Reg No Name Name of Father 1025 Ramachandran Nair M.E
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Annual Fund Impact Report 2018–19 Thank You
UNIVERSITY OF CHICAGO BOOTH SCHOOL OF BUSINESS Annual Fund Impact Report 2018–19 Thank you. Your gift is making it possible for the University of Chicago Booth School of Business to empower bold thinkers and inquisitive minds to dig deeper, discover more, and shape the future. Annual Fund Impact The Chicago Booth Annual Fund had a strong fiscal year 2019 (July 1, 2018–June 30, 2019), with $10,737,935 in unrestricted funding. The Annual Fund also continues to shatter goals for the University of Chicago Campaign: Inquiry and Impact, which will come to a close December 2019. The Annual Fund has raised more than $119.6 million since that campaign began. Your gifts to the Annual Fund made the following possible: • CURRICULAR INNOVATION: Chicago Booth offers a • GLOBAL INITIATIVES: Chicago Booth will relocate its flexible, multidisciplinary approach to the study of current campus in London in late spring 2020. Booth’s business. Booth added 12 new courses for the 2018–19 campus will move to One Bartholomew Close in Barts academic year, including “Diversity in Organizations,” Square, a short walk from St. Paul’s Cathedral and the “Strategic Investment Decisions,” and “Corporate Social Museum of London. This recommitment to the Executive Responsibility Practicum.” Booth’s curriculum exemplifies MBA Program in London will strengthen our impact across the school’s unique and challenging environment and the globe, reflecting an international approach to thinking prepares students for any business challenge at any point about business and finance. in their careers. • SCHOLARSHIPS: One of our key priorities is to attract the • FACULTY RESEARCH: The influential ideas of Booth’s best talent and enroll every student with great promise. -
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars -****- by Tamarapu Sampath Kumaran About the Author: Mr T Sampath Kumaran is a freelance writer. He regularly contributes articles on Management, Business, Ancient Temples and Temple Architecture to many leading Dailies and Magazines. His articles for the young is very popular in “The Young World section” of THE HINDU. He was associated in the production of two Documentary films on Nava Tirupathi Temples, and Tirukkurungudi Temple in Tamilnadu. His book on “The Path of Ramanuja”, and “The Guide to 108 Divya Desams” in book form on the CD, has been well received in the religious circle. Preface: Tirth Yatras or pilgrimages have been an integral part of Hinduism. Pilgrimages are considered quite important by the ritualistic followers of Sanathana dharma. There are a few centers of sacredness, which are held at high esteem by the ardent devotees who dream to travel and worship God in these holy places. All these holy sites have some mythological significance attached to them. When people go to a temple, they say they go for Darsan – of the image of the presiding deity. The pinnacle act of Hindu worship is to stand in the presence of the deity and to look upon the image so as to see and be seen by the deity and to gain the blessings. There are thousands of Siva sthalams- pilgrimage sites - renowned for their divine images. And it is for the Darsan of these divine images as well the pilgrimage places themselves - which are believed to be the natural places where Gods have dwelled - the pilgrimage is made. -
