Registration Report for a Historic Place Empire Hotel, Dunedin
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Jorgensen 2019 the Semi-Autonomous Rock Music of the Stones
Sound Scripts Volume 6 | Issue 1 Article 12 2019 The eS mi-Autonomous Rock Music of The tS ones Darren Jorgensen University of Western Australia Recommended Citation Jorgensen, D. (2019). The eS mi-Autonomous Rock Music of The tS ones. Sound Scripts, 6(1). Retrieved from https://ro.ecu.edu.au/soundscripts/vol6/iss1/12 This Refereed Article is posted at Research Online. https://ro.ecu.edu.au/soundscripts/vol6/iss1/12 Jorgensen: The Semi-Autonomous Rock Music of The Stones The Semi-Autonomous Rock Music of The Stones by Darren Jorgensen1 The University of Western Australia Abstract: The Flying Nun record the Dunedin Double (1982) is credited with having identified Dunedin as a place where independent, garage style rock and roll was thriving in the early 1980s. Of the four acts on the double album, The Stones would have the shortest life as a band. Apart from their place on the Dunedin Double, The Stones would only release one 12” EP, Another Disc Another Dollar. This essay looks at the place of this EP in both Dunedin’s history of independent rock and its place in the wider history of rock too. The Stones were at first glance not a serious band, but by their own account, set out to do “everything the wrong way,” beginning with their name, that is a shortened but synonymous version of the Rolling Stones. However, the parody that they were making also achieves the very thing they set out to do badly, which is to make garage rock. Their mimicry of rock also produced great rock music, their nonchalance achieving that quality of authentic expression that defines the rock attitude itself. -
The Clean Anthology
P.O. Box 1235 Chapel Hill, NC 27514 USA Phone: 919.688.9969 x125 www.mergerecords.com International Sales Contact Kraegan Graves: [email protected] TRACK LIST: LP1 LP3 1. Tally Ho 23. Drawing To A Hole 2. Platypus 24. I Wait Around 3. Billy Two 25. The Blue 4. Thumbs Off 26. Someone 5. Anything Could Happen 27. Big Soft Punch 6. Sad Eyed Lady 28. Diamond Shine 7. Point That Thing Somewhere Else 29. Big Cat 8. Fish 30. Outside the Cage 9. Flowers 31. Safe in the Rain 10. Side On 32. Secret Place 11. Slug Song 33. Do Your Thing MRG 220 LP2 LP4 12. Beatnik 34. Linger Longer 13. End of My Dream 35. Too Much Violence 14. On Again/Off Again 36. Trapped in Amber 15. At the Bottom 37. Psychedelic Ranger 16. Getting Older 38. Late Last Night The Clean 17. Scrap Music 39. Ludwig 18. Whatever I Do Is Right 40. Wipe Me, I’m Lucky Anthology 19. Two Fat Sisters (live at the Rhumba Bar) 41. Franz Kafka at the Zoo 20. Odditty 42. Clutch 21. Quickstep (live at the Gladstone) 43. Balkans 22. At the Bottom (live at the Gladstone) 44. Indigo Blue 45. Chumpy 46. Twist Top Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The 4LP Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Dunedin Sound Sources at the Hocken Collections
Reference Guide Dunedin Sound Sources at the Hocken Collections ‘Thanks to NZR Look Blue Go Purple + W.S.S.O.E.S Oriental Tavern 22-23 Feb’, [1985]. Bruce Russell Posters, Hocken Ephemera Collection, Eph-0001-ML-D-07/09. (W.S.S.O.E.S is Wreck Small Speakers on Expensive Stereos). Permission to use kindly granted by Lesley Paris, Norma O’Malley, Denise Roughan, Francisca Griffin, and Kath Webster. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Dunedin Sound held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. -
In This Issue: the Art of Flying Nun 01 Being an Urban Artist 02 the Den 03 at the Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie Van Hout 10
