Tuscany, Cinque Terre & the Lake District
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Module Specification
Richmond, the American International University in London January 2016 COURSE SPECIFICATION DOCUMENT Academic School/Department: Communications, Arts and Social Sciences Programme: Communications FHEQ Level: 5 Course Title: Fashion and Media in Rome Course Code: COM 5845 Course Leader: Rosanna Graziani (Rome) Student Engagement Hours: 120 Lectures: 22.5 Seminar / Tutorials: 22.5 Independent / Guided Learning: 75 Semester: Fall / Spring / Summer Credits: 12 UK CATS credits 6 ECTS credits 3 US credits Course Description: ITALIAN STUDY CENTRES ONLY. This course explores the historical development of the Italian fashion industry with a particular emphasis on Rome. The course focus is on retail and visual merchandising. It addresses the question of relevance of the in- store consumer experience in response to the spread of e-commerce. In order to explore and evaluate possible answers to this question, students are involved in The Luxury Shopping Experience project. Following clear guidelines, students visit, examine, and report on selected luxury stores located along Via Condotti and Via Borgognona in Rome. This allows students to experience at first hand the way people, including tourists, consume luxury in Rome. Prerequisites: GEP 4180 Research and Writing II Aims and Objectives: The course aims to explore various facets of the Italian fashion industry with a specific emphasis on Rome. It develops an understanding of the cultural history of fashion in Italy and the role it plays in a globalized consumer economy. The relationship between fashion, various media and the consumption practices of luxury fashion in Rome are highlighted. Richmond, the American International University in London January 2016 Programme Outcomes: A5i, A5ii, B5i, B5ii. -
ITALY Retail Q2 2020
M A R K E T B E AT ITALY Retail Q2 2020 ECONOMY OVERVIEW Despite the partial slowdown of the Covid-19 pandemic, the level of uncertainty is still high and the economic forecasts are likely to change YoY 12-Mo. Chg Forecast during the year. As the current economic crisis is unprecedented, Italian GDP saw a record fall in Q2, but it is likely to rebound in the remaining quarters, performing between -9% and -10% in 2020, slightly below the Eurozone average (-7,9%). GDP will grow 5,7% in 2021 €13,700 and is expected to recover to pre-Covid levels in 2024. The government managed to control the rise of infections after the gradual re- Milan Prime Rent /sqm/yr opening, but the risk of a new outbreak is making consumers cautious and more inclined to save rather than spend. So far, the impact of Covid-19 on unemployment appears to be limited, but official data underestimates the real situation since it does not reflect the lower participation rate and does not consider temporary workers. Inflation rate has decreased and is expected to remain steady around zero, €12,500 potentially sustaining private consumption. Rome Prime Rent /sqm/yr OCCUPIERS & INVESTMENT FOCUS €900 As a consequence of the pandemic, most retailers were forced to stay closed until the 18th of May and, once opened, went through major Out of Town Prime Rent /sqm/yr changes in their operations due to the new regulations. The shopping experience has been drastically affected, but the situation is slowly coming back to normality and consumers seem to have reconsidered the shift towards online – particularly marked during lockdown. -
Final Thesis