Print Provisional Merit List
Weightage given as per GO.Rt.No.301, HM-FW(B1) Dept., Dt:20.06.20 read with GO.Ms.No.163, HM-FW(B1) Dept., Dt:12.09.18. For each completed 6months service @ 2.5 marks in Tribal/2 marks in Rural /1 mark in Urban Areas Page 1 of 136 PROVISIONAL GENERAL MERIT LIST OF CANDIDATES FOR THE POST OF STAFF NURSES (ON CONTRACT) TO WORK IN GGH, ANANTHAPURAMU Weightage considered those who are working till to date in DME/DPH/ APVVP Institutions under AP State / GOI Schemes Merit Regn Name of the Social only Name of the Candidate Date of Birth Age Year of PassingPlace of working Remarks No. No. Father /Husband status not l Languages 01,Max 10 To Weightage Percentage Max.Marks Educational Educational Exclusive of marks on as (12,13 &19) Out soursing soursing Out Qualification Sportsquota No.of From Registered or Male/ Female Male/ contract for & marks Total & 75 % of Marks 75 of % Weitagemarks Marks obtainedMarks Local/Non-Local Local/Non-Local Ex-Service PH/ / marks-Peryear- half yearshalf Whether Council completed Uraban/R ural/Triba 1 2 3 4 5 6 7 8 9 10 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 1 2581 K.RAJESWARI K.JAYAPPA F 15-05-1985 35 OC GNM Apr-10 1900 1521 60.04 10 Rural 22.01.2014 till to date 12 15 PHC,Talupula 85.04 yes Local 2 978 P.Revathi P.Narasimhulu F 15-07-1989 31 OC GNM Apr-11 1900 1543 60.91 9 Urban 22.11.2012 Till date 15 15 NRC,GGH, ATP 84.91 Yes Local 3 474 M.ALIVELU NARASIMHULU F 01-06-1988 32 SC GNM Apr-11 1900 1542 60.87 9 Rural 29.01.2014 Till date 12 15 PHC,Roddam 84.87 Yes Local PHC, 4 2517 P.Rojamma P.Vannur swamy F -
Ashoke Kumar
Ashoke Kumar The boss's wife and leading actress of a leading Film Company runs off with her lead man. She is caught and taken back but not the lead man who is unceremoniously dismissed. So now the company needs a new hero. The boss decides his laboratory assistant would be the Film Company's next leading man. A bizzare film plot??? Hardly. This real life story starred the Bombay Talkies Film Company, it's boss Himansu Rai , lead actress Devika Rani and lead man Najam-ul-Hussain and last but not least its laboratory assistant Ashok Kumar. And thus began an extremely successful acting career that lasted six decades! Ashok Kumar aka Dadamoni was born Kumudlal Kunjilal Ganguly in Bhagalpur and grew up in Khandwa. He briefly studied law in Calcutta, then joined his future brother-in-law Shashadhar Mukherjee at Bombay Talkies as laboratory assistant before being made its leading man. Ashok Kumar made his debut opposite Devika Rani in Jeevan Naiya (1936) but became a well known face with Achut Kanya (1936) . Devika Rani and he did a string of films together - Izzat (1937) , Savitri (1937) , Nirmala (1938) among others but she was the bigger star and chief attraction in all those films. It was with his trio of hits opposite Leela Chitnis - Kangan (1939) , Bandhan (1940) and Jhoola (1941) that Ashok Kumar really came into his own. Going with the trend he sang his own songs and some of them like Main Ban ki Chidiya , Chal Chal re Naujawaan and Na Jaane Kidhar Aaj Meri Nao Chali Re were extremely popular! Ashok Kumar initiated a more natural style of acting compared to the prevaling style that followed theatrical trends. -
Fergusson College (Autonomous), Pune 411004 General List of Applicants (This Is a Provisional List Not a Merit List) Class - F
Deccan Education Society's Fergusson College (Autonomous), Pune 411004 General List of Applicants (This is a provisional list not a merit list) Class - F. Y. B. A. English Medium (Self - Finance) (A) : Maharashtra Students Note : In case of any query please e-mail on [email protected] on or before 2:00 PM on 23rd August, 2021 Sr. No. Student Name 12th Percentage Category Name Ex-ServiceMan Specially abled 1 SANJNA SEN 99 OPEN no NO 2 MALLIKA JOSHI 99 OPEN no NO 3 SHREYAS PAWAR 98.83 NT A no NO 4 SAEE PATHAK 98.8 OPEN no NO 5 ANUSHA KUMAR 98.75 OPEN no NO 6 RITA SHARMA 98.2 OPEN no NO 7 RASHIKA KUKREJA 98 OPEN no NO 8 SHRISTI SHARMA 97.5 OPEN no NO 9 RUCHA CHITALE 97.5 OPEN no 10 KHUSHI JAIN 97.5 OPEN no NO 11 SHAIKH USAID GULAB 97.5 OPEN no NO 12 AYUSHI BIRLA 97.5 OPEN no NO 13 BINEETA PAREEK 97.4 OPEN no NO 14 IRA GUPTA 97.4 OPEN no NO 15 SAKSHI SHELKE 97.33 OBC no NO 16 YUTIKA BHANSALI 97.33 OPEN no NO 17 SUBARNA MAITRA 97.25 OPEN no 18 VANDANA SUBASH 97.2 OPEN no NO 19 JANKI NAIR 97.2 OPEN no NO 20 BHAKTI JHAVERI 97.17 OPEN no NO 21 SANIKA GANDHI 97.17 OPEN no NO 22 RIDDHISHA CHOUDHARY 97 OPEN no 23 SAMBHAVI JAISWAL 97 OBC no NO 24 JUI GARUD 97 OPEN no NO 25 POOJA GHUGE 96.83 NT D no NO 26 AVANI JOSHI 96.83 OPEN no NO 27 AASTHA GADEKAR 96.83 OPEN no NO 28 SHREYA JOSHI 96.8 OPEN no NO 29 SHARVARI DHANKE 96.8 OBC no NO 30 ANANYA KEKRE 96.67 OPEN no NO 31 SUHANI KHANDESHE 96.67 OPEN no 32 SAUMYA PATHAK 96.6 OPEN no NO 33 SALONI AGARWAL 96.6 OPEN no NO 34 PRISHA BUDHIRAJA 96.6 OPEN no NO 35 NETHRA SHANKAR 96.6 OPEN no 36 KHUSHI GARG 96.6 OPEN no NO 37 ANUGYA CHANDRAVANSHI 96.6 OPEN no NO 38 KAUSTUBH DESHMUKH 96.5 OPEN no 39 NIHARIKA SABNIS 96.5 OPEN no NO 40 SAMRIDDHI CHOURASIA 96.5 OPEN no NO Deccan Education Society's Fergusson College (Autonomous), Pune 411004 General List of Applicants (This is a provisional list not a merit list) Class - F. -
Sl No Roll App Name Fathername Dob 1 9206000285
PROVISIONALLY ADMITTED CANDIDATES LIST FOR RECRUITMENT OF SUB INSPECTORS IN CAPFs, AND ASSISTANT SUB INSPECTOR IN CISF ‐2012 TO BE HELD ON 27.05. -
UNIVERSITY of HYDERABAD List of Candidates Provisionally Admitted - 2015
