Sony MAX2 to Air Amitabh Bachchan's Iconic Movie

Total Page:16

File Type:pdf, Size:1020Kb

Sony MAX2 to Air Amitabh Bachchan's Iconic Movie Sony MAX2 to air Amitabh Bachchan’s iconic movie ‘Don’ ~ Watch the super hit movie of 70’s on 16th February, Friday at 7PM ~ Mumbai, 13th February, 2018: Who can forget the blockbuster songs like ‘Yeh Mera Dil’, ‘Khaike Pan Banaraswala’ and the gripping plot of crime thriller Don? It’s still one of the most loved movie of Amitabh Bachchan fans across the country. Sony MAX2, India’s iconic Hindi movie channel from Sony Pictures Networks is all set to take you back to that era as it airs the iconic movie Don on Friday, 16th February, 2018 at 7pm. Written by the duo Salim-Javed and music given by Kalyanji Anandji, Don stars Amitabh Bachchan and Zeenat Aman as the lead, along with Pran. Iftekhar, Helen, Om Shivpuri and Satyen Kappu in supporting roles. Amitabh Bachchan plays a double role, as Bombay underworld boss Don and his lookalike Vijay. The film's plot revolves around Vijay, a Bombay slum-dweller who resembles the powerful crime boss Don, being asked by law enforcement officer DSP D'Silva (Iftekhar) to masquerade as Don, in order to act as an informant for the police and track down the root of the criminal organization. Will Vijay be successful in helping police to find the master mind behind all the crime? To unravel the mystery, watch Don on 16th February, Friday at 7pm only on Sony MAX2 About SONY MAX 2: SONY MAX2 is an iconic second Hindi movie channel from Sony Pictures Networks India (SPN), one of India’s leading television network. MAX2 caters to the needs of the Indian audiences who appreciate rich Indian cinema and inspires newer audience to honor the glory of such iconic movies. The brand ethos of the channel ‘Kuch Filmon Ka Jaadu Kabhi Kam Nahin Hota’ stems from the core thought that certain films have an everlasting appeal that never fades away with time. With innovative peripheral programming concepts like ‘Sitaare’, ‘Take 2’ and ‘Lights Camera Kisse’, the channel aims to create an emotional connect with its audience and educate them about the grandeur of yesteryear movies and the stars. Today, the channel reaches out to an audience of 95 million viewers every week across Hindi speaking markets. The channel targets 22-50 year olds, NCCS: ABC, males. For more information please log on to http://www.sonymax2.tv/ About Sony Pictures Networks InDia (SPN) Sony Pictures Networks India (SPN), is a subsidiary of Sony Corporation which owns and operates the Sony Entertainment network of television channels. SPN comprises 31 channels including Sony Entertainment Television (SET and SET HD), one of India's leading Hindi general entertainment television channels; MAX, India's premium Hindi movies and special events channel; MAX 2, another Hindi movie channel showcasing great India Cinema; MAX HD, a high definition Hindi movie channel airing premium quality films; WAH, the FTA channel for Hindi movies; SAB and SAB HD the family-oriented Hindi comedy entertainment channels; PAL, a genre leader in rural Hindi speaking markets (HSM) showcasing the best of Hindi general entertainment and Hindi movies from SPN’s content library; PIX and PIX HD, the English movie channels; LePlex HD showing critically-acclaimed Hollywood films; AXN and AXN HD, the action and adventure-oriented English entertainment channels; Sony BBC Earth and Sony BBC Earth HD, the premium factual entertainment channels, Sony AATH, the Bangla entertainment channel; MIX a refreshing Hindi music channel; ROX HD, a channel for contemporary Hindi music; YAY!, the kids entertainment channel; Sports Network comprising 11 sports entertainment channels – SONY SIX, SONY SIX HD, SONY ESPN, SONY ESPN HD, SONY TEN 1, SONY TEN 1 HD, SONY TEN 2, SONY TEN 2 HD, SONY TEN 3, SONY TEN 3 HD, SONY TEN GOLF HD; SonyLIV - the digital entertainment VOD platform, SPN Productions, the networks’ film production arm and Sony Pictures Networks Distribution Pvt Ltd. (SPND) that distributes the networks television channels across different genres and languages through multiple content delivery platforms. SPN reaches out to over 700 million viewers in India and is available in 167 countries. The network has been awarded the elite title of ‘Aon Best Employers India’ in the 2017 edition in recognition of SPN’s unique workplace culture and exceptional people practices. Sony Pictures Networks India is in its 22nd year of operations in India. # # # For more information please contact: Bhharati Kabre, Sony MAX, +91 9820346384, [email protected] Ayan Dutta, Weber Shandwick, +91 9930929699, [email protected] .
