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Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton Guerrilla Filmmaking (FLM020X370S) View Online 1. Jones, C., Jolliffe, G.: The Guerrilla Filmmakers Handbook. Continuum, London (2006). 2. Jones, C., Zinnes, A., Jolliffe, G.: Guerilla Film Makers : The Ultimate Guide to Digital Film Making! Continuum, London (2010). 3. Hjort, M.: Small Nation, Global Cinema : The New Danish Cinema. University of Minnesota Press, Minneapolis (2005). 4. Bainbridge, C.: The cinema of Lars von Trier : authenticity and artifice. Wallflower, London (2007). 5. Hjort, M.: Small Nation, Global Cinema : The New Danish Cinema. University of Minnesota Press, Minneapolis (2005). 6. Simons, J.: Playing the Waves : Lars von Trier’s Game Cinema. Amsterdam University Press, Amsterdam (2007). 1/10 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 7. Leth, J., Trier, L. von: The Five Obstructions, (2003). 8. 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Postcolonial Studies. 11, 435–450 (2008). https://doi.org/10.1080/13688790802456036. 38. Jenkins, H.: Convergence culture : where old and new media collide. New York University Press, New York/London (2008). 39. De Jesús, R.: The Turn to Digital: Revival of Film Culture in the Philippines. 40. Cheng, K.G.: Just-Do-It-(Yourself): independent filmmaking in Malaysia. Inter-Asia Cultural Studies. 8, 227–247 (2007). https://doi.org/10.1080/13583880701238696. 41. Tioseco, A.: Shifting agendas: the decay of the mainstream and rise of the independents in the context of Philippine cinema. Inter-Asia Cultural Studies. 8, 298–303 (2007). https://doi.org/10.1080/14649370701238771. 42. Youngblood, G.: Expanded Cinema. Studio Vista, London (1970). 43. Haynes, T.: Superstar: The Karen Carpenter Story, https://www.youtube.com/watch?v=rACJWPd3VnI, (25)AD. 44. Morrison, B.: Decasia: The State of Decay, (2002). 6/10 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 45. 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Chan, A.: The French Democracy. 7/10 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 53. Hancock, H.: Ozymandias. 54. Pope, T.: Not Just Another Love Story Part 1, (2005). 55. Pope, T.: Not Just Another Love Story Part 2, (2005). 56. Teeth Productions, R.: Red vs Blue Episode 1: Why Are We Here? 57. Rancière, Jacques: The politics of aesthetics: the distribution of the sensible. Continuum, London (2006). 58. Brown, W.: En Attendant Godard. 59. Brown, W.: Afterimages. 60. Gertz, N., Khleifi, G., ebrary, Inc: Palestinian cinema: landscape, trauma and memory. Indiana University Press, Bloomington (2008). 8/10 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 61. Prospero: A bloody look at non-violent resistance, http://www.economist.com/blogs/prospero/2013/02/documentary-five-broken-cameras. 62. Wood, E.: Five Broken Cameras, https://www.closeupfilmcentre.com/vertigo_magazine/issue-31-winter-2012-in-conversatio n/five-broken-cameras/. 63. Emad Burnat and Guy Davidi talk about 5 BROKEN CAMERAS, nominated for the Best Documentary Feature Oscar - Cinema Without Borders, http://cinemawithoutborders.com/world-cinema-reports/3329-emad-burnat-and-guy-davidi- talk-about-5-broken-cameras-nominated-for-the-best-documentary-feature-oscar.html. 64. Burnat, E., Davidi, G.: 5 Broken Cameras, http://www.amazon.co.uk/Broken-Cameras-DVD-Emad-Burnat/dp/B009NSUFFK/ref=sr_1_1? ie=UTF8&qid=1410858107&sr=8-1&keywords=five+broken+cameras. 65. Shand, R.: Theorizing Amateur Cinema: Limitations and Possibilities. The Moving Image. 8,. https://doi.org/10.1353/mov.0.0017. 66. Sconce, J.: ‘Trashing’ the academy: taste, excess, and an emerging politics of cinematic style. Screen. 36, 371–393 (1995). https://doi.org/10.1093/screen/36.4.371. 67. Andrews, G.: Period Piece, http://www.troma.com/films/giuseppe-andrews-period-piece/. 9/10 09/29/21 Guerrilla Filmmaking (FLM020X370S) | University of Roehampton 68. Kaganof, A.: SMS Sugarman, (2007). 69. 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