DOCSLIB.ORG

Interview with Patricia Ewert

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Interview with Patricia Ewert Interview with Patricia Ewert Interviewed by Priscilla Cleveland North Central Minnesota Historical Center Interviewed on May 5, 1980 at the North Minnesota Historical Center City, Minnesota PC: This is Priscilla Cleveland of the North Central Minnesota Historical Center and I'm talking with Patty Ewert and it's May 5, 1980. Patty, would you like to just give us some of your background information? Ewert PE: I was born and raised in Bemidji. I'm almost twenty-five years old. I went to school at Bemidji Junior and Senior High. After high school, I worked around and decided what I wanted to do. I didn't want to go to school right away. I was twenty-one when I became pregnant and the father decided we were not going to get married. And so that's when I called the Welfare Department to get some help there because I decided to keep thePatricia baby and I just knew that I couldn't financially take care of that side of the--my pride was not going to stand in the way of keeping my baby clean-clothed and in clothes, [laughter] so that's when I came in.Society with PC: Were you pregnant when you moved here? PE: Yes. PC: Was it difficult at all for you to get help? WereHistorical they very receptive to you? PE: I think just being--just goinginterview into that old building gave me a creepy feeling. I remember the furniture was kind of, you know, gross and... PC: This was when it was still down in the old library? history PE: Yes, yes! Where it is now, I've only been in there once or twice and it's a lot more pleasant. But just kind of a dark, greyMinnesota building. I almost turned around and I thought: Wait a minute, just-- another thing being pregnant and not being married too, it wasn't. It's getting better accepted now. But evenOral three years ago, it was really frowned on. But I went in and I still felt like people were-- who I went to see was like, you know, in control of this money and I was at their mercy,. I didn't get on it right away because I was working at the time through Minnecep and I wanted to work until that program was done. And I still have [unclear] and I explained all this and so that everything was fine and she told me when I was going to start receiving my checks. Explained the procedure and all that. I think the hardest thing was when she asked me if I knew who the father was, like I was hopping around in the sack with different guys. Just the way--she probably didn't mean anything by it, but just by saying "Do you know who the father is?" really gave me a low opinion of 1 myself. That was a hard decision whether or not to state the father's name. I thought, should I go ahead and say the father's name and maybe have some legal hassles or should I put myself down and say I don't know. So... PC: That's a hard decision isn't it? PE: I put unknown first and I didn't feel too good about that. After the baby was born--because I didn't want to have anything to do with him anyway--and after the baby was born, I had to sign a paternity suit so the father would start paying. And I stated his name and we got things going [unclear] this past fall. So it was a year and a half or so from when I signed that paper until I actually went to court. He wasn't there. [unclear] PC: So you're not receiving any child support? Ewert PE: No, he pays directly to the county. He pays like fifty dollars a month or so. But I think right now I'm--well I'm getting married in June and my fiancé is just like Jessie's daddy. She calls him daddy and he's just fallen into that role very easily. And the question has come up, well, should he adopt her, or--being that I'm still in school--him not adopt her and still get some money for her, you know. And we've discussed this and we thought, well, no moneyPatricia is worth this, you know, because she's getting to be--she'll be three years old and she'll know the name difference. And we just decided that we don't care how much money it is; it's not worth it becauseSociety we know we'll be able to make it someway anyway. So we want to get thosewith procedures done. And I just can't wait for the day I go down there and say I am off. [Laughter] PC: Oh wow! Getting back to when you first went down, were you really put off by the forms that you had to fill out? Was that scary? Historical PE: Um, that's been quite a while ago. It's been three years nos. I guess I've never liked forms anyway. I just thought that reallyinterview it wasn't any of their business. Don't they trust me? Just think why do they need all this information. I just hated saying well, I'll just do this for the money. You know, it's like [unclear]. PC: Since you've historybeen on for a while now, do you have any better understanding of why they need you to furnish that on those forms? Minnesota PE: Oh, yes, yes. Well again, I wasn't attending school yet and I think since I've been attending classes hereOral at BSU[Bemidji State University] the last couple of years, I've become better educated and I understand the formalities and the reasoning behind. It's not just the welfare department. I mean it's everything that you've got to do this, and I understand more so now than before. PC: Specifically what programs are you on? PE: Well, I'm on Medical Assistance and I am on the AFDC [Aid to Families with Dependent Children] and then also, I get child care paid by the county. One nice thing about that--it's nice 2 anyway, but I don't have to sign any papers stating if my child was there at a certain time. They just deal--the people at the day care deal with people in the Social Service. I have nothing to do with that interaction at all. And that's kind of nice, you know, because I feel like when I brought her