Recommended publications
  • September 28,Ommentator 2018 Vol
    THE CATHOLIC PAGE 3 BAA kicks off Oct. 1 September 28,ommentator 2018 Vol. 56, No. 17 SERVING THE DIOCESE OF BATON ROUGE SINCE 1963 thecatholiccommentator.org C A NEW ERA CTK brings light to house By Richard Meek The Catholic Commentator Out of the darkness of unspeakable tragedy, a light is rising, spreading a pharos of resurgence, and, perhaps most importantly, one of faith. Christ the King Church and Catholic Center in Baton Rouge, through the ef- forts of pastor Father Andrew Merrick and many others, has turned the for- mer Phi Delta Theta fraternity house, where LSU freshman student Max Gru- ver died a year ago during a fraternity hazing incident, into a community of nine Catholic male students living to- gether, sharing their faith while also developing and deepening their own prayer lives. “I thank God for the opportunity HITTING HIS STRIDE – Bishop Michael G. Duca, seen kissing the cross held by New Orleans Archbishop Gregory M. Aymond for all of the things he has done in our during the bishop’s installation ceremony Aug. 24, has kept a busy schedule. In the past two weeks, Bishop Duca has held a lives and to be able to take what was a prayer service for deacons in the Diocese of Baton Rouge and their wives; celebrated the Rite of Admission to Candidacy for terrible tragedy and bring about a sort the priesthood for diocesan seminarians Danny Jude Roussel and Mathew Thomas Dunn; and, celebrated game day Mass at of victory to that,” said LSU senior Christ the King Church in Baton Rouge for LSU’s home opener against Southeastern Louisiana University.
    [Show full text]
  • AXN Trailer Axle Maintenance Manual
    Trailer Axle Maintenance Manual $2.00 ©09.2017 AXN Heavy Duty, LLC Part #: AX-TA-MM Trailer Axle Maintenance Manual Notes: Part #: AX-TA-MM © 09.2017 AXN Heavy Duty, LLC Trailer Axle Maintenance Manual Table of Contents Table of Contents Exploded View ........................................................................................................................1 Section 01: General Information ..........................................................................................3 General Warnings ............................................................................................................................................ 3 Description of Axle Models .............................................................................................................................. 3 Identification ..................................................................................................................................................... 4 Section 2: Installation ............................................................................................................5 Axle Installation Guideline ............................................................................................................................. 5 Axle Positioning ............................................................................................................................................. 5 Brake Chamber Mounting .............................................................................................................................
    [Show full text]
  • Supplemental Information
    Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S.
    [Show full text]
  • Shemaroo Entertainment Limited
    DRAFT RED HERRING PROSPECTUS Dated September 19, 2011 Please read section 60B of the Companies Act, 1956 (This Draft Red Herring Prospectus will be updated upon filing with the RoC) 100% Book Building Issue SHEMAROO ENTERTAINMENT LIMITED Our Company was originally incorporated as a private limited company under the Companies Act, 1956 on December 23, 2005, with the name Shemaroo Holdings Private Limited. Subsequently, pursuant to a Scheme of Arrangement approved by the Hon’ble High Court of Bombay vide order dated March 7, 2008 and by the special resolution of our shareholders dated May 28, 2008, the name of our Company was changed to Shemaroo Entertainment Private Limited and a fresh certificate of incorporation was granted to our Company on June 3, 2008, by the RoC. Thereafter, pursuant to a special resolution of our shareholders dated March 26, 2011, our Company was converted to a public limited company and a fresh certificate of incorporation consequent to the change of status was granted on April 1, 2011, by the RoC. For further details in connection with changes in the name and registered office of our Company, please refer to the section titled “History and Certain Corporate Matters” on page 95 of this Draft Red Herring Prospectus. Registered and Corporate Office: Shemaroo House, Plot No.18, Marol Co-operative Industrial Estate, Off Andheri Kurla Road, Andheri East, Mumbai- 400059 Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 Contact Person and Compliance Officer: Mr. Ankit Singh, Company Secretary; Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 E-mail: [email protected]; Website: www.shemaroo.com PROMOTERS OF OUR COMPANY: MR.
