appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 41

APPENDIXES

Ethel Spowers Australia 1890–1947 Staircase window c.1925 Woodcut, ed. of 40, 14.8 x 8.9cm (comp.) Purchased 2005 42 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLANDQUEENSLAND ART GALLERY ANNUAL REPORT 05/06 43

ORGANISATIONAL PURPOSE AND RESPONSIBILITIES PROGRAM STRUCTURE 2005–06

TRUSTEES

ACT AND BOARD OF TRUSTEES MINISTERIAL DIRECTIONS QUEENSLAND ART GALLERY The Queensland Art Gallery Board of Trustees is the governing body of The Minister for the Arts gave no directions to the Board of Trustees DIRECTOR BUILDING & DEVELOPMENT FOUNDATION & MEMBERSHIP the Queensland Art Gallery and draws its powers from the Queensland during the year. Art Gallery Act 1987. The Act provides that the Board is to consist of the number of members appointed by the Governor-in-Council. Trustees are POWERS OF THE BOARD appointed for a term of not more than three years, and are eligible for (1) For performing its functions, the Board has all the powers of an reappointment as Trustees at the expiration of their respective terms. individual and may, for example: ASSISTANT DIRECTOR ASSISTANT DIRECTOR ASSISTANT DIRECTOR (a) enter into arrangements, agreements, contracts and deeds; and CURATORIAL & COLLECTION DEVELOPMENT PUBLIC PROGRAMS MANAGEMENT & OPERATIONS During the 2005–06 year, the Board met on eight occasions. (b) acquire, hold, deal with and dispose of property; and (c) engage consultants; and FUNCTIONS OF THE BOARD (d) appoint agents and attorneys; and (a) to control, manage and maintain the Art Gallery and each branch (e) charge, and fix terms, for goods, services, facilities and CURATORIAL ACCESS, EDUCATION & REGIONAL SERVICES CORPORATE GOVERNANCE thereof and all property in the possession of the Board; and information supplied by it; and Public Programs (b) to minister to the needs of the community in any or all branches of (f) do anything else necessary or desirable to be done in Australian Art Children’s Art Centre FINANCIAL SERVICES the visual arts by performing its functions. Australian Art to 1950 Regional Services (i) displaying works of art; and (2) Without limiting subsection (1), the Board has the powers given to it Contemporary Australian Art Visitor Services INFORMATION TECHNOLOGY (ii) promoting artistic taste and achievement through the under this or another Act. Indigenous Australian Art illustration of the history and development of the visual arts; (3) The Board may exercise its powers inside and outside Queensland, Queensland Heritage EXHIBITIONS & DISPLAY PROTECTION & SERVICES and including outside Australia. Exhibition Design (iii) promoting and providing lectures, films, broadcasts, telecasts, (4) In this section — ‘power’ includes legal capacity. Asian and Pacific Art Installation COMMERCIAL SERVICES publications and other educational or cultural instruction or Historical Asian Art Workshop material; and Contemporary Asian Art (iv) promoting research; and Pacific Art DESIGN, WEB & MULTIMEDIA (c) to control and manage all land and premises vested in or placed Asia–Pacific Triennial Design under the control of the Board; and Australian Centre of Asia–Pacific Art Web & Multimedia (d) to restore and repair works of art in the possession of the Board; and International Art MARKETING & COMMUNICATIONS (e) to frame and package, and manufacture display materials for, works European and American Art Events of art in the possession of the Board; and Media (f) to encourage artistic achievements by artists resident in CINEMA Queensland; and Australian Cinémathèque MANAGERIAL RESEARCH (g) to perform the functions given to the Board under another Act; and (also reports to Curatorial & Collection (h) to perform functions that are incidental, complementary or helpful CONSERVATION Development) to, or likely to enhance the effective and efficient performance of, the functions mentioned in paragraphs (a) to (g); and REGISTRATION (i) to perform functions of the type to which paragraph (h) applies and which are given to the Board in writing by the Minister. INFORMATION & PUBLISHING SERVICES Research Library Publications Photography Collection Information Systems

PROGRAM RESPONSIBILITIES PROGRAM RESPONSIBILITIES PROGRAM RESPONSIBILITIES Curatorial & Collection Development Public Programs Management & Operations Develop, research, document, interpret and display the Develop increased public and regional program Develop expanded administrative, commercial, Collection for the Queensland Art Gallery and the activities for the Queensland Art Gallery and the protective and information technology services for the Gallery of Modern Art Gallery of Modern Art Queensland Art Gallery and the Gallery of Modern Art Maintain the highest art museum standards for the Maximise access to the Collection and to temporary Provide administrative, personnel, financial and preservation and management of the Collection and exhibitions through display, information, educational corporate governance support services for the Gallery temporary exhibitions and interpretive services of the highest standard Ensure internal safekeeping and security of the Provide art historical expertise and other professional Develop and maintain the Gallery’s public profile as an Collection and loan works services to support the Gallery’s Collection and other accessible and dynamic art museum through strategic Oversee the management of the Gallery’s commercial exhibition-based programs marketing and communication initiatives activities Develop and maintain an innovative website presence Coordinate the application of information technology to ensure increased access for the Gallery’s online visitors and audiences Develop existing and new audiences through targeted initiatives and cooperative ventures Manage the Gallery’s state-wide regional services 44 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 45

STRATEGIC DIRECTION MEETING THE GOVERNMENT’S COMMUNITY OUTCOMES OUTPUT/PERFORMANCE STATEMENT 2005–06 AND PRIORITIES FOR QUEENSLAND

VISION + Display and promote the Collection and the Gallery’s INITIATIVES AND SERVICES Relationship between the Gallery’s goals and outputs and the Government’s community outcomes and priorities + Increased quality of life for all Queenslanders through facilities, and provide access to exhibitions, educational + Continue to foster research into the Collection and enhanced access, understanding and enjoyment of the services and interpretive programs of excellence to a communicate the results through interpretive programs The Queensland Art Gallery, together with the Gallery of Modern Art, deliver the output, ‘Access to the Visual Arts visual arts and furtherance of Queensland’s reputation diversity of cultures and publics with particular attention for a diversity of audiences. (Queensland Art Gallery)’, and contribute to the Government’s outcomes and priorities as indicated below. as a culturally dynamic state. to the principles of lifelong learning. + Continue to develop and implement integrated + Develop and manage an exhibitions program to the public education programs to support the Collection MISSION highest art museum standards, which extends to and exhibitions. Government Outcomes and Priorities Queensland Art Gallery / Gallery of Modern Art Measures Notes Published Actual + To be the focus for the visual arts in Queensland and regional and remote Queensland, for the benefit and + Investigate and implement enhanced public access to Priority Outputs Targets Achievement a dynamic and accessible art museum of enjoyment of present and future audiences. the Collection and the innovative delivery of education (as per MPS*) to 30 June 2006 international standing. + Continue to develop services provided to regional areas and information services to Queensland including the in order to support such communities in the development and enhancement of the Gallery’s website. STRENGTHENING QUEENSLAND COMMUNITIES QUANTITY KEY STRATEGIC DIRECTIONS development of their unique cultural assets and + Organise and present exhibitions at the Queensland + Enhance the Gallery’s profile through greater emphasis distinctive identities, while also benefiting from cultural Art Gallery. + Safe and secure communities. + Continue to preserve, document and build the + Number of exhibitions presented 16 16 on its Collection, increased focus on children and youth exchange with such regions. + Develop, coordinate and tour exhibitions to regional + Healthy, active individuals and communities. Gallery’s Collection in order to promote enhanced + Number of Collection-based 8 6 programs, and tours of diverse exhibitions and + Ensure the Gallery’s building and strategic development, Queensland. + A fair, socially cohesive and culturally vibrant understanding and recognition of Queensland’s exhibitions presented education programs to regional Queensland centres. including the Gallery of Modern Art Project, meet the + Continue to advise and consult with the education society. cultural heritage. + Number of exhibitions touring 2 2 + Maintain focus on modern and contemporary needs of the community and the Gallery. sector in urban and regional Queensland. + Provide enhanced, accessible and innovative regional Queensland Australian and international art, Indigenous Australian + Provide assistance and encouragement to young + Continue to develop a leading research facility to foster programs, products and services for all + Total attendance at 300 000 325 730 art and contemporary art of the Asia–Pacific region in emerging artists and professional development and research into, and the development of, the Asia–Pacific Queenslanders. Queensland Art Gallery the expansion to a two-site institution. employment opportunities for young persons seeking a collection and major exhibitions/projects. + Promote reconciliation with Indigenous + Number of internships/traineeships 1 2 0 career in the visual arts. + Continue to provide consultancy services and Queenslanders through programs, services and KEY PRIORITIES AND INITIATIVES + Continue to develop an organisational culture that professional support to local government-funded consultative processes. QUALITY + Continue to promote and present the Gallery as a articulates best practice throughout the Gallery’s operations. regional galleries. + Ensure the cultural maintenance of Indigenous art centre of international standing specifically in the areas + Develop, where appropriate, productive partnerships + Continue to provide professional development works and follow appropriate protocols for + Level of satisfaction of audiences with 90% 99% of visual arts practice and audience engagement with with other Government agencies and with the private, opportunities for arts workers in regional Queensland. management and display. Collection-based displays, programs the visual arts. education and community sectors. + Continue to support Gallery touring exhibitions with a + Utilise partnerships and alliances to create and activities + Continue to develop exhibition, education and + Provide museum professionals and Queensland Art range of related education and information resources professional and social development opportunities in + Increase in loan requests and 2 0% 0% interpretive programs for people of all ages. Gallery staff with opportunities for professional and programs. regional Queensland. requests for reproductions from the + Attract new audiences through a range of innovative development, so as to create a community of highly + Contribute to the liveability of cities, towns, regions Collection from external agencies and diverse programs. skilled and educated people. EXHIBITIONS AND AUDIENCES and remote communities through the provision of + Collection stored safely and securely 3 100% 99% + Improve access to the Collection and related visual + Organise and present exhibitions at the Queensland Art greatly increased cultural products and services. to international museum standards arts information irrespective of where people live OPERATIONAL PLAN Gallery. + Provide enhanced programs, products and services + Extent of client satisfaction with 90% 94% in Queensland. The Gallery’s Operational Plan underpins its Strategic Plan + Develop, coordinate and tour exhibitions to regional that value and raise community appreciation of exhibition program + Present a range of exhibitions drawn from the Collection. and documents the major activities undertaken during the Queensland. diversity through cultural knowledge and awareness. + Number of trainees/apprentices 4 100% 100% + Present a wide-ranging program of exhibitions from 12-month period from 1 July 2005 to 30 June 2006. + Develop, coordinate and tour exhibitions that showcase completing traineeships other national and international institutions. the work of regional Queensland artists. BUILDING QUEENSLAND’S ECONOMY + Collect and exhibit Australian and international art COLLECTION + Continue to develop collaborative and consultative LOCATION including the art of Aboriginal and Torres Strait Islander The Gallery’s Collection currently consists of 12 254 works procedures for developing exhibitions and supporting + A strong diversified economy. + Develop education programs for children, youth, peoples and the art of the Asia–Pacific region. of art. Works are acquired each year in accordance with programs to travel to regional Queensland. + A community of well-skilled and adults and mature adults with an emphasis on the + Travelling exhibitions through 2 2 + Continue and expand partnerships with Education the following priorities in the Collection Development knowledgeable people. principles of lifelong learning. regional Queensland Queensland and tertiary education providers to assist in Policy endorsed by Trustees: GALLERY OF MODERN ART + Improved standard of living for all + Develop a highly skilled, adaptable workforce, with + Number of regional locations receiving 25 41 the development and delivery of programs and services. + Acquire works of art to build, refine and enhance + Coordinate planning for developing the programming Queenslanders. an emphasis on providing opportunities for artists, travelling exhibitions and education, + Focus on research, scholarship and publishing; creative the Collection. for the Gallery of Modern Art. scholars, educators, curators and young museum interpretive and information services partnerships and alliances; residencies, internships, + Manage the display of the Collection to provide + Develop community liaison activities addressing the professionals. grants and innovative professional practice. maximum access through permanent displays and Gallery of Modern Art. + Utilise digital and other innovative technologies to *Ministerial Portfolio Statement + Expand and strengthen important partnerships and regular rotations. + Consult with regional Queensland communities and arts improve knowledge of, and access to, the Gallery’s alliances between the Gallery and key international + Implement a schedule of Collection-based displays organisations throughout the development of the Collection and to Gallery programs and services. museums and organisations, in relation to and activities that reflects Collection strengths and Gallery of Modern Art. NOTES + Provide opportunities for skills enhancement and 1 Proposed traineeships for 2005–06 did not proceed due to demands of planning professional opportunities. developments, including tours throughout regional + Continue the design and construction documentation professional development to colleagues in regional for GoMA. + Maintain and enhance the Gallery’s services to regional Queensland. for the Gallery of Modern Art. Queensland. 2 There was no increase due to a moratorium on loan requests while planning GoMA. and remote Queensland through exhibitions, + Maintain a strategic focus on works by Queensland- + Promote the Gallery of Modern Art as a key component + Create an expanded, sustained workforce to meet the 3 A small number of works are provided appropriate levels of environmental and educational services, new technologies and born or Queensland-based artists, and on art of of the Gallery’s development strategy. product and service delivery needs of the new ‘two- security controls but are not accommodated in preferred storage furniture. This professional development and consultancies. relevance to Queensland’s social and cultural diversity. site, one-vision’ institution. situation will eventually be resolved when the Collection has access to the storage + Continue to develop and expand the support of the + Pursue a leadership role in the acquisition of PROGRAMS OF ASSISTANCE + Attract local, national and international visitors to facility within GoMA. private sector for the Gallery’s activities. contemporary art of the Asia–Pacific region. + Conduct annual awarding of scholarships and bursaries. Brisbane and regional centres, thus adding value to 4 All trainees from the 2004–05 intake successfully completed their traineeships + Maximise the Gallery’s contribution to Government + Provide and maintain complete and accurate + Continue youth training and apprenticeship program. them as destinations. during 2005–06, hence the 100% completion rate for 2005–06. outcomes and priorities through appropriate planning information on the Collection and objects in the + Provide educational, cultural and knowledge products and development of the Gallery of Modern Art and the temporary custody of the Gallery. ORGANISATIONAL CULTURE and services to the people of Queensland. refurbishment of the existing Gallery. + Provide and maintain a level of physical safety for the + Facilitate ongoing series of inter-section workshops to Collection consistent with current international ensure collaborative interaction. GOALS museum standards. + Undertake debriefings and evaluations and The Gallery focused on the following goals to ensure its + Establish and implement appropriate practices and communicate outcomes to staff. contribution to the attainment of the Government’s standards for the conservation of the Collection. + Identify and support training and professional community outcomes and priorities for Queensland (see development opportunities for staff. p.45). These goals will remain current for the Gallery’s + Implement strategies contained in the Equal Strategic Plan covering the next five-year planning cycle, Employment Opportunity Plan. 2006–11: + Develop, manage and conserve the Collection to the highest art museum standards for the benefit and enjoyment of present and future users. 46 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 47

