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Jack B. Yeats
JACK B. YEATS Biography 1871 August 29, Jack Butler Yeats born at 23 Fitzroy Road, London, son of John Butler Yeats, artist, and Susan Pollexfen of Sligo 1879 Went to Sligo to live with his grandparents, William and Elizabeth Pollexfen. He went to school there, and stayed with them until 1887 1887 Rejoined his family in London in order to attend art school. His grandmother was strongly in favour of him following a career as an artist. Attended classes at South Kensington School of Art, Chiswick School of Art, Westminster School of Art. Season ticket for the American Exhibition at Earls Court, starring Buffalo Bill 1888 First black and white illustrations accepted for publication in The Vegetarian in April 1891 Illustrating for Ariel and Paddock Life . First book illustrations 1892 Designing posters for David Allen & Sons in Manchester. Illustrated Irish Fairy Tales by his brother W.B.Yeats 1894 Staff Artist on Lika Joko. In August he married Mary Cottenham White, who had been a student with him in Chiswick, and was eight years older that Jack. They rented a house called 'The Chestnuts' on the River Thames, at Chertsey 1895 First exhibited at the Royal Hibernian Academy in Dublin, a watercolour called Strand Races, West of Ireland 1897 Moved to Strete, Devon to live at 'Snail's Castle' (Cashlauna Shelmiddy). Began to concentrate on watercolour painting. Painted his first oil. First one-man show of watercolours in November, at the Clifford Gallery, Haymarket 1898 Jack and Cottie visited Northern Italy, on what seems to have been a belated honeymoon, combined with a celebration of the success of his first solo exhibition the previous year. -
Graham, Catherine, February 2006, Keep Rejects
Catherine Graham Collection: February 2006, 1. Krans, Horatio Sheafe, William Butler Yeats and the Irish Literary Revival. London: William Heinemann, 1905. 2. Moore, George, Confessions of a Young Man. London and Toronto: William Heinemann, 1935. 3. Meredith, George, A Reading of Life: With Other Poems. Westminster: Archibald Constable, 1901. 4. Synge, J.M., (Robin Skelton ed.), Some Sonnets from “Laura in Death” after the Italian of Frencesco Petrarch. Dolmen Eds. Dublin: Dolmen Press Ltd., 1971. 5. Skelton, Robin (ed.), The Collected Plays of Jack B. Yeats. Indianapolis and New York: Bobbs-Merrill Co., 1971. 6. Johnston, Denis, The Brazen Horn: A Non-Book for those, who, in revolt today, could be in command tomorrow. Dublin: Dolmen Press, 1976. 7. Skelton, Robin, An Irish Album. Dublin: Dolmen Press, 1969. 8. Montague, John, All Legendary Obstacles. Dublin: Dolmen Press, 1966. 9. Synge, J.M., My Wallet of Photographs. Dublin: Dolmen Press, 1971. 10. Clarke, Austin, Mnemosyne Lay in Dust. Dublin: Dolmen Press, 1966. 11. O’Grady, Desmond, The Gododdin. Dublin: Dolmen Press, 1977. 12. Bickley, Francis, J.M. Synge and the Irish Dramatic Movement. Toronto: Musson Book Co. 13. Horton, W.T. and W.B. Yeats, A Book of Images. London: Unicorn Press, 1898. 14. Yeats, W.B. (ed.), Beltaine: An Occasional Publication. Nos. 1, 2, 3, 1899-1900. London: Sign of the Unicorn, 1900. 15. Poems and Ballads of Young Ireland, 1888. Dublin: M.H. Gill and Son, 1888. 16. Moore, George, Heloise and Abelard. In two volumes, V.I. New York: Boni and Liveright, 1921. 17. Raine, Kathleen, Yeats, The Tarot and the Golden Dawn. -
The Pacific Coast and the Casual Labor Economy, 1919-1933
© Copyright 2015 Alexander James Morrow i Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: James N. Gregory, Chair Moon-Ho Jung Ileana Rodriguez Silva Program Authorized to Offer Degree: Department of History ii University of Washington Abstract Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow Chair of the Supervisory Committee: Professor James Gregory Department of History This dissertation explores the economic and cultural (re)definition of labor and laborers. It traces the growing reliance upon contingent work as the foundation for industrial capitalism along the Pacific Coast; the shaping of urban space according to the demands of workers and capital; the formation of a working class subject through the discourse and social practices of both laborers and intellectuals; and workers’ struggles to improve their circumstances in the face of coercive and onerous conditions. Woven together, these strands reveal the consequences of a regional economy built upon contingent and migratory forms of labor. This workforce was hardly new to the American West, but the Pacific Coast’s reliance upon contingent labor reached its apogee after World War I, drawing hundreds of thousands of young men through far flung circuits of migration that stretched across the Pacific and into Latin America, transforming its largest urban centers and working class demography in the process. The presence of this substantial workforce (itinerant, unattached, and racially heterogeneous) was out step with the expectations of the modern American worker (stable, married, and white), and became the warrant for social investigators, employers, the state, and other workers to sharpen the lines of solidarity and exclusion. -
