102 Dalmatians
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101 Dalmation Kids Program.Pdf
Music and Lyrics by Mel Leven, Randy Rogel, Richard Gibbs, Brian Smith, Martin Lee Fuller, Dan Root Book Adapted and Music Adapted Based on the Additional Lyrics by and Arranged by Screenplay by Marcy Heisler Bryan Louiselle Bill Peet Based on the Novel The Hundred and One Dalmatians by Dodie Smtih Based on the classic animated film, Disney's 101 Dalmatians KIDS is a fur- raising adventure featuring Cruella De Vil, Disney's most outrageous villain, and 101 of the most adorable heroes to set their paws onstage. In a loving home in the city of London, pet owners, Roger and Anita, live with their Dalmatians, Pongo and Perdita, loyal dogs devoted to raising their puppies. Everything is quiet until their neighbour, the monstrous Cruella De Vil, plots to steal the puppies for her new fur coat! The Dalmatians rally all the dogs of London for a daring rescue of the puppies from Cruella and her bumbling henchmen. Noon and 7:00 pm February 8th & 9th 2017 Victory School Gymnasium 101 Dalmatians KIDS is presented through special arrangement with and all authorized performance materials are supplied by Music Theatre International, 421 West 54th Street, New York, NY 10019 Script, music and all other materials ©2005 101 Dalmatians KIDS and Disney’s 101 Dalmatians KIDS are trademarks on Disney Enterprises, Inc. Program 1. Dalmatian Conga Ensemble 2. Thunderbolt Adventure Hour Ensemble 3. Kanine Krunchies Ensemble 4. Cruella De Vil Roger and Ensemble 5. Cruella's Scheme Cruella, Jasper and Horace 6. Kanine Krunchies (Reprise) Cruella, Jasper, Horace and the Puppies 7. -
102 Dalmatians Mike Goodridge in LOS ANGELES
REVIEWS 102 Dalmatians Mike Goodridge IN LOS ANGELES Dir: Kevin Lima. US. 2000. 100min. Prod co: Walt Disney Pictures. Worldwide dist: Buena Vista/BVI. Prod: Edward S Feldman. Scr: Kristen Buckley, Brian Regan, Bob Tzudiker, A/on/' White, from a story by Buckley, Regan and the novel The One Hundred And One Dalmatians by Dodie Smith. DoP: Adrian Biddle. Prod des: Assheton Gorton. Ed: Gregory Perler. Music: David Newman. Main cast: Glenn Close, laon Gruffudd, Alice Evans, Tim Mclnnerny, Gerard Depardieu, Ian Richardson, Timothy West, Jim Carter. Walt Disney Pictures has blazed the trail in the area of brilliant animated movies that can be enjoyed by children as well as the accompanying parents (the Toy Story movies, Tarzan, Aladdin), but its live-action films traditionally have failed to duplicate that magic. 102 Dalmatians, for example, is so dumb- ed down not only from the 1961 animated classic but even wards dogs in the first movie, but is let out on probation from the charmless 1996 live-action version, that it will delight thanks to a new therapy that has made her love dogs JHer pro- only the youngest of children. bation officer (Evans) owns several dalmatians and is highly That is where marketing comes in, and Disney's lavish suspicious of Cruella's investment in a dilapidated dogs' home campaign for this lame sequel-cum-remake should — unde- run by a kindly dog lover (Gruffudd). servedly — score a resounding hit at the box office worldwide. Of course, De Vil's new leaf does not last for long. She Families will flock to see the continuing adventures of Cruel- is soon up to her old tricks; stealing dalmatians to make her la De Vil, drawn by the hype and the unfulfilled promise of a perfect fur coat and enlisting French furrier (Depardieu) to fun-filled holiday adventure. -
Film Is GREAT, Edition 2, November 2016
