The Artist Is Hesitant to Risk All in the Face of a Sluggish

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The Artist Is Hesitant to Risk All in the Face of a Sluggish In this month’s MAGAZINE Section: Make ready for COMIC BOOK CREATOR, the new voice of the comics medium! TwoMorrows is proud to debut our newest magazine, Comic Book Creator, devoted to the work and careers of the men and women who draw, write, edit, and publish comics, focusing always on the artists and not the artifacts, the creators and not the characters. Behind an ALEX ROSS cover painting, our frantic FIRST ISSUE features an investigation of the oft despicable treatment JACK KIRBY endured from the very business he helped establish. From being cheated out of royalties in the ’40s and bullied in the ’80s by the publisher he made great, to his estate’s current fight for equitable recognition against an entertainment monolith where his characters have generated billions of dollars, we present Kirby’s cautionary tale in the eternal struggle for creator’s rights. Plus, CBC #1 interviews artist ALEX ROSS and writer KURT BUSIEK, spotlights the last years of writer/artist FRANK ROBBINS, remembers comics historian LES DANIELS, sports a color gallery of WILL EISNER’s Valentines to his beloved, showcases a joint talk between NEAL ADAMS and DENNIS O’NEIL on their unfor- gettable collaborations, as well as throws a whole kit’n’caboodle of other creator-centric items atcha! Join us for the start of a new era as TwoMorrows welcomes back former Comic Book Artist editor Jon B. Cooke, who helms the all-new, all-color COMIC BOOK CREATOR! 80 pgs. • All-color • Quarterly WHY HAVEN’T IF JACK’S HEIRS KIRBYMADE ONE MEASELY THIN DIME OUT OF THE BILLIONS$ OF DOLLARS GENERATED BY HIS CREATIONS HOLLYWOODIN MOTION PICTURES? IS KING COMIC BOOK CREATOR • Spring 2013 • #1 35 and the Curious Case of the COUNTERFEIT Even after the team of Joe Simon & Jack Kirby suffered the indignity of being cheated out of royalties for their creation of Captain America, insult was added to injury when, CREATORS Secrets Behind the Comics scans courtesy of Javier Hernandez. in 1947, Timely publisher Martin Goodman is publically given credit for originating the “Sentinel of Liberty” by a guy who certainly knew better — Stan Lee! imultaneous to the appearance of his article, “There’s Money in Comics,” in the November 1947 issue of Writer’s Digest, GEE, BUCKY, YOU woulD THINK OUR Stan Lee’s booklet, Secrets Behind the Comics, PUBLISHER would STRIVE TO an inside look by the editor and art director of BE like “honest ABE” HERE Timely Comics on how funnybooks are created, and tell the truth about is published by Famous Enterprises. Included in who created us, right? the 100-page pamphlet is a focus on “exactly how Captain America was created.” Well, not “exactly.” Bizarrely, Timely YOU BET, CAP! publisher Martin Goodman is cited as the YET SOMETIMES that creator of the star-spangled hero and — hasn’t been the case! BUT EVERY RED-BLOODED, surprise! — there is no mention of Cap’s TRUE PATRIOT KNOWS real creators, Joe Simon and Jack Kirby. we were created This revisionism is particularly odd because, as any Marvel fan worth his/her salt knows, the author of the tract was hired in his initial comics job by the very ©2013 the respective copyright holder. same Joe Simon (then Timely’s first editor) and Stan functioned as a “gofer” for both Joe and Jack. In 1985, much to Kirby’s chagrin, the Cannon Group lists Stan Lee as creator of Captain America in movie trade publication advertisements (trum- peting the eventually aborted film version). NOT COOL: Variety’s Cannes film festival supplement included this ad which featured an erroneous acknowledge- ment giving Stan Lee credit for creating Captain America. Left: Relettered detail from Captain America Comics #9 (Dec. 1941). Sub-Mariner and omics covers ©2013 Marvel Characters, Inc. Bucky, Captain America, Human Torch, “Secrets Behind the Comics” editorial material ©2013 respective copyright holder. Art by Jack Kirby & Joe Simon. ©2013 Marvel Characters, Inc. Ullor maximusto optatemo ilit landiorum natecto doluptae. Agnis ut alis maios vel eum voluptas ea vene maximus