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eecs Arts Ca encar LEEDS ARTS CALENDAR MICROFILMED Starting with the first issue published in 1947, the entire Leeds Art Calendar is now available on micro- film. Write for information or send orders direct to: 6868 University Microfilms, Inc., 300N Zeeb Road, Ann Arbor, Michigan 48106, U.S.A. SSSQ Leeds Art Collections Fund This is an appeal to all who are interested in the Arts. The Leeds Art Collections Fund is the source of regular funds for buying works of art for the Leeds collection. We want more subscribing members to give one and a half guineas or upwards each year. Why not identify yourself with the Art Gallery and Temple Newsam; receive your Arts Calendar free, receive invitations to all functions, private views and organised visits to places of interest, by writing for an application form to the Cover Design Hon Treasurer, E. M. Arnold Esq., Butterlg .Street, Leeds 10 The triumphal arch at Parlington built by Sir Thomas Gascoigne in 1783, after a design by Thomas Leverton. LEEDS ARTS CALENDAR No. 66 1970 THE AMENITIES COMMITTEE The Lord Mayor Alderman J. T. V. Watson, LL.B tChairman) Alderman T. W. Kirkby Alderman A. S. Pedley, D.F.c. Alderman S. Symmonds Councillor P. N. H. Clokie Councillor R. I. Ellis, A.R.A.M. Councillor J. H. Farrell Contents Councillor Mrs. E. Haughton Councillor Mrs. D. E.Jenkins Obituary. Sir Alvary Douglas Frederick Councillor Mrs. A. Malcolm Gascoigne, c.n.E., t<.c.M.c., 1893—1970 2 Councillor Miss C. A. Mathers Councillor D. Pedder, J.p., Ms.c. Editorial 3 Councillor Mrs. S. M. C. Tomlinson An Unpublished Portrait by Sustermans 6 Co-opted Members W. T. Oliver, M.A. Some keyboard Instruments associated Eric Taylor, R.E., A.R.G.A. with Temple Newsam 12 Romanticism and Neo-classicism for Parlington: the tastes of Sir Thomas Gascoigne 16 THE LEEDS ART COLLECTIONS FUND President The Rt. Hon. the Earl of Halifax Vice-President The Rt. Hon. the Earl of Harewood Trustees STAFF C. S. Reddihough George Black, F.R.c.s. W. T. Oliver, M.A. Director F.M.A. Robert Rowe, c.tt.E., M.A., Committee Mrs. S. Gilchrist Xetvsam House Keeper, Temple Professor L. Gowing, c.B.E.,M.A. Gilbert, M.A., F.M.A. Christopher Miss J. Horner Lady Ingleby Keeper, Art Gallery Mrs. R. P. Kellett Miss M. Strickland-Constable, B.A. A.M.A. Derek I.instrum, A.R.t.a.A. Alderman T. V. Watson, LL.B. Keeper, Decorative Art Studies J. B.A. Terry F. Friedman, Hon. Treasurer Martin Arnold B.A. Curator, Print Room and Art Library M.A. Alex W. Robertson, Hon. Secretary Robert Rowe, c.a.E., M.A., F.M.A. Assistant Keeper, Lotherton Hall B.A. Peter Walton, Hon. Membership Secretary D. Mason Jones, M.A., A.R.I.B.A. Assistant Keeper, Temple JVetvsam House Wells-Cole, B.A. Anthony Hon. Social Secretary Trainee Assistant Keeper: Richard Fawcett, B.A. Secretary: Miss B. Thompson All communications to be addressed to the Administrator Hon. Secretary at Temple Newsam House, Leeds Miss D. J. English Subscriptions for the Arts Calendar should be sent to Assistant, Print Room and Art Library The Hon. Treasurer, c/o E.J. Arnold 8r. Son Ltd., Mrs. J. E. Brooks Butterley Street, I.eeds 10 Technical Supervisors: 8/- per annum, including postage (2 issues) Ron Turner Single copies from the Art Gallery and Temple Michael Tasker Newsam House, 3/6 each OBITUARY'IR ALVARY DOUGLAS FREDERICK GAS CO IGNE G.B.E. K.C.M.G. 1893-1970 Oil I III Sir Alvary's career in the diplomatic large. This must be why Lotherton Hall service, the interesting posts he held and never suggests through its treasures or in the highly distinguished way in which he its bricks and mortar that it is a monument played the most exacting roles demanded to a man or his family, on the contrary it of him all gave him renown. Yet any sort appears almost personally to welcome of publicity was anathema to him. He was visitors and make them feel that they are a man of great wisdom and foresight who, there by right. Is not this subtle atmosphere when he decided to give his house, art which now pervades his old home an collection and estate for the public to indestructible epitaph to Sir Alvary- enjoy, wanted always to remain in the one which will surely influence the background. This was no false modesty, progress of Lotherton towards its full but a strong sense which he shared with potential as a country house museum. Lady Gascoigne of stewardship rather Even though he may now never see the than ownership. It was as if to him