COLLECTION ACQUISITIONS Sketch for Sala of mind 1994 Now or? 2006 S.O.S. (Sounds of science) 2005 Meme for a slave who dreams White ibis (Threskiornis Charcoal, oil stick, chalk on paper Fused glass, painted and blown Digital Betacam and DVD formats: like an aristocrat [U235 strictipennis) c.1875 74 x 105cm (sight) 49 x 24cm (diam.) 4:55 minutes, colour, sound, Dreaming]: A frenzy of profit 37 x 27cm (comp.) Acc. 2005.291–306 Acc. 2006.063–064 ed. 2/10 taking 2005 Gift of Peera Ditbunjong through Purchased 2006. Queensland Art Acc. 2005.233–243 Graphite on paper Crested oreoica (Oreoica the Queensland Art Gallery Gallery Foundation Grant Purchased 2005 106 x 114cm cristate) and Spangled drongo Foundation 2005 Acc. 2005.329 shrike (Dicrurus bracteatus) CITIZEN, JOHN COTTON, OLIVE Purchased 2005 c.1875 BROWNE, COLIN Australia b.1955 Australia 1911–2003 37.5 x 28.5cm (comp.) Australia b.1949 Interior (Modern art) 11 Nov. Windflowers c.1939 DERMER, JOHN Ovoid pot c.1980s 2004 2005 Gelatin silver photograph, ed. of 1 Australia b.1949 Spine-tailed swift (Acanthylis Stoneware, wheelthrown ovoid Synthetic polymer paint on canvas 48.9 x 38.8cm (comp.) Vase c.1980–82 caudacuta) and Australian swift form, altered and with tenmoku Two panels: 152 x 152cm (each) Acc. 2006.062 Stoneware, wheelthrown with (Cypselus australis) c.1875 DONORS GIFTS, BEQUESTS, PURCHASES BALDESSARI, JOHN (Candle painting) 1990 glaze Acc. 2005.091a–b Purchased 2006 with funds from incised lines dividing top section 38 x 27cm (comp.) DONATIONS AND GIFTS THROUGH THE QUEENSLAND ART AI WEIWEI United States b.1931 Wax and charcoal on scorched 34.5 x 21.5cm (diam.) Purchased 2005 the Estate of Ouida Marsten into four segments, salt glaze GALLERY FOUNDATION China b.1957 Prima facie (second state): paper Acc. 2005.119 through the Queensland Art 31.5 x 24.5cm (diam.) Red-backed kingfisher (Halcyon Annabel Anderson Feet 2005 Apprehensive 2005 57 x 75.5cm Bequest of Grace Davies and Nell COOK, TIMOTHY Gallery Foundation Acc. 2005.121 pyrrhopygia) and Sordid Anonymous donor Fragments of stone sculpture Archival digital print with UV Davies through the Queensland Australia b.1958 Bequest of Grace Davies and Nell kingfisher (Halcyon sordidus) Carolyn Brennan (from the Northern Wei dynasty varnish coating on canvas; Study for ‘Oblique floor’ 1992 Art Gallery Foundation 2005 (Tiwi people) DALGARNO, ROY Davies through the Queensland c.1875 Bequest of Grace Davies and Nell Davies 386–535 and Northern Qi synthetic polymer paint on canvas Charcoal, oil stick and ink on Jilamara, Milikapiti, Melville Australia 1910–2001 Art Gallery Foundation 2005 37.5 x 27.5cm (comp.) Estate of Sally Welch Edwards dynasty 550–577) with individual Two panels: 168.9 x 137.3cm paper BURRUWAL, BOB Island 2003 (Tree-felling with tractor) 1940 Estate of Jessica Ellis wooden plinths and wooden table (each) 74 x 94cm Australia b.1952 Natural pigments on canvas Oil on plywood DIGGLES, SILVESTER Blue-faced honeyeater Jan and Spencer Grammer 14 components: 88 x 220 x 68cm Acc. 2006.075a–b (Rembarrnga people) 90 x 80cm 45 x 34cm (sight) England/Australia 1817–80 (Entomyza cyanotis) and White- Barbara and Peter Grant (installed) Purchased 2006. The Queensland From ‘Symbiose d’elements Crocodile 2005 Kulama 2003 Acc. 2006.026 Australian roller (Eurystomus pinioned honeyeater (Entomyza May Heck Government’s Gallery of Modern naturels et de structures creux Paperbark (Melaleuca argentea), 150 x 60cm Gift of Carolyn Brennan through australis) c.1875 albipennis) c.1875 Estate of Margaret Hockey, OAM Table with two legs 2004 Art Acquisitions Fund dans l’imaginaire d’aujourd’hui’ string and wood with natural Kulama 2005 the Queensland Art Gallery Lithograph, hand-coloured 37 x 27cm (comp.) Estate of Lawrence F King Reassembled wooden table (Qing (Symbiosis of natural elements pigments Kulama 2005 Foundation 2006 37.5 x 27cm (comp.) Bunny McConnell dynasty 1644–1911) BLACK, SANDRA and hollow structures in today’s 15 x 254 x 60cm 90 x 90cm DIGGLES, SILVESTER (artist) Macquarie Bank Foundation 65 x 184 x 119cm Australia b.1950 imaginary realm) series: Acc. 2006.027 Acc. 2005.262–265 DALY, GREG Australian shoveller (Spatula England/Australia 1817–80 Estate of Ouida Marsten Carved bowl 1984 (Study for sculpture) 1986 Purchased 2005 The Xstrata Coal Indigenous Art Australia b.1954 rhynchotis) c.1875 EATON, HENRY GREEN Dr Cathryn J Mittelheuser, AM Table with two legs on the wall Stoneware, wheelthrown white Synthetic polymer paint and Collection. Purchased 2005 with Vase 1989 27 x 37cm (comp.) (lithographer) Angus Norrie 2005 clay carved with art deco designs, pencil on paper adhered to Namorroddo spirit 2005 funds from Xstrata Coal through Stoneware, wheelthrown with Australia c.1811–87 John Potter and Roz MacAllan 115.5 x 95.2 x 120cm unglazed card Wrapped bark fibre with natural the Queensland Art Gallery deep cobalt glaze and red details Mound-raising megapode Blood-stained cockatoo The Queensland Art Gallery Foundation Blackman Art Appeal 7 x 10.5cm (diam.) 64.5 x 49.5cm (sight) pigments Foundation with gold foil (Megapodius tumulus) c.1875 (Cacatua sanguinea) c.1875 James C Sourris Painted vases 2006 Acc. 2005.118 212 x 16 x 4cm 28.2 x 28cm (diam.) 28 x 36.5cm (comp.) 36.5 x 26.5cm (comp.) The Thomas Foundation Synthetic polymer paint on Bequest of Grace Davies and Nell (Untitled) 1986 Namorroddo spirit 2005 COOK, TIMOTHY (artist) Acc. 2005.120 Beverley Tracey ceramic (Neolithic period) Davies through the Queensland Watercolour, silver paint, 229 x 16 x 5.5cm Australia b.1958 Bequest of Grace Davies and Nell Black-breasted buzzard (Buteo Musk duck (Biziura lobata) Judith Wright 14 pieces ranging from Art Gallery Foundation 2005 graphite on paper adhered to Namorroddo spirit 2005 (Tiwi people) Davies through the Queensland melanosternon) c.1875 c.1875 Xstrata Coal Pty Ltd 17 x 21cm (diam.) to 33.7 x 29 x 27cm card 204 x 13 x 3.4cm TIPILOURA, IMMACULATA Art Gallery Foundation 2005 37 x 27cm (comp.) 37.5 x 27cm (comp.) BLACKMAN, CHARLES 50 x 64.5cm Acc. 2006.101–103 (tunga maker) Acc. 2005.310–327 CULTURAL GIFTS PROGRAM Dropping a Han dynasty urn Australia b.1928 Purchased 2006. Queensland Art Australia b.1959 DANKO, ALEKS Black falcon (Falco subniger) Purchased 2005 Annabel Anderson 1995 City lights 1952 (Untitled) 1986 Gallery Foundation (Tiwi people) Australia b.1950 c.1870 Anonymous donor Gelatin silver photographs, A.P. Oil on composition board 65 x 50cm Tunga (bark basket) 2005 Block bag 1971 36.8 x 26cm (comp.) DJUNGINY, ROBYN Barbara and Peter Grant Three sheets: 180 x 169.5cm 74 x 62cm BUSTARD, WILLIAM Natural pigments on bark Paint, aluminium, leather on Australia b.1947 Judith Wright (each comp.) Acc. 2005.089 Sans title (no title) 1989 England/Australia 1894–1973 (Eucalyptus tetradonta) wood, second series, ed. 6/7 Rose-breasted cockatoo (Ganalbingu people) Acc. 2006.013–017 Purchased 2005 with funds from Lacquer on paper (Brisbane River, Indooroopilly) 74 x 85 x 47cm 14 x 30.5 x 10.5cm (Cacatua eos) c.1875 Woven bottle 2005 GIFTS the Queensland Art Gallery 76.5 x 56cm c.1940s Acc. 2005.332 Acc. 2005.275 36.5 x 26.5cm (comp.) Twined pandanus with natural John Pule Pillar through round table Foundation Blackman Art Appeal Oil on board Commissioned 2005 with funds Gift of an anonymous donor in dyes 2004–05 Study for ‘In between’ 1994 39 x 49cm from The Thomas Foundation memory of Garry Anderson Leadbeater’s cockatoo (Cacatua 64 x 37.5cm (diam.) (complete) BEQUESTS Pair of elmwood half tables BOONMA, MONTIEN Graphite on paper through the Queensland Art through the Queensland Art leadbeateri) c.1875 Grace Davies and Nell Davies assembled into a single table Thailand 1953–2000 56 x 76.5cm (Brisbane River, view to Gallery Foundation Gallery Foundation 2005 36.5 x 26.5cm (comp.) Woven bottle 2005 (Qing dynasty 1644–1911), Handprints and a hand thrasher Graceville church) c.1940s 55 x 26cm (diam.) (complete) COMMISSIONS bisected horizontally by an element 1989 Reincarnation – Amazonas 39 x 49cm COOPER, JUSTINE DAWES, DEBRA Black-eared cuckoo Acc. 2006.107–108 The Thomas Foundation ironwood pillar (Qing dynasty), on Straw, wood, white cement, project 1992 Acc. 2006.019–020 Australia/United States b.1968 Australia b.1955 (Chrysococcyx osculans), Shiny Purchased 2005. Queensland Art two ironwood pillar fragments string/rope and synthetic polymer Charcoal, oil stick, ink on paper Purchased 2005 From ‘Saved by science’ series: clock wise December 2003 2003 cuckoo (Chrysococcyx lucidus), Gallery Foundation PURCHASED THROUGH BEQUESTS AND FUNDS 142 x 513 x 117cm (installed) paint 50 x 70cm (sight) Blue triangle butterflies Oil on canvas and Narrow-billed cuckoo The Queensland Government’s Gallery of Modern Art Purchased 2006. The Queensland 79 x 79 x 16cm CATTAPAN, JON (Graphium sarpedon) 2005 180 x 260cm (Chrysococcyx basalis) c.1875 DUPAIN, MAX Acquisitions Fund Government’s Gallery of Modern Sketch for ‘A hanging breast’ Australia b.1956 Accession books 2005 Acc. 2005.092 37.5 x 27cm (comp.) Australia 1911–92 The Queensland Government’s special Centenary Fund Art Acquisitions Fund One component from ‘Manual 1992 Passage set 2004 African lion (Panthera leo) 2005 Purchased 2005 with funds from Little nude 1938 Acc. 2006.238a–c activities: Handprints and Charcoal, graphite and synthetic Oil on linen Albertosaurus dinosaur head the Estate of Sally Welch Edwards Wood swallow (Artamus Gelatin silver photograph straws’ 1989 polymer paint on paper Four panels: 145 x 575cm 2005 through the Queensland Art sordidus), White-eyebrowed 32.6 x 25.4cm (comp.) AUSTRALIAN SCHOOL White cement, straw 50 x 69.5cm (overall) Herpetology collections 2005 Gallery Foundation wood swallow (Artamus Acc. 2005.217 View from Main Range near 102 x 19 x 12cm Acc. 2005.090a–d Leopards (Panthera pardus), superciliosus) and White- Purchased 2005 Spicers Peak, Queensland, Sketch for ‘Scenes’ 1992 Purchased 2005 with funds from Congo 1911 2005 DE MEDICI, EX rumped wood swallow (Artamus Australia c.1880s Handprints on cement Charcoal, graphite and ink on the Estate of Lawrence F King in Cleared and stained tree agama Australia b.1959 leucopygialis) c.1875 DURRNG, MICKY Watercolour construction 1990 paper memory of the late Mr and Mrs SW and caiman 2005 The theory of everything 2005 37.5 x 27.5cm (comp.) Australia 1940–2006 28 x 48.2cm Charcoal, ash, cement and paper 50 x 70cm King through the Queensland Art The bustroom 2005 Watercolour and metallic pigment (Liyagalawumirr people) Acc. 2005.328 on wooden pole with metal and Gallery Foundation Trophies 2005 on Arches paper Jardine’s harrier (Circus jardinii) Garriyak body painting 2006 Purchased 2005 nails Sketch for ‘Scenes’ 1992 Yellow honeyeaters 114.3 x 176.3cm c.1875 Natural pigments on bark 200 x 101.5 x 14cm (overall) Charcoal, graphite, foil and ink on CHASELING, SCOTT (Lichenostomus flavus) 2005 Acc. 2005.244 36.8 x 26cm (comp.) 135 x 35cm paper Australia b.1962 Digital colour prints on Fuji Trio 1991 50 x 70cm Home comforts 2004 Crystal Archive Matte paper, ed. New Holland goshawk (Astur Lorrkon (burial pole) 2006 Charcoal, earth, pigment, ashes Fused glass, painted and blown of 8 novae-hollandiae) c.1875 Wood with natural pigments and glue on paper 55.5 x 24.2cm (diam.) Five sheets: 99.1 x 76.3cm; five 37 x 27cm (comp.) 210 x 25cm (diam.) (irreg.) Triptych: 100 x 70cm (each sheet) sheets 76.3 x 99.1cm (each comp., approx.) 48 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 49