Issue 31 Exhibitions Ōtautahi www.artbeat.org.nz August 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: The Art of Flying Nun 01 Being an Urban Artist 02 The Den 03 At The Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie van Hout 10 Hellzapoppin’! The Art of Flying Nun writer Warren Feeney The opening of Hellzapoppin’! The Art of → Flying Nun Sneaky Feelings in August 2021 at the Christchurch Be My Friend Art Gallery Te Puna o Waiwhetū is no coinci- 1982. 7-inch dence. It celebrates to the month, forty years single, designed by Ronnie van ago that Roger Shepherd, then a record Hout store manager in Christchurch established →→ Flying Nun, its first ten years of recording the Tall Dwarfs Slug- predominant subject of a survey exhibition of buckethairy- the original artwork, record covers, posters, breathmonster videos, photographs, design and paintings by 1984. EP Designed by members of the labels’ various bands, musi- Chris Knox cians and associated designers and artists. While debate still fires up among music critics and musicians in Aotearoa about the critical role that Flying Nun played in the post-punk music scene in the 1980s, while Wellington and Auckland saw the emergence of bands that included Beat Rhythm Fashion and The Mockers, (both from Wellington) the anchor of a record label with a distinct attitude and personality has seen Shepherd’s Flying Nun remembered as the sound of that period. Certainly, The Clean, Straitjacket Fits and The Chills are high on the list of bands contributing to such perceptions and memories. -
VINYL NON-RETURNABLE LABEL CONTACT: Flying Nun Records
Auckland New Zealand's Garageland made a big splash with their debut record Come Back Special in August 1995. The BFM favourites came out with five fresh pop songs that suggested a new wave of musicians were clutching the classic Flying Nun catalogue for inspiration and taking off to the garage to jam. With their guitars turned up to warm reverb and tossing off words not just with the lazy abandon so favoured by the modern American underground but in Garageland – Last Exit To Garageland the way that great NZ bands have always mumbled their way through a catchy tune, Garageland were July 14, 2017 mining a rich musical vein. CATLOGUE: FN350 FILE UNDER: INDIE, POP In order of appearance, these songs also suggest that WORLD EXCL. AUSTRALIA, NZ LP BOX LOT: 20 (1) the line "come back, all is forgiven" is something LP BARCODE: 942190363483 worth shouting at the rooftops if you truly believe a former loved one doesn't know what they're missing, (2) Billy Joel is an arsehole, (3) you can't go wrong if you try and write thundering VINYL NON-RETURNABLE riffs like The Clean. (4) ditto on the riff -- but add some guitar squall for TRACK LIST: tasty spicing, and 1. Fingerpops (5) Sonic Youth should maybe lay off the weed and try 2. Classically Diseased a pop cigar if they really want to stay young. 3. Beelines To Heaven 4. Come Back The band's released their full-length debut in 1996, 5. Nude Star Last Exit to Garageland, and broke into the Top Five 6. -
Two Little Boys Press Kit
TWO LITTLE BOYS PRESS KIT Directed by Robert Sarkies Screenplay by Duncan Sarkies and Robert Sarkies International Sales: James Thompson [email protected] PO Box 11 546, Wellington, New Zealand Tel: +64 4 382 7680 www.nzfilm.co.nz 1 CONTENTS Story and Synopsis…………………………………………….…………………………………… 3 Introducing the characters: Nige……………………………………………………………………………………… 4 Deano…………………………………………………………………………………… 5 Gav……………………………………………………………………………………… 6 About the Cast: Bret McKenzie (Nige)…………………………………………………………………... 7 Hamish Blake (Deano)…………………………………………………………………. 10 Maaka Pohatu (Gav)……………………………………………………………………. 13 A word from the Director Robert Sarkies……………………………………………………….. 15 The Screenplay and Writing Process……………………………………………………………. 16 The Production of Two Little Boys……………………………………………………………….. 18 The Locations………………………………………………………………………………………… 19 The Wildlife………………………………………………………………………………………….. 20 The Period…………………………………………………………………………………………… 21 The Music…………………………………………………………………………………………… 22 Other Cast Biographies: Filip Berg (Jeurgen)…………………………………………………………………. 23 Erin Banks (Monica)………………………………………………………………… 23 Russell Smith (Des)…………………………………………………………………. 24 Charlie Britzman (Young Nige…………………………………………………….. 24 Jarin Towney (Yound Deano)……………………………………………………… 24 Lee Hatherly (Betty Hancock)……………………………….……………………. 25 Ian Mune (Mr Abercrombie)……………………………………………………….. 25 The Fimmaking Team: Director/Co-Writer-Robert Sarkies………………………………………………. 26 Co-Writer-Duncan Sarkies………………………………………………………… 26 Producer-Vicky Pope………………………………………………………………… 27 Producer-Tim -
