5Dee6bb86ce66c5311b8e3dd Pt 1 Invitation to World Religions, 2Nd
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Native American POLYTHEISM - (Animism, Pantheism) Native American Tribes Have Maintained Numerous Mythologies Regarding Deities Throughout Their Histories
Native American POLYTHEISM - (animism, pantheism) Native American tribes have maintained numerous mythologies regarding deities throughout their histories. Native American belief systems include many sacred narratives . Such spiritual stories are deeply based in Nature and are rich with the symbolism of seasons, weather, plants, animals, earth, water, sky & fire. Deities play a large part in these narratives. Before the 'White Man' came trampling all over the land, the native tribes and nations of what would one day become America had all the space in their world. They made good use of it, living close to nature in what might seem to modern society like a glorious camping vacation. If you ignore the constant threat of starvation and war. Living so close to nature, you could see into the souls of animals — such as the BEAVER and BADGER — as they went about their business. You could feel WAUKHEON the Thunder Bird fixing the weather, and revel in the rascality of RAVEN , MANABOZHO and COYOTE with their tantalizing tricks. The Native American peoples had (and still have) a huge respect for nature. Animal spirits in particular were very powerful and it was necessary to thank them and placate them if you wanted to make a meal of them. When corn arrived courtesy of the deities, it was also given its due measure of respect. The thought of organic free-range food sounds alluring, but hunting wasn't as easy as getting up in the morning, taking a stroll and shooting a few passing bison with your bow. Even Plains societies who lived off the prolific buffalo fell under the threat of starvation at times. -
Scissor Dance: the Danzaq of Southern Peru in New York
Spring–Summer 2015 Volume 41: 1–2 The Journal of New York Folklore Scissor Dance: The Danzaq of Southern Peru in New York Stephen Alcorn on Drawing by Hand in a Digital Age Craft Revisited: A Consumer Revolution In Memoriam: Hilt Kelly, Catskills Fiddler and Caller From the Director From the Editor In the past few weeks, Addy had played in the lives of his family and An explosion of pol- I have been strongly band members. As the family patriarch, Yacub len sent us to the hospi- reminded of the value Addy was the senior “tradition bearer” of a tal one May morning. A of traditional arts and family legacy of the renowned Addy family seemingly extraordinarily culture and their im- of drummers, singers, and dancers from the long winter ended sud- portance to the fabric Avenor neighborhood in Accra, Ghana. This denly with 80-degree of our everyday life. role as the elder statesman of the tradition temperatures and soak- As executive direc- of drumming by the Ga people held great ing showers! Spring flow- tor of the New York cultural importance. However, it was also ers responded immedi- Folklore Society, I consider traditional arts important from an economic viewpoint. ately, enthusiastically casting pollen into the and culture to be an important aspect of Throughout the decades of his involvement air, covering porches and cars in a fine yel- one’s sense of self, and a source of pride with Ghanaian drumming, (from before the low dust. Heaven for those awaiting spring. for a community. It seems to me, without independence of Ghana in 1957 to the pres- Hell for those suffering from allergies and question, that one’s knowledge of one’s own ent), Yacub Addy involved at least 62 band asthma. -
The Big Book & the Sword: a Study of Native American Disappointment
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Fall 2011 The big book & the sword: A study of Native American disappointment with white morality Brendan McCaughey University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation McCaughey, Brendan, "The big book & the sword: A study of Native American disappointment with white morality" (2011). Master's Theses and Capstones. 150. https://scholars.unh.edu/thesis/150 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE BIG BOOK & THE SWORD: A STUDY OF NATIVE AMERICAN DISAPPOINTMENT WITH WHITE MORALITY BY Brendan McCaughey BS, Endicott College, 2008 THESIS Submitted to the University of New Hampshire In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History September, 2011 UMI Number: 1504956 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI 1504956 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Trialogue in an Interreligious Context: Reinterpreting the Dialogue Model of Martin Buber