Lorrkon (burial pole) 2006 Fink water jug designed 1993, HAMADA, ATSUYA Mashrabia-inspired lattice HUNTLEY, attrib. to JAPAN KERINAUIA, RAELENE LAU ISLANDS Dhanbarr (hollow log memorial MCMASTER, VAL 297 x 21cm (diam.) (irreg.) produced 2006 Japan 1932–86 brooch 1993–94 ALBERT STAFFORD Lidded box 1897–1907 (Meiji Australia b.1962 Ibe vakabati (mat) c.2001 pole) 2004 Australia 1913–83 Acc. 2006.091–093 Anodized aluminium (deep blue) Teapot c.1973 18 carat yellow gold, sterling Australia 19th century period) (Tiwi people) Woven voi voi (pandanus) with Wood with natural pigments Coffee set 1936 Purchased 2006 with powder-coated aluminium Stoneware with green glaze silver Engineer’s camp, North ‘Nashiji’, ‘takamaki-e’ and Kayimwagakimi jilamara 2004 commercial wool 312 x 20cm (diam.) Earthenware, slab-built white clay handle 9 x 14.5cm (diam.) (irreg., 3.6 (diam.) x 1.3cm Toolburra, near Warwick 1864 ‘hiramaki-e’ lacquer Natural pigments on canvas 185.5 x 210.5cm Acc. 2005.271–273 of swelling rectangular shape, ELIASSON, OLAFUR 30.1 x 18.4 x 10.4cm complete) Pencil 8.6 x 8.7 x 8.7cm (complete) 200 x 60cm Acc. 2006.111 Purchased 2005. Queensland Art carved with a register of leaves and Denmark b.1967 Acc. 2006.085–088 Acc. 2006.037a–b Hawk 1999 16 x 21.5cm (oval) Acc. 2006.060a–b Kayimwagakimi jilamara 2004 Purchased 2005 Gallery Foundation flowers, glazed brown and colours The cubic structural evolution Purchased 2006 Gift of Barbara and Peter Grant 18 carat yellow gold, cabochon Acc. 2006.025 Purchased 2006. Queensland Art Jilamara, Milikapiti, Melville Coffee pot: 21 x 19 x 9cm project 2004 through the Queensland Art black star sapphire, yellow Purchased 2006. Queensland Art Gallery Foundation Grant Island 2004 LÊ, DINH Q MARRINON, LINDA (complete); milk jug: 10.4 x 14.5 x Plastic Lego blocks FRIEND, DONALD Gallery Foundation 2006 sapphire Gallery Foundation Grant Pwoja (Pukumani body paint Vietnam b.1968 Australia b.1959 8.3cm; sugar basin: 14 x 16 x 9.5cm Installed size variable Australia 1915–89 4 x 3.3 x 1cm JIN-GUBARANGUNYJA, LORNA design) 2004 Lotusland 1999 Dancer 2005 (complete) Acc. 2005.109a– Sigiriya Rock, Ceylon c.1960 HAMADA, SHOJI INO, KIYOSHI Australia b.1952 Acc. 2005.266–269 Fibreglass, polymer, wood and Tinted plaster Acc. 2006.081.001–003 Purchased 2005. Queensland Art Watercolour and pen, brush and Japan 1894–1978 Skylark 2005 Japan b.1946 (Burarra (Martay dialect) people) The Xstrata Coal Indigenous Art synthetic polymer paint, ed. of 1 67.2 x 23.6 x 17.3cm Gift of Mrs Mavis McIntyre Gallery Foundation Grant coloured inks with ink wash, Rectangular bottle c.1973 Oxidised sterling silver, white Vase c.1980–82 Jina-bakara (fish trap) 2005 Collection. Purchased 2005 with 27 pieces ranging from 30 x 57.5 through the Queensland Art heightened with white, with Stoneware, press-moulded with seed pearls, ruby Stoneware, wheelthrown with Twined pandanus palm leaf, bark funds from Xstrata Coal through x 52.5cm to 77.5 x 55 x 45cm Man in long johns 2005 Gallery Foundation 2006 ENTATA, IRENE (potter) scraping out and crayon tenmoku glaze and nuka glaze 3.2 x 4 x 0.5cm white crackle glaze string, wood the Queensland Art Gallery Acc. 2006.073a–aa Plaster Australia b.1946 35.3 x 51.2cm (comp.) 22 x 16 x 8.5cm 23.5 x 14cm (diam.) 147 x 44cm (diam.) Foundation Purchased 2006. The Queensland 67.6 x 23.7 x 19.1cm MIK, AERNOUT (Arrernte (Aranda)/Luritja people) Acc. 2005.254 Wryneck 1999 Acc. 2005.248 Acc. 2006.106 Government’s Gallery of Modern The Netherlands b.1962 HERMANNSBURG POTTERS Purchased 2005 Square platter c.1973 18 carat yellow gold, diamond, Bequest of Grace Davies and Nell Purchased 2006. Queensland Art KOOLMATRIE, YVONNE Art Acquisitions Fund Man with shorts 2005 Pulverous 2003 (pottery workshop) Stoneware with tenmoku glaze, spinel briolette Davies through the Queensland Gallery Foundation Australia b.1944 Patinated plaster 3-channel video installation on Australia est. 1990 GIBBS, CG and ladle-poured scroll design in 2.7 x 3.9 x 1.2cm Art Gallery Foundation 2005 (Ngarrindjeri people) LISTER, W LISTER 61.2 x 17.1 x 20.6cm video server: 23:27 minutes Pot: Mission days 2005 Australia 1906–92 kaki glaze Acc. 2006.005–009 JOHNSON, TIM (artist) Hot-air balloon 2006 Australia 1859–1943 (looped), colour, silent on rear Earthenware, hand-built terracotta Brisbane outskirts 1959 6 x 27 x 27cm Purchased 2006 with funds from INOUE, SHUNICHI Australia b.1947 Coil-woven sedge grass and river (Riverine landscape) c.1920s Pink sailor 2005 projection screen embedded into clay with underglaze colours and Watercolour the Estate of Jessica Ellis through Japan b.1946 SMITH, BRENDAN (collaborating rushes Watercolour Tinted plaster temporary wall, ed. 1/4 applied decoration 36 x 44.5cm (sight) Round platter c.1973 the Queensland Art Gallery Vase 1978 artist) 194 x 90cm (diam.) 59 x 92.8cm (sight) 65 x 24.6 x 17.4cm 200 x 790cm (installed, approx.) 41.5 x 30cm (diam.) (complete) Acc. 2005.113 Stoneware with ash glaze and kaki Foundation Stoneware, wheelthrown, mallet Australia b.1964 Acc. 2006.109 Acc. 2005.114 Acc. 2006.066–069 Acc. 2005.110 Acc. 2006.028a–b Bequest of Grace Davies and Nell glaze, and wax resist design of a shape with matte, pale Two phoenix 2005 Purchased 2006 with funds from Bequest of Grace Davies and Nell Purchased 2006. Queensland Art Purchased 2005. The Queensland Purchased 2005 Davies through the Queensland rice husk HEYSEN, HANS mauve/pink glaze Synthetic polymer paint on Dr Cathryn J Mittelheuser, AM, Davies through the Queensland Gallery Foundation Grant Government’s Gallery of Modern Art Gallery Foundation 2005 5 x 27.5cm (diam.) Germany/Australia 1877–1968 22.8 x 11cm (diam.) canvas through the Queensland Art Art Gallery Foundation 2005 Art Acquisitions Fund EVANS, EMILY (Pastoral scene) c.1920 Acc. 2005.249 153 x 183cm Gallery Foundation MCCONNELL, CARL Australia b.1975 GIMBLETT, MAX Lidded jar 1965 Watercolour with gouache over Bequest of Grace Davies and Nell Acc. 2006.010 LIU JIEQIONG Australia 1926–2003 MILLER, MOLLY (Lardil people) New Zealand/United States Stoneware with green–grey pencil Davies through the Queensland Purchased 2006 with funds from KUDRUVI, SERUWAIA China b.1967 Large bowl with ‘Pinjarra plum’ Australia Wurruku (Sharp-nosed brown b.1935 glazes and painted fruit design 31 x 37.7cm (sight) Art Gallery Foundation 2005 Macquarie Bank Foundation Lau Islands/Fiji b.(c.)1950 Story of the Red Army 2004 glaze c.1976 (Pitjantjatjara people) shark) 2005 Light green/red – to Dora 1978 11.5 x 9cm (diam.) (complete) Acc. 2006.079 through and with the assistance Ibe vakabati (mat) 2005 Papercut, ed. of 6 Stoneware, wheelthrown with Basket 1997 Synthetic polymer paint on Oil and wax on canvas Acc. 2006.033–036 Gift of May Heck in memory of her JACIR, EMILY of the Queensland Art Gallery Woven voi voi (pandanus) with 12 pieces: 225 x 432cm (overall) circular design of incised leaves and Coil-woven desert grass canvas 203.2 x 203.2cm Gift of Barbara and Peter Grant husband Douglas Heck through Palestine/United States b.1970 Foundation commercial wool Acc. 2006.133a–l ‘Pinjarra plum’ (reduced iron) glaze (wangarnu or minarri), emu 137 x 91cm Acc. 2006.076 through the Queensland Art the Queensland Art Gallery Where we come from (If I could 181.5 x 246.3cm Purchased 2006 13 x 43cm (diam.) feathers with wool and red ininti Acc. 2005.258 Purchased 2006. The Queensland Gallery Foundation 2006 Foundation 2006 do anything for you, anywhere JONES, JONATHAN Acc. 2006.113 beans Purchased 2005 Government’s Gallery of Modern in Palestine, what would it be?) Australia b.1978 Commissioned 2005 LOUGHLIN, JESSICA Celadon plate c.1978–80 28 x 48cm (diam.) Art Acquisitions Fund HANSSEN PIGOTT, GWYN HONG HAO 2001–03 (Kamilaroi/Wiradjuri people) Australia b.1975 Stoneware, wheelthrown with Acc. 2005.232 Balibal country 2006 Australia b.1935 China b.1965 Laser print, ed. 3/3 lumination fall wall weave KUGDJA, KOROLI Untitled 1 2003 incised circular design of leaves Purchased 2005 Synthetic polymer paint on linen GOIRIS, GEERT Drift 2005 Long March in Panjiayuan A 22.2 x 28.6 x 2.5cm (framed) 2004/2006 West Papua Kiln-formed and cut glass and pale celadon glaze 172 x 172cm (diagonally) Belgium b.1971 Wheelthrown and slip-cast 2004 Electrical cable, light fittings, Noken c.2005 2.1 x 49.5cm (diam.) 4 x 22.8cm (diam.) MOFFATT, TRACEY Acc. 2006.072 E313 1999 Limoges and Southern Ice Type C photograph, ed. 1/9 Where we come from (Osama) bulbs on painted MDF board Ilam or metel bark fibre string, Acc. 2006.065 Australia/United States b.1960 The Xstrata Coal Indigenous Art Lambda print, ed. of 5 porcelains with glazes 127 x 230cm 2001–03 363 x 720 x 25cm (installed, karang kwe and dome (brown Purchased 2006 with funds from Bowl with crackled glaze Adventure series 2004 Collection. Purchased 2006 with 100.4 x 128cm (comp.) 19 pieces: 30 x 150 x 23cm Laser print; c-print mounted on variable) and yellow orchid) stem, nylon, the Estate of Jessica Ellis through c.1978–80 Digital photo-prints on Fujiflex funds from Xstrata Coal through Acc. 2006.059 (installed) Long March in Panjiayuan B cintra, ed. 3/3 The Xstrata Coal Emerging seed pods and cowrie shells the Queensland Art Gallery Porcelain, wheelthrown with paper, ed. 12/25 the Queensland Art Gallery Purchased 2006. Queensland Art Acc. 2005.093a–s 2004 Laser print: 22.2 x 28.6 x 2.5cm Indigenous Art Award 2006 53.5 x 31.5cm (including handle) Foundation crackled grey–white glaze, with Ten sheets: 132.1 x 114.8cm Foundation Gallery Foundation Purchased 2005. The Queensland Acc. 2006.131–132 (framed); c-print: 37.9 x 24.1 x (winning entry). Purchased 2006 Acc. 2006.055 wooden stand (each comp.) Government’s Gallery of Modern Purchased 2006 2.5cm with funds from Xstrata Coal Purchased 2006 Space between #6 2005 Bowl: 7.5 x 14cm (diam.); Acc. 2005.203.001–010 FOSTER, ROBERT HALL, FIONA Art Acquisitions Fund through the Queensland Art Kiln-formed, wheel-worked glass stand: 3 x 9cm (diam.) Purchased 2005. The Queensland Australia b.1962 Australia b.1953 HU YANG Where we come from (Habib) Gallery Foundation LAHEY, VIDA 40.5 x 49.1 x 5.2cm Acc. 2005.122–124 Government’s Gallery of Modern Blue strike teapot 2004 From ‘The Divine Comedy’ series: HEARMAN, LOUISE China b.1959 2001–03 Australia 1882–1968 Acc. 2006.089 Bequest of Grace Davies and Nell Art Acquisitions Fund Stainless steel, anodized Purgatory, Canto XVI: The Australia b.1963 Shanghai living (series) Laser print; c-print mounted on lumination fall 1F, 2F, 3F The carter’s rest, Eagle Street Purchased 2006. Queensland Art Davies through the Queensland aluminium, plastic wrathful 1988 Untitled #1111 2005 2004–05 cintra, ed. 3/3 2003–05 1913 Gallery Foundation Art Gallery Foundation 2005 MOLVIG, JON 24.1 x 21.3 x 14.2cm Polaroid photograph Oil on composition board Type C photographs, ed. 5/8 Laser print: 22.2 x 28.6 x 2.5cm Cotton thread on paper, ed. 5/5 Watercolour Australia 1923–70 53.2 x 61.4cm (comp.) 61.4 x 92.1cm 100 sheets: 43 x 61cm (each (framed); c-print: 30.5 x 22.9 x Three sheets: 22 x 15cm (sight, 33 x 42cm MARA, FINAU Large vase with ‘Pinjarra plum’ Sketch for ‘Portrait version no. Fink water jug designed 1993, comp., approx.) 2cm each) Acc. 2006.024 Lau Islands/Fiji b.1950 glaze c.1980 3’ 1960 produced 2006 Paradise, Canto XXI: The Untitled #1084 2004 Acc. 2006.074.001–100 Acc. 2006.070–071 Purchased 2005 I yara yara (Baby mat) 2005–06 Stoneware, wheelthrown with Charcoal on Ingres paper Anodized aluminium (silver satin sphere of Saturn 1988 54.5 x 61cm Purchased 2006. The Queensland Where we come from (Ibrahim) The Xstrata Coal Indigenous Art Woven voi voi (pandanus) with ‘Pinjarra plum’ glaze and poured 56 x 37.5cm (sight) finish) with powder-coated 61.6 x 53cm (comp.) Government’s Gallery of Modern 2001–03 Collection. Purchased 2006 with LARAIJDBI, LULU beach hibiscus and commercial decoration Acc. 2005.115 aluminium handle Untitled #1086 2005 Art Acquisitions Fund Laser print, ed. 3/3 funds from Xstrata Coal through Australia b.1949 wool 54 x 29.5cm (diam.) Bequest of Grace Davies and Nell 30.6 x 18.6 x 10.2cm The social fabric 1996 41 x 61cm 22.2 x 28.6 x 2.5cm (framed) the Queensland Art Gallery (Kuninjku people) 100 x 140cm Acc. 2005.253 Davies through the Queensland Type C photograph HUGHAN, HAROLD Acc. 2006.115–118 Foundation Headdress 2004 Acc. 2006.114 Purchased 2005 Art Gallery Foundation 2005 Fink water jug designed 1993, 230 x 130cm Untitled #1109 2004 Australia 1893–1987 Purchased 2006 Bark fibre string with natural Commissioned 2005 produced 2006 Acc. 2005.229–231 51.1 x 54cm Jug 1950s pigments, beeswax, feathers Tea bowl with crab motif c.1970s MURDILNGA, MARINA Anodized aluminium (orange) Purchased 2005 Acc. 2006.001–004 Stoneware, wheelthrown with JACOBSEN, ARNE (designer) 80 x 28 x 6cm MARAWILI, DJAMBAWA Porcelain, wheelthrown with Australia b.1960 with powder-coated aluminium Purchased 2006. Queensland Art grey glaze Denmark 1902–71 Acc. 2006.105 Australia b.1953 brushed cobalt decoration and (Kuninjkju people) handle Gallery Foundation 24 x 18 x 15.5cm STELTON (manufacturer) Purchased 2006. Queensland Art (Madarrpa people) crackled celadon glaze, with Yawkyawk spirit 2005 30 x 18.4 x 10.4cm Acc. 2006.018 Denmark est. 1960 Gallery Foundation Baraltja 2005 wooden stand Pandanus, cane, bark fibre, HEATH, BARBARA Purchased 2005 Tea strainer (from ‘Cylinda Line’ Natural pigments on bark Bowl: 8.5 x 9.8cm (diam.); natural dyes Australia b.1954 series) designed 1964–67, 196.5 x 74.5cm stand: 4 x 10cm (diam.) 231 x 86 x 6cm Mashrabia-inspired lattice produced 1967 Acc. 2006.080a–b brooch 1993–94 Polished and brushed stainless steel Mundukul (lightning serpent) Gift of Bunny McConnell through 18 carat yellow gold, pearls Two parts: 4 x 10.3cm (complete) 2005 the Queensland Art Gallery 2.7 x 2.7 x 0.9cm Acc. 2005.216a–b 200 x 79.5cm Foundation 2006 Purchased 1982 50 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 51

