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9780230341449 Copyrighted Material – 9780230341449
Copyrighted material – 9780230341449 THE (MOVING) PICTURES GENERATION Copyright © Vera Dika, 2012. All rights reserved. First published in 2012 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the World, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–0–230–34144–9 Library of Congress Cataloging-in-Publication Data Dika, Vera, 1951– The (moving) pictures generation : the cinematic impulse in downtown New York art and film / Vera Dika. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 978–0–230–34144–9 1. Art and motion pictures—New York (State)—New York— History—20th century. 2. Art, American—New York (State)— New York—20th century. 3. Experimental films—New York (State)—New York—History—20th century. I. Title. N72.M6D55 2012 709.0407—dc23 2011039301 A catalogue record of the book is available from the British Library. Design by Integra Software Services First edition: April 2012 10987654321 Printed in the United States of America. Copyrighted material – 9780230341449 Copyrighted material – 9780230341449 Contents -
(Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice. -
John BALDESSARI
John BALDESSARI THROUGH VIDEO, ON CANVAS, IN COLLAGE, AND, YES, WITH HIS SIGNATURE PAINTED DOTS ON FACES, ARTIST JOHN BALDESSARI HAS PUNCHED HOLES THROUGH MODERNISM, TURNED CONCEPTUALISM ON ITS HEAD, AND CREATED A BODY OF WORK THAT IS PART COMEDIC, PART TRAGIC, UTTERLY SEMIOTIC, AND ABSOLUTELY ALL HIS OWN. By DAVID SALLE Photography MARIO SORRENTI JOHN BALDESSARI IN NEW YORK, JULY 2013. ALL CLOTHING: BALDESSARI’S OWN. 160 161 For a very long time, John Baldessari had the distinction I think I even used you as a license for my own foundation of humor also play a role in your work. of being the tallest serious artist in the world (he is tendency toward obscurity when I was younger. Now It’s obviously a very sophisticated kind of humor. And 6'7"). To paraphrase the writer A.J. Liebling, he was I find I just want to be as clear as possible. not to in any way denigrate Wegman, but Bill goes taller than anyone more serious, and more serious BALDESSARI: I go back and forth between wanting more for the punch line. Of course, there other artists than anyone taller. As was inevitable, Baldessari’s to be abundantly simple and maddeningly complex. whose sensibility is fundamentally humorous, but few hegemony in the height department has now been I always compare what I do to the work of a mystery who actually make you laugh. challenged by a handful of younger artists. What, is writer—like, you don’t want to know the end of the BALDESSARI: It’s also a little bit in the eyes of the there to be no progress? Paul Pfeiffer, Richard Phil- book right away. -
Robert Longo
ROBERT LONGO Born in 1953 in Brooklyn, New York Lives in New York, New York EDUCATION 1975 BFA State University College, Buffalo, New York SELECTED ONE-PERSON EXHIBITIONS 2021 A House Divided, Guild Hall, East Hampton, New York 2020 Storm of Hope, Jeffrey Deitch, Los Angeles 2019 Amerika, Metro Pictures, New York Fugitive Images, Metro Pictures, New York When Heaven and Hell Change Places, Hall Art Foundation | Schloss Derneburg Museum, Germany 2018 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Deichtorhallen Hamburg Them and Us, Metro Pictures, New York Everything Falls Apart, Capitan Petzel, Berlin 2017 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Brooklyn Museum (cat.) Sara Hilden Art Museum, Tampere, Finland (cat.) The Destroyer Cycle, Metro Pictures, New York Let the Frame of Things Disjoint, Thaddaeus Ropac, London (cat.) 2016 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Garage Museum of Contemporary Art, Moscow (cat.) Luminous Discontent, Galerie Thaddaeus Ropac, Paris (cat.) 2015 ‘The Intervention of Zero (After Malevich),’ 1991, Galerie Hans Mayer, Düsseldorf 2014 Gang of Cosmos, Metro Pictures, New York (cat.) Strike the Sun, Petzel Gallery, New York 2013 The Capitol Project, Aldrich Contemporary Art Museum, Ridgefield, Connecticut Phantom Vessels, Galerie Thaddaeus Ropac, Salzburg, Austria 2012 Stand, Capitain Petzel, Berlin (cat.) Men in the Cities: Fifteen Photographs 1980/2012, Schirmer/Mosel Showroom, Munich 2011 God Machines, Galerie Thaddaeus Ropac, Paris (cat.) Mysterious Heart Galería -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Danh Vō Bà Rja, Vietnam, 1975 Lives and Works in Berlin, Germany
