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100 years of history of AIDAA Associazione Italiana di Aeronautica e Astronautica A.I.D.A.A. – APS Via Salaria 851 – 00138 – Rome – Italy www.aidaa.it Foundation of A.I.D.A. The Italian Association of Aerotechnics 1920 ▪ The early years (1920-1950) End of first world war: General Maurizio Mario Moris, defined as “the driving force of the Italian Air Force,” who had directed the “Military Higher School of Aeronautical Constructions” of the “Brigade for Specialist Engineers” since 1910, proposed the foundation of a “scientific society for the progress of aeronautics in which agreement and scientific information among the experts is carried forward with conferences, discussions and periodic meetings.” Foundation of A.I.D.A. The Italian Association of Aerotechnics 1920 ▪ The early years (1920-1950) On June 29, 1920, the most excellent Italian experts in aerotechnics, under Vito Volterra and Maurizio Moris's initiative, met up at the Aero Club of Rome in Via del Tritone on Friday, July 2 at 9 p.m. and founded A.I.D.A. In the same meeting, on a proposal by Volterra, Gen. Maurizio Mario Moris was elected President. In 1922 the initial territorial Branches were set up. The first one was the Milan Branch in 1922, then those of Naples, Rome, and Turin in 1923. After the British Royal Aeronautical Society, founded in 1866, A.I.D.A. is the second oldest aeronautical association globally. Foundation of A.I.D.A. The Italian Association of Aerotechnics 1920 ▪ The early years (1920-1950) Moris proposed and organized conferences and seminars; during his presidency, the Journal of the Association was established. -
Deconstructing David Lang's the Anvil Chorus
Columbus State University CSU ePress Theses and Dissertations Student Publications 2014 Deconstructing David Lang's The Anvil Chorus Brandon M. Smith Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Smith, Brandon M., "Deconstructing David Lang's The Anvil Chorus" (2014). Theses and Dissertations. 113. https://csuepress.columbusstate.edu/theses_dissertations/113 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Deconstructing David Lang's The Anvil Chorus by Brandon Michael Smith A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Degree of Bachelor of Music in Music Education College of the Arts Columbus State University Thesis Advisor Committee Member Dr. Sean Powell Honors Committee Member J&^^ f Date [g^SjLS ' Dr. Susan Tomkiewicz Honors Program Director ^trkO^h^C^^ Date £&Q indy Ticknor 1 Usually, when a piece of music is taken out of context, that is, when it is learned and performed without studying the piece, the composer, the musical genre, or the historical significance, the understanding of it for the performer is narrow and limited and the performance is less than ideal. This leads to a substandard realization of the music. Contrarily, a musician should integrate research with the learning process as to enhance the comprehensive understanding of the piece, which ultimately results in a high level of performance. This idea is important for the complex and extensive musical repertoire of the twentieth and twenty-first centuries. -
N.7 1 24336 April 18, 1971
NATIONAL MRONAUTKS AND SPACE ADMINISRATlON (m)w-4155 WASHINGTON, D x .mi46 TEIS: (a)963-6925 - ma ac * LEASE: SUNDAY N.7 1 24336 April 18, 1971 . (ACCMSION NUMB^) (THRU) e-3 37) (NASA CR OR TMX OR AD NUMBER) (CATEGORY) The third spacecraft in a joint Italian-United States cooperative space program is scheduled to be launched by a four-stage Scout rocket from an Italian platform in the Indian Ocean three miles off the coast of Kenya, Africa, no earlier than April 24. Called San Marco-f, the 360-pound (164 Kilogram) scientific spacecraft, built in Italy, carries three specially- designed icstruments -- one Italian and two U.S. -- to - - study the environment of the upper atmosphere in the equa- torial