all long-term results of his benefaction, the material possessions and personal endow- manner of it has set the course for the ments belonged morally to the world at future. Editorial I. Armchair, from a set of tioo arm and six single chairs. Made by Giles Grendey for the Duke of Infantado's Castle in Spain, c. 1730. Beech@!ood u ith caned seat and japanned decoration in the Chinese taste on a scarlet ground, ht. 44 m. As the copy for this f,'alendar goes to the printer the staff are beginning to breathe again after the panic of getting the Festival Exhibitions open. Through the years the older hands get used to the idea that every exhibition, an hour or so before opening, looks as though a bomb had fallen in its fp midst and a curious despair sets in. The next crisis one has sometimes to weather Ile I may be brought about by those ghastly little errors over things like dates of open- ing or closing to be found in posters and handouts; usually these are first dis- covered by the most innocent and well- meaning members of our public. It is a wonder that museum people are not more neurotic than they are. Apart from their content the exhibitions put on to coincide with the Triennial Musical Festival of I c)70 were administratively remarkable on two counts. Because we did not want to leave Lotherton out, particularly during its first year of running, there had to be three of them all ready for opening within a week of each other. The second thing was good and encouraging —never have we had so much outside support 1'or our activities. The Arts Council, the Clothworkers'ompany and A» Ist!' ' the Festival Committee all weighed in with substantial grants without which we could never have managed. Leeds should be very grateful and we hope that the various bodies thought their money well spent. Our collecting progress in the last few months has been proud-making. Quite the most spectabular acquisition in its field since the Harewood library table has been the set of six single and two armchairs in red and gold lacquer made about 1730 by Giles Grendey some of which bear his trade label. They have had a romantic history, part of a much larger set they caddies in a mahogany silver-mounted were either bought or specifically made 1'r case. These were made by John Langford the Castle of Lazcano near San Sebastian and John Sebille in 1768 and are of de- in Spain, owned by the Duke of Infan- lightful transitional design between the tado. A few years before the last war they rococo and neo-classical. They were in the appeared on the international art market late Colonel R. F. Tetley's collection at and had a somewhat chequered career Boston Spa. until they found a home with Mr. Neville Finally on the subject of silver a very Hamwee in Jersey. We would never have elegant silver parcel-gilt wine ewer of 1859 got them to Temple Newsam had it not was bought for the Gascoigne collection at been for the generosity of Mr. Hamwee, Lotherton. It was made by Joseph Angell, who made the price possible, the good one of the leading silversmiths of the day, oflices once again of Mr. George Levy of to a design of his published in the Art Blairmans, and a 50 per cent grant-in-aid Journal catalogue of the 1851 Exhibition made available through the Victoria in which, therefore, the prototype of ours and Albert Museum. A great deal of re- must have been shown. The ewer is in search is being done on them and it may mint state —the engraving still sharp to soon be possible to publish a complete case the touch —and it arrived in its original history from the time when they were velvet-lined leather travelling case. Bought planks of beech plus an idea in the mind of also for Lotherton were a good representa- Grendey as he and his craftsmen laboured tive piece of Rockingham porcelain —a in the workshops at Clerkenwell. One comport decorated in enamel colours- thing is quite clear already, however— and an exceptionally pretty round rose- they make splendid garniture for Temple wood table with a perspective top com- Newsam underlining one of the funda- posed of specimen marbles —it dates from mental qualities of the house —that it is about 1830. So the collections grow and much more than a museum in which one Lotherton is keeping up well with its big need only represent this or that type sister. The house co-operates with itsof'urniture. There are building operations to contents in a sort of mutual admiration report at both Lotherton and Temple society.