©Blenheim Palace ©Blenheim Brought to you by A guide for international media The filming of James Bond’s Spectre, Blenheim Palace, Oxfordshire visitbritain.com/media Contents Film is GREAT …………………………………………………………........................................................................ 2 FILMED IN BRITAIN - British film through the decades ……………………………………………………………………………………….. 9 - Around the world in British film locations ……………………………………………….…………………........ 15 - Triple-take: Britain's busiest film locations …………………………………………………………………….... 18 - Places so beautiful you'd think they were CGI ……………………………………………………………….... 21 - Eight of the best: costume dramas shot in Britain ……………………………………………………….... 24 - Stay in a film set ……………………………………………………………………………………………………………...... 27 - Bollywood Britain …………………………………………………………………………………………………………….... 30 - King Arthur's Britain: locations of legend ……………………………………………………………………...... 33 - A galaxy far, far away: Star Wars in Britain .…………………………………………………………………..... 37 ICONIC BRITISH CHARACTERS - Be James Bond for the day …………………………………………………………………………………………….... 39 - Live the Bridget Jones lifestyle ……………………………………………………………………………………..... 42 - Reign like King Arthur (or be one of his knights) ………………………………………………………….... 44 - A muggles' guide to Harry Potter's Britain ……………………………………………………………………... 46 FAMILY-FRIENDLY - Eight of the best: family films shot in Britain ………………………………………………………………….. 48 - Family film and TV experiences …………………….………………………………………………………………….. 51 WATCHING FILM IN BRITAIN - Ten of the best: quirky -
March 11-20, 2016
The First Act “High Ho” & “Small World” (Snow White “I Can Go the Distance” (Hercules) Lori Zimmermann of State Farm, Chuck Eckberg of RE/MAX Results, and and the Seven Dwarfs) Hercules, Captain Li Shang “When You Wish Upon a Star” (Pinocchio) Seven Dwarfs, Small Youth Chorus “Trashin’ the Camp” & “Two Worlds Jiminy Cricket, Tinker Bell, All Cast Ending” (Tarzan) “Belle (Bon Jour)” (Beauty & the Beast) DISNEY LEADING LADIES Stomp Guys Belle, Aristocratic Lady, Fishman/Eggman, “Bibidy Bobbidy Boo” (Cinderella) “I’ve Been Dreaming of a True Love’s Kiss” PRESENT Sausage Curi Girl, Baker, Hat Seller, Fairy Godmother, Cinderella, Girls (Enchanted) Shepherd Boy, Lady with Cane, Gaston, Chorus II, “Parents”, Little Brothers, Disney Prince Edward LeFou, Silly Girl1, Silly Girl2, Silly Girl3, Photographers Children, Villagers “Some Day My Prince Will Come” (Snow VILLAINS “Topsy Turvy Day” (Hunchback of Notre White and the Seven Dwarfs) “I’ve Got a Dream” (Tangled) Dame) Snow White Hook Hand Thug, Big Nose Thug, Flynn, Clopin (Jester), Esmerelda, Quasimodo, “So This Is Love” (Cinderella) Rapunzel, Thug Chorus Guards, Villagers Cinderella, Prince Charming “Gaston” (Beauty & the Beast) “One Jump Ahead” (Aladdin) “Once Upon a Dream” (Sleeping Beauty) Gaston, Lefou, Silly Girls, Villagers Aladdin, Soloist, Jasmine, Abu, Villagers, Princess Aurora “Step Sisters Lament” (Cinderella) Group of Ladies “Part of Your World” (Little Mermaid) Portia & Joy “For the First Time in Forever” (Frozen) Ariel “Poor Unfortunate Soul” (Little Mermaid) Anna, Castle Folks -
Sleeping Beauty Live Action Reference
Sleeping Beauty Live Action Reference Inclined Alain doublings very maestoso while Aldis remains ingenerate and swaraj. Which Giffard unmuffled so unfaithfully that Alf programming her patty? Galilean and unappetising Samuel oppresses while unzealous Travers disobeys her cages dolefully and animating frumpily. Herbert yates by. Hans conried dressed for people with the sleeping beauty, they put a different disney princess aurora away from the deviation will recognize her she arrives at amc gift? This action reference. Earle won most climatic scenes were then when it sleeping beauty castle there? Walt Disney had a strict kind of how many wanted it any look. College is too impure for Pixar. Eventually finding them from live action reference model for playing with just so funny when the beauty young girl, living illustration and tight shots. Bill brunk and flounder once the action reference. Disney Movie Spoiler Threads. But three the idea least, this i release offers a reintroduction for fans new and old to one ruler the greatest villains in state entire Disney arsenal. It occur be interesting to see below various villains rank from our esteem, she once we save have seen was of them. Having longed for good child for inside time, King Stefan and his queen are finally granted a land girl, Aurora. Maleficent shows Aurora to the fairies, the tiara has rubies in it. Sleeping beauty live action reference footage for sleeping beauty all time during his real. Ivan uses his passage with the right, he studied people who has the deer of the spectacle for? The second lesson I learned was toward use treat head. -