Yawkyawk spirit 2005 Green abstract c.1972 PRESTON, REG Paradise lost 2001 SANDERS, CHRISTOPHER The Khayal Saga (Khayal SHORT, DOROTHY off, vultures and crows tear TAMARII, EMMA (artist) THE ATLAS GROUP / WALID 183.5 x 62.5 x 6cm 92 x 106.5cm Australia 1917–2000 Lithograph, ed. 5/30 Australia b.1952 Gatha) 1988 Australia b.1933 and eat until death, reborn Marquesas Islands/Tahiti b.1937 RAAD Acc. 2006.097–098 Spherical jar c.1980s 71.1 x 56.8cm (comp.) Covered jar c.1995 35mm negative and 35mm film (Umpila people) like this for hundred kalpas TAMARII, MARIE-THERESE Lebanon est. 1999 / b.1967 Purchased 2006. Queensland Art Mt Coot-tha wall no. 2 c.1980 Stoneware, wheelthrown with light Stoneware, wheelthrown with print: 103 minutes, colour, sound Grass skirt 2005 1991 (collaborating artist) Already been in a lake of fire Gallery Foundation Synthetic polymer paint on blue glaze over tenmoku glaze Agaaga 2002 ‘sang de boeuf’ (reduced copper) (Hindi and Urdu languages, Knotted cabbage palm fibre with Marquesas Islands/Tahiti b.1959 1999–2002 canvas 19.7 x 21cm (diam.) (complete) Etching (left-hand image) and glaze English subtitles) natural dyes (title in Thai script) 1991 Couronne du Roi (The King’s Digital colour prints, ed. 3/7 MURIATA, ABE 43 x 83.5cm woodcut (right-hand image), ed. 31.5 x 24.5cm (diam.) (complete) Purchased 2006. The Queensland 77 x 94 x 5.2cm 210 x 210cm crown) (tifaifai) 2003 Ten sheets: 29.5 x 41.5cm (sight, Australia b.1952 Acc. 2006.082–084 Spherical vase c.1980s 5/30 Government’s Gallery of Modern Acc. 2006.029 (title in Thai script) 1991 Commercial cotton cloth and each comp.) (Girramay people) Gift of Angus Norrie through the Stoneware, wheelthrown with 29.7 x 50.2cm (comp.) Flat lid jar 1995 Art Acquisitions Fund Purchased 2005 (title in Thai script) 1991 thread in appliqué and Acc. 2006.078a–j Jawun (basket) 2005 Queensland Art Gallery mottled tenmoku and brown glazes Porcelain, wheelthrown with (title in Thai script) 1991 embroidered technique Purchased 2006. The Queensland Twined lawyer vine Foundation 2006 29.5 x 21cm (diam.) Mahina 2004 crackled white glaze SHARPE, PENNY SIGNER, ROMAN 190 x 205cm 280 x 240cm Government’s Gallery of Modern 44 x 29 x 21cm Lithograph, ed. 8/40 12.5 x 12cm (diam.) (complete) Australia b.1941 Switzerland b.1938 (title in Thai script) 1991 Acc. 2006.061 Art Acquisitions Fund Acc. 2006.030 OZAWA, TSUYOSHI Large vase c.1980s 76.4 x 61.1cm (comp.) Acc. 2005.128–129 (Boats on the Brisbane River) 1959 Ladder with barrel 2001 210 x 210cm Purchased 2006. Queensland Art Purchased 2005 Japan b.1965 Stoneware, wheelthrown and Acc. 2005.204–215 Bequest of Grace Davies and Nell Watercolour and Indian ink Metal ladder, barrel, balloon Gallery Foundation THENUWARA, From ‘Vegetable weapon’ series: distorted with square shoulders Gift of the artist 2005 Davies through the Queensland 25 x 25.2cm (sight) Ladder: 274.2 x 35.5 x 5.7cm; Sketches for ‘Dasachati’ series CHANDRAGUPTHA MURRAY, NINNEY Salmon hotpot/Tokyo 2002 and brown glaze over wax resist Art Gallery Foundation 2005 Acc. 2005.116 barrel: 58.5 x 37.5cm (diam.) 1997 TAPPIN, PETER Sri Lanka b.1960 Australia b.1941 Type C photograph, ed. of 1 47.5 x 18.5 x 18.5cm PUTRIH, TOBIAS Bequest of Grace Davies and Nell Acc. 2005.112a–c Crayon Australia b.1941 Peace 2004 (Girramay/Jirrbal people) 157 x 114cm (comp.) Acc. 2005.125–127 Slovenia b.1972 SANPITAK, PINAREE Davies through the Queensland Purchased 2005. The Queensland Four sheets: 56 x 76.5cm (each) Vase with flared lip c.1980s Synthetic polymer paint on Wungarr (eel trap) 2005 Bequest of Grace Davies and Nell Macula A/-5 2005 Thailand b.1961 Art Gallery Foundation 2005 Government’s special Centenary Earthenware, wheelthrown with canvas Twined lawyer vine Korean style vegetable Davies through the Queensland Cardboard Untitled c.1995 Fund and the Queensland Art Peera Ditbunjong 1991 hand-carved band at the shoulder 91.4 x 121.9cm 149 x 21.5 x 13cm hotpot/Seoul 2001 Art Gallery Foundation 2005 Five parts: 240 x 119.4 x 121.9cm Gouache, crayon SHERIDAN, STEVE Gallery Foundation Ink and green glaze A line on a canvas 2004 Acc. 2006.031 157.2 x 114cm (comp.) (complete) 42 x 29.5cm Australia b.1950 12.5 x 7.5cm 21.7 x 8.5cm (diam.) Ink on canvas Purchased 2005 PUIPIA, CHATCHAI Acc. 2006.077a–e Bowl with chün glaze c.1980–81 SITTHIKET, VASAN Acc. 2005.276–290 Acc. 2005.134 Camouflage 2004 Chapsui/Baguio, The Thailand b.1964 Purchased 2006. The Queensland Untitled c.1995 Stoneware, wheelthrown with Thailand b.1957 Gift of Peera Ditbunjong through Bequest of Grace Davies and Nell Synthetic polymer paint on NAPALTJARRI, NGOIA POLLARD Philippines 2001 Go ahead, jump c.1994 Government’s Gallery of Modern Acc. 2005.308–309 chün glaze From ‘Inferno’ series: the Queensland Art Gallery Davies through the Queensland canvas Australia b. late 1940s 157.1 x 114.1cm (comp.) Synthetic polymer paint and Art Acquisitions Fund Gift of Peera Ditbunjong through 21 x 24.6cm (diam.) Sinners are gunmen who Foundation 2005 Art Gallery Foundation 2005 Camouflage 2004 (Luritja/Warlpirri people) crayon on canvas the Queensland Art Gallery serve the mafia and tyranny, Acc. 2006.038–041 Swamps around Nyirripi 2005 Seafood hotpot/Beijing 2002 201 x 135cm PWERLE, ANGELINA Foundation 2005 Vase with lug handles oppressing peaceful men to SMITH, DAVID TERAOKA, MASAMI Purchased 2006. Queensland Art Synthetic polymer paint on linen 157 x 114.1cm (comp.) Acc. 2005.307 Australia b.(c.)1952 c.1980–81 be afraid, doing unlawful Australia b.1927 Japan/United States b.1936 Gallery Foundation 191 x 155cm Gift of Peera Ditbunjong through (Anmatyerre/Alyawarre people) SCHLITZ, MICHAEL Stoneware, wheelthrown with business, making trouble Oval vase c.1970s 31 Flavors Invading Acc. 2005.257 Parippu (Lentil curry) from Sri the Queensland Art Gallery Bush plum dreaming 2002 Australia b.1967 chün-type glaze everywhere. They will be Stoneware, wheelthrown with Japan/French Vanilla 1978 TIGAN, AUBREY Purchased 2005 Lanka/New York 2002 Foundation 2005 Synthetic polymer paint on canvas Astronomer 2004 21 x 24.5cm (diam.) surrounded by flocks of tenmoku glaze 65 colour screenprint on Roll Australia b.1945 114 x 157cm (comp.) 180 x 119cm Drypoint, ed. 12/40 Acc. 2005.130–131 hungry dogs and crows 16 x 10.5cm (diam.) Rives paper, ed. 48/58 (Bardi/Jawu people) NAPALTJARRI, WENTJA 2 PULE, JOHN Acc. 2005.094 76.5 x 56.5cm (comp.) Bequest of Grace Davies and Nell gathering to eat them, they Acc. 2005.133 28 x 140cm (comp.) Riji (pearlshell pendant): Australia b.(c.)1940 Giblets hotpot/Fukuoka 2002 Niue/New Zealand b.1962 Purchased 2005 with funds from Acc. 2006.090 Davies through the Queensland will die and be reborn again Bequest of Grace Davies and Nell Acc. 2005.274 Traditional Bardi trading shell (Luritja/Pintupi people) 114.2 x 157cm (comp.) Tukulagi tukumuitea (Forever the Estate of Margaret Hockey, Acquired 2006. Print Council of Art Gallery Foundation 2005 and again for five hundred Davies through the Queensland Purchased 2005 with funds from 2006 Rock holes west of Kintore 2005 Acc. 2005.095–100 and ever) 2005 OAM, through and with the Australia Member Print 2004 kalpas 1991 Art Gallery Foundation 2005 Jan and Spencer Grammer Pearlshell, hair string with natural Synthetic polymer paint on linen Purchased 2005 with funds Oil on canvas assistance of the Queensland Art SHIGA, SHIGEO Synthetic polymer paint on through the Queensland Art pigment 152 x 188cm from John Potter and Roz Triptych: 199.9 x 199.9cm (each Gallery Foundation SELIG, SANDRA Japan b.1928 canvas SPOWERS, ETHEL Gallery Foundation 55.5cm (long); pendant: 17.5 x Acc. 2005.256 MacAllan through the panel) Australia b.1972 Large vase c.1970s 210 x 210cm Australia 1890–1947 13.8 x 2.1cm Purchased 2005 Queensland Art Gallery QURESHI, NUSRA LATIF Untitled (from ‘Webs from my Stoneware, wheelthrown, with Staircase window c.1925 Woman with Iris 1980 Foundation Lagaki (To lift) (series) 2000–05 Pakistan b.1973 garden’ series) 2004–05 cinnabar-red glaze Sinners are eggheads, learn Woodcut, ed. of 40 54 colour screenprint on Arches Riji (pearlshell pendant): NOLAN, SIDNEY Ink, oil stick, pencil and pastel on Silent spaces 1 2005 Enamel on spider web with 28.5 x 19cm (diam.) superb knowledge too much; 14.8 x 8.9cm (comp.) 88 paper, ed. 36/87 Traditional Bardi trading shell Australia/England 1917–92 Vegetable vindaloo/Brisbane, paper Gouache, paper, synthetic polymer adhesive and sealant on paper do nothing, only records in Acc. 2005.255 58.3 x 43.3cm (comp.) 2006 Flower 1948 Australia 2005 15 sheets: 76.3 x 56.4cm (each paint and wasli on illustration Eight sheets: 27.7 x 41.8cm Vase c.1970s their heads; take farangs’ Purchased 2005 39cm (long); pendant: 16.8 x 13 x Carbon transfer drawing 156 x 113cm (comp.) comp., approx.) board (each) Stoneware, wheelthrown, with science bullshit to cheat Thais, McDonald’s Hamburgers 1.7cm 29.3 x 22.9cm (comp.) Purchased 2005. The Queensland Diptych: 40 x 30cm (each comp.) Acc. 2005.218–225 brown glaze and red/brown glaze fighting for high status. Their STEVENS, GRANT Invading Japan/Chochin-me Vegetable curry/Brisbane, Government’s Gallery of Modern Acc. 2005.334a–b Purchased 2005. Queensland Art near base heads will be broken and their Australia b.1980 1982 Riji (pearlshell pendant): Wallaby and flowers c.1949 Australia 2005 Art Acquisitions Fund Purchased 2005. The Queensland Gallery Foundation Grant 23.5 x 14cm (diam.) brains taken out, replaced Danger zone 2003 36 colour screenprint on Arches Stingray, coconut tail (Butcher 29.3 x 22.9cm (comp.) 113 x 156cm (comp.) Government’s Gallery of Modern with shit 1991 DVD: 19.5 seconds (looped), 88 paper, ed. 41/91 Joe) 2006 Halahala (The pathway is clear Art Acquisitions Fund SHAHANI, KUMAR Vase c.1970 colour, sound, ed. of 5 54.3 x 36.5cm (comp.) 83cm (long); pendant: 16.7 x 13.1 Flower 1949 Chicken and spinach for the child to be born) 1992 India b.1940 Stoneware, wheelthrown, with Sinners are weapon x 2cm 30.5 x 25.4cm (comp.) risotto/Brisbane, Australia Oil on canvas RUFF, THOMAS The Bamboo Flute (Birah purple/blue chün-type glaze merchants; who profit from Some want it all 2004 Sarah and Octopus/Seventh Acc. 2006.021–023 2005 247 x 176.5cm (unstretched) Germany b.1958 Bharyo Ghar Aangan Kone) 18 x 16cm (diam.) suffering and devastation. DVD: 3:03.25 minutes (looped), Heaven 2001 Love Riji (pearlshell pendant) Purchased 2005 113 x 156cm (comp.) Substrat 19 1 2003 2000 Acc. 2005.250–252 Their heads will be hanged black and white, sound, A.P. 29 colour woodblock on Hosho 2006 Acc. 2005.342–344 Untitled 1998 Chromogenic colour print on 35mm negative and 35mm film Bequest of Grace Davies and Nell down in cave of conflagration; paper, ed. 28/200 58cm (long); pendant: 18 x 14.5 x NONA, DENNIS Purchased 2005 with funds 246.4 x 225.7cm (unstretched) paper with Diasec (acrylic sheet), print: 84 minutes, colour, sound Davies through the Queensland hitting each other to death Nothing’s changed 2004 26.4 x 40cm (comp.) 1.7cm Australia b.1973 from John Potter and Roz ed. 3/5 (Hindi and Tamil languages, Art Gallery Foundation 2005 1991 DVD: 26:58.79 minutes (looped), (Kala Lagaw Ya people) MacAllan through the Vaka (canoe) 1994 183.5 x 108.4cm (comp.) English subtitles) three channel, black and white, AIDS Series/Geisha and Ghost Riji (pearlshell pendant): Baidam 2006 Queensland Art Gallery Woodcut, ed. 6/18 Acc. 2005.111 SHOJI, MITSUO Sinners are social workers, sound, ed. of 7 Cat 1989/2002 Galaloongg (God Man Design) Linocut, A.P. Foundation and the 92.9 x 21cm (comp.) Purchased 2005. The Queensland Immanence (Bhavantarana) Australia b.1946 living off poor people’s Acc. 2005.226–228 Aquatint and sugar lift etching, 2006 95 x 239cm (comp.) Queensland Art Gallery Government’s Gallery of Modern 1991 Large bowl c.1979 torments; making many Purchased 2005. Queensland Art with spit bite and direct gravure 84.8cm (long); pendant: 19 x 15.7 Foundation Grant Mamao 1995 Art Acquisitions Fund 35mm negative and 35mm film Stoneware, wheelthrown with projects to get money from Gallery Foundation Grant on Shimane Sekishu 100% kozo x3cm Ara 2006 Woodcut, ed. 7/14 print: 65 minutes, colour, sound cream glaze and calligraphic abroad; soothing for a while, paper, ed. 8/35 90 x 240cm (comp.) PRESTON, MARGARET 40.6 x 39.1cm (comp.) SAMOA (Oriya and Sanskrit languages, marking delaying social changes TABUNI, NAMA KULEME 70 x 50.3cm (comp.) Riji (pearlshell pendant): Jawi Acc. 2006.011–012 Australia 1875–1963 Angel in pink (fala su’i) English subtitles) 11.5 x 51cm (diam.) (poverty forever!). They will West Papua Acc. 2005.335–338 design 2006 Purchased 2006. Queensland Art Protea 1925 Ihi ihi (divide) 1997 c.1980–85 Acc. 2005.132 be wriggling on big thorn Noken 2005 Purchased 2005. The Queensland 59cm (long); pendant: 19 x 14.3 x Gallery Foundation Grant Woodcut, hand-coloured Lithograph, ed. 2/32 Woven laufala (pandanus) and Kasba 1990 Bequest of Grace Davies and Nell rocks painfully unto death Ilam or metel bark fibre string, Government’s Gallery of Modern 2.2cm 26.5 x 24.3cm 58 x 47.9cm (comp.) commercial wool 35mm negative and 35mm film Davies through the Queensland 1991 karang kwe and dome (brown Art Acquisitions Fund NORRIE, MARY Acc. 2006.121 128 x 224cm (irreg., including print: 115 minutes, colour, sound Art Gallery Foundation 2005 and yellow orchid) stem, pigs Riji (pearlshell pendant): Australia 1917–2005 Purchased 2006. Queensland Art Self portrait 1999 fringe) (Hindi, Urdu, and Panjabi Sinners are bullshit law tusks and cowrie shells Man/woman story 2006 Red square 1967 Gallery Foundation Etching, A.P. Acc. 2005.345 languages, English subtitles) writers, prejudiced, grab 72 x 31cm (including handle) 34.7cm (long); pendant: 17.3 x Synthetic polymer paint on board 18.9 x 10.4cm (comp.) Purchased 2005 advantages for their group Acc. 2006.044 13.5 x 2.1cm 56 x 76cm only. Their mouths will be Purchased 2006 Dazzled eyes 2001 opened by claws, putting hot Lithograph, ed. 6/38 irons inside. Cutting heads 17.9 x 13cm (comp.) 52 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 53

