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Cinema Canvas – Persdossier – Juni 2017 1
Cinema Canvas – persdossier – juni 2017 1 Inhoud De strafste films komen naar jouw stad met Cinema Canvas 3 Week 1 - Kortrijk Woensdag 5 juli: One Flew over the Cuckoo’s Nest (de keuze van Jan Eelen) 4 Donderdag 6 juli: The Searchers (de keuze van Johan Heldenbergh) 5 Vrijdag 7 juli: Me and You and Everyone We Know (de keuze van Patricia Toye) 6 Week 2 - Kortrijk Woensdag 12 juli: Jaws (de keuze van Erik Van Looy) 7 Donderdag 13 juli: Fight Club (de keuze van Tim Van Aelst) 8 Vrijdag 14 juli: Babel (de keuze van Dorothée Van Den Berghe) 9 Week 3 - Antwerpen Woensdag 19 juli: Dangerous Liaisons (de keuze van Hilde van Mieghem) 10 Donderdag 20 juli: La Piscine (de keuze van Nathalie Basteyns) 11 Vrijdag 21 juli: A Clockwork Orange (de keuze van Marcel Vanthilt) 12 Week 4 - Genk Woensdag 26 juli: Badlands (de keuze van Fien Troch) 13 Donderdag 27 juli: Miller’s Crossing (de keuze van Matthias Sercu) 14 Vrijdag 28 juli: Magnolia (de keuze van Luk Wyns) 15 Week 5 - Leuven Woensdag 2 augustus: Donnie Darko (de keuze van Jonas Govaerts) 16 Donderdag 3 augustus: Casablanca (de keuze van Steven De Foer) 17 Vrijdag 4 augustus: Dog Day Afternoon (de keuze van Robin Pront) 18 Week 6 – Sint-Truiden Woensdag 9 augustus: Casino (de keuze van Michaël Roskam) 19 Donderdag 10 augustus: La grande belezza (de keuze van Amira Daoudi) 20 Vrijdag 11 augustus: Les vacances de Mr. Hulot (de keuze van Frank Van Passel) 21 Week 7 – Gent Woensdag 16 augustus: The Green Butchers (de keuze van Tom Van Dyck) 22 Donderdag 17 augustus: Nobody Knows (de keuze van Nathalie Teirlinck) 23 Vrijdag 18 augustus: Blow Out (de keuze van Patrick Duynslaegher) 24 Week 8 - Vilvoorde Woensdag 23 augustus: Dr. -
Annelies Beck Expressionisme: Das Cabinet Des “BOEIEND OM TE ZIEN Dr
Gratis fi lmmagazine NIEUWS INTERVIEWS ARTIKELS RECENSIES Een duizelingwekkende dosis cinema BROER THE DANISH GIRL JENNIFER LAWRENCE PROBLEMSKI HOTEL CAROL TheWoelige winterpret met QuentinHateful Tarantino Eight # januari 2016 18 WE ALL LIVE OR WE ALL DIE. CHRIS PINE ONTDEK ONZE VERTIGO VIERT CASEY AFFLECK ABONNEMENTEN! BEN FOSTER OUD & NIEUW EN ERIC BANA IN CINEMA CARTOON’S ANTWERPEN ABONNEE ›› Vertigo thuisbezorgd €50 ›› 1 T-shir t ZONDAG 10 JANUARI ›› Vertigo thuisbezorgd 2015 MATINEE VRIEND ›› 1 T-shir t ›› Voorrang op Vertigo-events €100 ›› (minstens 10 duotickets) DINSDAG 19 JANUARI ›› Vertigo thuisbezorgd ›› 2 T-shir ts 2016 TOPPER VIP ›› Voorrang op Vertigo-events ›› (minstens 10 duotickets) MET EEN RECEPTIE VOOR VIPABONNEES €200 E ›› Exclusieve VIP-tickets OP DE 26 ETAGE VAN DE BOERENTOREN OOK APART VERKRIJGBAAR TSHIRT €20 (INCLUSIEF VERZENDING) Dames: Rood en blauw Mannen: Grijs en bordeaux GEBASEERD OP HET ONGELOOFLIJKE WAARGEBEURDE VERHAAL Verschillende maten ALLE INFO OP Walt Disney Studios België VANAF 27 JANUARI IN DE BIOSCOOP VERTIGOWEB.BE The Finest Hours - Vertigo.indd 1 22/12/2015 18:06 66746 OPM VERTIGO ADV 1_1.indd 1 21/12/15 14:31 Het wilde Westen oen in 1903 de eerste western The Great Train Robbery in première ging, dook het onervaren publiek weg van het scherm, uit T angst voor een bandiet die recht naar hen schoot. De toon was gezet: het genre zou synoniem worden met adembenemende actie, stoere cowboys en snode Indianen. Door de filmgeschiedenis heen werd de western meermaals doodverklaard, maar telkens verrees IN 2016 IS DE SCANDIMANIA TERUG! hij – vaak glorieuzer dan ooit tevoren. Bij de start van 2016 is het genre in ieder geval springlevend, met Ontdek de nieuwe lichting grand cru series gloednieuwe voorbeelden van de hand van Quentin Tarantino en Alejandro González Iñárritu. -
Economic and Welfare Impacts of EU-Africa Epas