PRESS RELEASE Jane Dodd Velvet Da Vinci Jan.Feb2015
FOR IMMEDIATE RELEASE: CONTACT: Mike Holmes 415.441.0109 [email protected] Jane Dodd, 14 Bits. Tails and paws and teeth and… Relics of martyrs, Lignum vitae, beef bone, ebony, boxwood, dye, sterling silver Jane Dodd: Rococo Revoluton VELVET DA VINCI January 21 - February 28, 2015 Opening Reception: Friday January 23, 6-8 pm San Francisco’s Velvet da Vinci is proud to present Jane Dodd: Rococo Revolution. The show will run from January 21 through February 28, 2015. An opening reception with the artist will take place on Friday, Friday January 23, 6-8 pm. Velvet Da Vinci 2015 Polk Street, San Francisco, CA 94109 415.441.0109 www.velvetdavinci.com Inspired by a recent tour of European museums, palaces, and treasure houses, Rococo Revolution illustrates Dodd’s simultaneous experience of seduction and repulsion to the sumptuous and decadent housing of these elite collections. Referencing a contemporary interpretation of the late Baroque aesthetic, the artist’s meticulously carved bone and wood pieces take the form of wearable objects, each representing symbolic elements drawn from the natural world. According to the New Zealand based artist: “Rococo Revolution... illustrates my discomfort with the way we hoover up wildlife and environment for our own frivolous ends. With these pendants I want to honor the simple, elegant forms of the animal world. The subject of the brooches is the battle between nature and culture. The collection of works pays homage to the crazy and rich craft traditions of the Rococo Age.” Prior to studying 3D Design/Jewelry at the Unitec Institute of Technology in Auckland, Dodd earned a BA in the Phenomenology of Religion with additional papers in Anthropology, Art History, Maori Language and Philosophy from the University of Otago. -
The OUSA Page Everything OUSA, Every Monday
OUSA PRESENTS IN ASSOCIATION WITH RADIO ONE BATTLEBATTLE of the BANDSBANDS 2012 HEAT 4 FINAL Critic FRI 25 MAY, 8PM SAT 26 MAY, 8PM REFUEL, GOLD COIN ENTRY BE THERE TO WIN CONVERSE SHOES! Department of Music 2 Critic Issue 12 CriticIssue 12 Cumberland College terrorised by ghost | Page 6 There’s something strange in the Cumby ‘hood, as multiple reported sightings of the “Grey Lady” leaves scarfies spooked. NZUSA wades into debate without mandate | Page 10 National student body suffers another epic fail, opposing the government’s asset sales before seeking a mandate from the student body. Breaking and Entering | Page 20 Lauren Wootton takes a look at the challenges and rewards facing New Zealand musicians. Altered States | Page 26 Zane Pocock investigates the weird and wonderful world of alternative radio. News 6–13 | Sports 14–15 | Politics 16–17 | Features 18–29 Columns 30–34 | Culture 36–43 | Letters 44–45 Critic is a member of the Aotearoa Student Press Association (ASPA). Disclaimer: the views presented within this publication do not necessarily represent the views of the Editor, Planet Media, or OUSA. Press Council: people with a complaint against a newspaper should first complain in writing to the Editor and then, if not satisfied with the response, complain to the Press Council. Complaints should be addressed to the Secretary, PO Box 10-879 The Terrace, Wellington. Critic Issue 12 3 since 1975 BIG POPPA [The Notorious B.I.G. 1972 - 1997] POPPA’S PIZZ any St A [Alb reet Du ned nce 1975] in si NZ T SHIRTS on sale now $35 74 Albany St 4 Critic Issue 12 Editorial s you can (maybe) tell from the photo, I finally graduated on Saturday. -
Our Contemporary Jewellery Artists Shine at Schmuck