region. The orbit planned for San Marc3-C is equatorial, inclined only three degrees, with an apogee of about 500 statute miles (800 Kilometers), and a perigee of 130 statute miles (214 Km). It will circle the Earth once every 95 minutes. The launch- ing will be conducted ,by an Italian crew. -2- The San Marco program is Jointly managed by the Centro Ricerche Aerospaziali dellv Universita Degli Studi di Roma (Aerospace Research Center of the University of Rome)--CRA-- of Italy and the National Aeronautics and Space Administration's Goddard Space Flight Center, Greenbelt, MD. Under terms of the agreement signed in Nov. 1967, responsibilities for the program were divided as follows: Italy designed and built the spacecraft, integrated flight experiments and will conduct launch operations. The U.S,, under the agreement, has provided the Scout launch rocket, two experiments, technical consultation, launch crew train- ing. -
Suffering and Social Conscience in the Passion Genre from JS Bach's
Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike. -
The Little Match Girl Passion a CONDUCTOR’S GUIDE
DAVID LANG’S the little match girl passion A CONDUCTOR’S GUIDE JOHANN JACOB VAN NIEKERK Johann Jacob Van Niekerk Assistant Professor of Music Centre College [email protected] 8 CHORAL JOURNAL Volume 56 Number 2 David Lang’s the little match girl chorus version in 2008, published passion is an unusual piece on many by Red Poppy Music and available levels. Lang (b. 1957) combines the for rent from G. Schirmer Inc. It is story of Christ’s crucifi xion—based most suitable for professional choirs on Bach’s treatment thereof in his and more experienced university and St. Matthew Passion (1727) —with the community groups. story of “The Little Match Girl,” a The passion genre is a genre that fairytale by Hans Christian Ander- extends back more than seven cen- sen that tells the harrowing tale of turies, and Lang reworks this format a little girl who freezes to death on into a vehicle that allows the audience a cold New Year’s Eve in Denmark. to not only witness the slow demise The music for the little match girl pas- of the innocent girl but more impor- sion is equally unusual. Lang’s use of tantly to feel as if they were somehow minimalist cells, expanded over fi fteen part of this injustice. It is this sense of movements, is unlike any other stan- complicity that has largely contrib- dard piece in the choral repertoire. uted to the work’s universal success. The composition, while tricky at fi rst Reactions have been astounding: on sight, eff ortlessly weaves these cells a critical level it has been lauded since into an approachable and relatable its premiere and was awarded the idiom for singers and audiences alike. -
Accesso Autonomo Ai Servizi Spaziali
Centro Militare di Studi Strategici Rapporto di Ricerca 2012 – STEPI AE-SA-02 ACCESSO AUTONOMO AI SERVIZI SPAZIALI Analisi del caso italiano a partire dall’esperienza Broglio, con i lanci dal poligono di Malindi ad arrivare al sistema VEGA. Le possibili scelte strategiche del Paese in ragione delle attuali e future esigenze nazionali e tenendo conto della realtà europea e del mercato internazionale. di T. Col. GArn (E) FUSCO Ing. Alessandro data di chiusura della ricerca: Febbraio 2012 Ai mie due figli Andrea e Francesca (che ci tiene tanto…) ed a Elisabetta per la sua pazienza, nell‟impazienza di tutti giorni space_20120723-1026.docx i Author: T. Col. GArn (E) FUSCO Ing. Alessandro Edit: T..Col. (A.M.) Monaci ing. Volfango INDICE ACCESSO AUTONOMO AI SERVIZI SPAZIALI. Analisi del caso italiano a partire dall’esperienza Broglio, con i lanci dal poligono di Malindi ad arrivare al sistema VEGA. Le possibili scelte strategiche del Paese in ragione delle attuali e future esigenze nazionali e tenendo conto della realtà europea e del mercato internazionale. SOMMARIO pag. 1 PARTE A. Sezione GENERALE / ANALITICA / PROPOSITIVA Capitolo 1 - Esperienze italiane in campo spaziale pag. 4 1.1. L'Anno Geofisico Internazionale (1957-1958): la corsa al lancio del primo satellite pag. 8 1.2. Italia e l’inizio della Cooperazione Internazionale (1959-1972) pag. 12 1.3. L’Italia e l’accesso autonomo allo spazio: Il Progetto San Marco (1962-1988) pag. 26 Capitolo 2 - Nascita di VEGA: un progetto europeo con una forte impronta italiana pag. 45 2.1. Il San Marco Scout pag. -
