Priestly Poetics: George Herbert and the State-Ecclesiastical
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English Identity in the Writings of John Milton
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Fall 12-2012 English Identity in the Writings of John Milton Hannah E. Ryan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Arts and Humanities Commons Recommended Citation Ryan, Hannah E., "English Identity in the Writings of John Milton" (2012). Honors Theses. 102. https://aquila.usm.edu/honors_theses/102 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi English Identity in the Writings of John Milton by Hannah Elizabeth Ryan A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of English November 2012 ii Approved by _____________________________ Jameela Lares Professor of English _____________________________ Eric Tribunella, Chair Department of English ________________________________ David R. Davies, Dean Honors College iii Abstract: John Milton is an essential writer to the English canon. Understanding his life and thought is necessary to understanding his corpus. This thesis will examine Milton’s nationalism in several major and minor poems as well as in some of Milton’s prose. It will argue that Milton’s nationalism is difficult to trace chronologically, but that education is always essential to Milton’s national vision of England. -
Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
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9- BBMBBBBBjWPPW vjmEb 5 - TUlTi1iiiinrfrn Tiiiinrr r J 4 7 f 1 VOL XXXV No 6i HONOLULU TUESDA1 FEBRUAEY 5 18S9 i WHOLE No 1256 QTarits 7 Business Tau uDcrtiscmcnts SAM0AN Danielson in n saloon of laughing at itiv m - THE QUESTION IIIIIIX I sWt- SauiaiiandaMe a picture of tho dead Emperor of HiVM4Wv J ttU Germany Danielson denied having MISCELLANEOUS A B LOEBENSTEIN m done so when one of the officers rlTKLISUKl UY BISHOP COMPANY Surveyor anil Civi Engineer TUESDAY FEBRUARY 5 1S59 Considerable Excitement on the tried to throw him down Ho threw HAWAIIAN GAZETTE CO Limited Pacific Coast the officer instead and the second 1242 11ILO HAWAII 6m officer then stabbed him onco in BANKERS Every Tuesday Morning PERSONAL each arm with his sword When IIOXOMMJ HAWAIIAN ISLANDS A M SPROTIIiI Danielson went to tho German Con- ¬ Vivid Hostllltfe i FIVE DOLLARS PER ANMJM DRAW EXCHANGE ON Account of from Klein of Al AV clerk- ¬ sulate next morning to complain THE BANK OF CALIFORNIA SAN FRANCISCO Civil Engineer and Surveyor Mr F Love is going to get a in the Examiner American and Ifi the two officers ho was told ho was PAYABLE IX ADVAXCE AND AGENTS IX ship the ro3toffice TIIEIB British Flags Insulted ¬ - - - Mr B Dillingham baby drunk and forced to leave the prem- SO 00 in Ailvnm c Sew VorJi Boston laris Tort Street Honolulu F has a Korei jn Subscribers Q2Jl 3m named initially O G ises MESSRS U ffl ROTHSCHILD SONS LONDON It L ¬ On the evening of the 16th about Which include postages prepaid ANKFORT-ON-TnE-MAIN- Mr J U Tucker promenaded in celes- ¬ --By the -
September 1914) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1914 Volume 32, Number 09 (September 1914) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 32, Number 09 (September 1914)." , (1914). https://digitalcommons.gardner-webb.edu/etude/606 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 625 Combs Broad Street Conservatory Greatest Educational Work of the Age Standard and Modern Mathews Standard Instruction Books Graded Course of for the Pianoforte THE SELECTION OF THE RIGHT MUSIC ■r^lna; Studies™ Pianoforte SCHOOL IS THE ALL IMPORTANT STEP Compiled by W. S. B. MATHEWS Individual attention, high ideals, breadth of culture, personal care and moderate cost of education at the COMBS BROAD ST. CONSERVATORY OF MUSIC should interest you !§pnmmmmMs. Three Decades of Success Teachers of World Wide Fame Can Accommodate 2500 Day and Dormitory GILBERT RAYNOLDS COMBS, Piano. Students. HENRY SCHRAD1ECK, Violin. iEssSItsI' Chartered by State of Pennsylvania with HUGH A. CLARKE, Mus. Doc., Theory and seventy artist teachers—graduates of the power to confer degrees. -
Milton in an Age of Stupidity
Milton in an Age of Stupidity BLAINE GRETEMAN University of Iowa ABSTRACT John Milton had little patience with those whom he considered “stupid.” Tis article examines the various contexts in which Milton expressed contempt for political opponents or those he deemed as lacking common sense, good judgment, or intelligence. It suggests that we can learn as much from Milton’s intolerance for unin- formed opinions as we can from his much-discussed tolerance for dissent. KEYWORDS stupidity, Milton, race, religion, education We live in stupid times. Although the fres scorching “this pendant globe” can be seen from space, the current president of the United States, for- merly a reality television star, declares that “global warming is a total, and very expensive, hoax!”¹ During the coronavirus pandemic, residents of Flint Michigan begged for water clean enough to wash their hands, doc- tors and nurses begged for simple protective masks, and billionaires like David Gefen posted selfes of themselves in “self seclusion” in their yachts and summer homes. “It totally makes sense,” the president of a yachting company told the New York Times, “you’re keeping your family contained in a very small, should-be-clean environment. And going from your car . to your private jet right onto the tarmac. And from there, right onto your yacht, and not having to deal with the public.”² Milton has much to say about such failures of ecological stewardship and moral governance. But what he most often says is that they are “stupid.” In this way, he may be the ultimate poet for our moment. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Permalink https://escholarship.org/uc/item/1w33f4s5 Author Montoya, Aaron Tracy Publication Date 2016 License https://creativecommons.org/licenses/by-nc/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ PERFORMING CITIZENS AND SUBJECTS: DANCE AND RESISTANCE IN TWENTY-FIRST CENTURY MOZAMBIQUE A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in ANTHROPOLOGY with an emphasis in Visual Studies by Aaron Montoya June 2016 The Dissertation of Aaron Montoya is approved: ____________________________________ Professor Shelly Errington, Chair ____________________________________ Professor Carolyn Martin-Shaw ____________________________________ Professor Olga Nájera-Ramírez ____________________________________ Professor Lisa Rofel ____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Aaron T. Montoya 2016 Table of Contents Abstract iv Agradecimientos vi Introduction 1 1. Citizens and Subjects in Portuguese Mozambique 20 2. N’Tsay 42 3. Nyau 84 4. Um Solo para Cinco 145 5. Feeling Plucked: Labor in the Cultural Economy 178 6. Conclusion 221 Bibliography 234 iii Abstract Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Aaron Montoya This dissertation examines the politics and economics of the cultural performance of dance, placing this expressive form of communication within the context of historic changes in Mozambique, from the colonial encounter, to the liberation movement and the post-colonial socialist nation, to the neoliberalism of the present. The three dances examined here represent different regimes, contrasting forms of subjectivity, and very different relations of the individual to society. -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
George Herbert Walk from Salisbury Cathedral to St Andrew's Church, Lower Bemerton, 2
© 2010 George Herbert Walk Salisbury Cathedral to St Andrew’s Church, Lower Bemerton (2¼ miles of easy walking) We start our walk at the West end of Salisbury Cathedral, under the statue of George Herbert (1). If you face the West front, look to the right hand side of the main door. The statue of George Herbert is looking South to the left hand side of the smaller door. To attempt a detailed description of Salisbury Cathedral, one of the finest Gothic Cathedrals in Europe is beyond the scope of this walk but before starting the walk, you may wish to admire the interior of the Cathedral and see the stained glass window illustrating George Herbert’s poem ‘Love- George Herbert Statue Joy’ with vines illustrated in all three panels. The window is at the East end of the North Aisle beyond the choir. George Herbert is shown praying in the bottom left panel. Unfortunately the window is partly obscured by an undistinguished monument. George Herbert Window Returning to the West front of the Cathedral, we turn North and walk towards the High Street gate admiring the fine buildings of the Cathedral Close. Mompesson House of 1701 is open to the public and faces a green to our left as we proceed towards the High Street. As we go through the gate we can see, straight ahead of us, St Thomas’ church built for the builders of the Cathedral to worship in. Continue along the High Street looking at Mitre House (2) on the right as you reach the traffic lights. -
The Ohio Savings & Trust Company
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John Milton's Theory of Religious Toleration Roger Shade Wilson
University of Richmond UR Scholarship Repository Master's Theses Student Research 1963 John Milton's theory of religious toleration Roger Shade Wilson Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the Religion Commons Recommended Citation Wilson, Roger Shade, "John Milton's theory of religious toleration" (1963). Master's Theses. 1328. https://scholarship.richmond.edu/masters-theses/1328 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. JOHN MILTON'S THEORY OF RELIGIOUS TOLERATION A Thesis Presented to the Faculty of the Department of English University of Richmond In Partial Fulfillment of the Requirements for the Degree Master of Arts by Roger Shade Wilson August 1963 Approved for the Department of English and the Graduate School by Chairman of the English Department Dean of the Graduate School TABLE OF CONTENTS· CHAPTER PAGE PREFACE••••••••••••••••••••••••••• •••••••••••••••••••••••••••••••• iii I. INTRODUCTORY BACKGROUND••••••••••••••••••••••••••••••••••••••••• 1 II. CHRISTIAN LIBERTY•••••••••••••••••••••••••••••••••••••••••••••••9 III. MILTON'S EARLY THOUGHT: 1641-1643•••••••••••••••••••••.•..•••• 22 IV. THE RELIGIOUS TOLERATION CONTROVERSY••••••••••••••••••••••••••• 34 V. MILTON'S ROLE IN THE RELIGIOUS CONTROVERSY••••••••••••••••••••• 48 VI. -
George Herbert - Poems
Classic Poetry Series George Herbert - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive George Herbert(3 April 1593 – 1 March 1633) George Herbert was a Welsh born English poet, orator and Anglican priest. Being born into an artistic and wealthy family, he received a good education that led to his holding prominent positions at Cambridge University and Parliament. As a student at Trinity College, Cambridge, Herbert excelled in languages and music. He went to college with the intention of becoming a priest, but his scholarship attracted the attention of King James I/VI. Herbert served in Parliament for two years. After the death of King James and at the urging of a friend, Herbert's interest in ordained ministry was renewed. In 1630, in his late thirties he gave up his secular ambitions and took holy orders in the Church of England, spending the rest of his life as a rector of the little parish of Fugglestone St Peter with Bemerton St Andrew, near Salisbury. He was noted for unfailing care for his parishioners, bringing the sacraments to them when they were ill, and providing food and clothing for those in need. Henry Vaughan said of him "a most glorious saint and seer". Throughout his life, he wrote religious poems characterized by a precision of language, a metrical versatility, and an ingenious use of imagery or conceits that was favoured by the metaphysical school of poets. <a href="http://www.poemhunter.com/charles-cotton/">Charles Cotton</a> described him as a "soul composed of harmonies". Herbert himself, in a letter to Nicholas Ferrar, said of his writings, "they are a picture of spiritual conflicts between God and my soul before I could subject my will to Jesus, my Master".