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Albums Are Dead - Sell Singles
The Journal of Business, Entrepreneurship & the Law Volume 4 Issue 1 Article 8 11-20-2010 Notice: Albums Are Dead - Sell Singles Brian P. Nestor Follow this and additional works at: https://digitalcommons.pepperdine.edu/jbel Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Brian P. Nestor, Notice: Albums Are Dead - Sell Singles, 4 J. Bus. Entrepreneurship & L. Iss. 1 (2010) Available at: https://digitalcommons.pepperdine.edu/jbel/vol4/iss1/8 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in The Journal of Business, Entrepreneurship & the Law by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. NOTICE: ALBUMS ARE DEAD - SELL SINGLES BRIAN P. NESTOR * I. The Prelude ........................................................................................................ 221 II. Here Lies The Major Record Labels ................................................................ 223 III. The Invasion of The Single ............................................................................. 228 A. The Traditional View of Singles .......................................................... 228 B. Numbers Don’t Lie ............................................................................... 229 C. An Apple A Day: The iTunes Factor ................................................... 230 D. -
Michael Jackson's Thriller
MICHAEL JACKSON'S THRILLER Level: Intermediate to Advanced Time required: about 60 minutes SETTING THE ATMOSPHERE. Ask students some of these questions: • Do you believe in ghosts? Do you know any stories about ghosts? • Has anything ever happened to you that you cannot explain? • Do you believe that vampires or zombies exist? • What is the most frightening experience you have had? THE VIDEO. Ask students if they know who Michael Jackson was. Can they name any of his songs? Most probably students will know who Michael Jackson know and will have probably mention the song "Thriller". If you deem it appropriate, you can give students some information about this video like for example that it was voted the most influential pop video of all. More information about the video https://en.wikipedia.org/wiki/Michael_Jackson%27s_Thriller_(music_video) The video lasts about 13 minutes. It is going to be divided into two parts, with a different task for each part . TASK 1 . Dictation (from the beginning to 4.40) Tell students they are going to see the first part of the video where there is a dialogue between Michael Jackson and his girlfriend. • Have the students work in pairs. Half the pairs in the class will write down the part of Michael Jackson and the other half the part of the girlfriend. • I suggest you give students the beginning of the dialogue as M. Jackson's first sentence might be difficult to understand M. Jackson: Honestly, we’re out of gas. Girlfriend: So, what are we going to do now? • You might need to play it twice. -
Thriller Live’ to Celebrate the Undisputed King of Pop
LIFESTYLE clubs ● bars ● lounges ‘Thriller Live’ to celebrate the undisputed King of Pop ‘Thriller Live’, the high octane song, Grant’s association with Michael dance and video spectacular cele- Jackson spanned over twenty-one brating the music and career of Mi- years, and in that time he enjoyed chael Jackson and the Jackson 5, is seeing the megastar entertain mil- soon to be staged for the first time lions of people all over the world. in South Africa. Grant was privileged to have had Currently ‘moonwalking’ its way great access to Jackson’s world around the world after three ac- over the years, i.e. during the re- claimed European tours and stand- cording of the ‘Dangerous’ album, ing ovations for the past three years ‘HIStory’ album, world tours, photo in London’s West End, ‘Thriller Live’ and video shoots, exclusive inter- will show at The Grand West Arena views, lunches, dinners and more. In six performances only from Thurs- 1994, Grant wrote the best-selling day September 9 to Sunday Sep- Michael Jackson chronology ‘The tember 12. Visual Documentary’, published by The production includes eye- Omnibus Press. popping multi-media effects and Thriller Live’s award winning dazzling choreography by the Director/Choreographer Gary Lloyd show’s award-winning director Gary has worked with many established Lloyd, who has previously worked artists which among others in- with artists including Leona Lewis, clude: Cliff Richard, Dame Shirley Will Young, Robbie Williams, Kelly Bassey, Robin Gibb, Leona Lewis, Clarkson and Girls Aloud, plus ad- Ray Quinn, G4, Will Young, Gareth ditional choreography by five time Gates, Emma Bunton, Robbie Wil- MTV award-winning LaVelle Smith liams, Pink, Anastasia, Lemar, Rachel Jnr. -