AN EXAMINATION OF INDIVIDUAL DIFFERENCES IN ITALIAN AND AMERICAN FASHION CULTURES: PAST, PRESENT, AND PROJECTIONS FOR THE FUTURE BY: MARY LOUISE HOTZE TC 660H PLAN II HONORS PROGRAM THE UNIVERSITY OF TEXAS AT AUSTIN MAY 10, 2018 ______________________________ JESSICA CIARLA DEPARTMENT OF TEXTILES AND APPAREL SUPERVISING PROFESSOR ______________________________ ANTONELLA DEL FATTORE-OLSON DEPARTMENT OF FRENCH AND ITALIAN SECOND READER TABLE OF CONTENTS Abstract…………………………………………….…………………………………………….…………………………………… 3 Acknowledgements………………………………………….…………………………………………….…………..……….. 4 Introduction………………………………………….…………………………………………….…………………….…….…. 5 Part 1: History of Italian Fashion……...……...……..……...……...……...……...……...……...……...... 9 – 47 AnCiEnt Rome and thE HoLy Roman EmpirE…………………………………………………….……….…... 9 ThE MiddLE AgEs………………………………………….……………………………………………………….…….. 17 ThE REnaissanCE……………………………………….……………………………………………………………...… 24 NeoCLassism to RomantiCism……………………………………….…………………………………….……….. 32 FasCist to REpubLiCan Italy……………………………………….…………………………………….……………. 37 Part 2: History of American Fashion…………………………………………….……………………………… 48 – 76 ThE ColoniaL PEriod……………………………………….……………………………………………………………. 48 ThE IndustriaL PEriod……………………………………….……………………………………………………….…. 52 ThE CiviL War and Post-War PEriod……………………………………….……………………………………. 58 ThE EarLy 20th Century……………………………………….………………………………………………….……. 63 ThE Mid 20th Century……………………………………….…………………………………………………………. 67 ThE LatE 20th Century……………………………………….………………………………………………………… 72 Part 3: Discussion of Individual -
A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
Why the Eternal City Could Become the Next Hotspot for Luxury Hotels
FEBRUARY 2015 | PRICE £350 IN FOCUS: ROME WHY THE ETERNAL CITY COULD BECOME THE NEXT HOTSPOT FOR LUXURY HOTELS Christof Bertschi Senior Associate Sophie Perret Director www.hvs.com HVS London | 7-10 Chandos Street, Cavendish Square, London W1G 9DQ, UK ‘Why should luxury travellers pay less for a hotel in Rome than in London, Paris or New York? We have the same guests here...,’ a General Manager of a luxury hotel in Rome asked me recently during an interview. His remark poses an interesting question: why are luxury hotels in Rome not able to charge similar rates as those in London or Paris, when they supposedly attract a similar clientele? A comparison with other European gateway cities illustrates that the business mix of the hotels in Rome is actually slightly different to that of London and Paris. Whilst the latter are not only tourism hot spots but also global business hubs, Rome’s client mix is more leisure and government focused. Although Rome is the political centre of Italy and benefits from demand generated from embassy and government-related events, Italy’s business powerhouse remains in the north in the area around Milan. As a must-see destination for every leisure traveller, Rome enjoys high popularity, but the city does not have the same status and perception as a luxury shopping and lifestyle destination such as London, Paris, Milan, Venice or the French Riviera. Additionally, supply related factors, such as underinvestment and a lower number of international luxury hotel brands, have so far prevented the Rome luxury hotel market from reaching comparable room rates with these other destinations. -
Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
First Proofs
FIRST PROOFS TO BE CITED AS: Lavanga, Mariangela (2018). The role of Pitti Uomo trade fair in the menswear fashion industry. In Reggie Blaszczyk and Ben Wubs (Eds.), The Fashion Forecasters: A Hidden History of Color and Trend Prediction (pp. 191-209). London: Bloomsbury Academic Publishing. 10 THE ROLE OF THE PITTI UOMO TRADE FAIR IN THE MENSWEAR FASHION INDUSTRY Mariangela Lavanga enswear no longer lives in the shadow of women’s wear. According to a recent article from the Business of Fashion website, the growth of menswear has outpaced Mthat of women’s wear since at last 2011.1 Until the 1970s, male fashion in Europe mainly focused on tailoring and smaller-scale production of ready-to-wear, or confection, producing shirts, and underwear. One exception was the famous menswear tailoring industry in Leeds, England, which clothed British working-class and middle-class men in stylish suits for a century until its demise in the late twentieth century. London’s Savile Row traditionally set the trends for the high end of the industry. Aer the 1970s, men’s ready-to- wear and men’s haute couture start to grow elsewhere in Europe. Trends and styles in menswear change much more slowly than in women’s fashion; however, the pace of those changes is increasing. One of the world’s most important players for menswear is the international fashion trade fair Pitti Uomo in Florence, Italy. Pitti Uomo was established in 1972 under the umbrella of the non-prot organization Centro di Firenze per la Moda Italiana (CFMI-Florentine Centre for the Italian Fashion), which today is the holding of Pitti Immagine (ocially born in 1988). -
