORATORIO 0860-09-ECO. -
Animal Bioacoustics
Sound Perspectives Technical Committee Report Animal Bioacoustics Members of the Animal Bioacoustics Technical Committee have diverse backgrounds and skills, which they apply to the study of sound in animals. Christine Erbe Animal bioacoustics is a field of research that encompasses sound production and Postal: reception by animals, animal communication, biosonar, active and passive acous- Centre for Marine Science tic technologies for population monitoring, acoustic ecology, and the effects of and Technology noise on animals. Animal bioacousticians come from very diverse backgrounds: Curtin University engineering, physics, geophysics, oceanography, biology, mathematics, psychol- Perth, Western Australia 6102 ogy, ecology, and computer science. Some of us work in industry (e.g., petroleum, Australia mining, energy, shipping, construction, environmental consulting, tourism), some work in government (e.g., Departments of Environment, Fisheries and Oceans, Email: Parks and Wildlife, Defense), and some are traditional academics. We all come [email protected] together to join in the study of sound in animals, a truly interdisciplinary field of research. Micheal L. Dent Why study animal bioacoustics? The motivation for many is conservation. Many animals are vocal, and, consequently, passive listening provides a noninvasive and Postal: efficient tool to monitor population abundance, distribution, and behavior. Listen- Department of Psychology ing not only to animals but also to the sounds of the physical environment and University at Buffalo man-made sounds, all of which make up a soundscape, allows us to monitor en- The State University of New York tire ecosystems, their health, and changes over time. Industrial development often Buffalo, New York 14260 follows the principles of sustainability, which includes environmental safety, and USA bioacoustics is a tool for environmental monitoring and management. -
Noise Exposure Limit for Children in Recreational Settings: Review of Available Evidence
Noise exposure limit for children in recreational Make Listening Safe settings: review of WHO available evidence This document presents a review of existing evidence on risk of noise induced hearing loss due to exposure to sounds in recreational settings, with respect to children. The evidence was used to stimulate discussion for determination of exposure limits (in children) to be applied to standards for personal audio devices. The review has been undertaken by February 2018 Dr Benjamin Roberts under the supervision of Dr Richard Neitzel, in collaboration with WHO. The document has been reviewed by members of WHO expert group on exposure limits for NIHL in recreational settings. Noise exposure limit for children in recreational settings: review of available evidence Authors: Dr Benjamin Roberts Dr Richard Neitzel Reviewed by: Dr Brian Fligor Dr Ian Wiggins Dr Peter Thorne 1 Contents List of Tables 1 List of Figures 1 Definitions and Acronyms ............................................................................................................................. 2 Executive Summary ....................................................................................................................................... 3 Background and Significance ........................................................................................................................ 4 How Noises is Assessed............................................................................................................................. 5 Overview of the Health -
Acoustic Tagging of Large Sharks – Potential for Acoustic Interference
CITIZEN SCIENCE – CS 05-11-17) Acoustic tagging of large sharks – Potential for acoustic interference (CS 05-11-17) – Kim Allen independent researcher Citizen science overview This paper is one of a series of unfunded, independent research initiatives that question mainstream science, Animal ethics approaches and Governments’ apparent acceptance of “Validated” science in the area of wildlife electronic tracking. Clearly, the Australian shark issue is extremely contentious as well as political and emotionally charged. Over $100 million has been expended by State and Federal governments in an attempt to find answers and make our beaches safer. Unfortunately, at no stage has a strategic approach been taken to identify the key disciplines of science that need to be considered, assessed, and applied. Significant investment has been directed into the construction and support of wide-scale acoustic receiver arrays and individual sensors as well as significant tagging of large sharks off our coastline for research and public safety. Previous satellite archival tagging programs conducted by CSIRO gave us good insight into shark movements, however since this time despite significant investment minimal progress appears to have been made and the potential risks appear to have been ignored. This CSIRO document clearly outlines the types of tags that are used for shark research, it also clearly defines the recommended protocols that should be used for shark tagging operations. From photographic details shared in the public domain it is clear that shark tagging operations undertaken by Fisheries departments don’t follow these stringent protocols. (www.cmar.csiro.au/e-print/open/2009/bradfordrw a.pdf ) It is extremely difficult for “Unqualified” Citizen scientists to challenge mainstream research particularly given the potential erosion of future funding sources if technical criticism is determined as valid. -
Federal Register/Vol. 86, No. 75/Wednesday, April 21, 2021
21082 Federal Register / Vol. 86, No. 75 / Wednesday, April 21, 2021 / Rules and Regulations DEPARTMENT OF COMMERCE FOR FURTHER INFORMATION CONTACT: Lisa Network, and the Wishtoyo Foundation Manning, NMFS, Office of Protected filed a complaint seeking court-ordered National Oceanic and Atmospheric Resources, 301–427–8466. deadlines for the issuance of proposed Administration SUPPLEMENTARY INFORMATION: and final rules to designate critical habitat for the CAM, MX, and WNP 50 CFR Parts 223, 224, and 226 Background DPSs of humpback whales. See Center Under the ESA, we are responsible for for Biological Diversity et al. v. National [Docket No. 210415–0080] determining whether certain species are Marine Fisheries Service, et al., No. threatened or endangered, and, to the 3:18–cv–01628–EDL (N.D. Cal.). The RIN 0648–BI06 maximum extent prudent and parties entered into a settlement determinable, designating critical agreement with the approval and Endangered and Threatened Wildlife habitat for endangered and threatened oversight of the court, and subsequently and Plants: Designating Critical species at the time of listing (16 U.S.C. amended the dates specified in the Habitat for the Central America, 1533(a)(3)(A)(i)). On September 8, 2016, original order. The amended settlement Mexico, and Western North Pacific we published a final rule that revised agreement stipulated that NMFS submit Distinct Population Segments of the listing of humpback whales under a proposed determination concerning Humpback Whales the ESA by removing the original, the designation of critical habitat for taxonomic-level species listing, and in these three DPSs to the Federal Register AGENCY: National Marine Fisheries its place listing four DPSs as endangered by September 26, 2019. -
The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
Measurement of Total Sound Energy Density in Enclosures at Low Frequencies Abstract of Paper
View metadata,Downloaded citation and from similar orbit.dtu.dk papers on:at core.ac.uk Dec 17, 2017 brought to you by CORE provided by Online Research Database In Technology Measurement of total sound energy density in enclosures at low frequencies Abstract of paper Jacobsen, Finn Published in: Acoustical Society of America. Journal Link to article, DOI: 10.1121/1.2934233 Publication date: 2008 Document Version Publisher's PDF, also known as Version of record Link back to DTU Orbit Citation (APA): Jacobsen, F. (2008). Measurement of total sound energy density in enclosures at low frequencies: Abstract of paper. Acoustical Society of America. Journal, 123(5), 3439. DOI: 10.1121/1.2934233 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. WEDNESDAY MORNING, 2 JULY 2008 ROOM 242B, 8:00 A.M. TO 12:40 P.M. Session 3aAAa Architectural Acoustics: Case Studies and Design Approaches I Bryon Harrison, Cochair 124 South Boulevard, Oak Park, IL, 60302 Witew Jugo, Cochair Institut für Technische Akustik, RWTH Aachen University, Neustrasse 50, 52066 Aachen, Germany Contributed Papers 8:00 The detailed objective acoustic parameters are presented for measurements 3aAAa1.