Millennials and Wealth Management
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Emergence of New Corporations Free Zones and the Swiss Value Storage Houses
10 The Emergence of New Corporations Free Zones and the Swiss Value Storage Houses Oddný Helgadóttir 10.1 Introduction This chapter introduces the concept of a ‘Luxury Freeport’, positioning such tax- and duty-free storage sites as new players in the ever-evolving ecosystem of the offshore world. To date, Luxury Freeports have largely passed under the radar of academic research and they represent an important lacuna in the academic scholarship on offshore activity. In his state of the art on offshores, The Hidden Wealth of Nations, economist Gabriel Zucman makes this point explicitly, noting that most current estimates of offshore wealth do not extend to non-financial wealth kept in tax havens: This includes yachts registered in the Cayman Islands, as well as works of art, jewelry, and gold stashed in freeports—warehouses that serve as repositories for valuables. Geneva, Luxembourg, and Singapore all have one: in these places, great paintings can be kept and traded tax-free—no customs duty or value-added tax is owed—and anonymously, without ever seeing the light of day. (2015, pp. 44–5) There are no reliable estimates of the value of goods stored in Luxury Freeports.¹ A recent New York Times article reports that art dealers and insurers believe that the works of art contained in the Geneva Freeport, a pioneer in the Luxury Freeport business, would be enough ‘to create one of the world’s great museums’. Similarly, a London-based insurer concludes that there isn’t ‘a piece of paper wide enough to write down all the zeros’ needed to capture the value of wealth stored in Geneva (Segal 2012). -
The New Luxury Freeports Offshore Storage, Tax Avoidance, and ‘Invisible’ Art Helgadóttir, Oddný
The New Luxury Freeports Offshore Storage, Tax Avoidance, and ‘Invisible’ Art Helgadóttir, Oddný Document Version Accepted author manuscript Published in: Environment and Planning A DOI: 10.1177/0308518X20972712 Publication date: 2020 License Unspecified Citation for published version (APA): Helgadóttir, O. (2020). The New Luxury Freeports: Offshore Storage, Tax Avoidance, and ‘Invisible’ Art. Environment and Planning A. https://doi.org/10.1177/0308518X20972712 Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The New Luxury Freeports: Offshore storage, tax avoidance, and ‘invisible’ art Abstract This paper introduces the concept of a Luxury Freeport to describe a novel form of offshore where art and other high-end goods can be stored indefinitely without tax and duty- payments being made. The paper makes three key contributions to our understanding of these new actors in the global political economy. First, it conceptualizes Luxury Freeports as part of what has been called the ‘offshore world’, showing that over the course -
Case Study: the Art of Offshore: Tax Avoidance and Unseen
THE ART OF OFFSHORE: TAX AVOIDANCE AND UNSEEN ARTWORKS IN THE NEW LUXURY FREEPORTS COFFERS D4.7 APRIL 2019 Oddný Helgadóttir Department of Organization Copenhagen Business School This project has received funding from the European Union’s1 Horizon 2020 research and innovation programme COFFERS under grant agreement No 727145. EU Horizon 2020 Project Abstract Economists have long considered art a risky investment and a poor store of value. For much of the twentieth century collectors be- This paper introduces the concept of a Luxury Freeport to describe haved accordingly, purchasing art primarily for the innate pleasure a novel form of offshore where art and other high-end goods can and social prestige it offered. Over the past few decades, however, be stored indefinitely without tax and duty-payments being made. the nature of the art trade has been changing: the high-end of the The paper makes three key contributions to our understanding of art market has been in an almost relentless boom since the 1980s these new actors in the global political economy. First, drawing on and even the Global Financial Crisis (GFC) of 2008 only registered an interdisciplinary mix of perspectives from political economy as a brief blip in the art world (Zarobell 2017; Adam 2014, 2017). and economic geography, the paper conceptualizes Luxury Free- In this environment, art has gradually been evolving into an invest- ports as part of what has been called the ‘offshore world’. It shows ment asset in its own right.1 that over the course of the last decade these previously under- studied sites have become part of an evolving global ecosystem of However, buying art has not just become more attractive because tax avoidance that they have helped push to new frontiers, nota- of rising prices at the high end of the market. -
A Comprehensive Report by the Financial Crimes Task Force of the Antiquities Coalition September 2020
