Consider It Science Fiction Kiley Walters Course
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Yahoo! Movies to Unveil Special Preview of Charlie's Angels: Full Throttle
Yahoo! Movies To Unveil Special Preview Of Charlie's Angels: Full Throttle LOS ANGELES -- Oct. 28, 2002 -- Yahoo! Movies, the Web's leading movie site in terms of audience size according to Nielsen//NetRatings (September 2002), will offer film fans their first glimpse of Cameron Diaz, Drew Barrymore and Lucy Liu in Charlie's Angels: Full Throttle five days before the trailer's debut in movie theaters. The much-anticipated preview of the Columbia Pictures movie premieres today at http://movies.yahoo.com and at http://www.sony.com/charliesangels/. The release of the trailer for Charlie's Angels: Full Throttle on Yahoo! Movies reflects a fan-driven trend emerging in the online marketplace, with 40% of all ticket-buyers hearing about a film via the Internet (NRG, 2002). Whether trailers, outtakes, extended sequences or bloopers, film buffs are seeking exclusive footage weeks or even months before the film's release date. Filmmakers are responding in recognition of growing consumer appetite for this type of content and the ultimate potential impact on ticket sales. "We're proud to host this special preview of Charlie's Angels: Full Throttle, already a fan favorite on our site," said Doug Hirsch, senior director of Yahoo! Movies. "Yahoo! Movies has a tremendous track record for debuting the kind of footage that gets fans excited for the film's release. We've produced over one hundred online exclusives in conjunction with Hollywood's largest film studios, but we think this will be one of our most popular previews." The Angels trailer is the latest in a series of Yahoo! Movies Exclusives, a program of pre-release content that debuted in 1999. -
PADDISON Drawing the Movies.Indd
Who helped Cameron Crowe to visualize how he’d shoot the scenes for his latest movie ‘Elizabethtown’? Neil Paddison speaks to Alex Hillkurtz, the storyboard artist behind Crowe’s latest fi lm. ITH TEN YEARS experience a pile of storyboards in your hand, as a storyboard artist, work- you’re really prepared. Wing on movies as diverse as Almost Famous, Vanilla Sky and Lost How do you start work on a new in Space, Alex Hillkurtz is the ideal per- project? son to answer questions about what must be one of the most enviable jobs Usually I’ll meet with the director for in the fi lm industry. two or three hours at a time and we’ll go through one scene like this one [the Having just completed work on Eliza- bethtown, which will be released in Because when ‘Usually I’ll meet with the director for Australia this October, Hillkurtz took you’re working time out in January this year to talk on a fi lm there two or three hours at a time and we’ll about his work as a storyboard artist. are hundreds of go through one scene like this one different people So, what attracted you to the job? involved. Every- [the Vanilla Sky car crash]’ body needs to be ISSUE 39 I’ve been a fan of movies forever, and making the same movie; otherwise it’ll Vanilla Sky car crash, see pictures on SCREEN EDU I’ve always drawn, so when I learnt be just mass chaos. And fi lm produc- right]. -
Elizabethtown
Cineforum G. Verdi 31°anno 15° film 25 - 26 – 27 – 28 gennaio 2006 [email protected] Clare Colburn, un angelo biondo Elizabethtown interpretato da una splendida Kristen Dunst che con il suo carattere stralunato e ottimista, lo farà riflettere CAST TECNICO ARTISTICO sul vero senso della vita. Clear che ha fatto del viaggio un lavoro, possiede Regia: Cameron Crowe una dote speciale: riesce a risolvere Sceneggiatura: Cameron Crowe tutti i problemi degli altri. Fotografia: John Toll L’incontro tra i due protagonisti, inizia Scenografia: Clay Griffith per caso, anzi per errore. Drew dopo Montaggio: David Moritz aver parlato per tutta la notte con giornalista di “Rolling Stones” una Costumi: Nancy Steiner Clear, riuscirà a ritrovare uno spiraglio delle più famose riviste di musica) Musica: Nancy Wilson di luce nella sua vita: una nuova alba. che dichiara in una intervista: “scrivo Prodotto da: Tom Cruise, Paula Anche in questa sequenza il regista i miei film pensando ai brani Wagner, Donald Lee sottolinea con un sapiente uso della musicali che con loro si sposeranno (Usa, 2005) Fotografia gli umori degli interpreti; meglio”; da ricordare oltre a “Moon Durata: 111' interessante l’utilizzo della tecnologia river” già colonna sonora di Distribuzione cinematografica: UIP (telefono cellulare) nello sviluppo della “Colazione da Tiffany” di Billy trama narrativa. Wilder, tutta la parte finale del film PERSONAGGI E INTERPRETI Ma è il viaggio, il tema principale con brani storici o inediti di Tom dell’ultima fatica di Cameron Crowe Petty, Elton John, Ryan Adams fino Drew Baylor: Olrando Bloom regista e sceneggiatore (produce Tom a Helen Stellar una band Claire: Kirsten Dunst Cruise) di un film autobiografico, il sconosciuta scoperta di recente da Hollie Baylor: Susan Sarandon padre infatti nel 1989 si era recato nel Crowe. -