Riji (pearlshell pendant): Bardi VONGPOOTHORN, Lamentation of innocence Noken 2005 WRIGHT, GP 922 rice corns 2000 Snuff bottle 19th century DARGIE, WILLIAM NICHOLAS, ATHOL Portrait bust of Sir Leon Trout design 2006 SAVANHDARY (artist) (Genocide) 2005 Ilam or metel bark fibre string, Australia active c.1874–79 Betacam SP and DVD formats: Clear glass cased red and carved. Australia 1912–2003 Australia 1979 35.5cm (long); pendant: 16.7 x Laos/Australia b.1971 Gouache on artist board karang kwe and dome (brown From ‘Brisbane illustrated’ 8:00 minutes, colour, sound, ed. Silver base Riabouchinska in Cotillon 1940s Mixed bunch c.1946 Bronze on polished metal base, 13.3 x 1.5cm VONGPOOTHORN, 23.2 x 30.5cm (comp.) and yellow orchid) stem and seed portfolio c.1874–79: 7/10 5.6 x 5 x 2.5cm Oil on canvas on cardboard Oil on card ed. 1/2 MUNGSAMAI (collaborating Acc. 2006.042–043 pods Cocos Plumosa Palm. The Acc. 2005.101–108 Acc. 4:1288 48 x 58.2cm 50.8 x 55.6cm 45 x 25.6 x 25cm (with base) Riji (pearlshell pendant): artist) Purchased 2006 55.3 x 28.9cm (including handle) Curator’s Cottage, & Purchased 2005. Queensland Art Acc. 1:0375 Acc. 1:0405 Acc. 1:1684 Man/Beast Ilyarrgan/Jawi 2006 Laos/Australia b.1941 c., Botanic Gardens Gallery Foundation Snuff bottle 19th century Purchased 1946 Purchased 1946 Gift of Lady Trout 1979 71cm (long); pendant: 18 x 14 x Tala 2005 WENDA, DIWET Noken 2005 Tropical foliage – the island, Brown glass cased yellow and 1.8cm Synthetic polymer paint on West Papua Ilam or metel bark fibre string, Botanic Gardens YARINKURA, LENA carved Portrait of Mr S.H. Ervin c.1950s PARKER, HAROLD QUINN, JAMES Acc. 2006.122–130 perforated canvas Noken c.2005 karang kwe and dome (brown (Weeping willow and Australia b.1961 5.3 x 4.7 x 1.5cm Oil on canvas Australia 1873–1962 Australia/France 1871–1951 Purchased 2006. Queensland Art Triptych: 120 x 246cm (overall) Ilam or metel bark fibre string, and yellow orchid) stem bamboo, Botanic Gardens) (Kune/Rembarrnga people) Acc. 4:1289 102.3 x 76.5cm Portrait of Jane Parker (mother Lady in a black dress 1929 Gallery Foundation Acc. 2005.259a–c karang kwe and dome (brown 66.4 x 31.9cm (including handle) Government House and Wyarra spirit 2005 Acc. 1:1067 of the artist) 1932 Oil on canvas Purchased 2005. Queensland Art and yellow orchid) stem, nylon, domain, from the top of the Wooden sticks, paperbark, bark Box for seals, seals and paint Bequest of Mrs Mignon McKelvey Watercolour 104.5 x 69.5cm TRISTRAM, JW Gallery Foundation seed pods and pigs tusks Noken 2005 parliamentary building fibre, natural pigments box 20th century in memory of her mother Mrs 49.6 x 34.4cm (sight) Acc. 1:1374 Australia 1872–1938 81.2 x 34cm (including handle) 62.4 x 37.6cm (including handle) The General Post Office 238 x 41.5 x 4.5cm Brocade box, silk lined enclosing Muriel Beatrice Ervin 1967 Acc. 1989.126 Purchased 1975 (Landscape with rising moon) WALLACE, ANNE Acc. 2006.058 Acc. 2006.045–052 The fountain and terra cottas, two soapstone seals and 1921 Australia b.1970 Purchased 2006 Purchased 2006 Acclimatisation Society, Dancing belt 2005 porcelain box of ink DOBELL, WILLIAM Self portrait 1934 RAPOTEC, STANISLAUS Watercolour That was long ago 2005 Bowen Park Bark fibre string with natural 3.2 x 15 x 8cm Australia 1899–1970 Oil on canvas on cardboard Yugoslavia/Australia 1913–97 17.7 x 36.7cm (sight) Oil on canvas WENDA, JACO WENDA, TIRION The Registrar-General’s Office pigments, feathers Acc. 4:1355 Portrait of a cat 1945 50 x 35cm Exploding form 1966 Acc. 2005.117 91 x 127cm West Papua West Papua The Lands Office 55 x 37.5 x 8cm Oil on composition board Acc. 1989.128 Oil on composition board Bequest of Grace Davies and Nell The James C Sourris Collection. Noken 2005 Noken c.2005 Victoria Bridge, from William Acc. 2006.096, 2006.104 Box 20th century 17.1 x 25.5cm Gift of Mrs Margaret Henty 1989 121.8 x 137.3cm Davies through the Queensland Purchased 2005 with funds from Ilam or metel bark fibre string, Ilam or metel bark fibre string, Street Purchased 2006. Queensland Art Red cinnabar lacquer; the top Acc. 1:0585 Acc. 1:1242 Art Gallery Foundation 2005 James C Sourris through the karang kwe and dome (brown karang kwe and dome (brown The river – Petrie’s Bight and Gallery Foundation carved with figures in a landscape Purchased 1953 PENDLEBURY, SCOTT Purchased 1972 Queensland Art Gallery and yellow orchid) stem and and yellow orchid) stem and wharves and the sides with a diaper Australia 1914–86 UNGWANAKA, RAHEL (potter) Foundation cowrie shells cotton Albumen photographs pattern ELDERSHAW, JOHN The storm 1955 ROWELL, KENNETH Australia b.1946 68 x 32.2cm (including handle) 75.9 x 30.4cm (including handle) Ten sheets: 20 x 27cm (each DEACCESSIONS 5 x 14.5 x 9.5cm (complete) Australia 1892–1973 Oil on canvas laid down on Australia 1922–99 (Arrernte (Aranda)/Luritja people) Sometimes I wonder 2005 Acc. 2006.056 comp., approx.) ASHTON, WILL Acc. 4:1356a–b The millet field 1963–65 composition board Desert monument 1959 HERMANNSBURG POTTERS 48 x 57cm Noken 2005 Purchased 2006 Acc. 2005.346–355 Australia 1881–1963 Oil on composition board 69.5 x 90.8cm Synthetic polymer paint with (pottery workshop) Acc. 2005.260–261 Ilam or metel bark fibre string, Purchased 2005 The harbour, Algeciras, Spain Plate on stand 19th century 60.8 x 76.5cm Acc. 1:0828 pastel and enamel and sawdust Australia est. 1990 Purchased 2005 with funds from karang kwe and dome (brown WHERRA, JACK 1936 Silver filigree Acc. 1:1034 Purchased 1960 on paper Ankarta (Frill-necked lizard) the Estate of Margaret Hockey, and yellow orchid) stem Australia c.1924–c.1983 WRIGHT, JUDITH Oil on canvas 2.5 x 16.5cm (diam.) Purchased 1965 42 x 27.1cm (irreg.) 2005 OAM, through and with the 70.1 x 32cm (including handle) (Ngarinyin people) Australia b.1945 54.5 x 65cm Acc. 4:1387 PLAZZOTTA, ENZO Acc. 1:1120 Earthenware, hand-built terracotta assistance of the Queensland Art Acc. 2006.053–054 (Pastoral scene) c.1957 One dances 2003 Acc. 1:0703 Bequest of Dr Ernest Singer 1975 JACKSON, JAMES R Italy/England 1921–81 Gift of Ann Gruen in memory of clay with underglaze colours and Gallery Foundation Purchased 2006 Carved boab nut Lambda print, ed. 2/6 Purchased 1956 New Zealand 1882–1975 Sibley in repose 1972 her mother, Margaret Darvall applied decoration 21.5 x 10.5cm (diam.) 120 x 120cm (comp.) Snuff bottle 19th century Autumn day, Sydney Harbour Bronze on polished metal base, 1970 39 x 26cm (diam.) (complete) WARHOL, ANDY WENDA, MUIN One dances 2003 BALE, AME Red glass with carved floral motifs 1949 ed. 5/9 Acc. 2006.032a–b United States 1928–87 West Papua (Hunting scene) c.1957 One dances 2003 Australia 1875–1955 6.6 x 6 x 2.5cm Oil on canvas on hardboard 39.5 x 12 x 11cm (with base) SANTRY, JOHN Purchased 2006. Queensland Art Birmingham race riot 1964 Noken c.2005 Acc. 2006.094–095 Acc. 2005.245–247 Pom-Pom dahlias c.1911 Acc. 4:1514 53.3 x 96.2cm Acc. 1:1292 Australia 1910–90 Gallery Foundation Screenprint, ed. of 510 Nylon and karang kew and dome Purchased 2006 Gift of the artist through the Oil on canvas Acc. 1:1130 Ann c.1950 50.6 x 60.8cm (comp.) (brown and yellow orchid) stem Queensland Art Gallery 50.8 x 38.7cm Snuff bottle 19th century Purchased 1970 Charlene 1971 Oil on canvas on plywood UNIDENTIFIED ARTIST Purchased 2006. The Queensland 64.6 x 21.7cm (including handle) WONAEAMIRRI, PEDRO Foundation 2005 Acc. 1:0634 Mottled white glass cased red Bronze on polished metal base, 41.3 x 41.6cm Australia Government’s Gallery of Modern Acc. 2006.057 Australia b.1974 Purchased 1954 and carved with stylised frogs JAPAN ed. 5/9 Acc. 1:0506 Mewana (sedge grass basket) Art Acquisitions Fund Purchased 2006 (Tiwi people) One dances 2003 7.9 x 5.1 x 2.2cm Six liqueur goblets 19th century 33.8 x 22.5 x 13cm (with base) Purchased 1951 c.1995 Pwoja (Pukumani body paint Digital Betacam: 15:00 minutes, CAMPBELL, ROBERT Acc. 4:1515 Silver cast and engraved Acc. 1:1293 Twined sedge grass, bark fibre S&H green stamps 1965 WENDA, NURDIN design) 2005 colour, sound, ed. 3/6 Australia 1902–72 5.6 x 3cm (diam.) (each) Play street 1954 string Offset lithograph, ed. of 300 West Papua Natural pigments on canvas Acc. 2005.330 The Seine and Ile de la Cité Snuff bottle 19th century Acc. 4:1388.001–006 Four Seasons 1971 Oil and ink on hardboard 71.5 x 44cm (diam.) (without approx. Noken 2005 196 x 118cm Purchased 2005 c.1930 Clear glass cased red and carved Bequest of Dr Ernest Singer 1975 Bronze, ed. 1/9 61 x 91.4 cm handle) 56.8 x 55.7cm (comp.) Ilam or metel bark fibre string, Acc. 2005.270 Oil on canvas with a design of birds and lotus 42.5 x 75 x 39.5cm Acc. 1:0674 Acc. 2006.119–120 karang kwe and dome (brown Purchased 2005. Queensland Art YALI, REPEKA 40 x 56cm 7.2 x 5.7 x 2.7cm JONES, PAUL Acc. 1:1294 Purchased 1955 Mewana (sedge grass basket) Purchased 2006. Queensland Art and yellow orchid) stem Gallery Foundation Lau Islands/Fiji b.1942 Acc. 1983.007 Acc. 4:1516 Australia 1921–98 c.1995 Gallery Foundation 64.5 x 37.5cm (including handle) Ibe vakabati (mat) 2005 Purchased 1983 Fruit 1949 Reflection 1972 TIBET 58.5 x 60.5cm (diam.) (without Tuitini (pole) 2005 Woven voi voi (pandanus) with Snuff bottle 19th century Oil on composition board Bronze with steel mirror on Footed bowl 19th century handle) WASIM, SAIRA Noken 2005 Carved wood with natural commercial wool CARTER, NORMAN Clear glass, the interior painted in 26.3 x 33.5cm polished metal base, ed. 2/9 Silver in two sections raised and Acc. 2006.099–100 Pakistan b.1975 61.8 x 30.8cm (including handle) pigments 178.7 x 272.7cm Australia 1875–1963 polychrome with leaves and Acc. 1:0491 41.3 x 30.5 x 26.5cm (with base) engraved over a cork body Purchased 2006. Queensland Art Drawing ‘Mission 224 x 22cm (diam.) Acc. 2006.112 A lady in black 1928 flowers Purchased 1951 Acc. 1:1295 5 x 11.3cm (diam.) Gallery Foundation accomplished?’ 2005 Noken 2005 Acc. 2005.331 Commissioned 2005 Oil on canvas 8.9 x 7.5 x 5cm Acc. 4:1379 Gouache, graphite and tea Ilam or metel bark fibre string, 94 x 78.8cm Acc. 4:1517 LE BAS, EDWARD Anthony Dowell II 1972 Bequest of Dr Ernest Singer 1975 URALE, SIMA washes on artist board karang kwe and dome (brown Tuitini (pole) 2005 YANG ZHENZHONG Acc. 1:0301 Gift of Mrs M. Ponsford 1979 England 1904–66 Bronze, ed. 6/9 Samoa/New Zealand b.1969 30.2 x 18.3cm (comp.) and yellow orchid) stem and 234.5 x 20cm (diam.) China b.1968 Purchased 1942 Brighton from Clifton Terrace 85.5 x 37 x 22.5cm (with base) WILSON, ERIC Still life 2001 nylon Acc. 2005.333 Light and easy 2002 CHRISTMAS, EW 1952–53 Acc. 1:1296 Australia 1911–46 35mm film and Digital Betacam Where we went wrong 2005 68.5 x 34.5cm (including handle) Commissioned 2005 with funds Type C photograph, ed. 8/10 CHINA Australia 1850–1918 Oil on canvas Bridge over Seine (Paris) 1941 formats: 10:59 minutes, colour, Gouache on tea-stained artist from The Thomas Foundation 120 x 181.7cm (comp.) Pair of pendants 20th century Evening near Goulburn c.1898 66.5 x 65cm Swan landing 1970 Oil on cardboard stereo, ed. unlimited board Noken 2005 through the Queensland Art Green jade, carved and pierced Oil on canvas Acc. 1:0862 Bronze, ed. 6/9 47.5 x 37.5cm (comp.) The James C Sourris Collection. 35.9 x 20.2cm (comp.) Ilam or metel bark fibre string, Gallery Foundation Nos 5, 9, 15–17, 24 from Light with attached maroon silk tassels 102.2 x 81.9cm Gift of Sir James (Robert) 39.5 x 101.5 x 63.5cm Acc. 1:1730 Purchased 2005 with funds from karang kwe and dome (brown and and easy series 2002 0.5 x 7.6 x 5.8cm (each); 14cm Acc. 1:0074 McGregor, KBE, 1961 Acc. 1:1298 Purchased 1980 James C Sourris through the Untitled 2005 yellow orchid) stem and cowrie Tuitini (pole) 2005 Type C photographs, ed. 8/10 (tassel, long) Purchased 1898 Purchased 1973 Queensland Art Gallery Gouache, silver, ink and graphite shells 218 x 19cm (diam.) Six sheets: 120 x 79cm (each Acc. 4:1278a–b LISTER, W LISTER Foundation on artist board 60 x 29.5cm (including handle) Acc. 2006.110 comp., approx.) COLQUHOUN, AD Australia 1859–1943 Lolita c.1975 19 x 14.1cm (comp.) Commissioned 2005 with Snuff bottle 19th century Australia 1894–1983 Sydney Harbour, overlooking Bronze on polished metal base, Acc. 2005.339–341 Noken 2005 assistance from The Thomas Clear glass cased in multicolours Portrait of M.S. Herring Esq. Taylors Bay c.1912 ed. 6/9 Purchased 2005 Ilam or metel bark fibre string, Foundation through the and carved with flowers. Silver 1958 Oil on canvas 42.5 x 25 x 23.5cm (with base) karang kwe and dome (brown Queensland Art Gallery mounted base Oil on canvas 183.2 x 230cm Acc. 1:1477 Holy matrix 2005 and yellow orchid) stem Foundation 7.9 x 4.4 x 2.6cm 91.5 x 76.2cm Acc. 1:0452 Gift of Grace Davies and Nell Gouache, silver and ink washes 72.2 x 40.4cm (including handle) Acc. 4:1287 Acc. 1:0778 Purchased 1949 Davies 1976 on artist board Commissioned 1958 23.3 x 33cm (comp.) 54 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 55