Agenzia Spaziale Italiana Piano Triennale Delle Attività 2017-2019
Agenzia Spaziale Italiana Piano Triennale delle Attività 2017-2019 Piano Triennale delle Attività 2017-2019 Sommario 1 ATTIVITÀ SVOLTE NEL PERIODO PRECEDENTE 5 1.1 OSSERVAZIONE DELLA TERRA 5 1.2 TELECOMUNICAZIONI, NAVIGAZIONE E SALVAGUARDIA DELLO SPAZIO 9 1.3 LANCIATORI TRASPORTO SPAZIALE E PROGRAMMA PRORA 11 1.4 VOLO UMANO E MICROGRAVITÀ 12 1.5 ESPLORAZIONE E OSSERVAZIONE DELL’UNIVERSO 13 2 STRATEGIE E POLITICHE 16 2.1 LA NUOVA POLITICA SPAZIALE NAZIONALE 16 2.2 PIANO STRATEGICO NAZIONALE SULLA SPACE ECONOMY 16 2.2.1 Attuazione del Piano Space Economy e coinvolgimento dell’ASI 17 2.3 IL PIANO NAZIONALE DELLA RICERCA 19 2.4 IL DOCUMENTO DI VISIONE STRATEGICA 20 2.5 IL PIANO INTEGRATO DELLE PERFORMANCE 22 2.6 SEMPLIFICAZIONE DELLE ATTIVITÀ DEGLI ENTI PUBBLICI DI RICERCA 24 3 RICERCA E SVILUPPO PER LE APPLICAZIONI DELLA NEW SPACE ECONOMY 28 3.1 MIRROR GALILEO 28 3.2 MIRROR COPERNICUS 30 3.3 PROGRAMMI NAZIONALI PRS GALILEO 33 3.4 PROGRAMMA DI SUPPORTO A SST 35 4 INFRASTRUTTURE E TECNOLOGIE PER LA NEW SPACE ECONOMY 37 4.1 INFRASTRUTTURE SPAZIALI STRATEGICHE PER IL CITTADINO E IL SISTEMA PRODUTTIVO 37 4.1.1 Infrastrutture per Osservazione della Terra 37 4.1.2 Infrastrutture di Telecomunicazioni 39 4.1.3 Infrastrutture per la Navigazione Satellitare 43 4.2 INFRASTRUTTURE SPAZIALI PER L’ESPLORAZIONE UMANA E ROBOTICA DELLO SPAZIO 44 4.2.1 ISS e altre strutture per ricerca in microgravità 44 4.2.2 Infrastrutture per l’esplorazione umana oltre la Low Earth Orbit (LEO) 46 4.3 INFRASTRUTTURE DI LANCIO E RIENTRO A TERRA 48 4.3.1 Sistema Vega 48 4.3.2 -
Tethers in Space Handbook - Second Edition
Tethers In Space Handbook - Second Edition - (NASA-- - I SECOND LU IT luN (Spectr Rsdrci ystLSw) 259 P C'C1 ? n: 1 National Aeronautics and Space Administration Office of Space Flight Advanced Program Development NASA Headquarters Code MD Washington, DC 20546 This document is the product of support from many organizations and individuals. SRS Technologies, under contract to NASA Headquarters, compiled, updated, and prepared the final document. Sponsored by: National Aeronautics and Space Administration NASA Headquarters, Code MD Washington, DC 20546 Contract Monitor: Edward J. Brazil!, NASA Headquarters Contract Number: NASW-4341 Contractor: SRS Technologies Washington Operations Division 1500 Wilson Boulevard, Suite 800 Arlington, Virginia 22209 Project Manager: Dr. Rodney W. Johnson, SRS Technologies Handbook Editors: Dr. Paul A. Penzo, Jet Propulsion Laboratory Paul W. Ammann, SRS Technologies Tethers In Space Handbook - Second Edition - May 1989 Prepared For: National Aeronautics and Space Administration Office of Space Flight Advanced Program Development NASA National Aeronautics and Space Administration FOREWORD The Tethers in Space Handbook Second Edition represents an update to the initial volume issued in September 1986. As originally intended, this handbook is designed to serve as a reference manual for policy makers, program managers, educators, engineers, and scientists alike. It contains information for the uninitiated, providing insight into the fundamental behavior of tethers in space. For those familiar with space tethers, it summarizes past and ongoing studies and programs, a complete bibliography of tether publications, and names, addresses, and phone numbers of workers in the field. Perhaps its most valuable asset is the brief description of nearly 50 tether applications which have been proposed and analyzed over the past 10 years. -
