2007 Annual Report
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Y: Lawrence Halprin and Harland Barholomew's Master Plans for Charlottesville, VA, 1956-1976
Designing Identity: Lawrence Halprin and Harland Barholomew's Master Plans for Charlottesville, VA, 1956-1976 Sarita M. Herman B.A., Hollins University, 2008 School of Architecture University of Virginia May 2010 Thesis Corn,, ittee: y��Richard Guy Wilson, Director Daniel Bluestone u _u� ,.t ,� { ElizabethJeyer 0 Table of Contents List of Illustrations .................................................................................................................... , Acknowledgments .................................................................................................................. ,v Introduction................................................ .................................................................... ..1 Chapter I· History of City Planning in Charlottesv,lle ........................................................ 8 Chapter II: Harland Bartholomew, Urban Renewal, and the First Mall Plan .............. 16 Chapter Ill: Lawrence Halprin Associates and the Downtown Mall........................ 42 Chapter IV: The Legacy of Planning and Preservation in Charlottesville •........•........... 70 Bibliography.......................................... .. .......... ................................................................ 76 Illustrations .... ................................... .................................................................. ............ 83 Illustrations: 1 Map of Charlottesville, VA. Orange Star indicate ocatIon of Charlottesville in Virg nia. Detail of the central business district. Topographical -
Topics in Modern Architecture in Southern California
TOPICS IN MODERN ARCHITECTURE IN SOUTHERN CALIFORNIA ARCH 404: 3 units, Spring 2019 Watt 212: Tuesdays 3 to 5:50 Instructor: Ken Breisch: [email protected] Office Hours: Watt 326, Tuesdays: 1:30-2:30; or to be arranged There are few regions in the world where it is more exciting to explore the scope of twentieth-century architecture than in Southern California. It is here that European and Asian influences combined with the local environment, culture, politics and vernacular traditions to create an entirely new vocabulary of regional architecture and urban form. Lecture topics range from the stylistic influences of the Arts and Crafts Movement and European Modernism to the impact on architecture and planning of the automobile, World War II, or the USC School of Architecture during the 1950s. REQUIRED READING: Thomas S., Hines, Architecture of the Sun: Los Angeles Modernism, 1900-1970, Rizzoli: New York, 2010. You can buy this on-line at a considerable discount. Readings in Blackboard and online. Weekly reading assignments are listed in the lecture schedule in this syllabus. These readings should be completed before the lecture under which they are listed. RECOMMENDED OPTIONAL READING: Reyner Banham, Los Angeles: The Architecture of Four Ecologies, 1971, reprint ed., Berkeley; University of California Press, 2001. Barbara Goldstein, ed., Arts and Architecture: The Entenza Years, with an essay by Esther McCoy, 1990, reprint ed., Santa Monica, Hennessey and Ingalls, 1998. Esther McCoy, Five California Architects, 1960, reprint ed., New York: -
CATALOG NO. 1 Artists’ Ephemera, Exhibition Documents and Rare and Out-Of-Print Books on Art, Architecture, Counter-Culture and Design 1
CATALOG NO. 1 Artists’ Ephemera, Exhibition Documents and Rare and Out-of-Print Books on Art, Architecture, Counter-Culture and Design 1. IMAGE BANK PENCILS Vancouver Canada Circa 1970. Embossed Pencils, one red and one blue. 7.5 x .25” diameter (19 x 6.4 cm). Fine, unused and unsharpened. $200 Influenced by their correspondence with Ray Johnson, Michael Morris and Vincent Trasov co- founded Image Bank in 1969 in Vancouver, Canada. Paralleling the rise of mail art, Image Bank was a collaborative, postal-based exchange system between artists; activities included requests lists that were published in FILE Magazine, along with publications and documents which directed the exchange of images, information, and ideas. The aim of Image Bank was an inherently anti- capitalistic collective for creative conscious. 2. AUGUSTO DE CAMPOS: CIDADE=CITY=CITÉ Edinburgh Scotland 1963/1964. Concrete Poem, letterpressed. 20 x 8” (50.8 x 20.3 cm) when unfolded. Very Good, folded as issued, some toning at edges, very slight soft creasing at folds and edges. $225. An early concrete poetry work by Augusto de Campos and published by Ian Hamilton Finlay’s Wild Hawthorn Press. Campos is credited as a co-founder (along with his brother Haroldo) of the concrete poetry movement in Brazil. His work with the poem Cidade=City=Cité spanned many years, and included various manifestations: in print (1960s), plurivocal readings and performances (1980s-1990s), and sculpture (1987, São Paulo Biennial). The poem contains only prefixes in the languages of Portuguese, English and French which are each added to the suxes of cidade, city and cité to form trios of words with the same meaning in each language. -