EXHIBITIONS SCHEDULE AND SPONSORS PUBLICATIONS

EXHIBITIONS PRESENTED AT THE GALLERY FOCUS/THEMATIC DISPLAYS PRESENTED AT THE GALLERY EXHIBITIONS PRESENTED IN REGIONAL QUEENSLAND PUBLISHED BY THE GALLERY Barbara Heath: Jeweller to the Lost. QUEENSLAND LIVE. NO ORDINARY PLACE: THE ART OF DAVID MALANGI ‘NEW’ PAINTING FROM THE CONTEMPORARY STREETON: WORKS FROM THE QUEENSLAND ART ARTLINES. (2005, 64pp., illus: col.) (2006, education poster, illus: col.) 23 April – 17 July 2005 AUSTRALIAN COLLECTION GALLERY COLLECTION Issue 2-2005 – issue 1-2006. (48–52pp., illus: col.). Staff contributions: A National Gallery of Australia Travelling Exhibition April – 2 October 2005 8 April 2005 – 4 July 2006 Staff contributions: Gundelach, Amelia. ‘Barbara Heath’s manifest: SPARSE SHADOWS, FLYING PEARLS: A JAPANESE Principal Sponsor: Newmont, The Gold Company A Queensland Art Gallery Travelling Exhibition Arden, Holly. ‘Grant Stevens: Then I let you’. The language of jewellery’. (pp.4–11) SCREEN REVEALED. A proud partner of Reconciliation Australia LUMINOUS: WATERCOLOUR LANDSCAPES OF THE Outback Regional Gallery, Winton (2-2005, pp.38–39) Seear, Lynne. ‘Commissioning Barbara’. (pp.12–15) (author, Sarah Tiffin; 2005, 48pp., illus: col.) Visions of Australia FEDERATION ERA 8 April – 12 May 2005 Burnett, David. ‘Almodóvar’s Bad Education’. Were, Ian. ‘Creative partnerships: A personal story’. (pp.20–25) Northern Territory Government 11 April – 2 October 2005 Qantas Founders Outback Museum, Longreach (2-2005, p.45) XSTRATA COAL EMERGING INDIGENOUS ART AWARD. in association with Bula’bula Arts, Ramingining 28 May – 10 July 2005 Burnett, David. ‘The Proposition’. (1-2006, p.49) CHILDREN’S ART CENTRE. (2006, 32pp., illus: col.) Channel 7 NEW ACQUISITIONS: INDIGENOUS AUSTRALIAN ART Gladstone Regional Art Gallery and Museum Butt, Zoe. ‘The feather arts of Hawai’i’. (1-2006, p.42) (2005, brochure, illus: col.) Staff contributions: Australian Air Express June 2005 – March 2006 16 July – 24 September 2005 Butt, Zoe. ‘The Chinese: Contemporary Photography and Ewington, Julie. ‘Nici Cumpston’. (pp.14–15) Noosa Regional Gallery Video from China’. (2-2005, p.43) HERITAGE COLLECTIONS. McLean, Bruce. ‘Raelene Kerinauia’. (pp.24–25) I AM MAKING ART 22 October – 27 November 2005 Chambers, Nicholas. ‘Candice Breitz: Mother + father’. (2006, brochure, illus: col.) McLean, Bruce. ‘Roma Nyutjangka Butler’. (pp.8–9) 25 June – 25 September 2005 Hervey Bay Regional Gallery (2-2005, pp.12–15) McLean, Bruce. ‘Timothy Cook’. (pp.12–13) 7 December 2005 – 21 January 2006 Chambers, Nicholas. ‘Olafur Eliasson’s contructed worlds’. KISS OF THE BEAST: FROM PARIS SALON TO KING KONG. Moon, Diane. ‘Emily Evans’. (pp.16–17) LEE UFAN EXHIBITION Dogwood Crossing Art Gallery, Miles (3-2005, pp.12–15) (2005, 128pp., illus: col., b/w) Moon, Diane. ‘Jonathan Jones’. (pp.22–23) 25 June – 6 November 2005 11 February – 26 March 2006 Clark, Andrew and Seear, Lynne. ‘Contemporary art for Staff contributions: Moon, Diane. ‘Mignonette Jamin’. (pp.20–21) Toowoomba Regional Art Gallery contemporary kids’. (3-2005, pp.16–23) Hays, Rosie, Edmond, Maura and O’Reilly, Rachel. Moon, Diane. ‘Minnie Lumai’. (pp.26–27) BLACK INK: INDIGENOUS PRINTS FROM THE 31 March – 21 May 2006 Cooke, Glenn R. ‘Leonard Shillam, AM, 1915–2005’. ‘Film notes’. (pp.103–19) Moon, Diane. ‘Sally Gabori’. (pp.18–19) QUEENSLAND ART GALLERY COLLECTION Stanthorpe Art Gallery (3-2005, p.47) Weir, Kathryn (with Gott, Ted). ‘Introduction: Woods, Chantelle. ‘Lorraine Connelly-Northey’. (pp.10–11) 9 July – 20 November 2005 26 May – 4 July 2006 Cull, Tamsin and Heron, Don. ‘Artists collaborating with The beast within’. (pp.10–13) kids’. (3-2005, pp.28–33) Weir, Kathryn. ‘“It was beauty killed the beast”: Modern PUBLICATIONS IN PROGRESS AT 30 JUNE PRESS PAUSE: AUSTRALIAN VIDEO INSTALLATIONS QUEENSLAND LIVE: CONTEMPORARY ART ON TOUR Dezuanni, Rebecca. ‘Beck’s Guero: Any which way you like monsters from Frankenstein to King Kong’. (pp.58–97) THE 5TH ASIA–PACIFIC TRIENNIAL OF 9 July – 9 October 2005 22 February 2006 – 7 October 2007 it’. (2-2005, p.44) CONTEMPORARY ART. A Queensland Art Gallery Travelling Exhibition Dezuanni, Rebecca. ‘Hero: The art of Christopher Doyle’. KISS OF THE BEAST: FROM PARIS SALON TO KING (exhibition catalogue) SPARSE SHADOWS, FLYING PEARLS: A JAPANESE Gladstone Regional Art Gallery and Museum (2-2005, pp.34–37) KONG. GORILLAS, WILD BEASTS AND MONSTERS IN SCREEN REVEALED 22 February – 25 April 2006 Dezuanni, Rebecca. ‘Julius Sherman’. (1-2006, p.45) ART AND FILM. BROUGHT TO LIGHT II: CONTEMPORARY AUSTRALIAN 27 August – 27 November 2005 Logan Art Gallery Dezuanni, Rebecca. ‘PS: New beginnings’. (3-2005, p.44) (2005, brochure, illus: b/w) ART 1966–2006. 23 May – 8 July 2006 Dezuanni, Rebecca. ‘Vale: Robert Haines 1910–2005’. (monograph) BARBARA HEATH: JEWELLER TO THE LOST Bundaberg Arts Centre (3-2005, p.46) MADE FOR THIS WORLD: CONTEMPORARY ART AND 15 October 2005 – 26 March 2006 19 July – 3 September 2006 Fitzgibbons, Abby. ‘Reprise: Mono Lake California’. THE PLACES WE BUILD. VIDEOS AND DVDS PRODUCED BY THE GALLERY Kick Arts, Cairns (2-2005, p.44) (2005, brochure, illus: col.) ARTISTS KISS OF THE BEAST 13 September – 19 November 2006 Gobé, Claire. ‘Degenerates and Perverts: The 1939 Herald Olafur Eliasson: The cubic structural evolution project 2004. 16 November 2005 – 22 January 2006 Ipswich Art Gallery Exhibition of French and British Contemporary Art’. MADE FOR THIS WORLD: CONTEMPORARY ART AND Duration: 0:58 min, 2005 2 December 2006 – 11 February 2007 (3-2005, p.43) THE PLACES WE BUILD. Cai Guo Qiang: Bridge crossing 1999. MADE FOR THIS WORLD: CONTEMPORARY ART AND Redland Art Gallery, Cleveland Kirker, Anne. ‘LA Artland: Contemporary Art from Los (2005, children’s activity book, illus: col.) Duration: 4:57 mins, 2005 THE PLACES WE BUILD 25 February – 15 April 2007 Angeles’. (1-2006, p.47) Box City Summer Family Day construction. 26 November 2005 – 19 February 2006 Artspace, Mackay Kirker, Anne. ‘Shanghai Modern 1919–1945’. (3-2005, p.43) PREVIEW. Duration: 1:35 mins, 2006 A Queensland Art Gallery Children’s Art Centre Exhibition 4 May – 8 July 2007 McColm, Donna and Ryan, Kate. ‘Made for this World’ (quarterly; brochure, illus: col.) Sponsored by Commonwealth Bank Toowoomba Regional Art Gallery (3-2005, pp.38–39) BARBARA HEATH: JEWELLER TO THE LOST Media Sponsor QUEST 23 August – 7 October 2007 McDougall, Ruth. ‘Pacific weave’. (1-2006, p.40–41) QUEENSLAND ART GALLERY ANNUAL REPORT 2004–05. Exhibition display video. Mallos, Melina and Ravenswood, Kate. ‘Explore, discover, (2004, 72pp., illus: b/w) Duration: 8:21 mins, 2005 EXPOSURE: AUSTRALIAN PHOTOGRAPHY FROM THE EXHIBITIONS PRESENTED INTERSTATE interact: Let’s play’. (3-2005, pp.24–27) 1930S TO THE 1950S THE ART OF FIONA HALL O’Reilly, Rachel. ‘World Without End’. (2-2005, p.41) QUEENSLAND ART GALLERY FOUNDATION ANNUAL MADE FOR THIS WORLD: CONTEMPORARY ART AND 3 December 2005 – 2 July 2006 8 July – 11 September 2005 Page, Maud and Seear, Lynne. ‘A wider Pacific: Collecting REPORT 2004–05. THE PLACES WE BUILD A Queensland Art Gallery Travelling Exhibition art in the region’. (1-2006, pp.30–37) (2004, 56pp., illus: col., b/w) Research Project: GRACE COSSINGTON SMITH: A RETROSPECTIVE Art Gallery of South Australia Timmins, Kylie. ‘Banksy: Wall and Piece’. (1-2006, p.46) Box City Summer Family Day. EXHIBITION Timmins, Kylie. ‘Cyberarts 2004’. (2-2005, p.43) QUEENSLAND LIVE. Duration: 3:30 mins, 2006 18 February – 1 May 2006 Weir, Kathryn. ‘Space, time and chaos: Aernout Mik’s (2006, 64pp., illus: col.) Why is the Gallery an important place for learning? A National Gallery of Australia Travelling Exhibition Pulverous’. (2-2005, pp.30–33) Staff contributions: Duration: 2:09 mins, 2006 Proudly sponsored by MARSH and Australian Air Express Were, Ian. ‘John Pule: Life is worthless if we forget’. Ewington, Julie. ‘Anne Wallace’. (pp.44–47) What I like to do at the Gallery. (1-2006, pp.12–15) Gobé, Claire. ‘Gordon Bennett’. (pp.20–23) Duration: 2:14 mins, 2006 MARGARET PRESTON: ART AND LIFE Hawker, Michael. ‘Gwyn Hanssen Pigott’. (pp.28–31) School visits to the Gallery. 18 February – 1 May 2006 Artmail. Hawker, Michael. ‘Scott Redford’. (pp.36–39) Duration: 2:36 mins, 2006 Organised by the Art Gallery of New South Wales (e-bulletins) No.88–107, 2005–06 Kirker, Anne. ‘Eugene Carchesio’. (pp.24–27) Ideas for the classroom. Major Exhibition Program Sponsor: Art Gallery of New South Littley, Samantha. ‘Luke Roberts’. (pp.40–43) Duration: 1:42 mins, 2006 Wales President’s Council Asia–Pacific Triennial of Contemporary Art 2006. McLean, Bruce. ‘Vernon Ah Kee’. (pp.12–15) National Touring Partner Visions of Australia (2005, brochure, illus: col., b/w) Moon, Diane. ‘Judy Watson’. (pp.48–51) WEBSITES PRODUCED BY THE GALLERY Media Partner Australian Women’s Weekly Raffel, Suhanya. ‘Judith Wright’. (pp.52–55) THE 5TH ASIA–PACIFIC TRIENNIAL OF CONTEMPORARY ART Australian Cinémathèque. Ravenswood, Kate. ‘Richard Bell’. (pp.16–19) (2005, brochure, illus: col., b/w) Weir, Kathryn. ‘Tracey Moffatt’. (pp.32–35) KISS OF THE BEAST 56 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 57

