Coffeyville, Kansas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Nr. 202 12 Augustus 2013
1 11de JAARGANG, NR. 202 12 AUGUSTUS 2013 IN DIT NUMMER: 1 NIEUWSBERICHTEN 4 BOEKBESPREKING 5 PLATENRECENSIES Brussels Jazz Orchestra, Terence Blanchard, Miles Davis, Wayne Shorter, TheDorf, Wrong Object, Keith Tippett e.a. 12 CONCERTVERSLAGEN Gent Jazz Festival, Kenturah’s Kitchen. EN VERDER: 16 Jazzcenter (Van Eeden, Fluitman) 19 Umbria Jazz (Schot & Roos) 21 Jazzcup K’hagen (Hessel Fluitman) JAZZ FLITS 203 staat 9 SEPTEMBER op http://www.jazzflits.nl ONAFHANKELIJK JAZZMAGAZINE SINDS 2003 NIEUWSSELECTIE ‘LUISTEREND NAAR JAZZ LOOP ZANGERES RITA REYS OVERLEDEN JE MINDER VER’ Onderzoekers van de Universiteit van Gent hebben het aangetoond. Tijdens het hardlopen naar jazz luis- teren haalt de vaart eruit. Pop en techno werken juist stimulerend. Hun studie ‘Activating and Relaxing Music Entrains the Speed of Beat Synchronized Walking’ werd begin juli gepubliceerd. Voor het onderzoek werd een aantal proefpersonen uit rennen gestuurd. Ze kregen 52 verschillende stukjes muziek mee met ieder een tem- po van 130 ‘beats’ per minuut en een vierkwartsmaat. Steeds werd gekeken welke afstand in een bepaalde tijd werd afgelegd. Rita Reys tijdens North Sea Jazz 2012. (Foto: Tom Beetz) De onderzoekers concludeerden dat de complexiteit van de muzikale structuur Zangeres Rita Reys is 28 juli in Breukelen overleden. “Met bepalend is voor de afstand die wordt niet aflatende inzet en muzikaliteit, en met blijvend suc- overbrugd. Hoe simpeler de muziek, hoe ces, stond zij 72 jaar lang als professioneel zangeres op groter de paslengte. Bij eenvoudigere het podium, waarvan vier decennia met haar geliefde deuntjes zijn passen 7 procent langer echtgenoot Pim Jacobs”, aldus de kennisgeving van de dan bij een standaard moeilijkheids- familie. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Soft Machine-SWITZERLAND 1974-PR
Bio information: SOFT MACHINE Title: SWITZERLAND 1974 (Cuneiform Rune 395/396) Format: CD/DVD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: CANTERBURY / JAZZ ROCK / FUSION Cuneiform Records Release Classic 1974 Bundles-Era Soft Machine Performance Featuring Allan Holdsworth On Guitar And Filmed at One of Europe’s Most Esteemed Jazz Festivals As A Dual DVD+CD Package At the end of 1973, the British band Soft Machine embarked on a fresh start. In December 1973, it added guitarist Allan Holdsworth (recently with Jon Hiseman’s Tempest, and previously Nucleus) to its line-up, which then consisted of Soft Machine founding member and keyboardist Mike Ratledge, along with pianist and saxophonist Karl Jenkins, bass player Roy Babbington, and drummer John Marshall. Jenkins and Ratledge then composed a whole new repertoire, which the band road-tested on extensive tours of North America and continental Europe in the first half of 1974. That material eventually made up Soft Machine’s eighth recording, the first not named after its order of release: the album Bundles, widely acknowledged as a jazz-rock / fusion classic. When released by EMI’s Harvest Label in early 1975, Bundles would secure Soft Machine’s role in the transcontinental jazz-rock pantheon alongside Return To Forever and Mahavishnu Orchestra in the USA, and Nucleus, Brand X, and Isotope in the UK. Soft Machine’s status in the international jazz/rock avant-garde was widely apparent even before Bundles’ official release. -
Soft Machine Fifth Mp3, Flac, Wma
Soft Machine Fifth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Fifth Country: UK Released: 1972 Style: Jazz-Rock, Fusion, Prog Rock MP3 version RAR size: 1639 mb FLAC version RAR size: 1507 mb WMA version RAR size: 1700 mb Rating: 4.1 Votes: 605 Other Formats: MIDI VOC VOX XM TTA DTS ADX Tracklist Hide Credits All White A1 6:06 Written-By – Mike Ratledge Drop A2 7:42 Written-By – Mike Ratledge M.C. A3 4:57 Written-By – Hugh Hopper As If B1 8:02 Written-By – Mike Ratledge L B O B2 1:54 Written-By – John Marshall Pigling Bland B3 4:24 Written-By – Mike Ratledge Bone B4 3:29 Written-By – Elton Dean Companies, etc. Published By – Soft Machine Publishing Company Limited Published By – Essex Music International Ltd. Published