feature Our contemporary jewellery artists shine at Schmuck What has New Zealand jewellery got going for it? Pretty much everything, Philip Clarke explains in this survey of some of our jewellery Olympians and their exploits overseas. chmuck’, the German word, rhymes with book about “the stages of schmuck; denial, anger, acceptance”. and means jewellery. ‘Schmuck’ the Yiddish word In 2017, work by four New Zealand jewellers was ‘S rhymes with yuck and means obnoxious person. selected for Schmuck – five if you include Flora Sekanova, But Schmuck is a jewellery exhibition, the centrepiece of who is now Munich-based. From 700 applications, 66 and shorthand name for the annual Munich Jewellery Week were accepted – and the New Zealand works, by Jane (MJW), described by Damian Skinner as “the Olympics of Dodd, Karl Fritsch, Kelly McDonald, Shelley Norton and ornament, the Venice Biennale of cerebral bling”. Sekanova, represent a stronger showing than the United The global contemporary jewellery calendar is States. Fritsch and Norton have had their work selected coordinated around Schmuck, and about 5000 curators, on multiple occasions and New Zealander Moniek Schrijer collectors, dealers, fans, makers and teachers attend. It’s a won a 2016 Schmuck best-in-show, a coveted Herbert marathon: tribal, fun, important, trivial – and shameless. In Hofmann Prize, as Fritsch has previously. Yet again, it 2014 I was approached at a metro station after midnight by seems, New Zealand is ‘punching above its weight’ – this an attractive young curator who advised, staring intently time in contemporary jewellery. at my Caroline Thomas brooch, that her museum acquired Auckland jeweller Raewyn Walsh has been to MJW “contemporary jewellery by donation”. -
The Glue of the World : Popular Music in Film Soundtracks
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. 'The Glue of the World': Popular music in film soundtracks. A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts m Media Studies at Massey University, Palmerston North New Zealand. Lauren Anderson 1999 Abstract. Popular music has a strong presence in many contemporary films, frequently replacing, or displacing, the 'classical' soundtrack. The question arises of whether a popular music soundtrack achieves similar functions to traditional, 'classical' film music. Investigating this question is the primary aim of this thesis. An outline of film music theory is followed by an overview of how meaning is produced in popular music. These two areas of discussion are then brought together in the neoformalist analyses of the textual relations between the popular music soundtrack and the narrative, characterisation, and themes of three contemporary films: Sliding Doors (1997, Peter Howitt), Empire Records (1995, Allan Moyle), and Topless Women Talk About Their Lives (1997, Harry Sinclair). The uses and functions of the music in these soundtracks are then compared to the conventions of 'classical' Hollywood film music. This thesis will show that the popular songs in the soundtracks of the three films generally fulfil one or more of six functions which are usually performed by 'classical' Hollywood film music. There are some important differences, however, as the songs frequently draw on features which are specific to popular music. -
Masters Thesis
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. A MUSICOLOGICAL ANALYSIS OF NATURE’S BEST A thesis submitted in fulfillment of the requirements for the degree of Master of Arts at The University of Waikato by NICHOLAS BRAAE The University of Waikato 2012 Abstract Academic research on New Zealand popular music has primarily been conducted from historical and cultural perspectives. While asking important questions, these sources have rarely engaged with the musical details of New Zealand popular music. This thesis is a musicological analysis of the 100 songs from the three Nature’s Best albums. The musical perspective complements the socio-cultural research on New Zealand popular music. The Nature’s Best project was instigated by Mike Chunn in 2001 to celebrate the 75th anniversary of the Australasian Performing Right Association (APRA). All songwriting members of APRA and 100 celebrities and critics were invited to vote for their ten favourite New Zealand popular songs.