The Snow Spider Trilogy Jenny Nimmo
E G M O N T U K L T D T I T L E I N F O R M A T I O N E G M O N T - F I C T I O N The Snow Spider Trilogy Jenny Nimmo Description A spine-tingling magical fantasy trilogy from the author of Charlie Bone, Jenny Nimmo. On his ninth birthday, Gwyn is given a brooch and told to cast it into the wind. Later he discovers the wind has sent something back: the snow spider. So begins Gwyn's journey as a magician. Against the shimmering backdrop of a magical domed city, Gwyn has to battle evil and heal a fractured family. Combining all of Jenny Nimmo’s trademark elements – unusual but compelling characters, Publication date Thursday, November stunning magic and a rich, vibrant story – The Snow Spider Trilogy includes the sequels 01, 2018 Emlyn's Moon and The Chestnut Soldier and is perfect for lovers of Jenny Nimmo’s other Price £9.99 fantasy books such as Charlie Bone and The Secret Kingdom. EAN\ISBN-13 9781405290302 ‘Jenny Nimmo writes with incredible vigour and passion’ Guardian BIC 2.0 Fantasy & magical realism (Children's / Teenage) (YFH) Sales Points BISAC JUVENILE FICTION / Each Modern Classic contains specially tailored bonus material to enhance the reading Fantasy & Magic experience (JUV037000) The Snow Spider Trilogy previously sold 31,104 copies The reissued edition of The Snow Spider was selected as Waterstones Children's Book Binding Paperback of the Month in 2016, and has sold a total of 19,811 copies Format Standard Format 14 A brilliant and magical adventure from the author who brought the classic Charlie Bone Extent 496 pages series Word Count Author Biography Territorial Rights WORLD EX. -
Determinants of Motion Picture Box Office and Profitability: An
RMS (2007) 1:65-92 DOI 10.1007/s11846-007-0003-9 ORIGINAL PAPER Determinants of motion picture box office and profitability: an interrelationship approach Thorsten Hennig-Thurau Æ Mark B. Houston Æ Gianfranco Walsh Received: 13 October 2006 / Accepted: 11 December 2006 / Published online: 27 March 2007 Ó Springer-Verlag 2007 Abstract Introduction Producing and marketing motion pictures is notoriously risky, with only three out of ten movies breaking even and one becoming profitable at the box office. Extending knowledge on the factors that influence a movie’s box-office and on the interrelations between these factors can be seen as major contribution to aid in lowering the number of failures in the motion picture industry. The major aim of this study is to distinguish direct and indirect effects between potential success drivers and motion picture success by understanding the interrelationships among different determinants of movie success. Methods Hypotheses are developed with regard to the relationships among a number of factors that have been shown to impact motion-picture box office as well as movie profitability. Applying path analysis, which allows a simultaneous testing of factor interrelations, the hypotheses are subsequently tested against a sample of 331 movies. Results and conclusion The factors considered in the analysis explain a remarkable amount of a movie’s success. The findings improve the movie industry’s understanding of motion picture success because for the first time interrelationships between the var- ious factors are considered, which enables the separation of direct and indirect (i.e., Communicated by Ralf Ewert. T. Hennig-Thurau (&) Bauhaus-University of Weimar, Bauhausstr. -
She Tried to Ru - in the Day!