kurimanzutto danh vō Bà Rja, Vietnam, 1975 lives and works in Berlin, Germany education & residencies 2013 Villa Medici Artist Residency, Rome. 2009 Kadist Art Foundation Residency, Paris. 2006 Villa Aurora Artist Residency, Los Angeles. 2002–2004 Städelschule, Frankfurt. 2000–2001 Royal Academy of Fine Arts, Copenhagen. grants & awards 2015 Arken Art Prize, Denmark. 2012 Hugo Boss Prize awarded by the Solomon R. Guggenheim Foundation, United States. 2009 Nominee for the Nationalgalerie Prize for Young Art, Germany. 2007 BlauOrange Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Germany. solo exhibitions 2020 Danh Vo. Wising Art Place Atelier, Taipei, Taiwan. Danh Vo oV hnaD. The National Museum of Art, Osaka, Japan. Danh Vo Presents. The Nivaagaard Collection, Denmark. Chicxulub. White Cube Bermondsey, London. 2019 The Mudam Collection and Pinault Collection in dialogue. Mudam, Luxemburg. Dahn Vo: Untitled. South London Gallery. kurimanzutto To Each his Due. Take Ninagawa, Tokyo. We The People. Media Gallery, New York. Danh Vo. kurimanzutto, Mexico. Danh Vo. Cathedral Block Prayer Stage Gun Stock. Marian Goodman, London. 2018 Garden with Pigeons at Flight. Estancia FEMSA – Casa Luis Barragán, Mexico City. Take My Breath Away. Guggenheim Museum, New York. Noguchi for Danh Vo: counterpoint. M+ Pavilion, West Kowloon, Hong Kong. Take My Breath Away, SMK, Copenhagen. Danh Vo. Musée d’art contemporain de Bordeaux, France. 2017 Ng Teng Fong Roof Garden Commission, National Gallery, Singapore. 2016 We the People. Aspen Art Museum, United States. Ng Teng Fong Roof Garden Commission: Danh Vo. National Gallery Singapore. Danh Vo. White Cube, Hong Kong. 2015 Destierra a los sin rostro / Premia tu gracia (Banish the Faceless / Reward your Grace). -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Rhizome Seven Online Exhibitions Capitain Petzel Berlin
Rhizome seven online exhibitions 6/7 Pictures Generation May 7–14, 2020 Capitain Petzel Berlin Node 6/7 Pictures Generation The second to last node of the Capitain Petzel Rhizome series brings together a selection of works by artists afliated with the legendary Pictures Generation. Influenced by Conceptual and Pop Art of the 1970s, the Pictures Generation artists worked with appropriation and montage to reveal the constructed nature of images. By experimenting with a variety of media, including photography, film, video and performance, their practices exposed recurring tropes and stereotypes in popular visual culture and demonstrated that the meaning of a work is dependent on its historical and social circumstances. The Pictures Generation’s frequent reworking of known imagery would contest notions of individuality and authorship, making the movement an influential part of postmodernism. The defining moment of the movement came in 1977 with the exhibition Pictures at Artist Space in New York, curated by Douglas Crimp. In the accompanying essay, Crimp described the participants of the exhibition as “a group of younger artists [that] sees representation as an inescapable part of our ability to grasp the world around us”. The 1977 show included works by Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo and Philip Smith. In this Rhizome, Brauntuch and Longo are present, as well as Barbara Bloom, Matt Mullican and Rhys Chatham who also became afliated with the visionary movement. In 2009, The Metropolitan Museum of Art (New York) held The Pictures Generation, 1974–1984, a seminal exhibition which focused exclusively on this group of artists, afrming the long-standing relevance of their visions in the art world. -
Mariah Robertson
MARIAH ROBERTSON Press Pack 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM MARIAH ROBERTSON BORN 1975 Lives and works in Brooklyn, NY EDUCATION 2005 MFA | Yale University, New Haven, CT 1997 BA | UC Berkeley SOLO EXHIBITIONS 2015 Photography Lovers’ Peninsula, M+B, Los Angeles, CA 2014 Paris Photo Los Angeles, Los Angeles, CA 2013 Permanent Puberty, American Contemporary, New York, NY NADA Miami Beach, Miami, FL 2012 Museum of Modern Art, New York, NY (Performance) Kogod Courtyard, Washington, D.C. (Performance) Let’s Change, Grand Arts, Kansas City, MO 2011 Central Utah Art Center, Ephraim, UT BALTIC Centre for Contemporary Art, curated by Laurence Sillars, Gateshead, UK HOT TROPICAL RAIN JAM, Museum 52, New York, NY MoMA PS1, Long Island City, NY (Performance) 2010 ARTFORUM, Berlin, Germany 2009 Take Better Pictures, Museum 52, New York, NY I Am Passions, Marvelli Gallery, New York, NY Guild & Greyshkul, New York, NY (Performance) 2007 Nudes, Still Lives and Landscapes, Guild & Greshkul, New York, NY 2006 Please lie down and take a nap with me in my grave, Guild & Greyshkul, New York, NY 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM GROUP EXHIBITIONS 2015 Jessica Eaton, Mariah Robertson, Alison Rossiter, Cleveland Museum of Art’s Transformer Station, Cleveland, OH Picture/Thing, Ezra and Cecile Zilkha Gallery, Wesleyan University Center for the Arts, CT Color Fields, Sandra and David Bakalar Gallery, Massachusetts College of -
