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Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Supplementary Agenda of Extraordinary Council
Mayoral Minute MM1 Extraordinary Meeting Venue: Administrative Headquarters Civic Place Katoomba Meeting: 7.30pm 2 June, 2015 - 2 - EXTRAORDINARY MEETING 2 JUNE 2015 AGENDA ITEM PAGE SUBJECT COMMENTS NO. MINUTE BY MAYOR MM1 4 Redistribution of Federal Electoral Boundaries in New South Wales - 3 - MINUTE BY MAYOR Item MM1, Ordinary Meeting, 02.06.15 ITEM NO: MM1 SUBJECT: REDISTRIBUTION OF FEDERAL ELECTORAL BOUNDARIES IN NEW SOUTH WALES FILE NO: F08771 - 15/99475 Delivery Program Link Principal Activity: Civic Leadership Service: Governance and Risk Recommendations: 1. That Council notes the Australian Electoral Commission is currently considering the boundaries of the Federal Electorate of Macquarie; 2. That the Council reaffirms its desire to keep the seat as closely aligned as possible with the Local Government Area, noting the tourism and economic significance of this region, including being a World Heritage area, which demonstrate a custodial responsibility for the Blue Mountains at all levels of government; and 3. That the Council writes to the Australian Electoral Commission (AEC) under the signature of the Mayor asking for Macquarie to contain the whole of the Blue Mountains Local Government Area after any redistribution. Mayoral Minute Reason for report That Council notes the Australian Electoral Commission is currently considering the boundaries of the Federal Electorate of Macquarie. Consequently, Council resolves to write to the Australian Electoral Commission (AEC) before the cut-off this coming Friday under the signature of the Mayor asking for Macquarie to contain the whole of the Blue Mountains Local Government Area after any redistribution. Background A redistribution of federal electoral boundaries in New South Wales is required following a determination on 13 November 2014 of the number of members of the House of Representatives to which each state and territory will be entitled at the next federal general election. -
Senior Recital Christ Chapel, Gustavus Adolphus College, Saint Peter, MN 21 April 2013 | 7:30 PM Michael Asmus, Organ and Conductor with LE GRANDE BANDE & CHORUS
Senior Recital Christ Chapel, Gustavus Adolphus College, Saint Peter, MN 21 April 2013 | 7:30 PM Michael Asmus, Organ and Conductor with LE GRANDE BANDE & CHORUS Programme Organ Sonata No. 2, Op. 151 (1917) CHARLES VILLIERS STANFORD (1852-1924) I. Rheims: Allegro moderato Rubrics (1988) DAN LOCKLAIR (b. 1945) IV. The peace may be exchanged Ye Choirs of New Jerusalem, Op. 123 (1910) C. V. STANFORD O Mensch, bewein' dein Sünde groß, BWV 622 (1713-5) JOHANN SEBASTIAN BACH (1685-1750) INTERVAL Organ Concerto Op. 4, No. 4, HWV 292 (1733) GEORGE FREDRIC HÄNDEL (1685-1759) I. Allegro Sinfonia in d minor, W I/3 (1768) JOHANN CHRISTOPH FRIEDRICH BACH (1732-1795) I. Allegro II. Andante amoroso III. Allegro assai The King Shall Rejoice, HWV 260 (1727) G. F. HÄNDEL I. The King shall rejoice II. Exceeding glad shall he be III. Glory and great worship IV. Thou hast prevented him V. Alleluia DEPARTMENT OF MUSIC | 1 Programme Notes or George Fredric Händel, the year 1727 Music suite for the King‟s trip on the River F began like many of the previous years: with Thames in July 1717. It is likely that Händel‟s Italian opera. Händel had almost singlehandedly connection with the Hanoverian court, and introduced the genre of Italian opera to England subsequently the English court, provided him with his first arrival in London during the winter with the opportunity to compose the four of 1710. (He began his permanent residency of Coronation Anthems for the 1727 Coronation of England by mid-October 1712.) Indeed, much of George II. -
Handel: Heaven and Harmony the Brandenburg Choir
THE BRANDENBURG HANDEL: HEAVEN CHOIR AND HARMONY GEORGE FRIDERIC HANDEL (1685–1759) When we think of Handel, most of us probably think first of the oratorios, especially Messiah, and then perhaps of instrumental pieces such as the Water Music, but instrumental compositions formed only a relatively small portion of Handel’s total output of some six hundred works. He saw himself primarily as a vocal composer, and to his contemporaries he was one of the finest opera composers of the age, writing forty two operas in all. His first opera was produced in Hamburg in 1705, when he was only twenty, but his career as both composer and impresario really took off when he moved to London in 1711, where