WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The soft power of popular cinema: the case of India Thussu, D.K. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Political Power, 9 (3), pp. 415-429. The final definitive version is available online: https://dx.doi.org/10.1080/2158379X.2016.1232288 © 2016 Taylor & Francis The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail
[email protected] The soft power of popular cinema – the case of India Daya Kishan Thussu University of Westminster Abstract Among BRICS nations, India has the most developed and globalised film industry and the Indian Government as well as corporations are increasingly deploying the power of Bollywood in their international interactions. India’s soft power, arising from its cultural and civilizational influence outside its territorial boundaries, has a long history. Focusing on contemporary India’s thriving Hindi film industry, this article suggests that the globalization of the country’s popular cinema, aided by a large diaspora, has created possibilities of promoting India’s public diplomacy. It examines the global imprint of this cinema as an instrument of soft power. Key words: Soft Power, Culture, Bollywood, Diaspora, Internet, India The notion of soft power, associated famously with the work of Harvard political scientist Joseph Nye, is defined by him simply as ‘the ability to attract people to our side without coercion’.