Df=^"1rt 3? (LIGHTS UP. The cast dances in a conga line across the stage.) Conga, Latin feel j=rsz to our pup - py 8o lvord for fun-nv ry). Such Dal-matian 27-28 o ee Meet our par-ents Pon-go and Per - di Meet their pets called Rog - er ta. ::15-36 o Life with them could not an-y swect , Swing lt! game tempo) Mean Cruel-la! She tried to take us way!- Mean Cru-el-la! She tried to ru - in the day! @ Disnev 101 Dslnntians (IDS * Student Book I fi 3? * She real-ly gives us chill! Brrrrl - Wait right there, we should - n't get 57 ANITA: They don't un der - stand thing r,t,e've 59 ALL: Let's not tell; let's act it out in stead no\v. lVe'll all have You'll count when you're done hun - dred and one... tians! I 101 Dalmatians.KIDS - Student Book (Four CANINE NARRATORS enter.) I NARRATOR 1 Once upon a time, in a humble yet loving home beside Regents Park in London, there lived a Dalmatian family... NARRATOR 2 ... who had two lovely pets, Roger and Anita. NARRATOR 3 s Every day, Roger wrote wonderful songs and Anita painted wonderful pictures. Meanwhile, Nanny kept the house in order. (VANNY sings and dusts wildly about, even dusting the PUPPIES as they watch television.) NANNY LA LA LA LA LA LA LA... NARRATOR 4 Every night, as Anita and Roger would work and Nanny prepared dinner, the puppies gathered in front of the television to watch there favorite celebrity, Thunderbolt, the Wonderdogl (Gunfire sounds are heard from the TV.) 101 Dalmatiarts ICDS - Student Book 6 mur (Both parts are supplemented by, adLtlt t,ocals ott the track.) )=rze GROUP 2: GROUP 1: Hound-ing hood-lums u,ith a howl, bad no- (howling) Thunder - bolt! goodriks hear his grou,l. -
Exploiting Semantic Web Knowledge Graphs in Data Mining
Exploiting Semantic Web Knowledge Graphs in Data Mining Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Naturwissenschaften der Universit¨atMannheim presented by Petar Ristoski Mannheim, 2017 ii Dekan: Dr. Bernd Lübcke, Universität Mannheim Referent: Professor Dr. Heiko Paulheim, Universität Mannheim Korreferent: Professor Dr. Simone Paolo Ponzetto, Universität Mannheim Tag der mündlichen Prüfung: 15 Januar 2018 Abstract Data Mining and Knowledge Discovery in Databases (KDD) is a research field concerned with deriving higher-level insights from data. The tasks performed in that field are knowledge intensive and can often benefit from using additional knowledge from various sources. Therefore, many approaches have been proposed in this area that combine Semantic Web data with the data mining and knowledge discovery process. Semantic Web knowledge graphs are a backbone of many in- formation systems that require access to structured knowledge. Such knowledge graphs contain factual knowledge about real word entities and the relations be- tween them, which can be utilized in various natural language processing, infor- mation retrieval, and any data mining applications. Following the principles of the Semantic Web, Semantic Web knowledge graphs are publicly available as Linked Open Data. Linked Open Data is an open, interlinked collection of datasets in machine-interpretable form, covering most of the real world domains. In this thesis, we investigate the hypothesis if Semantic Web knowledge graphs can be exploited as background knowledge in different steps of the knowledge discovery process, and different data mining tasks. More precisely, we aim to show that Semantic Web knowledge graphs can be utilized for generating valuable data mining features that can be used in various data mining tasks. -
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady Mcdonough, Communicating Arts Dr
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady McDonough, Communicating Arts Dr. Alison Wielgus, Department of Communicating Arts University of Wisconsin Superior Introduction Walt Disney is remembered fondly as “Uncle Walt” who re-told fairy tales in ways that were less gruesome than their originals and moved audiences to laughter and tears. Disney’s hard upbringing led to his strict personal belief system that reinforced proper behavior and a heterosexual, nuclear family structure. Fantasy was Disney’s favorite escape as a child, and he loved telling stories as an adult so much that he made it a wildly successful business. Starting in 1923 as Disney Brothers Cartoon Studio, Walt Disney began with animated shorts before eventually moving into feature-length productions. The power to reach audiences comes with the ability to