he mounted a series of phenomenally successful Italian opera seasons which included masterpieces such as Giulio Cesare (Julius Caesar) and Alcina. In 1733 a rival opera company was set up, the Opera of the Nobility, which poached Handel’s best singers and drew the support of wealthy patrons away from Handel’s The Brandenburg Choir is renowned for its Noël! Noël! has proven to be so popular, the own company. Handel managed to keep his company afloat, seeing out the rival astonishing vocal blend and technical virtuosity. Brandenburg have released their second live company which collapsed in 1737, but he sustained heavy financial losses and the Established by Artistic Director Paul Dyer in 1999 recording of the concert at City Recital Hall Angel stress took its toll on his health. to perform in the first-ever Noël! Noël! Brandenburg Place. -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
ENG4111 Preliminary Report
University of Southern Queensland Faculty of Engineering and Surveying Own Identification of contributing factors for the success of toll roads in Australia under Public Private Partnerships A Dissertation submitted by Mr Luke Diffin In fulfilment of the requirements of Bachelor of Engineering (Civil) October 2015 ABSTRACT In Australia, Public Private Partnerships (PPPs) have been established as a common method for governments to deliver major road infrastructure projects. Success of PPPs has varied when measured against Government, Community, Market and Industry interests. Some projects have failed financially while still having a positive impact on the community. Other projects have failed to reach delivery stage as a result of community objections. The holistic success of PPP toll roads is ultimately determined by the needs of major project participants being satisfied in an unbiased equilibrium manner. PPP toll roads delivered in Sydney, Brisbane and Melbourne have had varying degrees of financial success, however there are other vitally important factors to be considered. Tollways directly contribute to travel time savings, vehicle operating cost savings, reduced accidents and vehicle emissions and can make a contribution to the overall economic performance of a city. Therefore these pieces of infrastructure contribute to society as a whole and not just the investors who provide capital for the projects. Even with recent financial failings of PPP toll roads, Governments within Australia are still actively pursuing the PPP model to deliver road infrastructure. Lessons must be learnt from past failures to ensure the successful delivery and operation of future projects. Overall success will be a result of finding a balance between the needs of Government, Private Sector and Society. -
Handel Newsletter-2/2001 Pdf
NEWSLETTER of The American Handel Society Volume XV, Number 3 December 2000 MHF 2001 The 2001 Maryland Handel Festival & Conference marks the conclusion of the Festival’s twenty-year project of performing all Handel’s dramatic English oratorios in order of composition. With performances of THEODORA, May 4 and JEPHTHA, May 6 conducted by Paul Traver, we welcome back to the MHF stage soloists from previous seasons including: Linda Mabbs and Sherri Karam, soprano; Lorie Gratis and Leneida Crawford, mezzo-soprano; Derek Lee Ragin, countertenor; Charles Reid, tenor; Philip Collister, bass; with the Smithsonian Chamber Orchestra, Kenneth Slowik, Music Director; the University of Maryland Chorus, Edward Maclary, Music Director; and The Maryland Boys Choir, Joan Macfarland, director. As always, the American Handel Society and Maryland Handel Festival will join forces to present a scholarly conference, which this year brings together internationally renowned scholars from Canada, England, France, Germany, and the United States, and which will consist of four conference sessions devoted to various aspects of Handel studies today. Special events include the Howard Serwer Lecture (formerly the American Handel Society Lecture), to be presented on Saturday May 5 by the renowned HANDEL IN LONDON scholar Nicholas Temperley, the American Handel Society Dinner, later that same evening, and the pre- By 2002 there will be at least six different institutions concert lecture on Sunday May 6. in London involved with Handel: The conference and performances will take place in 1. British Library the new Clarice Smith Performing Arts Center at the University of Maryland; lodgings will once again be located at the Inn and Conference Center, University The British Library, holding the main collection of of Maryland University College, where the Society Handel autographs, is (together with the Royal dinner will also take place. -