    [Show full text]
  • Some People Spend a Lot of Time Trying to Find out Who They
    What Kind of Experience Do You Need to Be a Successful Franchise Owner? By: Heather Rosen “Knowing yourself is the beginning of all wisdom” -– Aristotle ome people spend a lot of time trying to find out who they are Sand what they want in life. This is a good thing - to constantly reinvent, contemplate, and revisit until you think you are on the right path - at least at this point in your life, because things will inevitably change and then it’s time to reinvent, contemplate and revisit all over again. If you are creative and motivated enough to figure out what path to follow, you should be able to find something that aligns with your strengths and interests. I haven’t always known what I have wanted in life, but I have always had a natural drive to identify com - plex problems and find solutions. So naturally, I spent the first part of my career as a lawyer. I was good at my job and enjoyed it. I used my listening and problem solving skills to help companies make acquisi - tions, win litigation and come out ahead in contract negotiations, and to help musicians get paid for their art. That part was great, but being an attorney also has an ugly side. On occasion, the work I was asked to do for a company ended up hurting their employees or customers. For example, I spent four months doing mortgage foreclosures for a bank and reading heartbreaking letters every day from people who were about to lose their homes. The day finally came where I realized I no longer loved what I was doing, and I took a step back and reflected.
    [Show full text]
  • Clare M. Wilkinson-Weber
    Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
    [Show full text]
  • Dream Cables Internet Services
    DREAM CABLES INTERNET SERVICES. Shop No.3, Tarte Bld, Dattawadi-Akurdi Main Road,Pune-411035 Mob No. 9226835501(Gpay) / 8888018947; E-mail: [email protected]; Web: www.dreamcables.co.in CUSTOMER FORM Name: STB No. Add: VC No. Mobile No. PCMC SILVER PLUS PACK (78 Channels) = Rs. 620/- 118 FTA CHANNELS + 9 Local Channels PCMC FTA Channel List PCMC CHANNEL PACK : PCMC Information, PCMC Entertainment, PCMC Shivaay, PCMC Lucky Classic, PCMC Vrunda Marathi, PCMC Cinemas, Sindhu TV, Amritvela TV, Jesus TV Star Pack HD STAR BHARAT, HD STAR GOLD, HD STAR PLUS, HD STAR PRAVAH, HD STAR SPORTS 1 HINDI, HD STAR SPORTS 2, STAR GOLD 2, STAR SPORTS 3, STAR SPORTS FIRST, STAR UTSAV, STAR UTSAV MOVIES, HD NAT GEO WILD, HD NATIONAL GEOGRAPHIC, BINDASS, HD UTV, UTV ACTION, UTV MOVIES ZEE PACK HD ZEE CINEMA, HD ZEE MARATHI, HD ZEE TALKIES, HD ZEE TV, HD ZEE ZEST, ZEE 24 TAAS, ZEE ACTION, ZEE ANMOL, ZEE ANMOL CINEMA, ZEE BOLLYWOOD, ZEE BUSINESS, ZEE CLASSIC, ZEE HINDUSTAN, ZEE NEWS, ZEE SALAAM, ZEE VAJWA, ZEE YUVA, HD &PICTURE, HD &TV, ZING, BIG MAGIC Colors Pack HD COLORS, HD COLORS MARATHI, COLORS RISHTEY, HD MTV, HD MTV BEATS, HD VH1, NEWS18 INDIA, NEWS18 LOKMAT, NEWS18 URDU, CNBC AWAZ, HD THE HISTORY CHANNEL Sony Pack HD SONY, HD SONY BBC EARTH, HD SONY MAX, HD SONY PIX, HD SONY SAB, HD SONY SIX, SONY MARATHI, SONY MAX 2, SONY PAL, SONY WAH, SONY YAY, HD TEN 1, HD TEN 2, HD TEN 3 TV Today Pack Times Pack ET NOW, HD TIMES NOW WORLD, HD MOVIES NOW, MIRROR NOW, ZOOM, HD MNX, HD ROMEDY NOW, HD MN+ Kids Pack HD CARTOON NETWORK Discovery Pack HD ANIMAL PLANET, HD DISCOVERY WORLD, HD TLC, HD ID HD TRAVEL XP DREAM CABLES & INTERNET SERVICES.