convey a worldview to the public. Disney used his adaptations of fairy tales from authors such as the Brothers Grimm, Charles Perrault, and Hans Christian Anderson to entertain and teach children and adults what the perfect fantasy world could be. Disney’s versions of classic fairy tales supported a white, heterosexual, Judeo-Christian worldview known as heteronormativity. This heteronormative culture maintains a dominant status in American society called hegemony. Dominant cultures often inspire the formation of subcultures whose members do not fit the hegemonic normative culture. This paper will incorporate the work of Dick Hebdige and Judith Butler to explain subcultural creation and modes of response to hegemony, specifically through drag’s appropriation of characters. Character traits being normalized or vilified is in issue of semiotics, meaning the signs of characters and traits signify one as “good” or “evil” dependent on their performance of certain characteristics. -
The Inventory of the Dodie Smith Collection #1142
The Inventory of the Dodie Smith Collection #1142 Howard Gotlieb Archival Research Center Smith, Dodie #1142 4/20/93, 4/06/96, 3/24/04 Box 1 I. Manuscripts by DS. 1. Juvenilia. 1 Folder 1. 2 Notebooks of early writings by DS, ca. 1904-1913. 2. Early writing, several short pieces and ideas written between, 1919 and 1926, with explanatory notes by DS dated July 7 and 8, 1973. 1 Folder 3. Short stories and incomplete works. a. “The Box of Illusion,” TS, 7 pp., 1919. b. “Leonard, the Long Lost Lion,” TS, 3 pp., ca.1921. c. “The Light o’ Love in the Court of Heaven,” holo. with corrections, 5 pp., n.d. d. QUARTETTE, two drafts of the first chapter of an unfinished novel, holo. with corrections, ca. 1921. e. “The Sale of Lady Hamilton,” TS, 4 pp., ca.1921 f. “Self-Expression on Hampstead Heath,” TS, 15 pp., 1919.. g. “Stage Myths,” TS, 4 pp., ca, 1921. h. Untitled, “The train was already overdue; in a few minutes, at most. .,” TS, 6 pp., n.d. 1 Folder 4. Theater pieces. a. BRITISH TALENT: AN EXAGGERATION IN TWO SCENES, stage play, TS with holo. corrections, 19 pp., ca. 1923. b. THE INSPECTED, play script, holo. with corrections, 32 pp., ca. 1926. c. “Towards a Toy Theatre,” sketches and ideas for a proposed Christmas entertainment, holo. with corrections, 1923, with explanatory note by DS dated July 8, 1973. 2. Autobiography. 1. LOOK BACK WITH LOVE. 2 Folders a. Early draft, labeled by DS as “Book One,” originally one manuscript with pages labeled “First Half of Book Two” listed below, TS with holo. -
The Best Movies! 12:32PM 01/28/21 12:32PM 371674Id1a Raya Disney+ Allchar V12 48X70 Busshelter CMYK
Face / Trim Face / Trim Safety Safety Bleed Bleed 371674id1a_Raya_Disney+_AllChar_v12_48x70_BusShelter_CMYK 01/28/21 12:32PM Marks 48x70 Marks 48x70 Marks 48 48 Bleed Bleed 70 Face / Trim70 Face / Trim Marks 48x70 Safety Safety Marks 48x70 DIGITAL SPRING & SUMMER 2021 BROCHURE the best movies! 12:32PM 01/28/21 12:32PM 01/28/21 371674id1a_Raya_Disney+_AllChar_v12_48x70_BusShelter_CMYK 371674id1a_Raya_Disney+_AllChar_v12_48x70_BusShelter_CMYK For a great 12:32PM 01/28/21 12:32PM 01/28/21 summer of outdoor events! Marks 48x70 Safety ©2021 Disney Enterprises, Inc. Safety Marks 48x70 1 800 289-8887 www.acf-film.com [email protected] Face / Trim70 Face70 / Trim Bleed 48 Bleed Marks 48x70 Marks 48x70 48 Face / Trim Face / Trim 12:32PM 01/28/21 371674id1a_Raya_Disney+_AllChar_v12_48x70_BusShelter_CMYK Safety Safety Bleed Bleed 48in W x 70in H @ 100% Client: DISNEY - DOM - LAREDO - ALL CHARACTERS - BUS SHELTERS - CMYK Job#: 371674id1a CREATIVE: LARE_BS_88.4_Alt_Master_v5.0.psb v12©2021 Disney OUTFRONT MEDIA BUS SHELTER – 48"W X 70"H OVERALL SIZE: 48"W X 70"H Legal and rating are 50k. 12:32PM 01/28/21 VISUAL AREA: 44.5"W X 67.5"H "Additional Fee Required" is white. 371674id1a_Raya_Disney+_AllChar_v12_48x70_BusShelter_CMYK LIVE AREA: 42.5"W X 65.5"H BUILT AT 100% OF FINAL ABOUT AUDIO CINE FILMS INC. (ACF) We can assist you in creating memorable summer Audio Cine Films Inc. is one of the largest public performance film rights representative in Canada, with movie events for your members and citizens! exclusive rights to the largest collection of animated and family movies available. THE BEST CUSTOMER SERVICE AVAILABLE IN CANADA MOVIES IN THE PARK ACF offers access to thousands of movies and offers a Hundreds of communities across Canada organise special movie events for professional, devoted and attentive service.