ATPC African Trade Policy Centre Work in Progress No. 10 Economic Commission for Africa Economic and Welfare Impacts of the EU-Africa Economic Partnership Agreements By Stephen Karingi, Rémi Lang, Nassim Oulmane, Romain Perez, Mustapha Sadni Jallab and Hakim Ben Hammouda ATPC ATPC is a project of the Economic Commission for Africa March 2005 with financial support of the Canada Fund for Africa Abstract Th is study examines the economic and social impacts of the trade liberalization aspects of the proposed Economic Partnership Agreements (EPAs) between the European Union (EU) and African countries. It provides a quantitative assessment of the likely implications of EPAs establishing Free Trade Areas (FTAs) between the EU and the various African Regional Economic Communities (RECs). Th e focus of the empirical analysis is on the trade liberalization component of the EPAs. In particular, the following questions are addressed. First, how will an EPA that includes reciprocal market access agreements between the EU and Africa impact on African countries’ GDPs, levels of employment and other macroeconomic aggregates? Second, what sectors in Africa are most likely to lose and what sectors gain with EPAs? Th ird, what are the welfare implications for African countries from the EPAs? Fourth, how will the formation of EPAs aff ect trade expansion through trade creation and trade diversion eff ects? Fifth, what are the potential fi scal implications of the EPAs? Th e main conclusions drawn from the results and the discussions are that full reciprocity will be very costly for Africa irrespective of how the issue is looked at. A focus on deepening integration with a view to enhancing intra-African trade would provide positive results. -
Uk-Africa Trade After Brexit: Challenges and Opportunities a Briefing for the All-Party Parliamentary Group for Africa
UK-AFRICA TRADE AFTER BREXIT: CHALLENGES AND OPPORTUNITIES A BRIEFING FOR THE ALL-PARTY PARLIAMENTARY GROUP FOR AFRICA NOVEMBER 2020 This is not an official publication of the House of Commons or the House of Lords. It has not been approved by either House or its committees. All-Party Parliamentary Groups are informal groups of Members of both Houses with a common interest in particular issues. The views expressed in this report are those of the group and its partners. FOREWORD As we come to the end of the UK’s transition some of these themes in consideration of both period with the EU, which expires on 31 December the immediate, and longer-term future, for trade 2020, there is an urgency to ensure that the UK’s between the UK and Africa. independent trade policy is not undermining Africa’s vision for development, achievement of The global landscape has of course changed the Sustainable Development Goals (SDGs) or UK quite dramatically since this event was held in aid spending. However, at present, against the Westminster in January of this year. The global advice of the African Union and in contradiction health pandemic resulting from the spread of the Memorandum of Understanding signed of Covid-19 has reminded everyone of how between the AU and the UK in February 2019, interconnected our world has become, and how the UK government is using the Brexit deadline vulnerable its economies are to such a disruption. to push through bilateral deals with some select While the extent of the economic fallout is still not African countries without proper parliamentary clear, the pandemic has brought into sharp focus scrutiny or civil society oversight. -
Point to Point Encryption and Terminal Requirements in Europe
Point to Point Encryption and Terminal Requirements in Europe - Status Report - A Study for the European Association of Payment Service Providers for Merchants EPSM prepared by SRC Security Research & Consulting GmbH Graurheindorfer Str. 149 A 53117 Bonn, Germany Bonn, 16 May 2011 Terminal Requirements in Europe - Status Report Contents Management Summary ...................................................................................................................1 1 Background and Objectives......................................................................................................3 2 Basic Items of Interest ..............................................................................................................5 