By – Robbins Music Corp. Ltd. Made By – Shorewood Packaging Co. Ltd. Recorded At – Advision Studios Credits Alto Saxophone, Saxello, Electric Piano – Elton Dean Bass Guitar – Hugh Hopper Double Bass – Roy Babbington (tracks: B1 to B4) Drums – John Marshall (tracks: B1 to B4), Phil Howard (tracks: A1 to A3) Engineer – Garry Martin* Executive-Producer – Sean Murphy Organ, Electric Piano – Mike Ratledge Producer – Soft Machine Notes ℗ 1972 Made in England Shorepak by Shorewood Packaging Co. Ltd., England Barcode and Other Identifiers Matrix / Runout (Center label A-side): S 64806 A Matrix / Runout (Center label B-side): S 64806 B Matrix / Runout (Runout A-side, stamped): S 64806 A2 Matrix / Runout (Runout B-side, stamped): S 64806 B1 Other versions Category Artist Title (Format) Label Category Country -
Furman Magazine. Volume 52, Issue 4 - Full Issue Furman University
Furman Magazine Volume 52 Article 1 Issue 4 Winter 2010 1-1-2010 Furman Magazine. Volume 52, Issue 4 - Full Issue Furman University Follow this and additional works at: https://scholarexchange.furman.edu/furman-magazine Recommended Citation University, Furman (2010) "Furman Magazine. Volume 52, Issue 4 - Full Issue," Furman Magazine: Vol. 52 : Iss. 4 , Article 1. Available at: https://scholarexchange.furman.edu/furman-magazine/vol52/iss4/1 This Complete Volume is made available online by Journals, part of the Furman University Scholar Exchange (FUSE). It has been accepted for inclusion in Furman Magazine by an authorized FUSE administrator. For terms of use, please refer to the FUSE Institutional Repository Guidelines. For more information, please contact [email protected]. WINTER 2010 FOR ALUMNI AND FRIENDS OF THE UNIVERSITY The Right Choice: Incoming president Rodney Smolla PAGE 2 Furman FOR ALUMNI AND FRIENDS OF THE UNIVERSITY WINTER 2010 Volume 52, Number 4 Furman magazine is published quarterly for alumni and friends by the Of!ce of Marketing and Public Relations, Furman University, Greenville, S.C. 29613. EDITOR Jim Stewart DESIGNER Roxanne Chase CONTRIBUTORS Stacy Schorr Chandler Piper Gray Ann Green Phil Howard Will Jordan Katie Levans Vince Moore Clare Folio Morris John Roberts Leigh Gauthier Savage Ron Wagner EDITORIAL ASSISTANT/ Nell Smith CLASS NOTES EDITOR EDITORIAL ADVISORY Tish Pearman Anderson COMMITTEE Randall David Cook Nancy R. Fullbright Sam Hodges PRINTING Hickory Printing Group, Inc. E-MAIL [email protected] TELEPHONE (864) 294-2185 FAX (864) 294-3023 © Furman University 2010 FEATURES 2 A Regular Guy BY JOHN ROBERTS Rodney Smolla was the !rst person in his family to attend college. -
Galiano Parents Want 6Safe Transportation'
rifttooofc Serving the islands that make beautiful British Columbia beautiful SEVENTEENTH YEAR, NO. 38 GANGES, BRUISE COLUMBIA WEDNESDAY, SEPTEMBER 29, 1976 $7.00 PER YEAR IN CANADAt 20c COPY BOARD CALLOUS SAYS GROUP Galiano parents want 6safe transportation' School transportation for stud- it is not." She said that one of the able, the delegation indicated it ents of the Outer Islands continues top priorities of the board has been would urge parents not to apply for to give a throbbing headache to transportation for pupils in the the $91 allowance established for trustees of the Gulf Islands school Outer Islands. transporting each student from board. The Galiano delegation, com- their home island to school. "We Meeting in business session posed of parents of grades 8 and 9. intend to keep our children home last week at Ganges, the board was was chiefly concerned with the until the board has acted on the subjected to a verbal roasting by a inadequacy of transportation for transportation problem facing nine delegation of parents from Galiano students attending the new junior Galiano students going to school on Island, which charged the board secondary school on Mayne Island. of photographic contest sponsored Mayne Island." said the delega- HANDY WITH camera or tractor is was "shirking its responsibilities in "The board has refused to tion. Sid May of Furness Road, who won by the Vancouver Island Real transportation". arrange safe transportation," said Estate Board. Taking exception to delegat- first place in the amateur category Ken Maneker, Galiano princip- one representative of the delega- ion's stringent stand. -