REFRAMING U.S. POLICY ON THE ART MARKET RECOMMENDATIONS FOR COMBATTING FINANCIAL CRIMES A Comprehensive Report by the Financial Crimes Task Force of the Antiquities Coalition September 2020 THE FINANCIAL CRIMES TASK FORCE CHAIRS Deborah M. Lehr John Byrne Chairman & Founder Vice Chairman Antiquities Coalition AML RightSource Tess Davis Dennis Lormel Mike Loughnane Angel Swift Executive Director President President Wells Fargo, Head of Conduct Antiquities Coalition DML Associates LLC Loughnane Associates Management PROJECT DIRECTOR Liz Fraccaro Antiquities Coalition MEMBERS The Task Force unites allies from the art, financial, and legal communities, as well as former law enforcement and government officials. Members have reached a consensus around the general report and its policy recommendations, although each individual member does not necessarily endorse every finding and conclusion. Each has participated in their individual capacities and not as representatives of their institutions. John Byrne Layla Hashemi Rick McDonell Tiffany Stevens Vice Chairman, AML RightSource Researcher, Transnational Crime and Executive Director ACAMS CEO & General Counsel, Jewelers Corruption Center (TraCCC) Vigilance Committee Laura S. Ballman Audra McKay Founder, Culture Matters LLC Sree M. Iyer Robinhood Financial Crimes Angel Swift PGurus.com Monitoring Program Manager Wells Fargo, Head of Conduct Alessandro Chechi Management Art Law Centre, University of Marilú Jiménez, esq. CAMS Jack Oskvarek Geneva FincAdvisors SVP BSA Executive Director, Mary Utermohlen Wintrust Financial Corporation Program Director, C4ADS William Cloninger Lester Joseph AML Investigations, KeyBank Wells Fargo & Company Gregory Radke, CFE, CISA Erik Vingelen Senior Examiner, Office of Credit SVP, BSA/AML/OFAC Officer, Brian Daniels Herbert V. Larson, Jr. Unions | State of Michigan Banner Bank Penn Cultural Heritage Center, Tulane University School of Law University of Pennsylvania Museum Anthony Rodriguez Sara Yood Colette J. -
Combating Fiscal Fraud and Empowering Regulators OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, Spi OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, Spi
OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, SPi Combating Fiscal Fraud and Empowering Regulators OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, SPi OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, SPi Combating Fiscal Fraud and Empowering Regulators Bringing Tax Money Back into the COFFERS Edited by BRIGITTE UNGER, LUCIA ROSSEL, AND JORAS FERWERDA 1 OUP CORRECTED AUTOPAGE PROOFS – FINAL, 18/12/2020, SPi 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2021 The moral rights of the authors have been asserted First Edition published in 2021 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction -
Dirty Money, Pretty Art Fighting Money Laundering in the Age of Art Financializaton May 2020
Dirty Money, Pretty Art Fighting Money Laundering in the Age of Art Financializaton May 2020 Written on 1 behalf of the Limburg Police and PVOL for the Maastricht University Premium Program Table of Contents Contributors ............................................................................................................................. 4 Acknowledgements .................................................................................................................. 5 Index of Examples .................................................................................................................... 6 Executive Summary ...................................................................................................................... 7 Introduction ................................................................................................................................ 10 Part 1- Monetizing masterpieces: Mapping the phenomenon of the financialization of art ... 12 Executive Summary ................................................................................................................ 13 Introducing the Art Market .................................................................................................... 14 What is the Financialization of Art? ....................................................................................... 17 The Art Market Today ............................................................................................................ 19 Traditional Art World Stakeholders ...................................................................................... -
Art On/Offshore: the Singapore Freeport and Narrative Economics That Frame the Southeast Asian Art Market