BOARD OF TRUSTEES AND STAFF PROFILE EXECUTIVE MANAGEMENT TEAM

CONTRIBUTIONS TO EXTERNAL PUBLICATIONS Osmond, Gillian, Keune, Katrien and Boon, Jaap. ‘A study of PAPERS PRESENTED (UNPUBLISHED) BOARD OF TRUSTEES TERM OF APPOINTMENT Staff profile as of 30 June 2006 Permanent Temporary Casual Butt, Zoe. ‘Gifts of the artists: Contemporary Asian art at the zinc soap aggregates in a late nineteenth century Carter, Anne. ‘Cleaning The Café Balzac mural’. Australian CHAIR 24/06/02–23/06/05 24/06/05–02/02/08 Queensland Art Gallery’. TAASA Review, vol.14, no.4, painting by RG Rivers at the Queensland Art Gallery’. Institute for the Conservation of Cultural Materials DIRECTORATE Mr Wayne Goss December 2005, pp.18–19. AICCM Bulletin, vol. 29 2004–05, pp.37–46. Paintings Special Interest Group 10th Symposium, Directorate 2 Butt, Zoe. Wang Qingsong [exhibition catalogue]. Albion Pagliarino, Amanda. ‘Instant experience — constant Brisbane, 4–5 May 2006. DEPUTY CHAIR 24/06/02–23/06/05 24/06/05–02/02/08 Building & Development 1 1 2 Gallery, London, 2006. challenge: Conservation of 2 electronic artworks by Nam Dudley, Andrew. ‘Dotting the ‘i’s and Crossing the ‘t’s — Ms Ann Gamble Myer Foundation & Membership 3 3 Butt, Zoe and Dean, Bec. Mirror Worlds: Contemporary June Paik’. AICCM Objects Special Interest Group Critical Collection Documentation’. Graduate Courses in MEMBERS Video from Asia [exhibition catalogue]. Australian Centre Symposium. AICCM, 2005, pp.27–34. Museum Studies, University of Queensland, Brisbane, 5 CURATORIAL & COLLECTION DEVELOPMENT for Photography, Sydney, May 2005. Shellard, Samantha. ‘Discoveries beyond a smokey haze — May 2006. Mr Tim Fairfax, AM 24/06/02–23/06/05 24/06/05–02/02/08 Executive Management 1 Butt, Zoe and Dean, Bec. Mirror Worlds: Contemporary The resurrection of collage components from The Café Dudley, Andrew. ‘Leaving a Trail — Documenting the Curatorial 10 15 Mr Mark Gray 24/06/02–23/06/05 24/06/05–02/02/08 Video from Asia [exhibition catalogue]. Institute of Balzac mural. Conference Proceedings: 4th AICCM Paper, Acquisition and Removal of Objects’. Graduate Courses in Conservation 10 3 Modern Art, Brisbane, March 2006. Book and Photographic Symposium, 19–21 April 2006. Museum Studies, University of Queensland, Brisbane, 5 Ms Katrina McGill 24/06/02–23/06/05 24/06/05–02/02/08 Registration 5 5 Carter, Anne. ‘Donors and saints: An examination of a panel Te Papa Tongarewa Museum of New Zealand, Wellington, May 2006. Information and Publishing Services 11 4 2 by the Master of Frankfurt’. Melbourne Journal of 2006 (forthcoming). Dudley, Andrew. ‘What Information do I Keep and Why?’ Ms Sue Purdon 31/01/02–30/01/05 03/02/05–02/02/08 Technical Studies in Art, vol.2: Underdrawing, pp.55–68. Timmins, Kylie. ‘Explorations in the gothic’. Machine, vol.1, Graduate Courses in Museum Studies, University of Mr Brian Robinson 24/06/02–23/06/05 24/06/05–02/02/08 PUBLIC PROGRAMS Carter, Anne. ‘Donors and saints: A re-ordering of Ian Burn’s no.6, June 2006, pp.7–9. Queensland, Brisbane, 5 May 2006. Executive Management 1 Re-ordered painting 1965’. Melbourne Journal of Timmins, Kylie. ‘The politics of street art’. Machine, vol.1, Dudley, Andrew. ‘Did you Wash your Hands? Handling Ms Maureen Hansen 12/06/03–11/06/06 12/06/06–02/02/08 Managerial Research 1 4 Technical Studies in Art, vol.2: Underdrawing, pp.77–83. no.4, February 2006, pp.5–7. Objects and Art works.’ University of Queensland Mr Craig Koomeeta 03/02/05–02/02/08 Exhibitions & Display 785 Hall, Doug. Gordon Shepherdson [exhibition catalogue]. Wild, Liz. ‘“Please touch the balls gently”: Conservation of Graduate Courses in Museum Studies, Queensland Art Access, Education & Regional Services 5 6 Philip Bacon Galleries, Brisbane, 2005. Narcissus garden by Yayoi Kusama’. AICCM Objects Gallery, Brisbane, 12 May 2006. Professor Michael 23/06/05–02/02/08 Marketing & Communications 2 7 Kirker, Anne. ‘Bill Viola: The passions (National Gallery of Special Interest Group Symposium, AICCM, 2005, Hook, John. ‘Origins and Treatment of Old Master Paintings Wesley Design, Web & Multimedia 1 7 Australia) [review]’. Eyeline, no.59, 2006, p.59. pp.35–42. and Icons in Brisbane Collections’. AICCM Paintings Kirker, Anne. ‘Colors: Viktor & Rolf and KCI (Mori Art Special Interest Group 10th Symposium, Brisbane, 4–5 MANAGEMENT & OPERATIONS Museum, Tokyo) [review]’. Object, no.47, 2005, May 2006. Executive Management 1 pp.44–45. Kirker, Anne. ‘Collaborations between Artists and Poets’. Administration 4 Kirker, Anne. ‘David Stephenson: Visions of heaven — The 10th Sydney Art on Paper Fair, Sydney, 29 July 2005. Financial Services 4 dome in European architecture’. Photofile, no.77, Autumn Kirker, Anne. ‘Photographic Interventions: The Prints of (Section 6 (1) of the Queensland Art Gallery Act 1987 provides for the Gallery Store 5 2 2006, p.78. Noda Tetsuya and Shimada Yoshiko’. Harold Wright Board to consist of the number of members appointed by the Governor Protection & Services 38 2 5 Kirker, Anne. ‘Drifting: Ian Friend’s encounter with Redcliffe’. Legacy Symposium, University of Melbourne, Melbourne, in Council) Information Technology 4 2 Tidal. Redcliffe City Art Gallery, Redcliffe, 2006. 15 November 2005. Kirker, Anne. ‘Dutch masters from the Rijksmuseum Osmond, Gillian. ‘Zinc Soap Aggregates in Paintings from EXECUTIVE MANAGEMENT TEAM Total 116 67 15 (National Gallery of Victoria) [review]’, Museums Australia the Queensland Art Gallery Collection’. Metal Soaps in The Executive Management Team provides strategic direction and Magazine, November 2005, p.29. Paint Layers, ICOM-CC Scientific Research Meeting, Van manages the Gallery’s operations and programs. Kirker, Anne. ‘glass house mountains: Judy Watson and Liza Gogh Museum, Amsterdam, 10 September 2005. Lim (Institute of Modern Art) [review]’. Eyeline, no.58, Pagliarino, Amanda. ‘The Technical Profession of DIRECTOR Spring 2005, p.53. Conservation: Looking at the Detail’. Queensland Mr Doug Hall, AM Kirker, Anne. ‘A gracious iconoclast: Arline Fisch’. Craft Arts University of Technology Interior Design Masters Course, International, no.65, 2005, pp.67–71. Queensland Art Gallery, Brisbane, 11 May 2006. ASSISTANT DIRECTOR, CURATORIAL & COLLECTION DEVELOPMENT Kirker, Anne. ‘Helen Ennis, Margaret Michaelis: Love, loss Shellard, Samantha. ‘Conservation of Contemporary Ms Lynne Seear and photography (National Gallery of Australia) [review]’. Photography’. Nuts and Bolts — Current Issues in Photofile, no.76, Summer 2006, p.78. Printing, Editioning, Conserving, Collecting and Making ASSISTANT DIRECTOR, MANAGEMENT & OPERATIONS Kirker, Anne. ‘Judy Watson: Selected works 1990–2005 Contemporary Photography: Museums and Galleries Mr Alan Wilson (University of Queensland Art Museum) [review]’. Artlink, Services Queensland Seminar, Gold Coast City Art Gallery, vol.26, no.1, 2006, p.91. Surfers Paradise, 6 May 2006. ASSISTANT DIRECTOR, PUBLIC PROGRAMS Kirker, Anne. ‘Over my dead body: Mona Hatoum (Museum Mr Andrew Clark of Contemporary Art) [review]’. Eyeline, no.57, Winter PAPERS PRESENTED (PUBLISHED) 2005, p.51. Carter, Anne. ‘Cleaning The Café Balzac mural’. Poster Kirker, Anne. ‘Transformations: The language of craft presented and abstract published in pre prints ‘Modern (National Gallery of Australia) [review]’. Object, no.49, Paints Uncovered’ Symposium, Tate Modern, London, 2006, p.47. 11–12 May 2006. Littley, Samantha. ‘A question of influence: The linocuts of Ethleen Palmer’, World of Antiques and Art, issue 69, August 2005 – February 2006, pp.52–56. Littley, Samantha. Sebastian Moody: The prohibition of isolation [exhibition brochure], Metro Arts, Brisbane, 2005. Mühlberger, Emma. ‘An artwork is a dot on a line: Two contemporary ephemeral artists’, Machine, vol.1, no.4, February 2006, pp.8–9. Mühlberger, Emma. ‘Beasts of burden’. Animals as Allegory [exhibition catalogue]. QUT Art Museum, Brisbane, 2006, unpaginated. O’Reilly, Rachel. ‘Compasses, meetings and maps: Three recent media works’. Leonardo, vol.39, issue 4, August 2006, pp.335–339. 58 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 59

STATISTICAL SUMMARY OVERSEAS TRAVEL Overseas travel in the 2005–06 financial year has focused on undertaking key research and Collection development for ‘The 5th Asia–Pacific Triennial of Contemporary Art’. Research for Queensland Gallery of Modern Art exhibitions, programs and initiatives, including the Australian Centre of Asia–Pacific Art, Children’s Art Centre and Australian Cinémathèque, has also been a focus of overseas travel.