2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening. -
Fine Books in All Fields
Sale 480 Thursday, May 24, 2012 11:00 AM Fine Literature – Fine Books in All Fields Auction Preview Tuesday May 22, 9:00 am to 5:00 pm Wednesday, May 23, 9:00 am to 5:00 pm Thursday, May 24, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
The Industrial Workers of the World in the Seattle General Strike - Colin M
The Industrial Workers of the World in the Seattle general strike - Colin M. Anderson An attempt to find out the IWW's actual involvement in the Seattle General Strike of 1919, which has been hampered by myths caused by the capitalist press and AFL union leaders of the time. The Seattle General Strike is an event very important in the history of the Pacific Northwest. On February 6, 1919 Seattle workers became the first workers in United States history to participate in an official general strike. Many people know little, if anything, about the strike, however. Perhaps the momentousness of the event is lost in the fact that the strike took place without violence, or perhaps it is because there was no apparent visible change in the city following the event. But the strike is a landmark for the U.S. labor movement, and is very important, if for no there reason, for what it stands for. Workers expressed their power through a massive action of solidarity, and demonstrated to the nation the potential power of organized labor. This was at a time when labor was generally divided over ideological lines that prevented them from achieving such mass action very often. For many at the time, however, the strike represented something else: something more sinister and extreme. To many of the locals in Seattle the strike was the beginning of an attempted revolution by the Industrial Workers of the World and others with similar radical tendencies. These people saw the putting down of the strike was the triumph of patriotism in the face of radicalism gone too far. -
Ruth Lane Poole Collection
Ruth Lane Poole collection National Gallery of Ireland: Yeats Archive IE/NGI/Y17 1. Identity statement area ............................................................................................... 3 2. Context area ..................................................................................................................... 3 3. Content and structure area ........................................................................................ 4 4. Conditions of access and use ...................................................................................... 4 5. Allied materials area .................................................................................................... 5 6. Description control area ............................................................................................. 5 1. Embroideries ................................................................................................................................ 6 1.1 Embroideries by Ruth Lane Poole........................................................................ 6 1.2 Embroideries by Lily Yeats ................................................................................... 7 2. Library of Ruth Lane Poole. ..................................................................................................... 8 2.1 Dun Emer and Cuala press publications .............................................................. 8 2.2 Published works by Elizabeth Corbet Yeats ....................................................... 12 2.3 -
John Butler Yeats: Portrait of William Morris
John Butler Yeats: Portrait of William Morris Jan Marsh From 9 1011 April 1886 William Morris visired Dublin on behalf of rhe Socialist League, addressing a number of meetings. l Among the gatherings was one at the Contemporary Club, an intellectual-artistic debating society founded a fcw months earlier, which met above Ponsonby's bookstOre at 116 Grafron Stceet. Artist John Butler Years was a member of the Contemporary Club and customarily sketched the speakers while listening to the debates. There is no mention of the Contemporary Club in Morris's report of his long weekend in Dublin for Commonweal (8 May). I-Ie does record speaking on Friday 9 April speaking on 'The Aims of An' at [he Molesworrh Hall to an audience 'mostly of "ladies and genclemen"', most of whom disliked the introduction of socialist politics into such a theme.2 Years' portrait was specific to the Contemporary Club and depicts Morris comfortably and informally seated, rather rhan on a public plarform, so ir is likely that rhe Contemporary Club debare rook place later in the evening than the meeting at Molesworth Hall. it is also likely that his theme was similar for both audiences. As Morris spoke, Yeats made one of his charactcristic pencil sketches, whose detailed, delicate, swift lines gave informal immediacy to the portrait. Morris is shown half-length, wearing a dark jacket and seated in an armchair, profile to right, with the familiar beard and bushy hair that stands vertically from the forehead. On the margin of the drawing, lower right, is the inscription 'Wo Morris' in what could be Morris's autograph, or it may be by Yeats, who has later added, lower left, 'author of "Earthly Paradisc" '. -