Meerkat Class
Year 3 Home Learning Wednesday 20th January, 2021 – Meerkat Class Please make sure that you are reading every day. Challenge 1 – Maths 1 Challenge: Challenge 2 – English Spelling: 2 Turn the following into direct speech : Don’t forget your punctuation! 1. Cate Blanchett: I had to put on an American accent for the film 2. Johnny Depp: Everyone looks so glamorous on the Red Carpet 3. Angelina Jolie: You have to keep up a smile when you don’t win Turn the examples of direct speech into reported speech: 1. “I loved making Blood Diamond,” said Leonardo Di Caprio. 2. Cameron Diaz revealed, “I want to make another film with Jude Law. 3. “I’m frightened of award ceremonies.” Kate Winslet reported. 4. “It was a wonderful evening,” said George Clooney 5. “I felt overwhelmed when I won,” said Danny Boyle. 6. “I love getting dressed up in a penguin suit for ceremonies,” Daniel Craig joked. 3 4 5 PE: Personal Challenge Competition This year PASS will be running a personal challenge each term. Children do the challenge at school record the results on the spreadsheet provided and send the result to [email protected]. The results will be analysed, and certificates awarded across the year groups and key stages in your school and other schools. Term 3 Challenge – Toe Taps This is a test of speed, rhythm, balance, and coordination in a set time. The challenge will be differentiated between Key stages by a varied amount of time to perform the challenge in. EYFS – 20 seconds Key stage 1 – 30 seconds Key stage 2 – 45 seconds. -
What Is Necromedia? Marcel O’Gorman
Document generated on 09/24/2021 2:22 p.m. Intermédialités Histoire et théorie des arts, des lettres et des techniques Intermediality History and Theory of the Arts, Literature and Technologies What is Necromedia? Marcel O’Gorman Naître Article abstract Number 1, Spring 2003 This paper explores the collusion of death and technology by investigating: the military's early adoption of new technologies for the purpose of human URI: https://id.erudit.org/iderudit/1005450ar destruction; superstition and ghost industries invoked by the mainstreaming of DOI: https://doi.org/10.7202/1005450ar new technologies; the use of technology to push us into a posthuman era that heralds and celebrates the end of liberal humanism; technology's promise of See table of contents immortality, which causes us to forget our finitude. The exploration is framed by various media scenes extracted from two recent Hollywood movies, Vanilla Sky (Crowe, 2001) and American Beauty (Mendes, 1999). The paper is not about these movies, but rather, it draws on them as case studies, information Publisher(s) narratives about the incorporation of technology in American culture. By Centre de recherche sur l'intermédialité defining this new area of study and coining a new term, the author hopes to provoke interest in Necromedia Theory as an antidote to the uncritical incorporation of new technologies into everyday life, and to the relentless ISSN development of technology for technology's sake. 1920-3136 (digital) Explore this journal Cite this article O’Gorman, M. (2003). What is Necromedia? Intermédialités / Intermediality, (1), 155–164. https://doi.org/10.7202/1005450ar Tous droits réservés © Revue Intermédialités, 2003 This document is protected by copyright law. -
Visualizing Levinas:Existence and Existents Through Mulholland Drive
VISUALIZING LEVINAS: EXISTENCE AND EXISTENTS THROUGH MULHOLLAND DRIVE, MEMENTO, AND VANILLA SKY Holly Lynn Baumgartner A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2005 Committee: Ellen Berry, Advisor Kris Blair Don Callen Edward Danziger Graduate Faculty Representative Erin Labbie ii © 2005 Holly Lynn Baumgartner All Rights Reserved iii ABSTRACT Ellen Berry, Advisor This dissertation engages in an intentional analysis of philosopher Emmanuel Levinas’s book Existence and Existents through the reading of three films: Memento (2001), Vanilla Sky (2001), and Mulholland Drive, (2001). The “modes” and other events of being that Levinas associates with the process of consciousness in Existence and Existents, such as fatigue, light, hypostasis, position, sleep, and time, are examined here. Additionally, the most contested spaces in the films, described as a “Waking Dream,” is set into play with Levinas’s work/ The magnification of certain points of entry into Levinas’s philosophy opened up new pathways for thinking about method itself. Philosophically, this dissertation considers the question of how we become subjects, existents who have taken up Existence, and how that process might be revealed in film/ Additionally, the importance of Existence and Existents both on its own merit and to Levinas’s body of work as a whole, especially to his ethical project is underscored. A second set of entry points are explored in the conclusion of this dissertation, in particular how film functions in relation to philosophy, specifically that of Levinas. What kind of critical stance toward film would be an ethical one? Does the very materiality of film, its fracturing of narrative, time, and space, provide an embodied formulation of some of the basic tenets of Levinas’s thinking? Does it create its own philosophy through its format? And finally, analyzing the results of the project yielded far more complicated and unsettling questions than they answered. -