2.1 Scenarios of Merchant Solutions .....................................................................................5 2.2 The Challenge: Defining the PCI DSS Scope ................................................................13 2.3 The Challenge for Merchants ........................................................................................15 3 Requirements for POI.............................................................................................................16 3.1 Requirements of the Global Card Schemes...................................................................16 3.1.1 PCI DSS ............................................................................................................16 3.1.1.1 Overview ..............................................................................................16 -
Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and More
THE WE’VE GOT CANNES COVERED MAY 2017 EXCLUSIVE Directors Portfolio: Noah Baumbach, Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and more THE ETHEREAL ARTISTRY OF TILDA Plus: The Cannes market, the Chinese giants, the streaming invasion Photographer: Nicolas Guerin/ Production: Clotilde Lecuillier & Sarah Lafrontiere Lafrontiere Clotilde Lecuillier & Sarah Nicolas Guerin/ Production: Photographer: SWINTON THE wEINSTEIN COMPANY IS PROUD TO PRESE NT OUR LINEUP AT THE 2017 CANNES FILM FESTIVAL AND MARKET THE CURRENT WAR THE WAR WITH GRANDPA Directed by: Alfonso Gomez-Rejon Directed by: Tim Hill Written by: Michael Mitnick Written by: Tom J. Astle & Matt Ember Producers: Harvey Weinstein, Based on the book by Robert Kimmel Smith Timur Bekmambetov, Basil Iwanyk, Cast: Robert De Niro, Uma urman, Steven Zaillian, Garrett Basch, Ann Ruark Christopher Walken Cast: Benedict Cumberbatch, Producers: Marvin Peart, Phillip Glasser, Michael Shannon, Katherine Waterston, Rosa Morris Peart Tuppence Middleton, Tom Holland, Release Date: 10/20/17 Nicholas Hoult Worldwide: TWC Release Date: 12/22/17 Worldwide: TWC POLAROID Directed by: Lars Klevberg MARY MAGDALENE Written by: Blair Butler Based on the short lm “Polaroid” Directed by: Garth Davis directed by Lars Klevberg WIND RIVER Written by: Helen Edmundson and Cast: Kathryn Prescott, Javier Botet, Mitch Pileggi Philippa Goslett Directed and Written by: Taylor Sheridan Producers: Roy Lee, Chris Bender, Producers: Basil Iwanyk, Peter Berg, Matthew George, Wayne Rogers, Elizabeth A. Bell -
Continuing the United Kingdom's Trade Relationship With
Continuing the United Kingdom’s Trade Relationship with the Southern African Customs Union Member States and Mozambique Continuing the United Kingdom’s Trade Relationship with the Southern African Customs Union Member States and Mozambique Economic Partnership Agreement between the Southern African Customs Union Member States and Mozambique, of the one part and the United Kingdom of Great Britain and Northern Ireland, of the other part November 2019 Continuing the United Kingdom’s Trade Relationship with the Southern African Customs Union Member States and Mozambique Economic Partnership Agreement between the Southern African Customs Union Member States and Mozambique, of the one part and the United Kingdom of Great Britain and Northern Ireland, of the other part Presented to Parliament by the Secretary of State for International Trade by Command of Her Majesty November 2019 © Crown copyright 2019 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286-1671-3 CCS1019362048 11/19 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller -
The Argumentative Dimension to the EU-Africa Epas Stephen R. Hurt