Larry Miller + Mike Francis Having a Quick Ciggy Before the Gig and What a Really Nice Guy He Is
Issue 43 SLAP Supporting Local Arts & Performers Hello and thanks for picking up your free copy of SLAP, the last one for another year, and what a year it’s been! This is always the hardest edition of the year to put together as it’s officially a double issue, incorporating as much of January events, listings and previews as we possibly can. But this year has been especially difficult due to the sheer amount of quality copy coming in now from our growing team of contributers and choosing what to leave out has proved particularly demanding! So due to the financial restrains of Dec/Jan the printing costs versus the advertising income it can be difficult getting the balance right. In this issue we have our usual variety of the Arts, Theatre, live music and exhibitions to keep you up to date with news, SLAP MAGAZINE reviews and previews for both December and January. Our Unit 3a, Lowesmoor Wharf, cover story is singer/songwriter and former Bluetone Mark Worcester WR1 2RS Morriss who is appearing at Malvern Cube in the New Year, Telephone: 01905 26660 one not to be missed. Indeed, with more great events in store, [email protected] the Cube has been one of the success stories of the year. For advertising enquiries, please contact: When long standing venues such as The Jailhouse in Hereford [email protected] are closing down we need all the positives we can get. EDITORIAL Mark Hogan I can’t believe this edition completes four years of SLAP, it’s Kate Cox - Arts editor incredible where the time has gone. -
Music 2025 the Music Data Dilemma: Issues Facing the Music Industry in Improving Data Management
Music 2025 The Music Data Dilemma: issues facing the music industry in improving data management Research commissioned by the Intellectual Property Office and carried out by Ulster University: Professor Frank Lyons, Dr Hyojung Sun, Dennis Collopy, Paul O’Hagan and Professor Kevin Curran. Findings and opinions are those of the researchers, not necessarily the views of the IPO or the Government. Intellectual Property Office is an operating name of the Patent Office Music 2025 Core Research Team: ISBN: 978-1-910790-40-3 Music 2025: The Music Data Dilemma: issues facing Professor Frank Lyons is Dean of Research and Impact in Arts, Humanities the music industry in improving data management and Social Sciences at Ulster University. He has developed an international profile as a composer and researcher with over 150 performances and Published by The Intellectual Property Office exhibitions of his works in China, Japan, Australia, South Africa, the US, June 2019 Europe, the UK and Ireland and broadcast on BBC, RTE, NPR and ABCFM, performed by some of the world’s leading soloists and ensembles. He has 1 2 3 4 5 6 7 8 9 10 also developed an international network of research collaborations in the field of creative technologies and disability under the ‘Inclusive Creativity’ banner. © Crown Copyright 2019 Professor Lyons is currently Co-Director of Ulster’s Creative Industries Institute and Co-Director (Partnerships) of Future Screens NI, a collaboration with QUB You may re-use this information (excluding logos) and a number of key industrial partners which secured £13million from AHRC free of charge in any format or medium, under the and industry to drive growth in the creative economy in the region. -
NDR JAZZ WORKSHOP – HAMBURG, GERMANY 1973 CD + DVD (Cuneiform Rune 305/306)