Art On/Offshore: The Singapore Freeport and Narrative Economics that Frame the Southeast Asian Art Market Offshoreart.co, Kathleen Ditzig, Robin Lynch Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 2, October 2020, pp. 161-201 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0009 For additional information about this article https://muse.jhu.edu/article/770699 [ Access provided at 26 Sep 2021 17:34 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Art On/Offshore: The Singapore Freeport and Narrative Economics that Frame the Southeast Asian Art Market OFFSHOREART.CO (KATHLEEN DITZIG AND ROBIN LYNCH) Abstract Through an examination of the evolution of the representation of the Singapore Freeport over the last 10 years, this paper maps the speculative discourse in 2014 around the Singapore Freeport as a one-stop shop of art services that could theo- retically lend to the growth of Southeast Asian art market to the associative effects of the Bouvier Affair. This paper demonstrates the importance of narrative econo- mics and cultural policy in the success of art infrastructure such as the Singapore Freeport, and their referencing, however vaguely, the Southeast Asia art market. In June 2020, The Business Times reported that Swiss art dealer Yves Bouvier was suing a group of businessmen for reneging on a deal to buy the Singapore Freeport (also known as Le Freeport).1 It was reported that Bouvier had been trying to sell the Freeport since 2017, and that as of 2018 it had accumulated S$18.4 million in losses, as well as an outstanding debt to DBS Group of S$20 million. -
Freeports and the Hidden Value of Art
arts Article Freeports and the Hidden Value of Art John Zarobell Department of International Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Received: 25 August 2020; Accepted: 12 November 2020; Published: 18 November 2020 Abstract: At first glance, the global art trade—currently valued around $60 billion—is a miniscule piece of global economic production. But due to the unregulated nature of the art market, it serves a key function within the larger network of the accumulation and distribution of capital worldwide. This deregulated market intersects with the offshore domain in freeports, an archipelago of tax-free storage facilities that stretch from Singapore to Geneva to Delaware. The burgeoning of freeports globally suggests that speculation has become a more prominent pattern of art investment, but it also demonstrates that tax avoidance is a goal of such speculators and the result is that more art works are being taken out of circulation and deposited in vaults beyond the view of regulatory authorities. Despite its size, the art trade can demonstrate broader trends in international finance and, by examining offshore art storage that occurs in freeports, it will be possible to locate some of the hidden mechanisms that allow the global art market to flourish on the margins of the economy as well as to perceive a shift in which the economic value of art works predominates over their cultural value. Keywords: art market; contemporary art; freeports; offshore; financialization; informality 1. Introduction Freeports are a subsector of the deterritorialized spaces that states have created to facilitate transnational commerce since World War II, usually called Export Processing Zones (EPZs) or Free Trade Areas/Zones (FTAs/FTZs) but sometimes, as in the Bahamas, these are also called freeports. -
Money Laundering and Tax Evasion Risks in Free Ports
Money laundering and tax evasion risks in free ports STUDY EPRS | European Parliamentary Research Service Author: Ron Korver Ex-Post Evaluation Unit PE 627.114 – October 2018 EN Money laundering and tax evasion risks in free ports Study at the request of the Special Committee on Financial Crimes, Tax Evasion and Tax Avoidance (TAX3) This study provides an insight into the money laundering, tax evasion and tax avoidance risks connected with free zones, particularly those that function as (semi-) permanent storage for high value goods, often referred to as 'free ports'. Conducted at the request of the European Parliament's Special Committee on Financial Crimes, Tax Evasion and Tax Avoidance (TAX3) the study follows up on concerns about free zones expressed in recent resolutions by the European Parliament. The study is based on an analysis of relevant legislation, academic literature, annual and special reports by authorities, think-tanks and operators in the art business, articles in the media, interviews with experts at European level and at the OECD and a case study of the legal and supervisory framework at 'Le Freeport' in Luxembourg. EPRS | European Parliamentary Research Service AUTHOR Ron Korver, Ex-post Evaluation Unit This paper has been drawn up by the Ex-post Evaluation Unit of the Directorate for Impact Assessment and European Added Value, within the Directorate-General for Parliamentary Research Services (EPRS) of the Secretariat of the European Parliament. Acknowledgements The author would like to thank experts of the European Commission and the OECD for their valuable input. The same goes for the authorities interviewed in Luxembourg and all the people who, from their specialised backgrounds, have shared their knowledge. -
KFSI-4 Other Wealth Ownership (2018)