Con Certgebouw Cahier
CONCERTGEBOUWCAHIER Georg Friedrich HÄNDEL — Ignace Bossuyt Voorwoord Beste lezer, In 2009 wordt Georg Friedrich Händel herdacht, 250 jaar na zijn over- lijden. Voor het Concertgebouw is deze herdenking een ideaal aan- knopingspunt voor een festival en een publicatie rond dit boegbeeld uit de barokperiode. In dit tweede Concertgebouwcahier wordt het veelzijdige en muzikaal hoogstaande oeuvre van Händel in zijn context geplaatst. De kosmopoliet Händel assimileerde de Duitse en Italiaanse muzikale praxis en ontpopte zich in Londen tot een ongeëvenaarde componist van - vooral - opera's en oratoria. Als zelfbewuste kunste- naar die zich erg onafhankelijk opstelde, was hij zowel componist als manager. De ‘ups en downs’ die hiermee gepaard gingen, maken van zijn levensloop een intrigerend verhaal. De uitgebreide en overzichtelijke biografie biedt een inkijk in het leven en de carrière van Georg Friedrich Händel. In een tweede deel worden de belangrijkste genres beknopt besproken. De evolutie en de stijl van Händels composities worden aan de hand van enkele representatieve voorbeelden concreet belicht. De keuze voor Ignace Bossuyt als auteur was een evidentie. Ignace Bossuyt wakkert al decennialang het muzikale vuur aan bij melomanen, niet alleen als wetenschapper en docent, maar ook als auteur en inlei- der. Zijn gedrevenheid en talent om het muzikale repertoire krachtig en helder toe te lichten, spreekt uit elke pagina. Dit cahier is dan ook een ideaal vertrekpunt om de muziek van Georg Friedrich Händel voor een breed publiek te ontsluiten. Deze introductie wil vooral ook een stimulans zijn om de platgetreden paden van het 'populaire' Händel- repertoire te verlaten en in het schitterende oeuvre van Händel nieuwe horizonten te ontdekken. -
Download the Program Notes
Visions and Voyages: Canada 1663–1763 PROGRAM NOTES By Alison Mackay Visions and Voyages is Tafelmusik’s contribution to the national activities commemorating the 150th anniversary of Canada’s Confederation in 1867. In order to feature some of the most beautiful music in our core repertoire, we have chosen to explore the century between 1663, when Quebec was established by Louis XIV as a royal province of France, and 1763, when North America came under the control of the British crown. A new & accurate map of the islands of Newfoundland, Cape Breton, St. John and Anticosta; together with the neighbouring countries of Nova Scotia, Canada, &c. Emanuel Bowen [London, W. Innys, 1752]. Library of Congress Geography and Map Division, Washington, D.C. This century saw the flowering of secular music by Purcell, Handel, Lully, Marais, and Rameau, much of it written for monarchs who gained prosperity and prestige from their Canadian colonies. Instrumental works by these composers provide the musical portion of Visions and Voyages. Diaries, letters, archival records, ships’ manifests, account books, and religious mission reports called “Relations” provide rich details about life in Canada at this time, and much of the material for the spoken narration of the concert is taken from them. These sources often reveal a dark picture of European attitudes to the first inhabitants of Canada, and set the stage for the crushing of Native cultures and the establishment of residential schools which came with Confederation and the establishment of the Indian Act. Seeking an expression of life in Canada before European contact, we have turned to the beautiful writing of the poet and scholar Armand Garnet Ruffo (photo, left), a band member of the Fox Lake Chapleau Cree First Nation and a citizen of the Ojibwe nation. -
The Music of George Frideric Handel
Mary Institute and Saint Louis Country Day School Upper School Choirs Saint Louis, Missouri presents the Eleventh Annual Winter Masterworks Concert The Music of George Frideric Handel featuring Coronation Anthems No. 1 and No. 2 and the 300th anniversary of Joy to the World Wednesday, December 18, 2019 § 4:00 & 7:00 p.m. Orthwein Theatre P R O G R A M Please silence all electronic devices prior to the start of the concert. WELCOME JINGLE BELLS Amarah Friedman ’20 & Hope Pohlman ‘20 as recorded by Barbra Streisand arranged by Mark Hayes DECK THE HALL arranged by Chad Weirick Part One WINTER WONDERLAND The Music of arranged by Andy Beck and Steve Herold George Frideric Handel CLOSING REMARKS Amarah Friedman & Hope Pohlman Coronation