The Top of the Heap of Space Economy in Fiera Roma
New Space Economy European Expoforum 10th December 2019 DAY ONE www.nseexpoforum.com www.fieraroma.com organized by in collaboration with endorsed by The top of the heap of space economy in Fiera Roma Opening speech by Riccardo Fraccaro, Secretary of the Council of Ministers of Italy and by Johann-Dietrich Wörner, Director-General of the European Space Agency. The main actors of the New Space Economy resentatives from ESA and other space agencies the promotion of small and medium-sized industrial sectors. The B2B area starts today arrived in Fiera Roma from all around the world. to come together to discuss challenges and new enterprises, institutions and academic from 14.00 to 18.00 and offers a privileged space Today we open the doors of New Space Economy openings in the business of space, namely, ESA entities, on the great strategic challenges to meet and exchange views between existing European ExpoForum - created and organized Director-General Johann-Dietrich Wörner and that await our country and Europe on a and new industrial players, innovative small and by Fiera Roma and Fondazione Edoardo Amaldi leaders of the main European Space Agencies, crucial terrain such as that of space related medium-sized enterprises, investors, startuppers, - the first event totally dedicated to the space namely, Asi President Giorgio Saccoccia, Cnes technologies.” research centers, space agencies and institu- economy. It will be a three-days meeting place in President Jean-Yves Le Gall, IAF President tions with interests in space. The main events of the day are entirely com- which actors and players from the “New” Space Pascale Ehrenfreund, the Head of the Swiss mitted to Lastly the side event Megaconstellations lead Economy and “Old” Economy meet and discuss Space OfficeRenato Krpoun and the Director Data Analytics and New Mobility which see the participation of , by Tim Hughes, Senior Vice President, Global the new potential of the space ecosystem. -
Story Time by Alex Ross the New Yorker April 28, 2014
Story Time by Alex Ross The New Yorker April 28, 2014 Zankel Hall, the coolly futuristic space beneath the main auditorium of Carnegie Hall, opened a decade ago, amid what turned out to be a golden age of adventurous programming at the Carnegie complex. John Adams oversaw a crazyquilt festival; farseeing composers like Frederic Rzewski and Meredith Monk shared space with Youssou N’Dour and Ustad Vilayat Khan; John Cage and Morton Feldman, musical leaders of the heroic midcentury generation that also produced Abstract Expressionism, were celebrated more than five decades after their first meeting, which took place in the Carnegie lobby, as both men fled a performance of Rachmaninoff’s “Symphonic Dances.” These days, Carnegie follows a more conservative line: Rachmaninoff takes precedence over Cage and Feldman. But Zankel remains a welcoming space for wayward artists, and this month it will host “Collected Stories,” a sixconcert series curated by the Pulitzer Prizewinning composer David Lang, who occupies the Richard and Barbara Debs Composer’s Chair at Carnegie. Lang explores the various ways in which music suggests a narrative: each program is tagged with a topic (“hero,” “spirit,” “love/loss,” “travel,” “(post)folk,” “memoir”), and yet each presents a sharp internal contrast, with seemingly disparate styles juxtaposed. The tone is set by the first event, at which Benjamin Bagby’s bardic recitation of “Beowulf” will give way to the barbaric yawps of Harry Partch, who found an epic breadth in nineteenthirties hobo culture. In later concerts, audiences will hear “Passio,” Arvo Pärt’s impassive meditation on the Crucifixion of Christ; a spell of Tuvan throatsinging; folktinged pieces by Julia Wolfe, Nico Muhly, and Donnacha Dennehy; and, in a detour back into the Romantic mainstream, Liszt’s sprawling pianistic travelogue “Années de Pèlerinage.” Such groups as Alarm Will Sound, Ensemble Signal, and the earlymusic collective TENET participate; Louis Lortie, in a threehour marathon, confronts the Liszt. -