Key Financial Secrecy Indicator 4: Other Wealth What is measured? This indicator assesses the ownership transparency of real estate and of valuable assets stored in freeports. 1. Regarding real estate: it assesses whether a jurisdiction requires online publication of the beneficial and/or legal owners of real estate for free and in open data or at a maximum cost of US$ 10, € 10 or £ 10,1 updated at least on an annual basis; 2. Regarding freeports: it assesses whether a jurisdiction offers and promotes its freeports (or similar venues such as bonded warehouses) for the storage of high-value assets, and whether it requires the registration and cross-border automatic exchange of the identities of legal and/or beneficial owners (BO) of the stored valuables. Accordingly, we have split this indicator into two components. The overall secrecy score for this indicator is calculated by simple addition of the secrecy scores of each of these components. The secrecy scoring matrix is shown in Table 1, with full details of the assessment logic given in Table 5 below. Real estate whose beneficial owners live in the actual building is exempt from the public disclosure requirement. If a beneficial owner of real estate property can provide proof that her/his tax residency is at the same address, the identities of the owners would not need to be disclosed. All other real estate ownership needs to be disclosed in a central registry run by a government agency which is publicly accessible via the internet. To meet a reasonable standard, published ownership information must comply with minimum requirements. -
Improving Governance and Tackling Crime in Free-Trade Zones
Royal United Services Institute for Defence and Security Studies Occasional Paper Improving Governance and Tackling Crime in Free-Trade Zones Anton Moiseienko, Alexandria Reid and Isabella Chase Improving Governance and Tackling Crime in Free-Trade Zones Anton Moiseienko, Alexandria Reid and Isabella Chase RUSI Occasional Paper, October 2020 Royal United Services Institute for Defence and Security Studies ii Improving Governance and Tackling Crime in FTZs 189 years of independent thinking on defence and security The Royal United Services Institute (RUSI) is the world’s oldest and the UK’s leading defence and security think tank. Its mission is to inform, influence and enhance public debate on a safer and more stable world. RUSI is a research-led institute, producing independent, practical and innovative analysis to address today’s complex challenges. Since its foundation in 1831, RUSI has relied on its members to support its activities. Together with revenue from research, publications and conferences, RUSI has sustained its political independence for 189 years. The views expressed in this publication are those of the authors, and do not reflect the views of RUSI or any other institution. Published in 2020 by the Royal United Services Institute for Defence and Security Studies. This work is licensed under a Creative Commons Attribution – Non-Commercial – No-Derivatives 4.0 International Licence. For more information, see <http://creativecommons.org/licenses/by-nc-nd/4.0/>. RUSI Occasional Paper, October 2020. ISSN 2397-0286 (Online). Royal United Services Institute for Defence and Security Studies Whitehall London SW1A 2ET United Kingdom +44 (0)20 7747 2600 www.rusi.org RUSI is a registered charity (No. -
Cfo 2015 Cfo 2014 Cfo
CIO EDITION EDITION CIO 2013 CIO EDITION CCO CCO CIA CCO EDITION CCO EDITION CISO EDITION CRO EDITION CISO CRO CRO CRO 2014 CIA 2014 CIA CIA CISO BOD COO EDITION COO EDITION CHRO 2014 CHRO CEO EDITION CEO EDITION CEO EDITION CFO 2015 CFO 2014 CFO InQuarterly insights fromside Deloitte, issue 9, 2015 Interview with Véronique de Path to value for wealth Millennials and wealth management Le Freeport Luxembourg creates la Bachelerie, CEO of Société management centers Trends and challenges of the new perspectives for the Générale Bank & Trust Luxembourg new clientele Luxembourg economy Wealth management and Truths and consequences private banking The Middle East Crowdfunding, an emerging Four drivers of change that Connecting with clients and Challenges and opportunities for market in Europe? threaten business as usual reinventing the value proposition global and local asset managers Maximization of the Finance Cross-border business Tax Reclaim, an innovative Investment management function through Business considerations in the private differentiator for your institution! Equilibrium in the operating models Partnering banking and wealth management of Luxembourg management industries Private banking transformation companies How to improve business Reinvented proposition for higher performance thanks to a holistic Capturing value in a shifting customer value, B2C and B2B MiFID II follow-up of the CFO environment To protect and to serve, but at what cost? In this issue 6 10 18 24 32 42 Each edition of the magazine will address subjects related