Culture and Dialogue 6 (2018) 126-150 brill.com/cad Trialogue in an Interreligious Context: Reinterpreting the Dialogue Model of Martin Buber Josef Boehle School of Philosophy, Theology and Religion, University of Birmingham, UK [email protected] Abstract In this article it is proposed to reflect on the structures of all dialogue by using a Tria- logue model: in the encounter between the dialogue partners the presence of a third dimension, Ultimate Reality, as well as the Ultimate Self of each of the dialogue part- ners are postulated and reflected upon. Trialogue, with this meaning, is a new model and is reinterpreting the core concepts used in the dialogical thinking of Martin Buber: I-It; I-Thou; and the eternal Thou. The concepts used in the Trialogue model are ap- propriate for an interreligious context: Ultimate Self and Ultimate Reality are concepts not limited to a specific religious tradition. Trialogue, understood as a universal type of encounter between persons, goes beyond the confines of Abrahamic traditions and a Western Enlightenment understanding of selfhood. Keywords Trialogue – dialogue – interreligious – Ultimate Reality – Ultimate Self – Martin Buber – consciousness – spirituality … © koninklijke brill nv, leiden, 2018 | doi:10.1163/24683949-12340050Downloaded from Brill.com09/24/2021 02:01:20PM via free access Trialogue in an Interreligious Context 127 All real living is meeting. Through the Thou a man becomes I. Martin Buber1 ∵ 1 Introduction This essay reflects on the structures of all dialogue by using a Trialogue model:2 in the encounter between the dialogue partners a “third presence,” Ultimate Reality, as well as the Ultimate Self of each of the dialogue partners are pos- tulated and reflected upon. -
Jesus in the Washat
Digital Commons @ George Fox University Seminary Masters Theses Theses and Dissertations 12-2006 Jesus in the Washat Steven Nicholas Ceddia Follow this and additional works at: https://digitalcommons.georgefox.edu/seminary_masters JESUS IN THE W ASHA T A THESIS SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS BY STEVEN NICHOLAS CEDDIA MADRAS, OREGON DECEMBER 2006 PORTLAND CENTER LIBRARY GEORGE FOX UNIVERSITY PORTLAND,OR. 97223 THESIS ACCEPTANCE CERTIFICATE Title: JESUS IN THE WASHAT Presented by: STEVEN NICHOLAS CEDDIA Date: DECEMBER 2006 We, the undersigned, certify that we have read this thesis and approve it as adequate in scope and quality for the degree of Master of Arts in Theological Studies. (DanielL. Brunner) Copyright © 2006 by Steve Ceddia All rights reserved 111 To Tracy, and Taylor IV CONTENTS ABSTRACT ....................................................................................................................... vi ACKNOWLEDGMENTS ................................................................................................ vii Chapters 1. INTRODUCTION ....................................................................................... ! 2. W ASHAT HISTORY AND GENERAL THEOLOGY ............................ 10 3. WASHAT CHRISTOLOGY: THEORY ................................................... 31 4. W ASHA T CHRISTOLOGY: WORSHIP ................................................ .48 5. CONCLUSION ......................................................................................... -
Chapter Five the Massacre at Wounded Knee
Chapter Five The Massacre at Wounded Knee 5 There was no hope on earth, and God seemed to have for- gotten us. Some said they saw the Son of God; others did not see Him.… The people did not know; they did not care. They snatched at the hope. They screamed like crazy men to Him for mercy. They caught at the promise they heard He had made. The white men were frightened and called for sol- diers. We had begged for life, and the white men thought we wanted theirs. —Red Cloud, Lakota, 1890 n 1890 a new religious movement called the Ghost Dance swept through the Indian tribes of the western United States. It promised followers that Ieverything on earth would be restored to the way it was before the white men came, with abundant land and game, if the people performed a ritual dance. The Ghost Dance originated with a Paiute prophet named Wovoka who lived on the Walker Lake Reservation in Nevada. Also known as Jack Wilson, Wovoka had lived with a white family during his youth and learned the principles of Christianity (see Wovoka biography, p. 152). On New Year’s Day 1889, a total eclipse of the sun occurred in the west- ern United States. As this unusual and startling event unfolded, Wovoka sud- denly became terribly ill with a high fever. Delirious, he returned to his home and fell unconscious. During this period, Wovoka said that he experienced a powerful dream or vision. “When the sun died, I went up to heaven and saw God and all the people who had died a long time ago,” he related. -
Trinity Irish Dance Study Guide.Indd
● ● ● ● ● Photo by Lois Greenfield. About the Performance The Performance at a Glance Each of these different elements can be the basis for introducing students to the upcoming performance. Who are the Trinity Irish Dance Company? Trinity Irish Dance Company were formed in 1990 by Mark Howard in an effort to showcase Irish music and dance as an art form. The company is made up of 18- 25 year olds, and has received great critical and popular acclaim from audiences throughout the world. They have performed all over the world, and have collaborated with many notable contemporary choreographers and musicians. Trinity holds a unique place in the dance world, offering a highly skilled presenation of progressive Irish step dance. Who is Mark Howard? Mark Howard is the founder and artistic director of the Trinity Irish Dance Company, and choreographs much of the company’s work. Born in Yorkshire, England, and raised in Chicago, Mark Howard began dancing at the age of nine, and later went on to become a North American champion Irish dancer. He started the Trinity Academy of Irish Dance at the age of 17, and dancers from this school have won 18 world titles for the United States at the World Irish Dance Championships in Ireland. Howard wanted to find a way for his dancers to do more than just compete for tropies and prizes, so in 1990 he founded the Trinity Irish Dance Company as a way to showcase Irish music and dances as an art form. Mark Howard continues to choregraph new works for the company, and he has expanded his independent career to work in theater, television, concert and film. -
The Presence of the Holy Spirit in the Context of Christianity in Asia: from the Perspective of Frederick E
The Presence of the Holy Spirit in the Context of Christianity in Asia: From the Perspective of Frederick E. Crowe and the Federation of Asian Bishops’ Conferences (FABC) Lonergan on the Edge 2014 Doctor of Theology Program Theology Department Regis College, Toronto School of Theology University of Toronto Heejung Adele Cho September 5, 2014 Table of Contents Introduction ..................................................................................................................................... 1 1. The Specific Character of Asian Theology with Regard to Religious Pluralism ...................... 4 2. Exposition of Frederick E. Crowe’s Concerns ........................................................................... 7 2.1. Philosophy of Interiority in Roman Catholic Theology ...................................................... 8 2.2. A Balance between the Two Missions ............................................................................... 11 3. Pneumatology from an Asian Perspective Expressed by the Federation of Asian Bishops’ Conferences (FABC) .................................................................................................................... 13 3.1. The Resonances of the Fruits of the Holy Spirit in Asian Religio-cultural Traditions ..... 14 3.1.1. Hinduism ......................................................................................................................... 15 3.1.2. Buddhism ....................................................................................................................... -
The Mormons and the Ghost Dance of 1890
Copyright © 1987 by the South Dakota State Historical Society. All Rights Reserved. The Mormons and the Ghost Dance of 1890 GREGORY E. SMOAK On 6 November 1890, Maj. Gen. Nelson A. Miles passed through Saint Paul, Minnesota, after a tour of Indian reserva- tions in Utah, Montana, and Wyoming. During his stop in Saint Paul, the general spoke with reporters and speculated on the ori- gins of the so-called messiah craze that was sweeping the western reservations. "Several small parties of Indians have gone west- ward from their tribes to some point," Miles began, "which, as near as I can locate, is in Nevada, and there they have been shown somebody disguised as the Messiah and have spoken with him." Since Indians from several different tribes had reported speaking with the "Messiah" in their own tongues, Miles concluded that a number of conspirators carried out the impersonation. As to who was instigating the movement, the general stated, "I cannot say positively, but it is my belief the Mormons are the prime movers in all this. I do not think it will lead to an outbreak," he added, "but where an ignorant race of people become religious fanatics it is hard to tell just what they will do."' The general's opinion proved to be wrong. In less than two months, the "Sioux Outbreak of 1890" led to the infamous Battle of Wounded Knee on 29 December 1890. Miles, in fact, directed the Sioux campaign and had sent the first troops to the reserva- 1. Quoted in "Probably a Mormon Trick," New York Times, 8 Nov. -
The History and Practices of a Native American Flute Circle