Jack Butler Yeats Letters to J. C. Miles, 1896-1940
Jack Butler Yeats letters to J. C. Miles, 1896-1940 National Gallery of Ireland: Yeats Archive IE/NGI/Y66 1. Identity statement area ................................................................................................ 3 2. Context area ................................................................................................................ 3 3. Content and structure area ........................................................................................... 5 4. Conditions of access and use ........................................................................................ 5 5. Allied materials area .................................................................................................... 5 6. Description control area ............................................................................................... 6 1. Letters from Jack Butler Yeats to J. C. Miles .......................................................................... 6 2. Characters for the play Esmerelda Grande by Jack Butler Yeats ........................................ 13 3. Ephemera relating to Cuala Industries ................................................................................ 13 4. Press clippings relating to Jack Butler Yeats. ....................................................................... 14 5. Miscellaneous items ............................................................................................................ 15 2 1. Identity statement area Reference Code: IE/NGI/Y66 Title: Jack Butler Yeats -
Saturday US'a
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Ole Hanson Stumps the Country for Americanism I Cigar Was Cocked to the Angle of a Seemed to Think That He Was Some¬ Seattle's Un¬ Flagstaff
Ole Hanson Stumps the Country for Americanism I cigar was cocked to the angle of a seemed to think that he was some¬ Seattle's Un¬ flagstaff. how in the field of Presidential Fighting Ex-Mayor Really The mention of Presidential as¬ timber." pirations does not rcduco Ole Han¬ For the, present his speaking tour and his which is to derstands the and He son to an anticipated clamlike book, be brought Northwest, Says silence. out by a publishing house of Long him "I have had an ambition to be Island, keep busy. What He Thinks About the Reds President of the United States since "I never was so busy or had less/* / I was eight years old," he said, In he said at parting. "Never again answer to the writer's question. "Is can any one tell me of the prosperity it not an ambition that is legitimate to be encountered by public speaking. to after said. ever could be womanless. I have to every American schoolboy?" It appears me, my short By Louis Leo Arma they Nothing seen hundreds that the of Russian men in but never Further than this Ola Hanson did experience, promoter's idea 1W. W. eruptions on Annistice done through them that the L W. W. Seattle, is a woman I have not choose to go, beyond the state¬ of an adequate speaker one who and the «vents of the could not accomplish more effec¬ recognized as Rus¬ Day sian. From 1900 to 1918 of ment that "about two of every three will speak for nothing. -
THE STORY of the 139Th INFANTRY
*^ lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllilllllllll^ THE STORY OF THE 139th INFANTRY iflllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll^^ Illlllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll THE STORY OF THE 139th INFANTRY BY CLAIR KENAMORE 1920 GUARD PUBLISHING CO. ST. LOUIS, MO. iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiip iiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii 5 iiiiiiiiiiii!iiiiiiiiiiiiii!iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii^^^ iiiiiiiiiiiiiiiiiiunniiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiy^ Copyright, 1920 By Clair Kenamore All Rights Reserved Author JUL ) t ISB Printed in the United States of America iiiiiiuiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiii^^^ iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii 6 FOREWORD When the History Committee of the 139th Infantry put the pro- duction of this book into the hands of the Guard Pubhshing Company early in September, 1919, that company arranged with me to write it. -Many difficuhies have arisen in the collection of data, principally through my inability to obtain the regimental records. Officers and men of the regiment have resumed their civilian pur- suits and some of them have wandered far afield since they were dis- charged from the army, so far indeed that letters and