there and I said well here is the papers from the Social Services. [Unclear] They have other children under that program too, but I still felt there's a pink form right there, you know, saying that I don't have enough money pay for this. But they never have me any feedback and said oh, another one or [unclear]. But I just, you know, for myself, would rather write then out a check every week, but then I guess it's just that pride, you know. PC: So at least for yourself, despite popular opinion, it's not fun being on welfare and getting it all free? PE: No, no! I kind of just can't wait 'til I get off. I just--even like the red tape you've got to go through, through financial aides, too, here at school, it's just, you know, they Ewertsay you're making too much money or something. You can't get this or that. You write back to them and say no. I'm on this, I'm on that, but when I get done with this, I'm going to be paying Uncle Sam back. That's the only kind of sense of relief I have is that I know that I'll be paying this back, you know, because I want to and I really think it's a good program. All the programs that are available. It's just that--I think it's better now since they got a different building. It wasPatricia just that building. You know, you have to cross the big highway where people can see you. Where it's kind a--there's not too much action down where they are now. You can just walk in and out andSociety people aren't stopping the cars at the crosswalk or something, watching you go into withthe welfare department. So I just think it's a lot better since they got better facilities, nicer looking facilities. PC: That makes a lot of difference. I know just the fact that it sat there all by itself and... PE: Yes. Historical PC: ...there was no way that youinterview could ever in your mind justify going into that building for any other reason or in crossing the street for any other reason. PE: Yes, there was nothing else there. history PC: Just to go there. Have you ever requested any kind of help that you were denied? Minnesota PE: No. Um, yes, I don't really know of all the services that they have available. Just usually--like I heard aboutOral the child care by word of mouth or something on campus. And I went down there and they said, yes, you know I just--I didn't have to have any documents about what I got through school.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Pimp Chatter: Examining Online Pimp Recruitment Techniques
    PIMP CHATTER: EXAMINING ONLINE PIMP RECRUITMENT TECHNIQUES by NATASSIA C. BAXTER B.S., Austin Peay State University, 2010 A thesis submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Master of Criminal Justice School of Public Affairs 2017 This thesis for the Master of Criminal Justice degree by Natassia C. Baxter has been approved for the School of Public Affairs By Anna Kosloski, Chair Stephanie Ryon Michael Landon-Murray Date _______________ ii Baxter, Natassia C. (Master of Criminal Justice) Pimp Chatter: Examining Online Pimp Recruitment Techniques Thesis directed by Assistant Professor Dr. Anna Kosloski ABSTRACT Use of the Internet within the sex industry and the larger sex trafficking network is widespread and advancing quickly at a time when globalization is making the Internet more available to those within the network, including in third world countries (Hughes, 2000; Hughes, 2001). Oftentimes pimps will use websites such as Backpage in their exploitation efforts of sex workers (Hughes, 2001; Kristof, 2012). Due to the privacy and anonymity of the Internet, this makes the targeting, arrest, and prosecution of these individuals by law enforcement more difficult. Using data collected from October 2014 to July 2015 in 11 cities, this explorative study examines some of the techniques pimps/recruiters use in their online recruitment on Backpage.com. Additionally, analysis was performed to examine if the pimps were targeting or more interested in a specific race or age group. Results found supported the existing literature on the “finesse” recruitment technique used by pimps, however there was no indication of the use of the “guerilla” technique.
    [Show full text]
  • Days of Terror: an Excerpt
    Days of Terror: an Excerpt By J. Lemel Translated by Charlotte F. Werbe ven small children could see that this was an evil war: it targeted the Jewish people one by one. Every Jew in hiding was eventually Efound. Surely Germany said to England, “Wait, don’t rush to end the war, Jews are still being found, I’ll see to it that every last one is caught.” And the Germans kept their word. Because the spying was so organized, and those discovered hiding Jews were so harshly punished, almost no one would hide a Jew no matter how much money was being offered. If a German found a Jew, the Christian family would be taken and never seen again. My children were instinctively scared whenever they saw a German; they’d tremble and cry. When I went to the store with my youngest boy, he was constantly on the lookout. “Berele,” I asked him, “what are you looking for?” “Papa,” he responded, “I’m looking to see if there are any Germans coming into the store.” The war was so evil that even Christians had begun to take notice. They all became pessimistic and yelled that the Germans were waging a war that the English seemed to desire, and that the whole war was nothing more than a comedy. The Flemish peoples’ hate for the English was growing as fervently as their hatred for the Germans. A year went by, and while Jews were being deported, we were still at home. Once, at the beginning of summer, my wife said, “I heard that pregnant women aren’t taken by the Germans.” “Good,” I said to my wife, “I’ll see to it that you fall pregnant.” And a few weeks later my wife told me that she was pregnant.
    [Show full text]
  • Steve's Karaoke Songbook
    Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA
    [Show full text]
  • Shady Xv Download Zip
    Shady xv download zip Continue Eminem's long-awaited album, Shady XV, is now available for download in zip format. 2 CD album sees features from Big Sean, sia, Kobe, Royce Da 5'9 and others. Download and enjoy. Download the album Meanwhile Check out these hot tracks from the album. Lose Yourself (Original Demo Version) Fine Line Right For Me Shady XV Die Alone ft Kobe Fifteen years after its debut, Eminem will release her ninth album Shady XV this fall. Follow-up to 2013 Marshall Mathers LP 2 will arrive on November 28 aka Black Friday. Download, listen and enjoy! Disc 1: Download Eminem - Shady XV Download Slaughterhouse - Psycopath Killer Ft Eminem, Yelawolf Download Eminem - Die Alone Ft Kobe Download Bad Meets Evil - Vegas Download Eminem - Guts Over Fear ft Sia Download Yelawolf - Down Download D12 - Bone Download Eminem - Thin Line Download Eminem, Skylar Grey, Yelawolf - Twisted Download Eminem - Right to Me Drive 2: Download 50 Cent - I Get Money Download Eminem Lose Let's Roll Download SlaughterHouse - Hammer Dance Download 50 Cent - P.I.M.P Download D12 - My Band Download Obi Tris - Want to Know Download 50 Cent - Wanksta Download Obi Tris - Set up a foot Nate Dogg Download 50 Cent In Da Club Download D12 - Fight Music Download Yelawolf - Pop The Trunk Download Bonus Track: Eminem Lose : Hip Hop Album: Shady XV Released: 2014 MP3 version size: 1858mb FLAC version RAR Size: 1439 MB WMA postcode version: 1191 MB Rating : 4.6 Votes: 917 Other formats: VOX AU XM WAV AAC DMF 1-1 -Eminem Shady XV 5:01 1-2 - Slaughterhouse.
    [Show full text]
  • Experiences of Youth in the Sex Trade in Miami
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Experiences of Youth in the Sex Trade in Miami Author(s): David J. Maurrasse, Cynthia C. Jones Document No.: 249957 Date Received: June 2016 Award Number: 2009-MC-CX-0001 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Miami By David J. Maurrasse, Cynthia C. Jones, Marga Incorporated 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Miami By David J. Maurrasse, Cynthia C. Jones, Marga Incorporated © March 2016 Center for Court Innovation 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department.
    [Show full text]
  • Viewing of Daniel Peddle’S the Aggressives and Buttresses This Main Source with Various Secondary Works
    ! ! No B-Grades, Fakes, or Variants: Commodification, Performance, and Mis- and Disembodied Black Masculinity Thesis Presented in Partial Fulfillment of the Requirement for the Degree Master’s of Arts in the Graduate School of the Ohio State University By Christina Denise Bush, M.A. Graduate Program in African American and African Studies The Ohio State University 2010 Thesis Committee: Maurice Stevens, Advisor Rebecca Wanzo Simone Drake ! ! ! ! Copyright by Christina Denise Bush 2010 ! ! ! ! Abstract Despite the fictitiousness of their fixedness, in the popular cultural imaginary, masculinity and maleness are often conflated, while blackness is frequently gendered male. Through a critical analysis of various sites of mis- and disembodied black masculinity, specifically advertising and corporate branding, sneaker culture, and masculine identified queer women, No B-Grades, Fakes, or Variants: Commodification, Performance, and Mis- and Disembodied Black Masculinity examines how and why racialized and gendered performances of authenticity that are maintained in the absence of the bodies they are commonly associated with work to expose the myth of entrenched corporeal scripts, and provide the possibility for re-configuration and re-imagination of identity. ""! ! Dedication Peewee! """! ! ! ! Acknowledgments To all of those who have had any role, large or small, in helping this project come to fruition, thank you. "#! ! Vita 2002……………………………… Lincoln College Preparatory Academy High School 2006……………………………….B.A. English, University of Missouri-Columbia 2006………………………………..B.A History University of Missouri Columbia 2010………………………………..M.A African American and African Studies (AAAS), The Ohio State University 2007-2010….. ……………………..Graduate Teaching and Research Associate, AAAS, The Ohio State University 2009-2010………………………….Outreach Consultant, Center for the Study and Teaching and Writing.
    [Show full text]
  • (Only Music) Gaston
    - Belle from “Beauty & the Beast” - no words (only music) Gaston - no words (only music) Be Our Guest - no words (only music) Days In the Sun - no words (only music) Something There - no words (only music) Beauty and the Beast - no words (only music) Evermore - no words (only music) How Does a Moment Last Forever - no words (only music) 3 Doors Down - Away From the Sun Landing In London 311 - Donʼt Tread On Me 38 Special - Caught Up In You Hold On Loosely Second Chance 4 Non Blondes - Whatʼs Up 5 Seconds Of Summer - Sheʼs Kinda Hot 50 Cent - Best Friend Candy Shop Hustlers Ambition I Get Money Outta Control 98 Degrees - Give Me Just One Night - I Do (Cherish You) The Hardest Thing The Way You Want Me True To Your Heart 3rd Strike - No Light AC DC - High Voltage TNT Adam Brand - Ready For Love Adele - Donʼt You Remember He Wonʼt Go Lovesong Skyfall A Great Big World - Say Something Akon - Berautiful Smack That Alabama - Done It This Way Alan Jackson - I Donʼt Even Know Your Name Alessia Cara - Wild Things Alice In Chains - Man In The Box Your Decision Alicia Keys - Girl On Fire Alison Krauss - When You Say Nothing Amanda Watkins - If I Was Over You Andre Mieux - Bedroom Lovers Got To Get It Andy Grammer - Honey Iʼm Good Aretha Franklin - I Never Loved A Man - Ariana Grande - Problem Ashton Shepherd - Look It Up Ashley Gearing - Five More Minutes Audioslave - I Am the Highway Avicii - Hey Brother Wake Me Up Avril Lavigne - Sk8er Boi Bastille -Pompeii Beauty and the Beast - Beauty and the Beast Beyonce - Best Thing I Never Had Big & Rich - 8th of November Bill Hailey & His Comets - Rock Around the Clock Shake Rattle and Roll Billy Ray Cyrus - Couldvʼe Been Me Blackfoot - Train Train Blake Shelton - Boys Round Here Bloodhound Gang - Another Dick With No Balls The Ballad of Chasey Lain Bob Seger - Rock and Roll Never Forgets Bobby Darin - Youʼre The Reason Iʼm Living Bradley Gaskin - Mr.
    [Show full text]
  • 50CENT 21 QUESTIONS [50 Cent] New York City! You Are Now Rapping...With 50 Cent You Gotta Love It
    50CENT 21 QUESTIONS [50 Cent] New York City! You are now rapping...with 50 Cent You gotta love it... I just wanna chill and twist a lot Catch suns in my 7 45 You drive me crazy shorty I Need to see you and feel you next to me I provide everything you need and I Like your smile I don''t wanna see you cry Got some questions that I got to ask and I Hope you can come up with the answers babe [Nate Dogg] Girl...It''s easy to love me now Would you love me if I was down and out? Would you still have love for me? Girl...It''s easy to love me now Would you love me if I was down and out? Would you still have love for me? Girl... [50 Cent] If I feel off tomorrow would you still love me? If I didn''t smell so good would you still hug me? If I got locked up and sentenced to a quarter century, Could I count on you to be there to support me mentally? If I went back to a hoopty from a Benz, would you poof and disappear like some of my friends? If I was hit and I was hurt would you be by my side? If it was time to put in work would you be down to ride? I''d get out and peel a nigga cap and chill and drive I''m asking questions to find out how you feel inside If I ain''t rap ''cause I flipped burgers at Burger King would you be ashamed to tell your friends you feelin'' me? And in bed if I used to my tongue, would you like that? If I wrote you a love letter would you write back? Now we can have a lil'' drink you know a nightcap And we could go do what you like, I know you like that [Nate Dogg] Girl...It''s easy to love me now Would you love me if I was down and out? Would you still have love for me? Girl...It''s easy to love me now (Woo!) Would you love me if I was down and out? Would you still have love for me? Girl..
    [Show full text]
  • University of Groningen How the Financial Crisis Changed Hip-Hop
    University of Groningen How the financial crisis changed hip-hop Gilbers, Steven Published in: The Sociolinguistics of Hip-hop as Critical Conscience DOI: 10.1007/978-3-319-59244-2_7 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2017 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Gilbers, S. (2017). How the financial crisis changed hip-hop. In The Sociolinguistics of Hip-hop as Critical Conscience: Dissatisfaction and Dissent (pp. 163-189). Palgrave MacMillan. https://doi.org/10.1007/978-3- 319-59244-2_7 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal.
    [Show full text]