REVIVAL AND COMMUNITY: THE HISTORY AND PRACTICES OF A NATIVE AMERICAN FLUTE CIRCLE A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Mary Jane Jones August, 2010 Thesis written by Mary Jane Jones B.M., Youngstown State University, 1978 M.S. in Ed., Youngstown State University, 1981 Ph.D., Kent State University, 1991 M.A., Kent State University, 2010 Approved by ________________________________, Advisor Terry E. Miller ________________________________, Director, School of Music Denise A. Seachrist ________________________________, Dean, College of the Arts John R. Crawford ii JONES, MARY JANE, M.A., AUGUST, 2010 MUSIC REVIVAL AND COMMUNITY: THE HISTORY AND PRACTICES OF A NATIVE AMERICAN FLUTE CIRCLE (64 PP.) Director of Thesis: Terry E. Miller Much knowledge about the Native American flute was lost following the suppression of Native American musical traditions by the United States government around the turn of the twentieth century. A renewal of interest in the instrument occurred in the latter part of the twentieth century, but few knew how to play the flute stylistically. As flute enthusiasts began meeting to learn and play together, flute circles emerged throughout North America and around the world. This thesis examines one such circle in Northeast Ohio and offers insight into the views and motivations of its members of Native descent. The practices of the flute circle and the relationships that formed among its members are investigated, as well as the reasons why these people have chosen to connect with their roots by means of playing the flute. -
The Gift of Unitarian Universalism UUFL August 11, 2019 Rev. Leslie Kee in 1993, Religious Scholar Joel Beversluis, Created Th
The Gift of Unitarian Universalism UUFL August 11, 2019 Rev. Leslie Kee In 1993, religious scholar Joel Beversluis, created The Sourcebook of the World’s Religions for use by the Parliament of the World’s Religions. One of the reasons I like this book is the articles have been written by academic leaders and practitioners within their respective religious traditions. For me, it is important to learn about a religion’s traditional features from someone who is a practitioner of that particular religion. I would venture to guess that when many of us think about the word, religion, one of the first things that comes to mind is God or no-god, whichever the case may be. On 2016’s world stage, religious thinking about God or no-god can be fairly and reasonably described as ‘the perceptions adherents’ hold about Ultimate Reality: the perceptions adherents’ hold about Ultimate Reality – hmmm, an interesting way of thinking about God or no-god. In the spiritual way, ultimate reality is an actual phenomenon which is described in many different ways, for example: Source of All, God, Allah, Great Spirit, Brahman, Mother/Father God, no-god, Goddess, Spirit of Life, Nirvana, etc. Ultimate Reality is not necessarily a deity, rather it is a concept or belief which embodies the very wonderful and unique human ability to transcend our individual self and encounter whatever it is we hold sacred. Being a spiritual person means we are literally able to transcend our own sense of self – intellectually and materially. The transcendent experience creates a physical sensation of deep inspiration, of being ‘moved-to-tears,’ or being awestruck by that which is greater than our individual one-ness. -
Celebrating the Soul's Otherness and Dionysian Initiation in Carole
Volume 2 Issue 3 INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 When Caesars Dance, Masks Multiply: Celebrating the Soul’s Otherness and Dionysian Initiation in Carole Maso’s Ghost Dance Insaf Khémiri University of Sousse, Tunisia Abstract With reference to Carole Maso’s Ghost Dance and focusing on one specific character, the Italian American grandfather, Angelo, the present paper tried to study the archetypal images of Caesars which fed the self-centred patriarchal Western ‘ego’ and, thus, poisoned the character’s soul, hindered his freedom, and affected his relationships. While the first part dealt with the four manifestations of ‘Caesar’: the Christian God, the patriarchal Father, the white Anglo-centric man, and the Italian ‘master,’ the second part attempted to highlight the importance of masks in freeing the ‘ego’ from the dominance of Caesars. The soul selects ‘its’ own society by discovering other images, gods, spirits, and ghosts and the character’s freedom depended on the ‘remythologization’ of these multiple facets of the psyche. Keywords: Archetypes, the Dionysian, Otherness, Shamanism. http://ijhcschiefeditor.wix.com/ijhcs Page 515 Volume 2 Issue 3 INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 As Holly E. Martin notes, U.S. ethnic writers revolt against the hegemonic idea of a “completely unified subject or self” (Martin 85) through including figures or ‘presences’ from ‘pagan’ myths and legends because the flexibility of these personages and their multiple facets might inspire the modern person with stories of transformation to facilitate the process of shifting identity in a multicultural world.