Program Itinerary & Course Description
PROGRAM ITINERARY & COURSE DESCRIPTION 2016 NJASLA ANNUAL MEETING FEBRUARY 21–23, 2016 T H E S T A T E O F T H E G A R D E N DE SIG N • N U R T U R E • G ROW EAR LY RE GIST RATI ON END S FEBRUARY 2, 2016 R E gist E R TO DAY! WWW.NJAslA.ORG HARRAH’S WATERFRONT CONFERENCE CENTER AT L AN ti C City, NJ ONLINE REGISTRATION ONLY HOTEL REGISTRATION INFORMATION HOTEL ACCOMMODATIONS: Sunday 2/21/16 through Wednesday 2/24/16: Harrah’s Resort Atlantic City is pleased to offer a special rate of $65.00, per room, single or double occupancy, plus taxes, tourism fees and $10.00 per night, per room Resort Fee which includes complimentary in-room internet access for 2 devices per room, per night and $5 voucher towards self parking in the garage. There is a $20.00 per person, per night charge for the 3rd and 4th occupant in a room. A 48-hour advance notice is required in order to cancel without a penalty. HARRAH’S ROOM RESERVATIONS Book reservations by calling 888-516-2215 or REGISTER HERE The Group Code is SH02LA6 and the show name is NJ-ASLA. Cutoff date is: 1/25/16 while rooms last! Book NOW. Don’t be closed out! REGISTRATION OPTIONS Options do not include hotel accommodations. Please refer to the information above for hotel registration details. Full PacKage Includes all educational sessions, exhibit hall, Mix & Mingle Cocktail Reception, Exposition Cocktail Reception, all meals, and refreshment breaks. -
Read This Issue
VIEW 2019 VIEW from the Director’s Office Dear Friends of LALH, This year’s VIEW reflects our recent sharpening focus on California, from the Bay Area to San Diego. We open with an article by JC Miller about Robert Royston’s final project, the Harris garden in Palm Springs, which he worked on personally and continues to develop with the owners. A forthcoming LALH book on Royston by Miller and Reuben M. Rainey, the fourth volume in our Masters of Modern Landscape Design series, will be released early next year at Modernism Week in Palm Springs. Both article and book feature new photographs by the stellar landscape photographer Millicent Harvey. Next up, Kenneth I. Helphand explores Lawrence Halprin’s extraordinary drawings and their role in his de- sign process. “I find that I think most effectively graphically,” Halprin explained, and Helphand’s look at Halprin’s prolific notebook sketches and drawings vividly illuminates the creative symbiosis that led to the built works. The California theme continues with an introduction to Paul Thiene, the German-born landscape architect who super- vised the landscape development of the 1915 Panama-California Exposition in San Diego and went on to establish a thriving practice in the Southland. Next, the renowned architect Marc Appleton writes about his own Santa Barbara garden, Villa Corbeau, inspired—as were so many of Thiene’s designs—by Italy. The influence of Italy was also major in the career of Lockwood de Forest Jr. Here, Ann de Forest remembers her grandparents and their Santa Barbara home as the family archives, recently donated by LALH, are moved to the Architecture & Design Collections at UC Santa Barbara. -
Curran House Historic Structure Report This Report Commissioned by the Friends of the Curran House Committee
CURRAN HOUSE HISTORIC STRUCTURE REPORT This report commissioned by the Friends of the Curran House Committee. Published May, 2010 Cover art 2009 photograph of the Curran House, taken by Susan Johnson, Artifacts Consulting, Inc. Contributors The authors of this report wish to express our gratitude for the contribution of the following persons and entities: the Western Washington Chapter of Documentation and Conservation of the Modern Movement; Washington Department of Archaeol- ogy and Historic Preservation, particularly Michael Houser for sharing artwork and his knowledge of Robert Billsbrough Price’s work; Tacoma Public Library, Northwest Room staff; and the Friends of the Curran House, including Cindy Bonaro, Karen Benveniste, Biz Lund and Linda Tanz. 3 4 Administrative Data Name(s) Charles and Mary Louise Curran Residence (Also currently part of the Curran Apple Orchard Park, which belongs to the City of University Place) Location 4009 Curran Lane University Place, WA Pierce County parcel 0220163014 Proposed Treatment Rehabilitation Cultural Resource Data 1955, date of construction (per Pierce County Assessor) and period of significance Robert Billsbrough Price, architect Modern Style Individually eligible at the local level under criterion C for being a fine example of modernist residential design on the West Coast during the 1950’s and for exhibiting advances in building materials in the post-war era. Furthermore, the house is a unique hybrid of speculative model houses and custom design elements by Robert Billsbrough Price, Ta- coma’s leading architect of the 20th century. The house and associated apple orchard are also significant under criterion A, representing the development of University Place with semi-urban lifeways. -
Commartslectures00connrich.Pdf
of University California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California University History Series Betty Connors THE COMMITTEE FOR ARTS AND LECTURES, 1945-1980: THE CONNORS YEARS With an Introduction by Ruth Felt Interviews Conducted by Marilynn Rowland in 1998 Copyright 2000 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Betty Connors dated January 28, 2001. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Garden Designers – Biographies
Garden Designers – Biographies Tom Stuart-Smith Tom Stuart-Smith Ltd is a landscape design practice with an international reputation for making gardens that combine naturalism and modernity. The practice was established in 1998. Work since has ranged from large gardens and parks open to the public, to smaller private gardens. Tom Stuart-Smith has also designed a number of gardens for the Chelsea Flower Show. Eight of these have been awarded gold medals, and three have won ‘Best in Show’. Most projects are located in the UK and Europe, with a few undertaken further afield. Despite the scale and complexity of our work we remain a small practice. Nine landscape architects and designers work under the direction of Tom Stuart-Smith, who is closely involved with each project. Townshend Landscape Architects Townshend Landscape Architects is an award-winning practice formed in 1988 by Robert Townshend. We are an established leading practice with an international team of landscape architects, urban designers, architects and artists. The practice specialises in designing the landscape, urban design and public realm. We work on all aspects of a project, from inception, local authority and public consultations, planning strategies and gaining planning permissions, concept and detailed design, construction and the successful delivery of a project. We believe our individual and well thought through designs and extensive knowledge of high quality detailing show our passion, commitment and understanding in designing long- lasting places for people in the United Kingdom and abroad. Olin OLIN creates distinguished landscapes and urban designs worldwide. Our work is predicated upon social engagement, craft, detail, materiality and timelessness. -
Landscape Matters: News from Gls at Dumbarton Oaks
LANDSCAPE MATTERS: NEWS FROM GLS AT DUMBARTON OAKS The program in Garden and Landscape Studies at Dumbarton Oaks was established in 1972 to support advanced scholarship in garden history and landscape architecture, encompassing the study of culturally and artistically significant landscapes around the world from ancient times to the present. The program seeks to deepen the un- derstanding of landscape and gardens as a field of knowledge and research and as a practice carried out by land- scape architects, landscape artists, and gardeners. The activities of the program include residential fellowships, short-term pre-doctoral residencies, one-month research stipends, project grants for field research, public lectures and symposia, and temporary installations of contemporary art as well as the new Mellon Initiative in Urban Landscape Studies. An active publications program produces symposium proceedings, translations of significant texts in a series on the history of gardens and landscape architecture entitled ex horto, and occasional monographs, reprints, and studies in contemporary landscape design. Scholars have access to unparalleled resources, including a vibrant intellectual community, an extensive research library and Rare Book Collection, and the renowned gar- dens of Dumbarton Oaks. We are pleased to share with you the following news about the past academic year, and announcements regarding 2015–16 fellows, fellowship applications, new programs, forthcoming colloquium and symposium, and new pub- lications. Fronteira Palace Gardens, subject of research by stipend recipient Cristina Castel-Branco. Photo credit: Antonio Sachetti, 2010 Speakers at symposium “River Cities: Historical and Contemporary,” May 2015. Photo credit: Anatole Tchikine 2014-15 in review Early in the fellowship year, Dumbarton Oaks completed the renovation and expansion of a nearby building to ac- commodate our residential fellows. -
20 09 Annual Report
20 annual report 09 the cultural landscape foundation 03 board / staff 04 letter from president 05 education 09 publications 09 exhibitions 10 outreach + events 15 supporters 17 financial exhibitions Marvels of Modernism Cover Photos: Exhibition and Opening (left) Newport Garden Excursion, March 2009 Reception at Design Within (right) TCLF Excursion at the Farnworth Pavilion in Plano, IL, September 2009 Reach, Dallas, TX contents See Page 7 2 Board / Staff Letter from the President The Cultural Landscape Foundation (TCLF) achieved new partnerships with New York Botanical Garden, (2008) is currently on view at the Andy Warhol Museum Board of Directors Officers of the Board several major milestones in 2009, resulting in University of California Berkeley, and The Andy Warhol in Pittsburgh and Heroes of Horticulture (2007) opens significant audience growth, valuable media coverage Museum. Through these partnerships, we organized at Crystal Bridges Museum of American Art in Arkansas Christine Astorino Ann Mullins Kurt Culbertson, Co-Chairman and attention for landscapes, landscape architecture five conferences in New York, Nashville, Berkeley, in January 2010. Amanda Graham Barton Jo Ann Nathan Shaun Saer Duncan, Co-Chairman and practitioners. Here are a few highlights: Pittsburgh, and Chicago to celebrate the publication of Carolyn Bennett Patricia O’Donnell Douglas Reed, Co-Chairman We are equally energized as we approach next year’s Sarah Boasberg Laurie Olin Shaping the American Landscape. First, we launched What’s Out There, the first-ever Sheila Brady Libby Page initiatives. Thanks in part to generous grants from Wiki-based Web site about parks, gardens, and other Laura Burnett Kalvin Platt Continuing the Pioneers of American Landscape Design the Richard H. -
Judson Dance Theater: the Work Is Never Done
Judson Dance Theater: The Work is Never Done Judson Dance Theater: The Work Is Never Done The Museum of Modern Art, New York September 16, 2018-February 03, 2019 MoMA, 11w53, On View, 2nd Floor, Atrium MoMA, 11w53, On View, 2nd Floor, Contemporary Galleries Gallery 0: Atrium Complete Charles Atlas video installation checklist can be found in the brochure Posters CAROL SUMMERS Poster for Elaine Summers’ Fantastic Gardens 1964 Exhibition copy 24 × 36" (61 × 91.4 cm) Jerome Robbins Dance Division, New York Public Library, GIft of Elaine Summers Gallery 0: Atrium Posters Poster for an Evening of Dance 1963 Exhibition copy Yvonne Rainer Papers, The Getty Research Institute, Los Angeles Gallery 0: Atrium Posters Poster for Concert of Dance #13, Judson Memorial Church, New York (November 19– 20, 1963) 1963 11 × 8 1/2" (28 × 21.6 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Judson Dance Theater: The Work Is Never Done Gallery 0: Atrium Posters Poster for Concert of Dance #5, America on Wheels, Washington, DC (May 9, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Poster for Steve Paxton’s Afternoon (a forest concert), 101 Appletree Row, Berkeley Heights, New Jersey (October 6, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Flyer for -
A Declaration of Interdependence
March 23rd, 2015 | Atlanta Botanical Garden | presented by P arks & people a declaration of interdependence join the conversation on twitter: #PGC15, @Parkpride Cox Enterprises has a long history of being a good corporate citizen. Through Cox Conserves we’re making a positive impact on the environment through our operations and our community partnerships. It’s the steps we take together as one that make a big difference. We’re proud to be the presenting sponsor of Park Pride’s 14th Annual Parks & Greenspace Conference. For more information on Cox Enterprises’ corporate responsibility programs, please visit: www.coxinc.com P arks & people: a declARation of interdePendence Great parks require community involvement and dedication to guarantee their creation, revitalization and activation. The 2015 Parks and Greenspace Conference theme explores the relationship between engaged communities and successful parks. t able of Contents Welcome 2 Venue Map / WiFi 3 Program 4 Keynote Speaker Bios 10 Inspiration Awards 12 Sponsors 14 Connect with Your Community 16 Thank You 17 2016 Parks & Greenspace Conference Back P resented by Sc Hedule overview 7:30 AM Hardin Visitor Center Registration Opens 7:30–8:30 AM Day Hall Continental Breakfast / Networking 8:30–10:25 AM Day Hall Welcome & Opening Plenary Session 10:40 AM–12:00 PM Various Locations Morning Concurrent Sessions 12:00–12:50 PM Day Hall Lunch 12:50–2:00 PM Day Hall Mid-day Plenary Session 2:15–3:30 PM Various Locations Afternoon Concurrent Sessions 3:45–5:00 PM Day Hall Closing Plenary Session & Closing Remarks 5:00 PM Mershon Hall Reception / Networking MtaRCH 23, 2015 | a LANTA BotAnicAl GaRden | 1 w elcome to the 2015 ParkS and GreenspAce confeRence t this year’s Parks and Greenspace Conference, we celebrate the role communities play in making parks great.