Narratives of Italian Craftsmanship and the Luxury Fashion Industry: Representations of Italianicity in Discourses of Production
This is a repository copy of Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136104/ Version: Accepted Version Book Section: Dallabona, A orcid.org/0000-0002-1051-9389 (2014) Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production. In: Hancock II, JH, Muratovski, G, Manlow, V and Peirson-Smith, A, (eds.) Global Fashion Brands: Style, Luxury and History. Intellect , Bristol, UK , pp. 215-228. ISBN 9781783203574 © 2014 Intellect Ltd. This is an author produced version of a paper published in Global Fashion Brands: Style, Luxury and History. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Alice Dallabona University of Leeds Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production ABSTRACT In the last few years many luxury fashion labels like Gucci have emphasized, in their communication, the various types of craftsmanship involved in the creation of their pieces as a mean of providing history and additional value to their products. -
Your MADE in ITALY Shopping List... The
Your MADE IN ITALY shopping list... The stores in Rome, especially in the glamorous fashion vias adjacent to the Spanish Steps, are brimming with ideas fresh from the catwalk. THE BIG SHOPS The Rome shopping scene is less department stores, more streets of boutiques. La Rinascente: Piazza Colonna, Open Monday to Saturday: 9.30 am - 10.00 pm and Sunday 10.30 am - 8.00 pm. Men’s accessories, women’s accessories, lingerie, men’s underwear, sportswear, streetwear, gifts, perfumes, jewellery etc. (Map 1) THE SPECIALISTS For antique prints: one of the oldest galleries of its kind in Rome, the Galleria di Castro (Via del Babuino 71) is a gallery for antique prints from the 16th to the 19th century specializing in Roman scenes. Open Monday through Saturday 10 am 8pm. (Map 2) For accessories: leading world producer of luxury accessories and clothing, at Gucci (Via Condotti 8) you’ll find quality materials, a craftsman’s care, and avant-garde designs. (Map 3) For a bag: Furla (Piazza di Spagna 22 and Via Condotti 55-56). Bags, small leathergoods, shoes, jewellery, watches, sunglasses, belts. (Map 4) For children’s clothing: Pure Sermonetta (Via Frattina 111) offers clothing for children 0 – 14 years of age. Brands include Dolce & Gabbana, Roberto Cavalli Junior and Gianfranco Ferrè. Silvana del Plato (Via della Vite 75) sells clothes for children 0 – 12 of age by some of Italy’s most prestigious companies as well as handmade baby clothes in wool, cotton and cashmere made to order. (Map 5) For chocolate: hidden down a tiny alleyway, Chocolate & Praline Cioccolateria (Vicolo della Torretta 18) has delightful presentation boxes of traditional chocs and candied fruits with organic ingredients. -
Italian Style: Fashion Since 1945
ITALIAN STYLE: FASHION SINCE 1945 FEBRUARY 7 – MAY 3, 2015 1219 SW PARK AVENUE, PORTLAND, OREGON 97205 503-226-2811 portlandartmuseum.org ITALIAN STYLE: FASHION SINCE 1945 FEBRUARY 7 – MAY 3, 2015 ABOUT THE EXHIBITION WHEN This major exhibition will be a glamorous, comprehensive look February 7 – May 3, 2015 at Italian Fashion from the end of the Second World War to the present day. The story is explored through the key individuals and WHERE Portland Art Museum organizations that have contributed to Italy’s reputation for quality and 1219 SW Park Avenue style. The exhibition will include both women’s fashion and menswear, Portland, OR 97205-2430 highlighting the exceptional techniques, materials, and expertise for which Italy has become renowned. ORGANIZER Organized by the Victoria and Albert Museum, London, Italian Style: Fashion Since 1945 will examine Italy’s dramatic