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English Renaissance Dream Theory and Its Use in Shakespeare
THE RICE INSTITUTE ENGLISH RENAISSANCE DREAM THEORY MID ITS USE IN SHAKESPEARE By COMPTON REES, JUNIOR A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas April, 1958 TABLE OF CONTENTS Introduction .............. 1-3 Chapter I Psychological Background: Imagination and Sleep ............................... 4-27 Chapter II Internal Natural Dreams 28-62 Chapter III External Natural Dreams ................. 63-74 Chapter IV Supernatural Dreams ...................... 75-94 Chapter V Shakespeare’s Use of Dreams 95-111 Bibliography 112-115 INTRODUCTION This study deals specifically with dream theories that are recorded in English books published before 1616, the year of Shakespeare1s death, with a few notable exceptions such as Robert Burton’s Anatomy of Melancholy (1621). Though this thesis does not pretend to include all available material on this subject during Shakespeare*s time, yet I have attempted to utilise all significant material found in the prose writings of selected doctors, theologians, translated Latin writers, recognised Shakespeare sources (Holinshed, Plutarch), and other prose writers of the time? in a few poets; and in representative dramatists. Though some sources were not originally written during the Elizabethan period, such as classical translations and early poetry, my criterion has been that, if the work was published in English and was thus currently available, it may be justifiably included in this study. Most of the source material is found in prose, since this A medium is more suited than are imaginative poetry anl drama y:/h to the expository discussions of dreams. The imaginative drama I speak of here includes Shakespeare, of course. -
My Children, Teaching, and Nimrod the Word
XIV Passions: My Children, Teaching, and Nimrod The word passion has most often been associated with strong sexual desire or lust. I have felt a good deal of that kind of passion in my life but I prefer not to speak of it at this moment. Instead, it is the appetite for life in a broader sense that seems to have driven most of my actions. Moreover, the former craving is focused on an individual (unless the sexual drive is indiscriminant) and depends upon that individual for a response in order to intensify or even maintain. Fixating on my first husband—sticking to him no matter what his response, not being able to say goodbye to him —almost killed me. I had to shift the focus of my sexual passion to another and another and another in order to receive the spark that would rekindle and sustain me. That could have been dangerous; I was lucky. But with the urge to create, the intense passion to “make something,” there was always another outlet, another fulfillment just within reach. My children, teaching, and Nimrod, the journal I edited for so many years, eased my hunger, provided a way to participate and delight in something always changing and growing. from The passion to give birth to and grow with my children has, I believe, been expressed in previous chapters. I loved every aspect of having children conception, to the four births, three of which I watched in a carefully placed mirror at the foot of the hospital delivery room bed: May 6, 1957, birth of Leslie Ringold; November 8, 1959, birth of John Ringold; August 2, 1961: birth of Jim Ringold; July 27, 1964: birth of Suzanne Ringold (Harman). -
Greatest Generation: Deep Space Nine
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Adam Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Pranica Trek podcast by... a couple of guys who are just a little bit embarrassed about having a Star Trek podcast. I'm Adam Pranica. 00:00:26 Ben Harrison Host I'm Ben Harrison. And it's a MaxFunDrive episode. [Music fades out.] And it's also... a drunkisode. 00:00:34 Adam Host You shouldn't believe that those things are related in any way but luck. Like, we don't have to drink our way through a MaxFunDrive episode. That's not what anyone's saying. 00:00:44 Ben Host Yeah. And I mean I guess, like, in the past, our MaxFunDrive episodes, we've edited out the pledge breaks. 00:00:50 Adam Host Mm-hm. -
The 35Th Annual Daytime Entertainment Emmy Award
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES 35th ANNUAL DAYTIME ENTERTAINMENT EMMY ® AWARD NOMINATIONS Daytime Emmy Awards To Be Telecast June 20, 2008 On ABC at 8:00 p.m. (ET) Live from Hollywood’s’ Kodak Theatre Regis Philbin to Receive Lifetime Achievement Award New York – April 30, 2008 – The National Academy of Television Arts & Sciences today announced the nominees for the 35th Annual Daytime Entertainment Emmy ® Awards. The announcement was made live on ABC’s “The View”, hosted by Whoopi Goldberg, Joy Behar, Elisabeth Hasselbeck, and Sherri Shepherd. The nominations were presented by “All My Children” stars Rebecca Budig (Greenlee Smythe) and Cameron Mathison (Ryan Lavery), Farah Fath (Gigi Morasco) and John-Paul Lavoisier (Rex Balsam) of “One Life to Live,” Marcy Rylan (Lizzie Spaulding) from “Guiding Light” and Van Hansis (Luke Snyder) of “As the World Turns” and Bryan Dattilo (Lucas Horton) and Alison Sweeney (Sami DiMera) from “Days of our Lives.” Nominations