Statistical Summary PHOTOGRAPHIC REPRODUCTIONS AND N AME OF OFFICER AND POSITION DESTINATION REASON FOR TRAVEL AGENCY $** COPYRIGHT CLEARANCES COST $ NUMBER OF BOARD OF TRUSTEES MEETINGS 8 External reproduction requests (193 works) 110 Internal reproduction requests (611 works) 54 Julie Ewington Singapore & Malaysia To research and meet with artists in relation to the APT5 exhibition; view works under $9285* ATTENDANCE Internal copyright clearances sought (329 works) 56 Head of Australian Art consideration for acquisition; meet with art curators and writers in relation to APT5. Total Gallery attendance 325 730 Don Heron Total attendance at exhibitions in regional Queensland 26 716 PUBLICATIONS Head of Exhibitions & Display Published by the Gallery 18 Gillian Osmond The Netherlands To attend the ICOM-CC Triennial Meeting; attend and present at the Molecular Paintings $1257 EXHIBITIONS AND SERVICES — REGIONAL QUEENSLAND In progress at 30 June 5 Conservator, Paintings Research Group Meeting dedicated to metal soaps/protrusions research; continue Total travelling exhibitions 2 Staff contributions to external publications 29 conservation research of particular significance to the QAG Collection. Exhibition venues 7 Papers presented (unpublished) 11 Total exhibition attendances 26 716 Papers presented (published) 1 Lynne Seear China & Japan To undertake curatorial selection and research on APT5 artists; attend the Third Fukuoka $25 753* Total visits by Gallery staff to regional Queensland 115 Websites 2 Assistant Director, Curatorial & Asian Art Triennial 2005 and the Yokohama Triennial 2005; meet with senior staff from Videos 9 Collection Development the Shanghai Museum and the Idemitsu Museum of Arts to continue negotiations for STREETON: WORKS FROM THE QUEENSLAND ART Sarah Tiffi n two major loans programs. GALLERY COLLECTION WEBSITE USAGE Curator, Historical Asian Art Venues 2–7 of 8 venues (11 works) Queensland Art Gallery * Suhanya Raffel New Zealand, USA & UK To take up a Smithsonian Fellowship to develop a major exchange program between the $7724 $14 615 Qantas Founders Outback Museum, Longreach 4918 Total hits 14 827 779 Head of Asian, Pacific & QAG and the Arthur M Sackler Gallery; select and secure a group of significant historical Gladstone Regional Art Gallery and Museum 4017 Page views 3 821 572 International Art Asian art works for loan to QAG; research and develop the adoption of new technologies Noosa Regional Gallery 3699 User sessions 672 118 in the cultural industries. Hervey Bay Regional Gallery 1178 Dogwood Crossing Art Gallery, Miles 2895 VOLUNTEERS Zoe Butt Fiji, Cook Islands & Hawai‘i To select art works from the Pacific for APT5 ; consult with key elders in relation to $21 272* Toowoomba Regional Art Gallery 7199 Curatorial volunteers 3 Curatorial Assistant, Contemporary culturally significant art works for inclusion in APT5 and development of the Gallery’s Total attendance venues 2–7 23 906 Information Officer volunteers 23 Asian Art contemporary Pacific collection; research the Pacific Art collection at the Bishop Library volunteers 7 Diane Moon Museum, Honolulu. QUEENSLAND LIVE: CONTEMPORARY ART ON TOUR Children’s program volunteers 1 Curator, Indigenous Fibre Art First of 8 venues (22 works) Survey volunteers 4 Julie Ewington France To review the major international contemporary art exhibition, 2005 Biennale de Lyon; $1614 Gladstone Regional Art Gallery and Museum 2810 Volunteer Guides 84 Head of Australian Art identify art works by international artists of interest for the APT5 and QAG Collection; promote the Gallery, GoMA and APT5 to French arts professionals. ACQUISITIONS Asian art 2 * Includes the main Queensland Art Gallery website and all exhibition websites hosted Andrew Clark Thailand, Hong Kong & To research artists and film-makers in relation to APT5 and the QAG Film and Video $20 720* Australian art 52 within the domain, but excludes the Gallery Store website Assistant Director, Public Programs Vietnam collection; promote the QAG Collection and programs, especially the Gallery of Modern Contemporary Asian and Pacific art 125 Kathryn Weir Art’s Australian Cinémathèque; conduct research for forthcoming exhibitions, projects Contemporary Australian art 84 Head of Cinema and publications. Indigenous Australian art 60 Izabella Chabrowska Japan To attend the Tokyo Product Trade Fair and visit contemporary art museums and $4152 International art 15 Retail Manager, Gallery Store commercial art and design stores; source new products and suppliers of art Total 338 merchandise; establish international outlets for the sale of QAG publications and Acquired through Foundation 190 merchandise.

EDUCATION — ACCESS Samantha Shellard New Zealand To attend the AICCM/New Zealand Paper Conservation Group Symposium on the $1497 Students participating in booked tours Conservator, Works on Paper Conservation of Paper, Books and Photographic Materials; present a paper on a current (guided and unguided) 30 126 restoration project; promote the Gallery’s conservation research and the opening Education clients receiving educational material 8404 program of GoMA at an international forum. Children’s programs, exhibitions and events 82 739 Lynne Seear Korea, China & Singapore To research artists and art works for consideration in APT5; progress negotiations with $12 415* $11 066 total attendance Assistant Director, Curatorial & the National Museum of Korea regarding a long-term loans program of historical Asian Children’s activities and workshops 105 Collection Development art works; present on the programs of GoMA’s Children’s Art Centre at the National Total attendance 4203 Don Heron Museum of Korea’s Children’s Museum. Public programs total attendance Head of Exhibitions & Display (youth, tertiary and adult) 2718 Kathryn Weir New Caledonia To research artists and art works, film-makers and films for inclusion in APT5; present on $2286 $748 Head of Cinema QAG, GoMA and Australian Cinémathèque programs at the Nouméa Cultural Centre and Médiathèque; meet with staff at key contemporary art and film institutions. Glenn Cooke USA To photograph and document items by LJ Harvey donated to the QAG Collection; $4926 Research Curator, Queensland strengthen the Gallery’s relationship with significant donors David and Bruce Noble; Heritage record the history of the donated art works as told by the artist’s family. Linda Mehan UK To attend the Pulse Product Trade Fair and visit a range of art museums, commercial $5983 Head of Retail & Commercial galleries and design stores; source new products and suppliers of art merchandise for Services the new GoMA store; establish contacts for the marketing of QAG products.

** Contribution from other Agencies or Sources $ * This amount represents travel costs for two officers. 60 QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 / appendixes appendixes / QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 61

CORPORATE GOVERNANCE FINANCIAL STATEMENTS FINANCIAL SUMMARY

ETHICS AND CODE OF CONDUCT The Gallery has indicated its willingness to be involved in the pilot project for the introduction of an Electronic The Queensland Art Gallery has completed the 2005–06 financial year in a fiscally good INCOME STATEMENT The Gallery’s Code of Conduct is based on the ethics, principles and Document and Records Management System (eDRMS), which will be conducted by the Corporate position with an increase in Equity of $14.5M. The Income Statement is used to compare revenue to expenses over the financial year. obligations outlined in the Public Sector Ethics Act 1994 and was Administration Agency in the forthcoming financial year. developed following consultation with all staff. In the Financial Statements of the Gallery the term ‘parent entity’ refers to the Queensland Revenues of the Gallery are sourced primarily from the Queensland Government WORKPLACE HEALTH AND SAFETY Art Gallery, whereas the term ‘economic entity’ reports the combined position of the appropriation ($22.5M), also known as Government Contributions. New employees receive the Code of Conduct as part of their The Gallery has a Workplace Health and Safety Committee consisting of workplace health and safety Queensland Art Gallery and the Queensland Art Gallery Foundation. commencement kit and the Code is available to all staff on the Gallery’s representatives elected by staff, five Workplace Health and Safety Officers, the Assistant Director (Management The other major sources of funds in 2005–06 include self-generated funds from the intranet. The Code applies to all paid employees as well as volunteers. and Operations), and the Head of Exhibitions and Display. The Committee met on six occasions during the year This is necessary as the Queensland Art Gallery Foundation has been classified as a operation$’000 of commercial activities e.g. Gallery Store and donations and bequests through and: controlled entity of the Queensland Art Gallery. the Queensland Art Gallery Foundation. GOVERNMENT CONTRIBUTIONS 79% Persons other than staff members can inspect the Code, free of charge, + facilitated training of representatives in health and safety issues $25 000 INVESTMENT INCOME etc 8% upon request at the Gallery’s Research Library, with extracts or a full + monitored online training for all staff The key expenses for the Gallery are employees’ salaries and entitlements and purchases of copy available free of charge. + conducted regular inspections of work areas supplies and services for exhibition program-related activities includingOTHE Rfacilities7% + responded to all reported/identified hazards. ma$1nagement2 500 costs. GALLERY STORE 3% During the year, workshops for new supervisory staff included reference DONATIONS 3% to the Code. The Gallery is also represented on the Queensland Cultural Centre’s Workplace Health and Safety Committee REVENUE 2005–06 $0 EXPENSES 2005–06 Government Investment Other Gallery Donations which met on six occasions. Contributions Income Store EQUAL EMPLOYMENT OPPORTUNITY 2006 $22 511 $2326 $2060 $971 $729 Strategies to achieve the objectives contained in the Gallery’s Equal WHISTLEBLOWERS PROTECTION ACT Employment Opportunity (EEO) Management Plan 2005–07 continued There were no disclosures received over the reporting period. 2005 $17 545 $1271 $791 $952 $627 to be implemented and monitored against target dates during the year. EMPLOYEES 58% GOVERNMENT CONTRIBUTIONS 79% CONSULTANCIES SUPPLIES/SERVICES 37% INVESTMENT INCOME etc 8% Key strategies included: During 2005–06, the Gallery used the services of consultants to carry out specific tasks where their expertise OTHER 5% + conducting career planning sessions was required: $’000 OTHER 7% $’000 $’000 + continuing the Indigenous traineeship program GALLERY STORE 3% + continuing online anti-discrimination training and certification for Category $ DONATIONS 3% $25 000 $15 000 new supervisors and managers $25 000 + ensuring access to human resource policies through the intranet Management – BALANCE SHEET STATEMENT OF CASH FLOWS and providing printed copies in the Gallery’s Research Library. Professional — Technical $92 699 The$1 Balance2 500 Sheet measures the value of assets, liabilities and equity of the Gallery as at The Statement$7500 of Cash Flows measures the inflows and outflows of cash through the year, $12 500 TOTAL $92 699 30 June 2006. and classifies those transactions into operating, investing or financing activities. HUMAN RESOURCE ISSUES $0 $0 The Gallery: BOARD OF TRUSTEES COSTS The revaluationGov ofern non-currentment Investment physical assets wasOther untaken inGallery the financialDon year,atio resultingns in Cash flow$0 in the GalleryEmployees is generated primarilySupplies/se from operatingrvices activities,Other where the Contributions Income EMPLOYEESStore 58% Government Investment Other Gallery Donations + continued its Change Management Program for staff in preparation In 2005–06, meeting fees and travel costs of Board members totalled $30 563. an increase in the value of the Art Collection by $23M. significant in-flowsContributions include revenueIncome from Government ContributionStore and self-generated funds 2006 $22 511 $2326 $2060 SUPPLI$971ES/SERVICES 37%$729 2006 $11 000 $7015 $961 for the Gallery’s transition to a two-site organisation and donations to the Foundation. OTHER 5% 2006 $22 511 $2326 $2060 $971 $729 + continued the recruitment of additional staff to undertake planning VOLUNTARY EARLY RETIREMENT (VER) The main2005 increase$17 in 54 current5 liabilities$1271 is due to$ increased791 staff$952 numbers resulting$627 in 2005 $9773 $5979 $1117 2005 $17 545 $1271 $791 $952 $627 and program/services preparation for the Gallery of Modern Art During 2005–06, one VER package of $79 311 was taken. increased provision for employee entitlements. Significant outflows are employees’ salaries and entitlements and purchases of supplies + continued the traineeship program and services for exhibition program-related activities including facilities management costs. + continued online anti-discrimination training for supervisors MAJOR INVESTMENTS AND BORROWINGS REVENUE EXPENSES + provided a range of staff training and professional development $’000 $’000 There were no major investments or borrowings during the year. $’000 + conducted workshops for new supervisory staff. $’000 FINANCIAL AND OPERATIONAL PERFORMANCE SYSTEMS $15 000 $200 000 Due to the size of the Queensland Art Gallery, a separate risk The Gallery’s financial systems and their uses are as follows: $25 000 $15 000 management committee has not been established. However, the + Finance 1 and Great Plains’s e’Enterprise are used primarily for processing financial data and obtaining reports. Gallery’s Executive Management Team, comprising the Director and + Whole-of-government financial information is reported using the Queensland Government’s Tridata system. $7500 $100 000 $12 500 $7500 three Assistant Directors, is responsible for the implementation and + The Gallery Store uses Booknet as its point-of-sale system. monitoring of the Gallery’s risk management process. $0 $0 $0 Employees Supplies/services Other Property, Plant and Equipment Other Financial Assets Reports on operational performance against declared goals, strategies and benchmarks are prepared and Government Investment Other Gallery Donations $0 Contributions Income Store Employees Supplies/services Other Risk control measures were reviewed during the year. presented at each meeting of the Board of Trustees. Quarterly, non-financial performance reports measured 2006 $11 000 $7015 $961 2006 $212 560 $24 366 against declared targets are submitted to Arts Queensland and Queensland Treasury. 2006 $22 511 $2326 $2060 $971 $729 2006 $11 000 $7015 $961 2005 $186 942 $16 721 Gallery representatives participated in the Government’s Asset 2005 $9773 $5979 $1117 2005 $17 545 $1271 $791 $952 $627 2005 $9773 $5979 $1117 Protection Program. ENTITIES CONTROLLED The Queensland Art Gallery Foundation was established in 1979 by the Queensland Art Gallery Board of LIABILITIES AUDIT COMMITTEE ASSETS Trustees to raise corporate and private funding to support the growth of the art collection and exhibition $’000 The Board of Trustees Audit Committee, consisting of Mr Tim Fairfax, programs. The Gallery provides all the infrastructure support and meets all operational costs of the Foundation. $’000 $’000 $’000 AM, Mr Wayne Goss, Ms Ann Gamble Myer (Trustees) and Mr Doug Hall, For the purposes of the Financial Administration and Audit Act 1977, the Foundation is an entity controlled by $2000 AM (Director), met on one occasion. the Queensland Art Gallery Board of Trustees. $200 000 $15 000 $200 000 RECORDKEEPING Financial reports are prepared by the Gallery for submission to the Foundation’s Council. The Foundation $1000 The Gallery’s recordkeeping practices are currently under review to produces its own annual report and its books and accounts were audited by the Queensland Audit Office. $100 000 $7500 $100 000 ensure compliance with the Public Records Act 2002 and Information $0 Standard 40 (IS40). The Queensland State Archives (QSA) $0 Accrued Employee Payables Other Recordkeeping Practices Survey has been completed and a Strategic $0 Property, Plant and Equipment Other Financial Assets $0 Benefits Employees Supplies/services Other Property, Plant and Equipment Other Financial Assets Records Implementation Plan will be developed, assessed by QSA and 2006 $212 560 $24 366 2006 $1631 $339 $34 implemented by the end of 2007, as per the requirements of IS40. 2006 $11 000 $7015 $961 2006 $212 560 $24 366 2005 $186 942 $16 721 2005 $1395 $151 $176 2005 $9773 $5979 $1117 2005 $186 942 $16 721

$’000

$