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository The Argumentative Dimension to the EU-Africa EPAs Stephen R. Hurt, Donna Lee, and Ulrike Lorenz-Carl Abstract Not only is the participation of developing countries in international trade negotiations growing, so is their influence over the global trade agenda. This article highlights the increasing activism and impact of African states through a detailed study of the current Economic Partnership Agreement (EPAs) negotiations with the European Union (EU). In examining African resistance to EPAs, the article develops a constructivist approach to North-South trade negotiations that pays close attention to the role of development discourses. We argue that the growing willingness of African states to challenge the EU to deliver on its development promises during the decade-long EPA process was crucial to informing their sustained opposition to the EU‟s goal of completing a comprehensive set of sub-regional economic agreements. We document African resistance to EU trade diplomacy in the EPAs, exploring how these otherwise weak countries were able to pursue normative based negotiation strategies by recourse to the EU‟s promise of a „development partnership‟. Introduction During the last decade, African states have begun to develop a more active and confident approach to multilateral and regional economic negotiations in which they are involved. This is particularly clear in their attitude towards, and their preventative negotiating behaviour in, the Economic Partnership Agreement (EPAs) talks with the European Union (EU).1 While African negotiators still lack the highly resourced deliberative capacities of their European counterparts, they have successfully navigated the negotiations and enhanced their influence in EU-African regional economic governance processes. -
CREATIVE EUROPE MEDIA Belgian Results 2017
CREATIVE EUROPE MEDIA Belgian results 2017 Le Fidèle – Michaël R. Roskam • Savage Film received support for the development of “Le Fidèle” in 2012. In 2017, the film received support for a cinema release in France, Hungary, Rumania, Greece, Estonia and Denmark Creative Europe Creative Europe is the 7-year European Commission’s subsidy programme (2014-2020) for the promotion of international co-operation in the cultural, creative and audiovisual sectors with a total budget of 1.46 billion Euros. Creative Europe consists of three sub-programmes: 1. a MEDIA sub-programme in support of the audiovisual sector; 1. a Culture sub-programme in support of the cultural and creative sectors; 2. a cross-sectoral component, including resources for policy co-operation,cross-sectoral activities and the Financial Guarantee Facility The Financial Guarantee Facility has been created to facilitate access to financing for small and medium-sized enterprises within the cultural, creative and audiovisual sectors. The instrument is managed by the European Investment Fund and has a budget of 181 million Euros, which is expected to generate more than 1 billion Euros worth of loans for thousands of cultural and creative SMEs. Since 19 March 2018, PMV and START have been acting as Belgian financial intermediaries for this instrument. With an amount of 25 billion Euros worth of loans, more than 140Belgian SMEs will gain access to these additional funds. Belgium, a key player on the International film and television market Belgium has been a key player on the international film and television markets for a long time. Partly thanks to MEDIA and the various national and regional initiatives, the audiovisual sector in Belgium has been given a boost, both on an economic and an artistic level. -
Project Results Epas (Itea 05008)
PROJECT RESULTS EPAS (ITEA 05008) •••••••••••••••• Card-based protocols Ensuring interoperability of electronics payments Partners Atos Worldline (Belgium and across Europe and globally Germany) BP ••••••••••••••••••••••••• CETREL Equens Galitt payments industry in Europe. A Groupement des Cartes crucial element is the harmonisation Bancaires (CB) of the billions of electronic retail Hypercom payments made with debit and Integri Ingenico credit cards. Lyra Network PAN Nordic Card Association Such harmonisation requires PayLife issuers, acquirers, card schemes Retail Services Company (RSC) and operators to adapt to the SEPA Royal Bank of