UNIVERSITY OF HYDERABAD List of Candidates Provisionally Admitted - 2015 Course: I.M.Sc. Page No: 1 Subject: Mathematical Sciences 31-Jul-2015 S.No Reg.No Name Remarks 1 15IMMM01 KANIKEREDDY NAGA POOJITHA 2 15IMMM02 G BHARATH KUMAR Left 3 15IMMM03 RAVISANKAR A V 4 15IMMM05 ALAPATI CHAITANYA LAKSHMI 5 15IMMM07 K TITIKSHA SRINIVAS 6 15IMMM09 GOUTHA SAMYUSHA 7 15IMMM10 AVADOOTHA SUNNYHITH 8 15IMMM11 KANDAVALLI BALA VENKAT SAI 9 15IMMM13 SARATH VIJAYAN S 10 15IMMM14 ALIDA SACHIN 11 15IMMM15 SHILPI MANDAL 12 15IMMM16 GARIKAPATI ANAND 13 15IMMM17 TAMARANA Y V L PRASANTH 14 15IMMM18 ALAAP HASAN 15 15IMMM19 SAI KRISHNA AMANCHI 16 15IMMM20 ANITHA.T.A 17 15IMMM21 TADINADA SRI HARSHITHA UNIVERSITY OF HYDERABAD List of Candidates Provisionally Admitted - 2015 Course: I.M.Sc. Page No: 1 Subject: Physics 31-Jul-2015 S.No Reg.No Name Remarks 1 15IPMP01 UTTAM RAGHAVAN B 2 15IPMP02 B KRANTHI KUMAR 3 15IPMP03 HITHESWAR PRASAD 4 15IPMP04 ADITH SAI A 5 15IPMP05 M.SETHUPATHY 6 15IPMP06 ANAGHA. S 7 15IPMP07 KSG LOHIT 8 15IPMP08 GHANASYAM REMESH Left 9 15IPMP09 T VAMSHI KRISHNA 10 15IPMP10 SURABHI R S 11 15IPMP11 DADI KAMALESH 12 15IPMP12 T MANOHA KUMAR 13 15IPMP13 ANGARAJU NAVEEN 14 15IPMP14 KONDAREDDY SUMASRI 15 15IPMP15 ANAGHA A P 16 15IPMP16 NARTHU HAREESH 17 15IPMP19 HARITHA GOPINATH 18 15IPMP20 SIDDHARTH R 19 15IPMP21 R N VAMSI KRISHNA UNIVERSITY OF HYDERABAD List of Candidates Provisionally Admitted - 2015 Course: I.M.Sc. Page No: 1 Subject: Chemical Science 31-Jul-2015 S.No Reg.No Name Remarks 1 15ICMC02 YENUGU NIKHIL 2 15ICMC03 KAGAPU GIRI SURYA PRAKASH -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
CCIM-11B.Pdf
Sl No REGISTRATION NOS. NAME FATHER / HUSBAND'S NAME & DATE 1 06726 Dr. Netai Chandra Sen Late Dharanindra Nath Sen Dated -06/01/1962 2 07544 Dr. Chitta Ranjan Roy Late Sahadeb Roy Dated - 01-06-1962 3 07549 Dr. Amarendra Nath Pal late Panchanan Pal Dated - 01-06-1962 4 07881 Dr. Suraksha Kohli Shri Krishan Gopal Kohli Dated - 30 /05/1962 5 08366 Satyanarayan Sharma Late Gajanand Sharma Dated - 06-09-1964 6 08448 Abdul Jabbar Mondal Late Md. Osman Goni Mondal Dated - 16-09-1964 7 08575 Dr. Sudhir Chandra Khila Late Bhuson Chandra Khila Dated - 30-11-1964 8 08577 Dr. Gopal Chandra Sen Gupta Late Probodh Chandra Sen Gupta Dated - 12-01-1965 9 08584 Dr. Subir Kishore Gupta Late Upendra Kishore Gupta Dated - 25-02-1965 10 08591 Dr. Hemanta Kumar Bera Late Suren Bera Dated - 12-03-1965 11 08768 Monoj Kumar Panda Late Harish Chandra Panda Dated - 10/08/1965 12 08775 Jiban Krishna Bora Late Sukhamoya Bora Dated - 18-08-1965 13 08910 Dr. Surendra Nath Sahoo Late Parameswer Sahoo Dated - 05-07-1966 14 08926 Dr. Pijush Kanti Ray Late Subal Chandra Ray Dated - 15-07-1966 15 09111 Dr. Pratip Kumar Debnath Late Kaviraj Labanya Gopal Dated - 27/12/1966 Debnath 16 09432 Nani Gopal Mazumder Late Ramnath Mazumder Dated - 29-09-1967 17 09612 Sreekanta Charan Bhunia Late Atul Chandra Bhunia Dated - 16/11/1967 18 09708 Monoranjan Chakraborty Late Satish Chakraborty Dated - 16-12-1967 19 09936 Dr. Tulsi Charan Sengupta Phani Bhusan Sengupta Dated - 23-12-1968 20 09960 Dr. -
Annual Report 2020
