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Las Vegas Cool Down Tour from Las Vegas | 4-Days, 3-Nights
LAS VEGAS COOL DOWN TOUR FROM LAS VEGAS | 4-DAYS, 3-NIGHTS BRYCE CANYON • ZION • GRAND CANYON NORTH RIM Zion TOUR HIGHLIGHTS The Las Vegas Cool Down tour explores the Why DETOURS? cooler side of the American West including • Small group tour with up to 12 passengers – no crowds! Bryce Canyon, Zion, and Grand Canyon North Rim National Parks. • The best historical lodging available – no lines! • Custom touring vehicles with comfortable, individual At 8,000 feet in elevation, Bryce Canyon offers cooler captain’s chairs, plenty of legroom, and large picture temperatures amongst the bright orange hoodoos. The windows to enjoy the views incredible canyon walls of Zion will keep you well shaded when hiking through the many trails, and Grand Canyon • Expert guides who are CPR and First Aid certified North Rim boasts temperatures 10-15 degrees cooler than Las Vegas. In the 1920s, this Western itinerary was original the Grand Circle, when the Utah Parks Company transported Tour Dates & Pricing Union Pacific Railroad workers from Bryce Canyon National Early Summer 2019: May 19 & June 9 & July 7 Park, Zion National Park and Grand Canyon National Park in a Late Summer 2019: August 11 & September 9 circular trip, hence the name, Grand Circle. At the end of each adventurous day, enjoy lodging inside each National Park for $1,495 per person for double occupancy the best access to the excitement! $1,973 per person for single occupancy PACKAGES START AT $1,495* * Double Occupancy. Includes guided tour, lodging, some meals, entrance fees, and taxes BOOK NOW AT DETOURSAMERICANWEST.COM/LVCDT Grand Canyon North Rim TOUR ITINERARY DAY ONE Feel the coolness of the early morning air as we travel east through the spectacular Virgin River Gorge. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
A Survey of the Soprano Vocal Literature by Henry Mollicone
A SURVEY OF THE SOPRANO VOCAL LITERATURE BY HENRY MOLLICONE BY DIANE THUESON REICH Submitted to the faculty of the School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2003 Accepted by the faculty of the School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. Vincent Liotta, Research Director Patricia Wise, Chairperson ii To My husband Steve, and children Andrew and Emily, who have (at times literally) been with me all the way. Without their support this would not only have been impossible, but pointless. My parents, Dr. Neil and Allien Thueson, their standard of excellence and achievement, as well as their encouragement, have been a driving force in my life. The Reich family – Steve and Julie, Dan and Jacqui – their practical support has been invaluable, and what has enabled the completion of this degree. iii Patricia Wise, who has not only served as committee chair and teacher, but also as mentor and dearest friend. iv CONTENTS Introduction 1 Part One: Biography 2 Part Two: Operas 12 The Face On the Barroom Floor 13 Starbird 17 Emperor Norton 21 The Mask of Evil 26 Hotel Eden 30 Coyote Tales 36 Part Three: Songs 41 Seven Songs 42 Five Love Songs 48 Images and Reflections 52 Three Simple Songs 57 Conclusion 59 Appendix — Musical Compositions by Henry Mollicone 60 Sources Consulted 68 v ACKNOWLEDGMENTS Countless thanks to Henry and Kathy Mollicone for their enthusiasm to be involved, willingness to supply materials, and, of course, for the wonderful music which has been my pleasure to explore! Much appreciation to my friends and colleagues who participated in interviews, and offered valuable insights. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Music Man Meredith Willson
The Music Man Meredith Willson THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
Hike the Hoodoos!
National Park Service The Hoodoo U.S. Department of the Interior Map, Shuttle & Hiking Guide Summer 2013 Questions? Bring this Visitor Center Hours newspaper Summer 8 a.m. – 8 p.m. to the Visitor Fall/Spring 8 a.m.– 6 p.m. Center! Oastler's Castle on Fairyland Loop Trail (Photo: Kevin Doxstater) How to Make the Most of Your Time Auto Tour Where is the best overlook? though smaller, amphitheaters and/or long- There are 14 viewpoints along Bryce distance, panoramic views across the Grand Canyon’s 18-mile scenic drive (one-way Staircase-Escalante National Monument. distance) and everybody determines his or From many of the park's overlooks you can her favorite for a multitude of reasons. For see over 100 miles (160 km) on a clear day! every 15 minutes you extend your visit, you can see another overlook! If you stop at all the Since all the viewpoints are on the left side viewpoints, it could take as little as 3-4 hours. of the road as you drive south towards Rainbow Point, we recommend stopping at Our most famous views are found in the viewpoints as you drive north on your Bryce Amphitheater, including Sunrise, return trip. This way, each stop will be an Sunset, Inspiration and Bryce points. easier and safer right turn. The southern overlooks feature beautiful, Less Than 4 Hours More Than 4 Hours Visitor Center Visitor Center, Shuttle/Auto Tour, Short Walk What’s Inside Stop at the Visitor Center for information, and Day Hike EMERGENCY INFORMATION PAGE 2 Night Skies . -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
Jackson Lake Lodge Other Name
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 JACKSON LAKE LODGE Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Jackson Lake Lodge Other Name/Site Number: 2. LOCATION Street & Number: N/A Not for publication: N/A City/Town: Moran Vicinity: X State: Wyoming County: Teton Code: 039 Zip Code: 83013 3. CLASSIFICATION Ownership of Property Category of Property Private: __ Building(s): __ Public-Local: __ District: X Public-State: __ Site: __ Public-Federal: X Structure: __ Object: Number of Resources within Property Contributing Noncontributing __38_ 22 Buildings 1 Sites 1 Structures __ Objects 39 23 Total Number of Contributing Resources Previously Listed in the National Register: 0 Name of Related Multiple Property Listing: N/A NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 JACKSON LAKE LODGE Page 2 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. -
Mormons, Opera, and Mozart
BYU Studies Quarterly Volume 43 Issue 3 Article 4 7-1-2004 Mormons, Opera, and Mozart Gideon O. Burton Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Burton, Gideon O. (2004) "Mormons, Opera, and Mozart," BYU Studies Quarterly: Vol. 43 : Iss. 3 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol43/iss3/4 This Introduction is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Burton: Mormons, Opera, and Mozart Mormons, Opera, and Mozart Gideon O. Burton ne of the world's great operatic works, The Magic Flute is the subject of this issue of BYU Studies, which presents a variety of perspectives from scholars and performers who have enjoyed and explored Mozart's masterpiece both critically and personally. It may seem unusual for BYU Studies to devote so much attention to a single operatic work, but opera is itself an inclusive art form, inviting the very sort of interdisciplinary study to which this periodical is com(i.i5)mitted. While this opera has pleased diverse audiences from well before the beginnings of Mormonism, Latter-day Saint points of view open up the work in interesting ways. For example, Latter-day Saint doctrines help to high light certain themes salient in The Magic Flute (such as the marital union of man and woman), and Mormon history shares some common cul tural moments with thematic elements in the opera (such as parts of Freemasonry). -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.