Scotland (RBS) card framework. Key features are SERMEPA cardholders can pay with one card SIBS all over the euro area, and retailers Wincor Nixdorf International Simplifying card payments Europe wide will be able to accept all SEPA (photo: Joël Gavy) cards in a single terminal. As a Associate partners result, payment-card processors American Express Services EPAS set out to overcome will be able to compete and to Europe obstacles to the interoperability offer services throughout the euro Gemalto of electronic payments schemes area. This will make the market for Logic Group in the single European market. processing card payments more Mellon Technologies It developed and demonstrated reliable and cost efficient. Monext three major card-based protocols Point International built on open and interoperable To avoid unnecessary legislation, POS Partner standards to support the banks, retailers, vendors, services Quercia (Unicredit Group) Scheidt & Bachmann successful creation of the providers, card schemes and Servebase users teamed up in the Electronic Single Euro Payments Area VeriFone (SEPA). The same approach Protocol Application Software Visa Europe is now being made available (EPAS) initiative to deliver the worldwide through an ISO 20022 necessary standards to meet the standardisation process. -
Continuing the United Kingdom's Trade Relationship with The
Continuing the United Kingdom’s trade relationship with the CARIFORUM States Continuing the United Kingdom’s trade relationship with the CARIFORUM States Economic Partnership Agreement between the CARIFORUM States, of the one part, and the United Kingdom of Great Britain and Northern Ireland, of the other part May 2019 Continuing the United Kingdom’s trade relationship with the CARIFORUM States Presented to Parliament by the Secretary of State for International Trade by Command of Her Majesty May 2019 © Crown copyright 2019 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government- licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286-1286-9 CCS0519196036 05/19 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office Contents Introduction 6 Legal approach 7 Resources 7 Economic Background 8 Economic impact of the existing EPA 11 Potential loss to UK if the CARIFORUM-UK EPA is not ratified 12 Immediate impact if not ratified 12 Explanation of this Agreement, including Significant Differences between the CARIFORUM-UK EPA and the Existing EPA 16 -
Of Compassion” Dalai Lama (Refugee)
Official Oscar® Entry – Switzerland Foreign Language Film and Best Documentary Feature AFTER THE BOAT IS FULL AND MORE THAN HONEY A FILM BY ACADEMY AWARD® NOMINEE MARKUS IMHOOF “ We need a revolution of compassion” Dalai Lama (refugee) WRITTEN AND DIRECTED BY MARKUS IMHOOF • CINEMATOGRAPHY PETER INDERGAND SCS • SCRIPT COLLABORATION AND EDITING BEATRICE BABIN BFS • ADDITIONAL EDITING THOMAS BACHMANN SOUND DIETER MEYER JÜRG LEMPEN HUGO POLETTI • SOUND DESIGN SEBASTIAN TESCH • RE-RECORDING MIXER ANSGAR FRERICH • MUSIC COMPOSITING PETER SCHERER • VOICE-OVER CATARINA GENTA ROBERT HUNGER-BÜHLER • VFX LUGUNDTRUG • PRODUCTION MANAGEMENT TASSILO ASCHAUER • PRODUCERS PIERRE-ALAIN MEIER THOMAS KUFUS MARKUS IMHOOF EDITORIAL URS AUGSTBURGER (SRF) SVEN WÄLTI (SRG SSR NATIONAL COORDINATION) CARLOS GERSTENHAUER (BR) MATTHIAS LEYBRAND (BR) • A COPRODUCTION OF THELMA FILM ZERO ONE FILM ORMENIS FILM PICTURE © MASSIMO SESTINI /markusimhoof.eldorado kinolorber.com 212-629-6880 [email protected] a zero one / Thelma Film production Directed by the Academy Award Nominee MARKUS IMHOOF Switzerland release: 03/08/2018 Trailer, Press Kit and Hi Res Images to download: www.markus-imhoof.ch/en/2018/02/16/eldorado-2018/ www.markus-imhoof.ch • ∙ /markusimhoof.eldorado US PUBLIC RELATIONS WORLD SALES Mediaplan PR Films Boutiques www.mediaplanpr.com www.filmsboutique.com +1 310-260-2800 [email protected] [email protected] [email protected] CREW Director and scriptwriter Markus Imhoof DoP Peter Indergand (scs) Sound Dieter Meyer, Jürg Lempen, Hugo