Imen¡ -äv kÀ-Æ-I-emime UNIVERSITY OF CALICUT Accredited by NAAC with ‘A’ Grade UNIVERSITY OF CALICUT Calicut University.P.O Malappuram, Kerala 673 635 Phone: +91 494 2407104 http://www.uoc.ac.in ANNU 2020 AL REPORT 2020 ANNUAL REPORT ANNUAL REPORT 2020 UNIVERSITY OF CALICUT University of Calicut - Annual Report 2020 Editorial Committee: The Vice-Chancellor (Chairman). The Pro-Vice-Chancellor. The Registrar. The Controller of Examinations. The Finance Officer. Dr. Manoharan M. (Member, Syndicate). Sri. K.K. Haneefa (Member, Syndicate). Adv. Tom K. Thomas (Member, Syndicate). The Publication Officer. The Director of Research. Dr. Denoj Sebastian, Director, DoA. Dr. B.S. Harikumaran Thampi, Director, CDC. Dr. Sivadasan P., Director, IQAC. Dr. V.K. Subramanian, Director, SDE. Dr. R.V.M. Divakaran, Head, Dep’t. of Malayalam & Kerala Studies. Dr. K.M. Sherrif, Associate Professor, Dep’t. of English. Dr. Abraham Joseph, Professor, Dep’t. of Chemistry. The Deputy Registrar, Administration. The Deputy Registrar, Pl.D. Branch (Convenor). CUP 2115/21/125 2 University of Calicut - Annual Report 2020 Foreword This Annual Report arrays the achievements of the University during the year 2020. The report presents a brief of the academic activities, events, and achievements of this University’s teaching and research departments and the affiliated colleges. The year 2020 has delivered tough times to the entire academic activities of the University. Despite the spread of the epidemic, the University has made remarkable achievements in various fields. Calicut University has achieved these significant successes in 2020 based on the bedrock evolved by the development work done over the last few years. -
Ntse Kerala 2019 Mark
Marks of all the candidates appeared for NTSE Stage I held on18.11.2018 SL NO ROLLNO NAME SAT MARKS SAT MAT MARKS MAT TOTAL_MARKS 1 42185365200 60 65 125 JONATHAN S DANIEL 2 42185105108 61 60 121 MUHAMMED RIYAN M.P 3 42185085092 46 61 107 SERENA M R 4 42185035371 55 50 105 NINAAD A KALLER 5 42185605324 54 49 103 SANOOP SAJAN 6 42185015112 40 59 99 JINISHA. K 7 42185315109 41 56 97 MUHSINA MANIKA 8 42185415127 39 57 96 JOJO K MATHEW 9 42185385150 41 55 96 NANDHUKRISHNA S 10 42185365156 51 43 94 SABARINATH S 11 42185015027 45 44 89 AKHILESH K 12 42185415052 50 39 89 AKSA ANN MATHEW 13 42185415001 34 54 88 ATHULYA T ANIL 14 42185355156 37 50 87 ALNA MARY ISSAC 15 42185085124 34 53 87 SHYAM JAMES 16 42185425019 36 51 87 KRISHNAPRIYA T 17 42185055258 38 46 84 PRANAV RAVI 18 42185025048 37 46 83 ANAGHA MOL K 19 42185025149 28 54 82 ANAGHA J S 20 42185305089 35 46 81 ASWATHI A V 21 42185395049 32 48 80 BHAVANA N B 22 42185085130 32 48 80 VYSHNAV RAJ V 23 42185075075 30 49 79 VAISHNAVI V G 24 42185415057 36 42 78 AMRUTHA MUKESH 25 42185415009 33 45 78 IRIN MARIYA HARIS 26 42185025073 32 44 76 BABITHA K V 27 42185085131 31 44 75 NIVED MUKUNDAN 28 42185145228 25 49 74 ASSIYABI M P 29 42185415135 42 31 73 KIRAN K U 30 42185415011 30 43 73 AISWARYA SABU 31 42185075188 29 44 73 JEEVANDHIKA A K 32 42185085150 32 40 72 NIKESH E K 33 42185225044 36 35 71 ANEESHA K B 34 42185015016 31 40 71 NISHMA M 35 42185325134 31 40 71 ALBIN SAJI 36 42185475054 28 42 70 SHARLET JACOB 37 42185625053 33 36 69 ARJUN S 38 42185075061 33 36 69 SNEHAGANGA M G 39 42185045010 -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof.