Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991
BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 ^"" G~'^-' <> SUPPER CONCERT VIII Thursday, March 28, at 6 Friday, March 29, at noon JENNIE SHAMES, violin TODD SEEBER, bass AZA RAYKHTSAUM, violin JULIE VAVERKA, clarinet ROBERT BARNES, viola ROLAND SMALL, bassoon RONALD FELDMAN, cello JONATHAN MENKIS, horn SCHUBERT Octet in F for winds and strings, D.803 Adagio—Allegro Adagio Allegro vivace; Trio Andante Menuetto: Allegretto; Trio Andante molto Allegro Baldwin piano Please exit to your left for supper following the concert. The performers appreciate your not smoking during the concert. Week 21 Franz Schubert Octet in F for clarinet, bassoon, horn, two violins, viola, cello, and double bass, D.803 Schubert composed his Octet for winds and strings in February 1824 on a commission from Ferdinand, Count Troyer, who was a clarinetist in the musical establishment of Beethoven's friend and pupil Archduke Rudolph. Troyer evidently requested that Schubert model the work on Beethoven's famous Septet, which at that time was still, in all likelihood, the most popular of Beethoven's instrumental works, far outdistancing the symphonies and concertos. Schubert followed instructions, mimicking the older master's work so closely in scoring, layout of movements, and musical character that it must have been obvious to everyone who heard the piece. And they would have enjoyed it all the more for that very reason. Schubert began with the same instrumental ensemble as Beethoven, augmented only by the addition of a second violin. He planned his Octet in six movements, fashioned like the old classical divertimento, just as Beethoven had done.
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