transition and curated by Sonnet Stanfill, Curator of 20th Century from post-war devastation to a burgeoning industry facilitated by the and Contemporary Fashion at the V&A. landmark “Sala Bianca” catwalk shows held in Florence in the 1950s, propelling Italian fashion onto the world stage. HOST CURATOR Brian Ferriso During the 1950s and ‘60s several high-profile Hollywood films were The Marilyn H. and Robert B. Pamplin Jr. Director shot on location in Italy, which had an enormous impact on fashion as stars like Audrey Hepburn and Elizabeth Taylor became style HOURS ambassadors for Italian fashion, fueling a keen international appetite Tuesdays, Wednesdays, Saturdays and Sundays: 10 a.m.–5 p.m. for luxurious clothing made in Italy. Thursdays and Fridays: 10 a.m.–8 p.m. -
The 100 Most Renowned Luxury Brands and Their Presence in Europe's Metropolitan Centres
Glitter and glamour shining brightly The 100 most renowned luxury brands and their presence in Europe’s metropolitan centres Advance • Luxury shopping streets Europe • July 2011 2 Worldwide luxury market has emerged stronger from the financial crisis The global market for luxury goods has emerged from the financial uses images of diligent craftsmen and companies seek to add crafts crisis significantly faster than expected. The likes of Burberry, Gucci firms with long traditions to their portfolios. At the same time, the Group, Hermès, LVMH, Polo Ralph Lauren, Prada and Richemont east-bound shift of manufacturing activities, which was in full swing have recently reported double-digit sales growth or even record an- before the financial crisis, has slowed down significantly. nual sales, which has also reflected favourably on their share prices. Companies’ own store networks have played a significant role in all Rising requirements in the areas of marketing and logistics these success stories, with their retail operations typically growing March saw the launch of Mr Porter, the new men’s fashion portal of ahead of their other divisions. Most recently business has mainly Net-a-Porter, the world’s leading e-commerce seller of luxury goods. been driven by Asia. With the exception of Japan, this is where the Yoox most recently reported a continuing rise in its sales figures. All luxury brands have recorded the highest growth rates. In particular major luxury labels have considerably expanded the online shopping luxury fashion makers have greatly benefited from the booming Chi- offerings on their websites and feature them prominently in their nese market. -
Rome Tourist Information
Rome As capital of the Roman Empire, the Papal States and Italy, Rome truly is the "Eternal City". One of the world's most elegant capitals the layers of history and the city's sheer excess of beauty can prove overwhelming to the unsuspecting visitor. This is a city best explored on foot, with every corner offering an overlooked treasure or unforgettable panorama. Roman columns soar up aimlessly next to medieval basilicas, the sound of water splashing in fountains fills the air in front of Renaissance palaces and exuberant Romans jostle through multi-coloured markets and winding cobbled streets. Breathe the air of the Caesars in the Roman forum, stroll through the menacing Colosseum, marvel at the splendours of the Vatican Palace - and you will wonder if this can be the capital of a modern industrial nation or whether you have stepped back into the pages of history. But around these relics of history Rome is still evolving. It's at the cutting edge of fashion and cuisine and is one of the most popular shopping destinations on Earth. So prepare to soak up history and modernity in equal measure in one of Europe's most fascinating cities. Sightseeing Rome is a work of art in itself and you'll never tire of wandering its streets and plazas, discovering new and ever greater architectural gems with every turn. Seeing the many treasures the city contains would take a lifetime, but there are several highlights that remain essential on a trip to the Eternal City. The Roma Archeologia Card costs EUR20 and is valid for 7-days.