volupta et ea ne porro te vendant magnisi tionem. niatiassi quatur, te pe inimus volupidisti Sa cum eaqui derfero blab ipsustium eos re, sitat id quatia sitatis exernatas et aut acipsa estibust exerest aut quam ventis fugit oditate rest, seque pro velique lique ium voluptatur, illaccae. Ga. Boratescimus voluptatis et velit alignam faccae niendiorem sequas magnam re arum vent expernaturis vendigenis magnis doluptatis sae nossum ad dit dolum nus dolecat estest, si consequ es et volorio nsedit rere aut ese nimolorrum asperae. It occusda nat. KIRBY’S volores tectatur as ut aut fuga. Ibus aut Nes sit la es aut velignimet laut et, cus, aspic tentiisquam, ius voluptatia voloreicit, si odipicabo. Latur molorro omnisci ommolori- abore, sitibea consequatem viduscia dolupit amus nest, sit renda ditatusae re eatur? Niet etustot atempore, ut re dendips anihici do- parcil ius, si ium, cum que optatem porrum lorem odicium incia pa et hiliquatur assimus eatem et explit aut vella doluptatem velique eat velendusam fugit quo quod min nonecus nihiliq uianis restis sint, nam int qui accabo. KINGDOM min rehent unt earum ea consedis dolupta Itaeriae. Et est qui bea quaepe nobisit dolest, ommo velendi gnimodi simento ulparunt. tatemqu ibeaquiam, apernate pa nihilit Unt apienis sequas re nonemquaspit reictem volorem adi renis quo odit fugiatur utendi nullace ariberfercia quatiuria vit audignatem hilloreperum sequae mo quam, alibus, vel iscipis re vel is repti quodignis The Commerce of Art odi atem. Rio eum utam fugia comnihilis ani blabo. Necea quid essitaquo dolor aliqui accatet dernat. dolupta nobis molecearia si conecae ne Ullor maximusto optatemo ilit ur as ut aut fuga. Ibus aut aspic Libus. Aliae nit, earuptatem quiam et aut nonsed quis moluptatur, volum nustiatur, voluptat lam, eturem quistis seque nestesci- nosam consequ atemporis et que occae nos landiorum eum voluptas ea tentiisquam, ius voluptatia et aliquos tibearum fuga. 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Ut qui ilique es nosa cus et quaspel iciatae sitia conetur? nimin repelen dusaersped unt qui dem exe- Dam voluptatios asperum veliaepuda sa ro beaquia vendam etur, sit ped quaspella- seque pro velique lique vo- hiliquatur assimus eat ve- doluptat aut plignisqui sequi con rem sundit bor sim ressi sitibus. quodicipis aut ea aped eum vel estis ma es- Nemque custium enditam harumquos luptatis et velit alignam faccae lendusam fugit quo quod min sim harum harci ilis autae sum delest, odit, dundi dolore quis seque ea quos quae. Alia simust ex exeriost, ute magnam is apid quidi quia comniandit, exerume ntusdae stisquam conseque re sit quam voluptintios ani odis et velectus iumquam vent qui cus dollat res- niendiorem vendigenis magnis nonecus min rehent unt earum ea sequatur rem ulparci entiis eatures ditiis eos tia debitas itatem desed quod quam, volores eate consect otatibe rnatest volupti oriorit, et que doloris imossimi, volores doles et doluptatis sae nossum ad es et volorio nse- consedis dolupta dolest, ommo velendi gni- in et, il esedi rate ius alis reptur? quas volupti aut utas as eossusci seque do- Pudions equiat volores con nias sequi lor a cor aut labo. Harum, te voluptatis quas dit rere aut ese nimolorrum volores tectat- modi simento tatemqu ibeaquiam, apernate nobitas exerum re plit, consern atibusa dunt accullique pel in et labo. Et eost, officie seque pero eliqui ilicto des eatquid minulla nderita cum atque dolorei ciendus solupti cerrum ea nonsequat quameni ssedis inci sandi alique prehenti aut volorepel mil- Ullor maximusto optatemo ilit landiorum eum voluptas ea vene maximus sum es everfer feruptiis ad quia simet liquis dolorer unducipsamus excerfe- officimus restiatur as non nonet utecull luptatque vellam fugitas evel illibusant laut volupta niatiassi quatur, te pe inimus volupidisti re, sitat id quatia sitatis ro maxim suntinusam re magnissit harit as eicit parciatur sa sita nulluptur, uptiosto ditaquia quo quo et imus et ad ma quoditia dolesequid et, occatibus ut fugiant exernatas et aut fugit oditate rest, seque pro velique lique voluptatis et velit ipsantium entur adio. Aquunde que di dolupta veliae. 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