were announced in the following categories: Outstanding Drama Series; Outstanding Lead Actor/Actress in a Drama Series; Outstanding Supporting Actor/Actress in a Drama Series; Outstanding Younger Actor/Actress in a Drama Series; Outstanding Talk Show – Informative; Outstanding Talk Show - Entertainment; and Outstanding Talk Show Host. As previously announced, this year’s Lifetime Achievement Award will be presented to Regis Philbin, host of “Live with Regis and Kelly.” Since Philbin first stepped in front of the camera more than 40 years ago, he has ambitiously tackled talk shows, game shows and almost anything else television could offer. Early on, Philbin took “A.M. Los Angeles” from the bottom of the ratings to number one through his 7 year tenure and was nationally known as Joey Bishop’s sidekick on “The Joey Bishop Show.” In 1983, he created “The Morning Show” for WABC in his native Manhattan. -
Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
Our Future Leaders
Our Future Leaders Today’s Business Leaders Reflect on Tomorrow’s Work World—From the Perspective of Their Children ABOUT THIS SURVEY In March and April 2017, Russell Reynolds survey- ed more than 300 senior leaders, nearly half of whom sit in the C-suite, on what it will take to be successful in the workplace of the future. Eighty-eight percent of survey respondents were parents. The study consisted of an online survey fielded by ClearVoice Research and five in-depth interviews with prominent business executives. 2 | OUR FUTURE LEADERS: TODAY’S BUSINESS LEADERS REFLECT ON TOMORROW’S WORK WORLD Will Siris and Alexas fit seamlessly into the workforce? Will artifi- cial intelligence replace the seemingly inextricable human element of leadership? Will organizations become more or less hierarchical, and will companies look at all the same? We set out to understand what the future of work might hold for our children and generations to come. In the spring of 2017, Russell Reynolds surveyed and interviewed more than 300 senior leaders, nearly half of whom sit in the C-suite, on what it will take to be successful in the workplace of the future. Eighty-eight percent of survey respondents were parents, and we wanted to know what they hope their children and grandchildren will find when it’s time for them to join the working ranks. OUR FUTURE LEADERS: TODAY’S BUSINESS LEADERS REFLECT ON TOMORROW’S WORK WORLD | 3 Overall, many of these executives, like many other A NEW WORLD—AND SKILLS TO MATCH experts, believe that technological advancements, AI Much has been written about how computers and and robotics will drastically change the future of work. -
Outstanding Drama Series
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” 1 In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015. -
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 Pm Tidewater A
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 pm Tidewater A, Sadler Center Dean Kate Conley called the meeting to order at 3:37 p.m. Attendance at the start of the meeting: 32 (no quorum, so we can hear reports but we cannot vote on anything – everyone loves reports, yes?) I. The minutes from March 11, 2014 were not approved (they were not even raised for discussion) the Secretary does not blame you, especially those of you who actually read her minutes. In the meantime, please note the following corrigenda. The mysterious Mikes were Michael Deschenes (Kinesiology) and – Mike Tierney (Government); further, Liz was not Liz Francis (Biology – not sure where that name came from) but rather Liz(abeth) Allison (Biology), who is in fact the chair, as the Secretary may have noticed had there been less haste (festina lente, as they say), and Herr Professor‐at‐the‐Back‐of‐the‐Room was none other than our very own award‐ winning Professor Paul Mapp. The secretary also regrets the slip of John for Tom Linneman (again, too much haste), with sincere thanks to Debbie Bebout (Chemistry) and John Gilmour (Government) – in alphabetical order – for the corrigenda. Perhaps the minutes, as corrected here, can be approved next time, or not. Soon enough it shall fall to someone else. http://www.wm.edu/as/facultyresources/fas/minutes/index.php II. Report of Administrative Officers: Vice Provost for Academic Affairs Kate Slevin on behalf of Provost Michael Halleran reported the following: her report would be mercifully short. Provost Halleran is currently in Washington – but desired the following to be conveyed: o Richmond is still locking horns over the Medicaid issue, and there is, as of yet, no resolution on the budget. -
Greatest Generation During Maxfundrive 2020
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Sound Effect Transition [Computer beeps.] 00:00:01 Adam Host Just wanted to hop in and give a thank-you to all the Friends of Pranica DeSoto who supported The Greatest Generation during MaxFunDrive 2020. 00:00:10 Ben Harrison Host Yeah, we're recording this on Friday, but every hope and prayer we had for the MaxFunDrive has been completely surpassed by the amazing generosity of the Friends of DeSoto. So we just wanted to hop in here and say thank you. And we just really appreciate you bearing with us for all four weeks of that extremely long Drive. And for the ones that came forward and supported, we especially appreciate you! 00:00:37 Adam Host If you're one of the Friends of DeSoto who just started subscribing to The Greatest Generation and then downloaded our entire catalogue during the last four weeks, you are stuck with all those pledge breaks! [Ben laughs.] And you're stuck with 'em forever! 00:00:51 Ben Host Yeah. Sorry. [Laughs.] But to everyone listening, just thank you so much. We are—we feel so fortunate to have found an awesome fan community as awesome as you. 00:01:03 Adam Host Thanks so much. Really appreciate it. We'll tell you about it next year. [Ben laughs.] Until then, we're just gonna shut up about it. -
The Passions of the Soul
The Passions of the Soul René Descartes Copyright © Jonathan Bennett 2017. All rights reserved [Brackets] enclose editorial explanations. Small ·dots· enclose material that has been added, but can be read as though it were part of the original text. Occasional •bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought. Every four-point ellipsis . indicates the omission of a brief passage that seems to present more difficulty than it is worth. Longer omissions are reported between brackets in normal-sized type.—The division of the work into 212 articles, and their headings, are Descartes’s. When an article starts with ‘This. ’ or ‘Therefore. ’ or the like, it follows on not from its heading but from the end of the preceding article; see for example articles 138–9 and 165–6.—Many articles start with ‘It must be observed’ or ‘Next we should take notice’ or the like; these throat-clearings are dropped from the present version.—Part 2 starts on page 17, Part 3 on page 43. The full table of contents is at the end. First launched: 2010 Passions of the soul René Descartes Glossary animal spirits: This stuff was supposed to be even more the related verb must be understood in a weaker sense than finely divided than air, able to move extremely fast, seep into ‘contempt’ now has: to have ‘contempt’ for something was tiny crevices, and affect the environment within the nerves to write it off as negligible—e.g. a hero could be said to have (article 12). -
CMS.603 / CMS.995 American Soap Operas Spring 2008
MIT OpenCourseWare http://ocw.mit.edu CMS.603 / CMS.995 American Soap Operas Spring 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. SOAP OPERAS AND TEEN DRAMAS KATHARINE CHU 1. Introduction Since soap operas peaked in popularity in the eighties, there has been a steady decline in ratings. While there are many reasons and possibilities as to why soap operas have dramatically dropped in popularity and while many scholars attribute soap opera decline in the mid-nineties to the OJ Simpson trial, soap operas ratings took another hit in the late nineties (Ford, As the World Turns in a Convergence Culture, 43). There are many possibilities for this decline; for the purposes for this paper, I would like to closely examine one of the reasons that may have caused the decline of the U.S. soap opera is the rise of the teen drama. Soaps have often had an unproportionally large teenage fan base. In the mid-1990s over 17% of soap fans were between 18-24 years olds, even though this demographic is only around 13% of the general population (Liccardo, Who Really Watches the Daytime Soap? ). According to books like Harrington and Bielby’s Soap Fans, when soap opera fans are asked when they started watching soap operas, many of them responded that they became hooked as teenagers and have been following characters ever since on their favorite soaps (10). This did not resonate with me because, as a teenager in the late nineties, I did not watch soap operas, nor did any of my friends. -
Treatise of Human Nature Book II: the Passions
Treatise of Human Nature Book II: The Passions David Hume Copyright © Jonathan Bennett 2017. All rights reserved [Brackets] enclose editorial explanations. Small ·dots· enclose material that has been added, but can be read as though it were part of the original text. Occasional •bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought. Every four-point ellipsis . indicates the omission of a brief passage that seems to present more difficulty than it is worth. Longer omitted passages are reported on, between [brackets], in normal-size type. First launched: June 2008 Contents Part i: Pride and humility 147 1: Division of the subject........................................................ 147 2: Pride and humility—their objects and causes......................................... 148 3: Where these objects and causes come from.......................................... 150 4: The relations of impressions and ideas............................................. 152 5: The influence of these relations on pride and humility..................................... 154 6: Qualifications to this system.................................................... 157 7: Vice and virtue........................................................... 159 8: Beauty and ugliness......................................................... 161 9: External advantages and disadvantages............................................. 164 10: Property and riches........................................................