Chuck Klosterman on Film and Television
Chuck Klosterman on Film and Television A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2478-6 Portions of this work originally appeared in Esquire and on SPIN.com. Contents From Sex, Drugs, and Cocoa Puffs This Is Emo What Happens When People Stop Being Polite Being Zack Morris Sulking with Lisa Loeb on the Ice Planet Hoth The Awe-Inspiring Beauty of Tom Cruise’s Shattered, Troll-like Face How to Disappear Completely and Never Be Found From Chuck Klosterman IV Crazy Things Seem Normal, Normal Things Seem Crazy Don’t Look Back in Anger Robots Chaos 4, 8, 15, 16, 23, 42 Television From Eating the Dinosaur “Ha ha,” he said. -
SHAY CUNLIFFE Costume Designer
(4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
2012 Show Sheet Starting Fri. May 4Th the Hunger Games
2012 SHOW SHEET STARTING FRI. MAY 4TH THE HUNGER GAMES PG Jennifer Lawrence www.thehungergamesmovie.com THE AVENGERS Robert Downey Jr. http://marvel.com/avengers_movie/ STARTING FRI. MAY 11TH DARK SHADOWS Johnny Depp www.darkshadowsmovie.warnerbros.com/ STARTING FRI. MAY 18TH BATTLESHIP Taylor Kitsch www.battleshipmovie.com/ WHAT TO EXPECT WHEN YOU'RE EXPECTING Cameron Diaz www.whattoexpectthefilm.com/ STARTING FRI. MAY 25TH MIB 3 (Not in 3D) Will Smith www.meninblack.com/ STARTING FRI. JUNE 1ST SNOW WHITE & THE HUNTSMAN Charlize Theron www.snowwhiteandthehuntsman.com/ Starts June 8 Madagascar 3 Ben Stiller www.madagascarmovie.com/ Prometheus From Ridley Scott www.prometheus-movie.com/ Starts June 15 Rock of Ages Tom Cruise www.rockofagesmovie.warnerbros.com/ Starts June 22 Brave From Disney www.disney.go.com/brave/index.html Starts June 29 Ted Mark Wahlberg www.tedisreal.com/ Starts July 3 The Amazing Spiderman Andrew Garfield www.theamazingspiderman.com/ Starting July 13 Ice Age: Continental Drift www.iceagemovie.com/ Starting July 20 The Dark Knight Rises Christian Bale www.thedarkknightrises.com MAGIC MIKE 14A Channing Tatum http://magicmikemovie.warnerbros.com Starting July 27 The Watch Ben Stiller www.foxmovies.com/ Starting August 3 Diary of a Wimpy Kid: Dog Days Rachael Harris www.diaryofawhimpykidmovie.com/ Total Recall Colin Farrell www.welcometorecall.com/ Starting August 10 The Bourne Legacy Jeremy Renner www.thebournelegacy.net/ The Campaign Will Ferrell www.thecampaignmovie.warnerbros.com/ Starting August 17 The Expendables 2 Sylvestor Stallone www.theexpendables2film.com/ More films may be added to the above, and further releases will be added shortly so check back often. -
Charts Andrew Ba Tran
More charts Andrew Ba Tran Contents gghighlight . .1 ggrepel . .5 ridgeplot . .7 heatmap . .9 Mr. Rogers . 12 Time is a flat circle . 13 This is from the fourth chapter of learn.r-journalism.com. We’re going to go over some examples of visualizations created with packages that people have created to build on top of ggplot2. People love improving and building upon things. The latest version of ggplot2 was released recently and more than 300 people contributed– either by adding pieces from their add-on packages or by suggesting fixes. gghighlight The gghighlight package is a relatively new addition. In the previous section, I showed a way to surface important data while keeping the background data for context. This package simplifies it. Learn more on their site. We’ll use historical monthly average temperature data from the National Centers for Environmental Informa- tion. This is the image they have on their site illustrating their data: 1 We can do better. Start with importing and transforming the data below: # If you don't have readr installed yet, uncomment and run the line below # install.packages("readr") library(readr) temps <- read_csv("data/110-tavg-all-5-1895-2018.csv", skip=4) head(temps) ## # A tibble: 6 x 3 ## Date Value Anomaly ## <int> <dbl> <dbl> ## 1 189501 26.7 -3.43 ## 2 189502 26.6 -7.22 ## 3 189503 40.0 -1.53 ## 4 189504 52.9 1.85 ## 5 189505 59.9 -0.26 ## 6 189506 67.8 -0.69 # If you don't have readr installed yet, uncomment and run the line below # install.packages("lubridate") # If you don't have lubridate installed -
Elmer Bernstein Elmer Bernstein
v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards.