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PDF EN Für Web Ganz PRAHA MOZART´S STAY Prague may be proud to have provided Mozart with several happy moments. In December 1786 the Italian impresario Pasqual Bondini presented Le nozze di Figaro in the Nosticz (today The Estates) Theatre. Unlike in Vienna, where the opera had not received much attention and soon disappeared from repertoire, in Prague its success was immense. In January 1787 Mozart came to Prague for the first time to conduct Le nozze di Figaro himself. On 19th January 1787 followed the first performance of Symphony No. 38 in D major which has since then been called Prague. During this stay he also composed Six German Dances for Count Pachta and signed a contract with Bondini for a new opera for the autumn season. It was Don Giovanni, written to the text of the Viennese court poet and librettist Lorenzo da Ponte. Mozart finished the opera in Prague. He rehearsed it and on 29th October 1787 he conducted its premiere in the Nosticz Theatre. In its time this immortal piece met only with misunderstanding at most foreign theatres but its success with Czech audiences could only be compared to the success of Le nozze di Figaro. During his stays in Prague Mozart spent a lot of time at the Ducheks' at villa Bertramka. He composed the concert aria Bella mia fiamma, addio for the excellent singer Josepha Duschek. The end of Mozart's last stay in Prague from August to September 1791, when he conducted Don Giovanni again with almost all the same singers, was unhappy for the ill composer. The opera La clemenza di Tito, held to celebrate the coronation of Leopold II Czech king, was not accepted well by the royalty at the premiere on 6th September 1791. Upon his return to Vienna Mozart sent his only Concerto in A major for Clarinet to Prague to his friend Anton Stadler to premiere it. The first performance took place in Prague on 16th October 1791, seven weeks before the composer's death. Having learnt of Mozart's death on 5th December 1791, the members of the Prague theatre orchestra organized a solemn ceremony in the Church of St Nicolas at the Little Quarter on 14th December. Four thousand Praguers came to honour his memory. Mozart and Prague, these two words have always been in harmony. Prague returns to the work of the Maestro with dedication and joy and in 2006 his music will sound in Bohemia in an unparalleled entirety. PLACES OF INTEREST Basilika Strachov http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=6 Clam - Gallas – Palais http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=8 Estate Theatre http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=2 Klementinum http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=7 Palais Liechtenstein http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=4 Palais Pachta http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=5 Palais Thun http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1index.php?id=8&id_p=3 Villa Bertramka http://www.mozartpraha2006.cz/index_en.php?id=8&id_p=1 ABOUT PRAHA The capital of the Czech Republic is our most valuable urban conservation area. In 1992 the historical core of the city covering 866 hectares was listed in the UNESCO World Cultural and Natural Heritage Register. "Praga caput regni" has been inscribed in Prague's coat of arms. Since the very beginning, Prague has always played an important role in the history of both the nation country and Europe. Since the middle Ages, Prague has been known as one of the most beautiful cities of the world, and has been attributed adjectives such as "golden", "city of hundred spires", "the crown of the world", "a stone dream". Throughout centuries, prominent personalities paid homage to it. W.A. Mozart, L. van Beethoven, F.M. Dostoyevsky, A. Rodin, G. Apollinaire, P. I. Tchaikovsky, O. Kokoschka as well as the British Queen Elizabeth II and Pope John Paul II professed their beguilement by its attractiveness and architectural beauty. Writers and poets, such as Jan Neruda, Jaroslav Hasek, Jaroslav Seifert, Franz Kafka, Max Brod and Egon Erwin Kisch featured their home town in thier works. Prague represents a unique collection of historical monuments dominated by Prague Castle which towers high above the city. It merges all artistic and architectonic styles and movements. The historical core of the city is situated on both banks of the Vltava River and consists of 6 parts - formerly independent urban units unified in the 18th century. They are as follows: Stare Mesto (Old Town), Josefov (the preserved part of the former Jewish Town - today part of the Old Town), Nove Mesto (New Town), Mala Strana (Lesser Town), Hradcany and Vysehrad. Naturally, most of the historical monuments, museums and galleries are concentrated there. PARTNER ACTIVITIES Detailed information you find on the local websites of our partners or http://www.mozartways.com/praha CONTACT & INFORMATION Stadt Prag http://www.praha.cz http://magistrat.praha-mesto.cz Tourist Service Prague CZ-12041 Praha Tel: +42 02 24225965 http://www.pis.cz E-mail: [email protected] .
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  • La Clemenza Di Tito
    La clemenza di Tito La clemenza di Tito (English: The Clemency of Titus), K. 621, is an opera seria in La clemenza di T ito two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after the bulk of Die Zauberflöte Opera by W. A. Mozart (The Magic Flute), the last opera that Mozart worked on, was already written. The work premiered on 6 September 1791 at theEstates Theatre in Prague. Contents Background Performance history Roles Instrumentation Synopsis Act 1 The composer, drawing by Doris Act 2 Stock, 1789 Recordings Translation The Clemency of Titus See also References Librettist Caterino Mazzolà External links Language Italian Based on libretto by Pietro Metastasio Background Premiere 6 September 1791 In 1791, the last year of his life, Mozart was already well advanced in writing Die Estates Theatre, Zauberflöte by July when he was asked to compose an opera seria. The commission Prague came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. The coronation had been planned by the Estates in order to ratify a political agreement between Leopold and the nobility of Bohemia (it had rescinded efforts of Leopold's brother Joseph II to initiate a program to free the serfs of Bohemia and increase the tax burden of aristocratic landholders). Leopold desired to pacify the Bohemian nobility in order to forestall revolt and strengthen his empire in the face of political challenges engendered by the French Revolution.
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