L I B R a I R I E M a R I a N G O O D M
L I B R A I R I E M A R I A N G O O D M A N MULTIPLES INC. Artists & Photographs March 20 – May 22, 2021 Robert Rauschenberg Ger Van Elk Two Reasons Birds Sing, 1979, Conversation Piece from "Missing Persons", 1976 Screenprint on paper, on fabric, on Arches roll A set of two chromogenic prints, mounted on board stock paper Sheet: 23 1/4 x 33 in. (59.1 x 83.8 cm) (each); Image: 30 3/4 x 19 1/2 in. (78.1 x 49.5 cm); Sheet: Frame: 24 1/2 x 31 x 1 1/2 in. (62.2 x 78.7 x 3.8 cm) (each) 30 3/4 x 23 1/8 in. (78.1 x 58.7 cm); Frame: 33 1/2 x Edition of 45 plus 10 artist's proofs 25 3/4 x 1 7/8 in. (85.1 x 65.4 x 4.8 cm) (0158) Edition of 100 (2069) Jan Dibbets Andy Warhol Sea / Land, 1974 Merce Cunningham II, 1979 Set of 2; 5 color photographs, mounted on rag Screenprint on Japanese deacidified imported Florentine paper gift paper Sheet: 29 x 39 in. (73.7 x 99.1 cm) (each); Frame: 31 Plate: 27 1/8 x 18 7/8 in. (68.9 x 47.9 cm); Sheet: 30 x 20 1/2 x 41 5/8 x 1 3/4 in. (80 x 105.7 x in. (76.2 x 50.8 cm) ; Frame: 32 5/8 x 22 3/4 x 1 1/2 in. -
Liz Deschenes
MIGUEL ABREU GALLERY LIZ DESCHENES Born in Boston, MA, 1966 Lives and works in New York EDUCATION 1988 Rhode Island School of Design B.F.A. Photography, Providence, RI SOLO EXHIBITIONS 2016 Campoli Presti, Paris, France Institute of Contemporary Art, Boston, MA 2015 Gallery 4.1.1, MASS MoCA, North Adams, MA 2014 Gallery 7, Walker Art Center, Minneapolis, MN Stereographs #1-4 (Rise / Fall), Miguel Abreu Gallery, New York 2013 Bracket (Paris), Campoli Presti, Paris, France Bracket (London), Campoli Presti, London, UK 2012 Secession, Vienna, Austria 2010 Shift / Rise, Sutton Lane, Brussels, Belgium 2009 Right / Left, Sutton Lane, Paris, France Chromatic Aberration (Red Screen, Green Screen, Blue Screen - a series of photographs from 2001 - 2008), Sutton Lane, London, UK Tilt / Swing, Miguel Abreu Gallery, New York 2007 Photographs, Sutton Lane, London, UK Registration, Miguel Abreu Gallery, New York 2001 Blue Screen Process, Andrew Kreps Gallery, New York 1999 Below Sea Level, Andrew Kreps Gallery, New York 1997 Beppu, Bronwyn Keenan Gallery, New York 88 Eldridge Street / 36 Orchard Street, New York, NY 10002 • 212.995.1774 • fax 646.688.2302 [email protected] • www.miguelabreugallery.com SELECTED GROUP & TWO-PERSON EXHIBITIONS 2017 Sol Lewitt & Liz Deschenes, Fraenkel Gallery, San Fransisco, CA PhotoPlay: Lucid Objects, Paris Photo, Grand Palais, Paris, France The Coffins of Paa Joe and the Pursuit of Happiness, The School | Jack Shainman Gallery, Kinderhook, NY Paper as Object, curated by Richard Tinkler, Albert Merola Gallery, -
^ for Immediate Release
^ For immediate release EXHIBITION: ends and exits: contemporary art from the collections of lacma and the broad art foundation ON VIEW: February 23-august 4, 2013 LOCATION: bcam, 3 rd floor (Image captions on page 3 ) (Los Angeles—February 13, 2013) The Los Angeles County Museum of Art (LACMA) presents a new exhibition of contemporary art that investigates the visual dialogue of the 1980s. Ends and Exits: Contemporary Art from the Collections of LACMA and The Broad Art Foundation features more than fifty artworks—ranging from photography and painting to sculpture—and is drawn largely from two significant Los Angeles collections. Emerging from modernism, artists in the 1980s broke away from traditional painting methods and questioned the notion of originality. The exhibition highlights a diverse group of artists who made significant and timely artworks associated with this challenging social and political period, including Jonathan Borofsky, Robert Gober, Hans Haacke, Jenny Holzer, Jeff Koons, Barbara Kruger, Sherrie Levine, Allan McCollum, Richard Prince, Meyer Vaisman, David Wojnarowicz, and more. “Bringing together two comprehensive Los Angeles collections allows us to depict an era that began, in part, here in Los Angeles,” comments Franklin Sirmans, LACMA’s Terri and Michael Smooke Curator and Department Head of Contemporary Art. “In Ends and Exits we present a diverse scope of contemporary artists whose art captures the discourse of the 1980s.” Since 2008, works from The Broad Art Foundation have been incorporated into many LACMA exhibitions, including Color + Form, Art of Two Germanys/Cold War Culture and most recently, a survey of works by artist Robert Therrien.