Bio information: SOFT MACHINE Title: NDR JAZZ WORKSHOP – HAMBURG, GERMANY 1973 CD + DVD (Cuneiform Rune 305/306) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ROCK / JAZZ-ROCK One of the most critically acclaimed, far-reaching and influential avant rock bands ever was Soft Machine, named after a novel by William Burroughs. It was one of the very first groups to bring together jazz and rock, and fuse them into a single, creative music. But unlike the other pioneers of "jazz/rock", all of whom (Nucleus, Miles Davis, Tony Williams Lifetime, etc.) had made their reputation as jazzers first, Soft Machine began as a psychedelic rock band, playing the 'underground club' circuit alongside its friends Pink Floyd. Throughout the band’s lifetime, its lineup would continually evolve, reflecting the metamorphosis in the band’s sound from pop and rock to groundbreaking experiments with electric jazz. The band released its studio albums on major labels, and played numerous shows both at home and abroad. For over a decade, until it disbanded in the late 1970s, Soft Machine created groundbreaking and provocative music that stretched the outer limits of rock– and of jazz. Soft Machine was formed in Canterbury, England in 1966 by Daevid Allen (guitar), Robert Wyatt (drums/vocals), Kevin Ayers (bass/vocals) and Mike Ratledge (keyboards). Within a year, Allen was gone, a victim of immigration laws. In 1968, the trio toured the USA twice with the Jimi Hendrix Experience and recorded its self-titled first album. -
Soft Machine Stereo Pop Special-9 Mp3, Flac, Wma
Soft Machine Stereo Pop Special-9 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Stereo Pop Special-9 Country: UK Released: 1972 Style: Jazz-Rock MP3 version RAR size: 1401 mb FLAC version RAR size: 1899 mb WMA version RAR size: 1396 mb Rating: 4.3 Votes: 462 Other Formats: MIDI MOD MP1 WMA RA MP3 DXD Tracklist A1 Blind Badger 9:52 A2 Neo-Caliban Gridel 5:47 A3 Out-Bloody-Rageous 3:00 A4 Eamon Andrews 5:00 B1 Pigling Bland 5:00 B2 Kings And Queens 4:45 B3 Teeth 15:25 Companies, etc. Recorded At – Paris Theatre, London Credits Bass – Hugh Hopper, Neville Whitehead Cornet – Marc Charig (tracks: B3) Double Bass – Roy Eabbington* (tracks: B3) Drums – Phil Howard, Robert Wyatt Electric Piano – Mike Ratledge Presenter – John Peel Producer – Jeff Griffin Saxophone – Elton Dean Tenor Saxophone – Ronnie Scott (tracks: B3) Trombone – Paul Nieman (tracks: B3) Notes Recorded live at the Paris Theatre, London, UK 1971-March-11 Side 1: 24:03 min. Side 2: 25:43 min. total duration: 49:46 min. Barcode and Other Identifiers Matrix / Runout (Side 1): 130165-S Matrix / Runout (Side 2): 130166-S Other versions Category Artist Title (Format) Label Category Country Year BBC Radio 1 Soft Windsong WINCD 031 Live In Concert WINCD 031 UK 1993 Machine International (CD, Album) MSI (Music Scene BBC Radio 1 MSIF 3091, Soft Incorporated), MSIF 3091, Live In Concert Japan Unknown WINCD 031 Machine Windsong WINCD 031 (CD, Album) International Soft BBC In Concert Machine & MSI (Music Scene MSIG 0196 1971 (CD, MSIG 0196 Japan 2005 Heavy Incorporated) -
Soft Machine Free
FREE SOFT MACHINE PDF William Burroughs | 144 pages | 29 Apr 2010 | HarperCollins Publishers | 9780007341917 | English | London, United Kingdom Soft Machine : Official Website - History Early Softs Soft Machine Daevid Allen. Allen, Wyatt and future Soft Machine Hugh Hopper had first Soft Machine together in the Daevid Allen Trio inoccasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowerslater incarnations of which would include future members of another Canterbury band, Caravan. In April they recorded seven demo songs with producer Giorgio Gomelsky in De Lane Lea Studios that remained unreleased until They also Soft Machine in the Netherlands, Germany and on the French Riviera. This made them instant darlings of the Parisian "in" crowd, resulting in invitations to appear on leading television shows and at the Paris Biennale in October Upon their Soft Machine from their sojourn in France, Allen an Australian was denied re-entry to the United Soft Machine, so the group continued as a trio, while he returned to Paris to form Gong. Soft Machine - The First album. Sharing the same management team as Jimi Hendrix, the band were rewarded with a support slot on the Jimi Hendrix Experience 's North America tour throughout After a few weeks of rehearsals, the new quartet began a tour of the USA with some solo shows before reuniting with Hendrix for a final string of Soft Machine in August—September Summers, Soft Machine, had in the meantime been fired at the insistence of Ayers, who himself also departed amicably after the final tour date at the Hollywood Bowl in mid-September, and for the remainder ofSoft Machine were no more.