Michael Jackson - Bad 25 (Deluxe 3CD+DVD Box Set)
Michael Jackson - Bad 25 (Deluxe 3CD+DVD Box Set) CD 1 – re-mastered CD 2 – Bonus Tracks, Demo, Rarities and 1. Bad Remixes 2. The Way You Make Me Feel 1. Don’t Be Messin’ Around 3. Speed Demon 2. I’m So Blue 4. Liberian Girl 3. Song Groove (A/K/A Abortion Papers) 5. Just Good Friends 4. Free 6. Another Part Of Me 5. Price Of Fame 7. Man In The Mirror 6. Al Capone 8. I Just Can’t Stop Lovin’ You 7. Streetwalker 9. Dirty Diana 8. Fly Away 10. Smooth Criminal 9. Todo Mi Amor Eres Tu (I Just Can't Stop 11. Leave Me Alone Loving You, Spanish Version) 10. Je Ne Veux Pas La Fin De Nous (I Just Can't Stop Loving You, French Version) 11. Bad (REMIX BY AFROJACK FEATURING PITBULL - DJ BUDDHA EDIT) 12. Speed Demon (REMIX BY NERO) 13. Bad (REMIX BY AFROJACK - CLUB MIX) CD 3 - CD Live at Wembley Stadium July DVD – Live at Wembley Stadium July 16, 16, 1988 1988 1. Wanna Be Startin' Somethin' 1. Wanna Be Startin' Somethin' 2. This Place Hotel 2. This Place Hotel 3. Another Part Of Me 3. Another Part Of Me 4. I Just Can't Stop Loving You 4. I Just Can't Stop Loving You 5. She's Out Of My Life 5. She's Out Of My Life 6. I Want You Back / The Love You Save / I'll 6. I Want You Back / The Love You Save / I'll Be There Be There 7. -
Relive the Magic and Magnificence of Michael Jackson: Moonwalker on a Brand-New Print Be the First in Asia to Catch It Exclusively at Golden Village
Relive the magic and magnificence of Michael Jackson: Moonwalker on a brand-new print Be the first in Asia to catch it exclusively at Golden Village 21 July 2009 – Golden Village Multiplex will be screening Michael Jackson’s MOONWALKER on Thursday, July 30 th 2009. Being the first re-release in Asia on a brand new print, the film will be screened at GV VivoCity for a limited period as part of its tribute and celebration to the pop star’s amazing musical career. Golden Village is the exclusive cinema exhibitor to screen MOONWALKER in Asia, making this a befitting tribute to the greatest musical genius that ever lived. Fans of the King of Pop will have the opportunity to relive the amazing and phenomenal magic of Michael Jackson on the big screen, and once again witness the brilliant film production of the world’s greatest pop legend. Said Mr. David Glass, Managing Director, Golden Village Multiplex Pte Ltd, “Golden Village is very proud to screen Michael Jackson’s MOONWALKER on a brand-new print. His blinding talent and enormous influence in the music industry has had a huge impact on tens of millions of fans around the world. As the leading cinema chain in Singapore, we want to unite Michael’s massive local fan base in a unique tribute to this iconic superstar through this movie screening.” MOONWALKER is an American film that was released in 1988. It features a collection of short films about the King of Pop, rather than a continuous narrative. The movie stars Michael as the lead, along with a cast that includes Mick Jagger, Sean Lennon and Joe Pesci. -
The Cinematic Worlds of Michael Jackson
MA 330.004 / MA430.005 /AMST 341.002 Fall 2016 Revised: 10-7-16 The Cinematic Worlds of Michael Jackson Course Description: From his early years as a child star on the Chitlin’ Circuit and at Motown Records, through the concert rehearsal documentary This is It (released shortly after his death in 2009), Michael Jackson left a rich legacy of recorded music, televised performances, and short films (a description he preferred to “music video”). In this course we’ll look at Jackson’s artistic work as key to his vast influence on popular culture over the past 50 years. While we will emphasize the short films he starred in (of which Thriller is perhaps the most famous), we will also listen to his music, view his concert footage and TV appearances (including some rare interviews) and explore the few feature films in which he appeared as an actor/singer/dancer (The Wiz, Moonwalker). We’ll read from a growing body of scholarly writing on Jackson’s cultural significance, noting the ways he drew from a very diverse performance and musical traditions—including minstrelsy, the work of dance/choreography pioneers like Fred Astaire and Gene Kelly, and soul/funk legends like James Brown and Jackie Wilson—to craft a style uniquely his own. Crucially, we will ask how Jackson’s shifting public persona destabilize categories of gender, sexuality, and race----in a manner that was very different from his contemporaries: notably, the recently-deceased David Bowie and Prince. Elevated to superstardom and then made an object of the voracious cultural appetite for scandal, Michael Jackson is now increasingly regarded as a singularly influential figure in the history of popular music and culture. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
Mjjcollectors MJJ Collectors
MJJCollectors MJJ Collectors Bags Have an MJ Bag not on our site? Add it here! *BAD* Official Black Plastic School Bag (Holland) 1988 official black school bag showing BAD LP cover. [Product Details...] *BAD* Official PVC Hand Bag (Holland) 1988 official PVC hand bag showing BAD LP cover. [Product Details...] *I Just Can't Stop Loving You* Official PVC School Bag (Holland) 1988 official school plastic bag. [Product Details...] Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 1 _PN_OF 6 *Romeo* Official PVC Bag (Holland) 1988 official PVC bag with 'Romeo' image. [Product Details...] Bad Album Pepsi Plastic Shopping Bag (Germany) 16"x19" shopping bag with Bad LP cover and Pepsi logo and white background. c. 1987-88. [Product Details...] Bad Tour '87 Paper Shopping Bag (Japan) Bad Japan Tour '87 Paper Bag. [Product Details...] Bad Tour '87 Promo Cotton Bag (Japan) Japan Tour 1987 small bag with Sept./Oct. dates. [Product Details...] Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 2 _PN_OF 6 Bad World Tour '88 Promo Pepsi Plastic Bag (USA) US Bad Tour '88 White Pepsi Plastic Bag with hard handles. [Product Details...] Blood On The Dancefloor Saturn Promo PVC Shopping Bag (Austria) 1997 Austrian promotional shopping bag. [Product Details...] Captain EO Tokyo Disneyland Plastic Shopping Bag (Japan) 12"x20" double sided plastic shopping bag with handle from Tokyo Disneyland. Reads (in part): "3-D Musical Motion Picture Space Adventure: Captain EO..." Has blue "EO" logo on black "space" background (same design on both sides). [Product Details...] Captain EO Tokyo Disneyland Plastic Shopping Bag 2 (Japan) Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 3 _PN_OF 6 1987 Official Shopping bag used to store items purchased in the Tokyo Disneyland's shop. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
Michael Jackson Betwixt and Between: the Construction of Identity in 'Leave Me Alone' (1989)
Contents Introduction 2 Chapter 1: Literature Review 4 1.1: Past Research: On Michael Jackson Studies 4 1.2: Disability Studies 4 1.2.1: The Static Freak/Plastic Freak 6 1.3: Defining the Liminal 7 1.4: Postmodern Theory: The Social Construction of Identity 8 Chapter 2: Methodology 10 Chapter 3: Analysis 12 3.1: Narrative Structure of ‘Leave Me Alone’ 12 3.2: Media Narratives in ‘Leave Me Alone’ 13 3.3: The Static Freak/Plastic Freak in ‘Leave Me Alone’ 15 3.4: Liminal Identity: Temporary Phase/Permanent Place 16 3.5: Postmodern Subjects: The Aesthetics of the Collage 17 3.6: Identity and Postmodernism: The Problem With Disability Studies 18 Chapter 4: Conclusion 20 Bibliography 22 Attachment 1: Images 24 Attachment 2: Shotlist ‘Leave Me Alone’ 27 1 Introduction ‘The bottom line is they don’t know and everyone is going to continue searching to find out whether I’m gay, straight, or whatever … And the longer it takes to discover this, the more famous I will be.’1 * * * ‘Michael’s space-age diet’, ‘Bubbles the chimp bares all about Michael’, ‘Michael proposes to Liz’, ‘Michael to marry Brooke’. These may look like part of the usual rumors about Jackson frequently appearing in the media, however, they are not. Instead, these headlines are the opening scene of the music video for Jackson’s song ‘Leave Me Alone’, released on January 2, 1989, and directed by Jim Blashfield. Jackson opens by singing the words: I don't care what you talkin' 'bout baby I don't care what you say Don't you come walkin' beggin' back mama I don't care anyway ‘Leave Me Alone’ is a response to the rumors that began to circulate in the media after the worldwide success of Jackson’s 1982 album Thriller. -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.