    [Show full text]
  • Investor Protection in a Disclosure Regime: an International and Comparative Perspective on Initial Public Offerings in the Bangladesh Securities Market
    University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year 2003 Investor protection in a disclosure regime: an international and comparative perspective on initial public offerings in the Bangladesh securities market S. M. Solaiman University of Wollongong Solaiman, S. M., Investor protection in a disclosure regime: an international and comparative perspective on initial public offerings in the Bangladesh securities market, Doctor of Philoso- phy thesis, Faculty of Law, University of Wollongong, 2003. http://ro.uow.edu.au/theses/1855 This paper is posted at Research Online. Investor Protection in a Disclosure Regime: An International and Comparative Perspective on Initial Public Offerings in the Bangladesh Securities Market A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG By S M Solaiman LLM (Western Sydney) LLM (Dhaka) LLB Hons (Raj) FACULTY OF LAW 2003 THESIS DECLARATION This is to certify that I, S M Solaiman, being a candidate for the degree of Doctor of Philosophy (PhD), am fully aware of the University of Wollongong's rules and procedures relating to the preparation, submission, retention and use of higher degree theses, and its policy on intellectual property. I acknowledge that the University requires the thesis to be retained in the Library for record purposes and that within copyright privileges of the author, it should be accessible for consultation and copying at the discretion of the Library officer in charge and in accordance with the Copyright Act (1968). I authorise the University of Wollongong to publish an abstract of this thesis.
    [Show full text]
  • Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
    Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play
    [Show full text]
  • The Do's and Don'ts of Buying a Franchise
    cover story What do you actually get from spending money to buy 7. Check the history and experience of the franchisor’s the franchise—name recognition, intellectual property, officers and managers. marketing support, lead generation? Is the concept of the 8. Research, research, research. The more you know, the The Do’s and Don’ts of franchise mature enough, so you don’t have to constantly better your decision is likely to be. Only you can determine innovate the product or service on your own? if owning a particular franchise is right for you. Most likely, your decision will be based on two factors: your investment 6. Are you a good fit? and risk capabilities. Buying a Franchise Know your strengths and weaknesses. A franchisee is 9. Decide whether you want to be in business full time. often restricted by what’s there in the franchise agreement. Or would you prefer to be in it part time, or perhaps with Due diligence is important when buying any business. If you take up a concept in which you have no interest just your family? A franchise is certainly no different. because it is profitable, it may soon turn into a burden for 10. Look to the seller as the best source of financing when you—you just might lose all your interest! purchasing a business. By Rajiv Singh 11. Consider the economics of the business more than how 7. Do you know the market? well or poorly it has been run. ne of the first things to consider before buying a Knowing the present market trends is very important for 12.
    [Show full text]
  • Chellomedia Overviewvf.Pdf
    Chellomedia Overview June 2013 Company Overview • Chellomedia produces and distributes channels in over 125 countries and 27 languages – Reaches over 375M TV households in EMEA and Latin America • Owns 48 channels and has 20 channel JVs with third parties including CBS, Pulsat and Zon Multimedia1 – Includes brands across lifestyle, entertainment, movies, sports and dramas • Serves as the international content division of Liberty Global (“Liberty”), an approximately $45BN in enterprise value, public company – Considers Chellomedia non-core and is starting an auction sales process CY 2013E TV Revenue by Geography CY 2013E TV Revenue by Genre Other Lifestyle 13% 12% Sports Netherlands Czech 23% 21% 3% Entertainment 8% Poland 7% Portugal Hungary 8% 13% Childrens 15% LatAm Movies 12% Spain 32% Factual UK 13% 9% 10% Source: Preliminary financials based on estimated or proprietary information provided by investment banks 1 Channel count and data as of 31-Dec-2012 2 Business Units 3 Operator of global Largest Leading Pay-TV Provider of Provider of play- Provider of Pay- thematic channels independent channels provider premium channels out services, TV TV channels in channel operator across the CEE in the Netherlands distribution and Latin America in Spain & region content delivery Channels Portugal and JVs1 17 Channels 22 Channels 13 Channels 4 Channels 12 Channels (of which 8 (of which 7 (of which 1 (of which 4 through JVs) through JVs) through JV) through JVs) JV Partners Miami/Buenos Headquarters London Madrid Budapest Amsterdam Amsterdam Aires
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]