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Marion Harding Artist
MARION HARDING – People, Places and Events Selection of articles written and edited by: Ruan Harding Contents People Antoni Gaudí Arthur Pan Bryher Carl Jung Hugo Perls Ingrid Bergman Jacob Moritz Blumberg Klaus Perls Marion Harding Pablo Picasso Paul-Émile Borduas Pope John Paul II Theodore Harold Maiman Places Chelsea, London Hyères Ireland Portage la Prairie Vancouver Events Nursing Painting Retrieved from "http://en.wikipedia.org/wiki/User:Ernstblumberg/Books/Marion_Harding_- _People,_Places_and_Events" Categories: Wikipedia:Books Antoni Gaudí Antoni Gaudí Antoni Gaudí in 1878 Personal information Name Antoni Gaudí Birth date 25 June 1852 Birth place Reus, or Riudoms12 Date of death 10 June 1926 (aged 73) Place of death Barcelona, Catalonia, (Spain) Work Significant buildings Sagrada Família, Casa Milà, Casa Batlló Significant projects Parc Güell, Colònia Güell 1See, in Catalan, Juan Bergós Massó, Gaudí, l'home i la obra ("Gaudí: The Man and his Work"), Universitat Politècnica de Barcelona (Càtedra Gaudí), 1974 - ISBN 84-600-6248-1, section "Nacimiento" (Birth), pp. 17-18. 2 "Biography at Gaudí and Barcelona Club, page 1" . http://www.gaudiclub.com/ingles/i_vida/i_vida.asp. Retrieved on 2005-11-05. Antoni Plàcid Guillem Gaudí i Cornet (25 June 1852–10 June 1926) – in English sometimes referred to by the Spanish translation of his name, Antonio Gaudí 345 – was a Spanish Catalan 6 architect who belonged to the Modernist style (Art Nouveau) movement and was famous for his unique and highly individualistic designs. Biography Birthplace Antoni Gaudí was born in the province of Tarragona in southern Catalonia on 25 June 1852. While there is some dispute as to his birthplace – official documents state that he was born in the town of Reus, whereas others claim he was born in Riudoms, a small village 3 miles (5 km) from Reus,7 – it is certain that he was baptized in Reus a day after his birth. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Galerie Thomas Modern Masterpieces Modern
MASTERPIECES MODERN GALERIE THOMAS MODERN MASTERPIECES MODERN GALERIE THOMAS MODERN CONTENTS ANDY WARHOL PETER HALLEY FLOWERS 1964 6 WHITE CELL WITH CONDUIT 1986 66 JIM DINE GÜNTHER UECKER TOTAL MODNESS 1965 16 SONNENÜBERFLUTUNG (TRANSGRESSION) 1963 76 SAM FRANCIS GOTTHARD GRAUBNER WHEN WHITE 196 3-1964 26 KAURI IV 1968 86 ROBERT MOTHERWELL IMI KNOEBEL ORANGE PERSONAGE C. 1947 36 FIGUR 15 1985 96 LUCIO FONTANA SIGMAR POLKE CONCETTO SPAZIALE, ATTESA 1964 46 UNTITLED 1990 106 IMI KNOEBEL JIM DINE WEISSE KONSTELLATION G 1975/87 56 BLOOD’S ON THE RIVER NOW 2005 11 6 4 5 FLOWERS 1964 ANDY WARHOL synthetic polymer and Provenance silkscreen inks on canvas Estate of the Artist 1964 Paul Warhola Family Collection, Pittsburgh 61 x 61 cm Private collection, Europe 24 x 24 in. Private collection, Paris signed twice and dated Private collection (acquired from the above) on the canvas overlap Private collection, USA Literature Frei Georg; Printz, Neil (Eds.). Warhol, Paintings and Sculptures 1964 - 1969, The Andy Warhol Catalogue Raisonné. Vol. 02A, New York 2004, p. 302, text on the 24-inch Flowers. 8 FLOWERS 1964 ANDY WARHOL From a dark green-black grass background, four may be, the flower is never merely a flower, but gaudily-coloured orange-yellow, red and pink flower always points beyond itself and generates a wealth blossoms seem to jump from the canvas and of meanings, which inseparably accompany genuine confront the viewer with a subject that, superficially artistic innovation and revolution – often more, and regarded, is simple to understand – a classic flower more clearly, than in other thematic areas. -
Paintings by Streeter Blair (January 12–February 7)
1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio. -
The Sculpture of Matisse [By] Alicia Legg
The sculpture of Matisse [by] Alicia Legg Author Matisse, Henri, 1869-1954 Date 1972 Publisher The Museum of Modern Art ISBN 0870704486 Exhibition URL www.moma.org/calendar/exhibitions/1902 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THE SCULPTUREOF MATISSE MoMA 995 c.2 I took up sculpture because what interested me in painting was a clarification of my ideas. I changed my method, and worked in clay in order to have a rest from painting where I had done all I could for the time being. That is to say that it was done for the purposes of organ ization, to put order into my feelings, and find a style to suit me. When I found it in sculpture, it helped me in my painting. It ivas alivays in view of a complete possession of my mind, a sort of hierarchy of all my sensations, that I kept working in the hope of finding an ultimate 1 method, henri matisse Alicia Legg THE SCULPTUREOF MATISSE The Museum of Modern Art, New York Trustees of The Museum of Modern Art Copyright © 1972 by The Museum of Modern Art David Rockefeller, Chairman of the Board; Henry Allen Moe. All rights reserved John Hay Whitney, Gardner Cowles, Vice Chairmen; William Library of Congress Catalog Card Number 73-188667 S. Paley, President; James Thrall Soby, Mrs. Bliss Parkinson. ISBN 0-87070-448-6 J. -
Contemporary American Painting and Sculpture
ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARnM!TFXTURE KIOMR LliiHAKY AKOHITKTUKfc UNiVEIWTY OF ILLINOIS NOTICE: Return or renew all Library Malerlalst The minimum Fee for each Lost Book is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L16I—O-1096 ' » • .( ij.^.'. / »f T»^ 'A^Vc^ * • ir* ;' I n'V', ii'.mM :"! ii'vi '' > ' i: 1 "i .m'i ;:[ ' iv/iv/,''ir' ',!.;' ill ! i;'M,'i)">'i>''; I I I'^i'iii' , I ji II, >,M]' i,,i,ii, I * l'.',, i ! I i M!, ,.ll;!;J!-!;'!li^:*^'(WrM''^ I 1 ' ' I •,''',•1 ' , ill'' I fe!(''::!:ifi!'yi§li''i'!''';iVM^ »ntemporary American Painting and Sculpture] niversity off Illinois . -i&Sv i; z^' ii^ THE LIBRARY OF THE FEB ,?4iS5G UNIVERSITY OF ILLINOIS c ^MTifn? Y-^.m ARCWTEcnwi oi .n oi. =4 CONTEMPORARY AMERICAN PAINTING AND SCULPTURE University of Illinois, Urbana Sunday, February 27, through Sunday, April 3, 1955 Galleries, Architecture Building Co//ege of Fine and Applied Arts THE LIBRARY OF THE IVIAR 1 1955 iiMi\fFe<:rrv nr iiiiNrii5$ Copyright 1955 by the University of Illinois Manufactured in the United States of America RICKFP 5-^>/ ,^r^^ tIRRARY ARCHITCCTU8E 7 UMVfcXS.IY OF lumois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE LLOYD MOREY President of the University- ALLEN S. -
Peter Bradley
Oral History Center University of California The Bancroft Library Berkeley, California Peter Bradley Peter Bradley: A Life in Paint Getty Trust Oral History Project African American Art History Initiative, Getty Research Institute Interviews conducted by Andrianna Campbell and Shanna Farrell In 2019 Interviews sponsored by the J. Paul Getty Trust Copyright © 2020 by J. Paul Getty Trust Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, -
Schaeffer Galleries Records, 1907-1988, Bulk 1925-1980
http://oac.cdlib.org/findaid/ark:/13030/kt8w103782 No online items Finding Aid for the Schaeffer Galleries records, 1907-1988, bulk 1925-1980, Vladimira Stefura and Isabella Zuralski Finding Aid for the Schaeffer 910148 1 Galleries records, 1907-1988, bulk 1925-1980, Descriptive Summary Title: Schaeffer Galleries records Date (inclusive): 1907-1988, bulk 1925-1980 Number: 910148 Creator/Collector: Schaeffer Galleries (New York, N.Y.) Physical Description: 114.5 Linear Feet(217 boxes, 19 oversize boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Hanns and Kate Schaeffer specialized in Old Master paintings from all European schools. The records of the Schaeffer Galleries document gallery's stock and business dealings from the early 1920s until the late 1980s, both in Berlin and New York. The core of the collection comprises approximately two and a half thousand photographs of art that was handled by the gallery, which are filed along with documents concerning attribution, provenance, acquisition history, and sales. Card catalogs, lists, and ledgers record artworks sold and purchased and detail transactions with clients. These documents of business dealings are amplified by extensive correspondence with art collectors, museum curators, art dealers, art historians, restorers, and storage and shipping companies. Also included are inventories of private collections, lists of artworks shown at exhibitions held at the gallery, and unpublished albums with photographs of gallery stock. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. -
Works on Paper Paper on Works
Works on Paper Works on Paper FROM CÉZANNE TO FREUD Acquavella Galleries, Inc. 18 East Seventy Ninth Street New York, New York 10021 212-734-6300 www.acquavellagalleries.com Works on Paper F ROM CÉZANNE TO FREUD September 27th–October 29, 2010 Plates 1 ODILON REDON 15 PABLO PICASSO Trees Under a Stormy Sky, c. 1880 Danseuse et Picador, 1960 2 EDGAR DEGAS 16 ANDY WARHOL La Rue Quesnoy, Saint-Valéry-Sur- Race Riot, c. 1963 Somme, 1895-98 17 JACK TWORKOV 3 PAUL CÉZANNE Untitled, 1965 Le Dessert, 1900-06 18 PABLO PICASSO 4 ANDRÉ DERAIN Courtesan and Warrior, 1968 Le Pont de Chatou, c. 1904 19 ROBERT MANGOLD 5 HENRI MATISSE 104 Perimeter Series, 1969 Vase de Lierre, c. 1915 20 JASPER JOHNS 6 GEORGES BRAQUE Land's End, 1977 Bouteille et Instruments de Musique, 21 ED RUSCHA 1918 Rusty Silencers, 1979 7 HENRI MATISSE 22 ED RUSCHA Modèle au Chapeau à Fleurs, 1919 Quality Other, 1982 8 PABLO PICASSO 23 SUSAN ROTHENBERG Homme Assis, 1933 Untitled, 1988 9 ARSHILE GORKY 24 LUCIAN FREUD Fireplace in Virginia, c. 1946 Painter's Garden, 2003-04 10 HENRI MATISSE 25 LUCIAN FREUD Full Face, 1952 Girl With Fuzzy Hair, 2004 11 PHILIP GUSTON 26 LUCIAN FREUD Untitled, c. 1953 Portrait Head, 2005 12 RICHARD DIEBENKORN 27 LUCIAN FREUD Untitled, 1956 Donegal Man, 2007 13 PABLO PICASSO Scène de Tauromachie, 1959 14 PABLO PICASSO Courtisanes et Toreros, August 16-17, 1959 Plate 3 PAUL CÉZANNE Le Dessert DATE BIBLIOGRAPHY 1900–06 Ambroise Vollard, Cézanne, Paris 1914. Illustrated, page 156. MEDIUM Album Bernheim-Jeune, Paris, 1914, plate 54. -
ALEXANDER CALDER SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1898, Lawnton, Pennsylvania Died, 1976, New York EDUCATION 1919
ALEXANDER CALDER SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1898, Lawnton, Pennsylvania Died, 1976, New York EDUCATION 1919, Stevens Institute of Technology, Hoboken, M.E. 2018 Calder: Nonspace, Hauser & Wirth, Los Angeles, October 27, 2018–January 6, 2019. Alexander Calder: Radical Inventor, Montreal Museum of Fine Arts, September 21, 2018–February 24, 2019. Traveled to: National Gallery of Victoria, Melbourne, April 5–August 4, 2019. Catalogue) Alexander Calder: From the Stony River to the Sky, Hauser & Wirth Somerset, United Kingdom, May 26– September 9, 2018. (Catalogue) 2017 Alexander Calder: Scaling Up, San Francisco Museum of Modern Art, October 21, 2017–August 19–2018. Calder on Paper: 1960–1976, Saatchi Gallery, London, September 27–December 8, 2017. Alexander Calder: Selected One-Artist Exhibitions 2 Alexander Calder: Forgeron de Géantes Libellules, Musée Soulages, Rodez, France, June 24–October 29, 2017. (Catalogue) Calder: Hypermobility, Whitney Museum of American Art, New York, June 9–October 23, 2017. Calder Monumental, Denver Botanic Gardens, Colorado, April 28–September 24, 2017. 2016 The Boldness of Calder, Louisa Guinness Gallery, London, September 27–November 5, 2016. Calder in the Alps, Hauser & Wirth, Gstaad, Switzerland, July 14–March 31, 2017. Alexander Calder, Pace Hong Kong, 15C Entertainment Building, 30 Queen's Road Central, May 28–July 16, 2016. Alexander Calder: Motion Lab, San Francisco Museum of Modern Art, May 14, 2016–September 10, 2017. 2015 Calder, Heather James Fine Art, Palm Desert, California, November 27, 2015–May 30, 2016. Alexander Calder: Performing Sculpture, Tate Modern, London, November 11, 2015–April 3, 2016. (Catalogue) Alexander Calder: Retrospective, Pushkin State Museum of Fine Arts, Moscow, June 8–August 30, 2015. -
Two Killed in Minidoka Co.Crash
80 / 52 IDAHO’S INDIE CRED NOT-SO-SECRET Hailey-launched band tours WEAPON Chance of nationally Brochado expected to shine thunderstorms. Entertainment 1 for CSI, Sports 1 Sports 6 PROTECTING COLLEGE STUDENTS >>> Credit card reform hits campuses, BUSINESS 1 FRIDAY 75 CENTS August 27, 2010 TIMES-NEWS Magicvalley.com Civilians learning to soldier Two killed in Minidoka Co. crash Lighthouse Christian mourns loss of student athlete By Laurie Welch Times-News writer HEYBURN — A Rupert man and a Twin Falls teen died Wednesday night after a crash on Idaho Highway 24 between Heyburn and Rupert. Multiple law-enforcement and rescue agencies were called to the highway near milepost 1.5 for the two-vehicle crash at 9:08 p.m. Dedrik K. Lovato-Rodriguez, 15, of Twin Falls, was pronounced dead at the scene, while Danny J. Gonzales, 69,of Rupert, died from his injuries after he was transported to an area hospital,according to a press release issued by the Minidoka County Sheriff’s Office. According to the release, Lovato-Rodriguez was Photos by ASHLEY SMITH/Times-News driving a 1994 Nissan Altima southbound from Don Olson, right, of Soran Restaurants Inc. in Twin Falls, tries to keep a simulated Humvee on the road while his gunner, Ronald Dalton of Timberline Rupert when his vehicle crossed the median and went into the northbound lane of traffic at high Exteriors in Twin Falls, reacts as the two men complete an Idaho Army National Guard exercise at Gowen Field on Thursday in Boise. Numerous Magic speed. Valley employers of Idaho Guard members attended Thursday’s Employer Support of the Guard and Reserve Boss Lift, which offered participants a Lovato-Rodriguezs vehicle continued toward glimpse of some of the training their employees go through as members of the Guard. -
John Allan Walker Art Catalog Collection SPC.2007.007
http://oac.cdlib.org/findaid/ark:/13030/c82b953d No online items Inventory of the John Allan Walker Art Catalog Collection SPC.2007.007 Greg Williams California State University Dominguez Hills, Gerth Archives and Special Collections 2011 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the John Allan SPC.2007.007 1 Walker Art Catalog Collection SPC.2007.007 Contributing Institution: California State University Dominguez Hills, Gerth Archives and Special Collections Title: John Allan Walker Art Catalog Collection Creator: Walker, John Allan Identifier/Call Number: SPC.2007.007 Physical Description: 186 boxes Physical Description: 59 Linear Feet Date (inclusive): 1882-2002 Date (bulk): 1919-2002 Abstract: This collection consists of art catalogs from museums, galleries, and other entities. first floor storage Language of Material: English . Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained. Preferred Citation [title of item] John Allan Walker Art Catalog Collection, Courtesy of the Gerth Archives and Special Collections. University Library. California State University, Dominguez Hills Scope and Contents The John Allan Walker Art Catalog Collection (1882-2002; bulk 1919-2002) consists of exhibition catalogs for art galleries, museums and other entities collected by John Allan Walker.