| Generational Frontiers |
CON L’ADESIONE DEL PRESIDENTE DELLA REPUBBLICA Fondazione Ente dello Spettacolo via G. Palombini, 6 - 00165 Roma - Tel. +39.06.96519200 - Fax +39.06.96519220 [email protected] - www.tertiomillenniofilmfest.org | GENERATIONAL FRONTIERS | CON IL SOSTEGNO DI: IN COLLABORAZIONE CON: SPONSOR: 14 PROGRAMMA | PROGRAMME | Cinema Sala Trevi - Vicolo del Puttarello, 25 - Roma | | GENERATIONAL FRONTIERS | dicembre | december 2010 dicembre | december 2010 08 EVENTO SPECIALE | SPECIAL EVENT 09 VARIAZIONI SUL TEMA | 16.30 VARIATIONS ON THE THEME Intonazija. Sergej Slonimskij, kompositor 16.30 dicembre | december 2010 di | by Aleksandr Sokurov | 45’ Park Mark EVENTO SPECIALE | SPECIAL EVENT di | by Baktash Abtin | 42’ 07 EVENTO SPECIALE | SPECIAL EVENT Introduce | Introducing by Federico Pontiggia 16.30 17.30 Intonazija. Boris Averin, filolog Intonazija. Vladimir Yakunin, president OAO EVENTO SPECIALE | SPECIAL EVENT di | by Aleksandr Sokurov | 33’ Rossijskie železnye dorogi 18.15 EVENTO SPECIALE | SPECIAL EVENT di | by Aleksandr Sokurov | 45’ Intonazija. Boris Averin, filolog di | by Aleksandr Sokurov | 33’ 17.00 EVENTO SPECIALE | SPECIAL EVENT Intonazija. Arsen Kanokov, 18.30 EVENTO SPECIALE | SPECIAL EVENT president respubliki Kabardino-Balkaria WEDNESDAY Intonazija. Valerij Zor’kin, predsedatel’ 19.00 di | by Aleksandr Sokurov | 41’ | Konstituzionnogo suda Rossijskoj Federazii Intonazija. Arsen Kanokov, 18.00 di | by Aleksandr Sokurov | 50’ president respubliki Kabardino-Balkaria THURSDAY di | by Aleksandr Sokurov | 41’ Incontro con | Meeting with TESTIMONIANZE | PERSONAL STORIES | | Ornella Muti e | and Andrea Facchinetti 20.00 20.00 20.00 La morte rouge Incontro con | Meeting with TUESDAY Incontro con | Meeting with Aleksandr Sokurov di | by Víctor Erice | 32’ Mahamat-Saleh Haroun | 2010 | | | e presentazione del libro | and book presentation: Introduce | Introducing by Alberto Barbera Modera | Chairman Valerio Sammarco Osservare l’incanto. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2017 Welcome to the Spring 2017 issue of AAR Magazine. This issue of AAR Magazine offers a summation of a very productive year. We feature the scholars and artists in our creative community at the culmination of their research and look at how the Fellows’ Project Fund has expanded their possibilities for collaborat- ing and presenting their work in intriguing ways. We update this year’s exploration of American Classics with reports on a February conference and previews of events still to come, including an exhibition fea- turing new work by artist Charles Ray. You will also find a close look at AAR’s involvement in archaeology and details of a new Italian Fellowship sponsored by Fondazione Sviluppo e Crescita CRT. And, of course, we introduce the Rome Prize win- ners and Italian Fellows for 2017–2018! Vi diamo il benvenuto al numero “Primavera 2017” dell’AAR Magazine. Questo numero dell’AAR Magazine riassume il lavoro prodotto in un anno eccezionale. Vi presentiamo gli studiosi e gli artisti della nostra comunità creativa al culmine della loro ricerca e siamo lieti di mostrare quanto il Fellows’ Project Fund abbia ampliato le loro possibilità di collaborare e presentare le proprie opere in modo affascinante. Aggiorniamo la pan- oramica fatta quest’anno sugli American Classics con il resoconto del convegno tenutosi a febbraio e con le anticipazioni sui prossimi eventi, tra i quali una mostra con una nuova opera dell’artista Charles Ray. Daremo uno sguardo da vicino all’impegno dell’AAR nel campo dell’archeologia e alla nuova Borsa di studio per Italiani finanziata da Fondazione Sviluppo e Crescita CRT.