Anthem No. 1 ZADOK THE PRIEST During the singing of O Come, All Ye Faithful, we invite the adults in the audience to join the choir on stage for the singing of George Frideric Handel’s Hallelujah! (Chorus) Coronation Anthem No. 2 from the oratorio MESSIAH. Music will be provided at the front of the stage. THE KING SHALL REJOICE COMMUNITY CAROL: FOR UNTO US A CHILD IS BORN O COME, ALL YE FAITHFUL from the oratorio Messiah arranged by Sir David Willcocks PASTORAL SYMPHONY O Come, all ye faithful, Joyful and triumphant, from the oratorio Messiah O come, ye, O come ye to Bethlehem; Orchestra | Becky Long, Conductor Come and behold Him, born the King of Angels; O come, let us adore Him, O come, let us adore Him, O come, let us adore Him, Christ the Lord! HALLELUJAH, AMEN from the oratorio Judas Maccabeus Sing choirs of angels, sing in exultation, Sing all ye citizens of heav’n above; Glory to God in the highest: JOY TO THE WORLD! O come, let us adore Him, O come, let us adore him, arranged by John Rutter O come, let us adore Him, Christ the Lord! Yea, Lord we greet thee, born this happy morning, Jesus to thee be all glory giv’n; Word of the Father, now in flesh appearing. -
Proposed Redistribution of the New South Wales Into Electoral Divisions
Proposed redistribution of New South Wales into electoral divisions OCTOBER 2015 Report of the Redistribution Committee for New South Wales Commonwealth Electoral Act 1918 Feedback and enquiries Feedback on this report is welcome and should be directed to the contact officer. Contact officer National Redistributions Manager Roll Management Branch Australian Electoral Commission 50 Marcus Clarke Street Canberra ACT 2600 PO Box 6172 Kingston ACT 2604 Telephone: 02 6271 4411 Fax: 02 6215 9999 Email: [email protected] AEC website www.aec.gov.au Accessible services Visit the AEC website for telephone interpreter services in 18 languages. Readers who are deaf or have a hearing or speech impairment can contact the AEC through the National Relay Service (NRS): – TTY users phone 133 677 and ask for 13 23 26 – Speak and Listen users phone 1300 555 727 and ask for 13 23 26 – Internet relay users connect to the NRS and ask for 13 23 26 ISBN: 978-1-921427-38-1 © Commonwealth of Australia 2015 © State of New South Wales 2015 The report should be cited as Redistribution Committee for the New South Wales, Proposed redistribution of New South Wales into electoral divisions. 15_0526 The Redistribution Committee for New South Wales (the Committee) has completed its proposed redistribution of New South Wales into 47 electoral divisions. In developing and considering the impacts of the redistribution proposal, the Committee has satisfied itself that the proposed boundaries meet the requirements of the Commonwealth Electoral Act 1918 (Electoral Act). The Committee unanimously agreed on the boundaries and names of the proposed electoral divisions, and recommends its redistribution proposal for New South Wales. -
Handel and Haydn Society October 18 / 2:30 Pm Bing Concert Hall
PROGRAM: HANDEL AND HAYDN SOCIETY OCTOBER 18 / 2:30 PM BING CONCERT HALL ARTISTS PROGRAM Handel and Haydn Society George Frideric Handel: Coronation Anthem No. 1, Zadok the Priest Harry Christophers, artistic director and conductor Antonio Vivaldi: Concerto for Two Violins in A Minor, op. 3, no. 8 Period Instrument Orchestra and Chorus Allegro Larghetto e spiritoso Allegro Aisslinn Nosky, leader and violin Susanna Ogata, violin Antonio Vivaldi: “Summer” from The Four Seasons Allegro mà non molto Adagio Presto Aisslinn Nosky, leader and violin George Frideric Handel: Coronation Anthem No. 3, The King Shall Rejoice INTERMISSION Johann Sebastian Bach: Singet dem Herrn ein neues Lied, BWV 225 George Frideric Handel: Part the Third from Messiah Margot Rood, soprano Emily Marvosh, contralto Stefan Reed, tenor David McFerrin, bass PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. encoremediagroup.com 51 PROGRAM: HANDEL AND HAYDN SOCIETY A MUSICAL CELEBRATION 200 initially performed throughout the concert has remained a distinctive part of H+H’s YEARS IN THE MAKING season, which generally lasted from November history. In today’s performance of his or December to May or June, since 1854, H+H motet Singet dem Herrn ein neues Liede, On December 25, 1815, at 6:00 pm, the has performed Messiah annually in December. BWV 225, we will hear double chorus with Handel and Haydn Society opened its strings, an ensemble Bach used in motet inaugural concert at King’s Chapel with Part Handel’s Coronation Anthem No.