The Diary of a Hounslow Girl by Ambreen Razia

Total Page:16

File Type:pdf, Size:1020Kb

The Diary of a Hounslow Girl by Ambreen Razia The Diary of a Hounslow Girl by Ambreen Razia CALL OUT FOR TOUR STAGE MANAGER OUTLINE: • Tour Stage Manager for The Diary of a Hounslow Girl 2016 Black Theatre Live Tour: 7 week tour plus some rehearsals, meets and production week • Reporting to: Producer Maeve O’Neill and Artist Ambreen Razia • Rehearsal locations: Ovalhouse, 52-54 Kennington Oval, London SE11 5SW • Performance Location: As per tour schedule, below DESCRIPTION: • 9 week contract: Must be available for 4 production meets, rehearsal time to be mutually agreed, the technical week and all tour dates • Responsible for transporting the set and leading the get-in and tech at each tour venue. Operating sound and light for the show at each venue. • Managing tour schedule including post-show discussions and press schedule in close liaison and consultation with the Producer, Maeve O'Neill and the Artist, Ambreen Razia • Must have a clean drivers licence with experience of driving a tour van and managing small scale tours PROJECT OVERVIEW: The Diary of a Hounslow Girl Written & Performed by Ambreen Razia Directed by Sophie Moniram Set Design by Petra Hjortsbery Lighting Design by Paul O'Shaughnessy The Diary of a Hounslow Girl is told through the eyes of a 16 year old British Muslim Girl growing up in West London. From traditional Pakistani weddings to fights on the night bus this is a funny, bold, provocative play highlighting the challenges of being brought up as a young woman in a traditional Muslim family alongside the temptations and influences growing up in and around London. Hounslow Girl Tour Stage Manager Brief 1 A story of dreams, aspirations and coming of age. The piece is a one-woman show, running time 60 minutes. Originally commissioned by Ovalhouse, this tour is produced by Black Theatre Live. SCHEDULE Rehearsals at Ovalhouse (52-54 Kennington Oval, SE11 5SW): Tuesday 5th | Wednesday 6th April Tuesday 12th | Wednesday 13th April Tuesday 19th - Friday 22nd April Tuesday 26th - Friday 29th April NOTE: The Stage Manager is not required to attend all rehearsals Technical Week in Downstairs Theatre, Ovalhouse: Sunday 1 May - Friday 6 May Performance Dates & Venues: May 4 – 6 Ovalhouse, London May 10 South Hill Park, Berkshire May 12 Lighthouse, Poole May 13 – 14 Theatre Royal, Margate May 17 The Drum, Birmingham May 19 – 21 Stratford Circus, London May 23 Artaud Theatre, Brunel University May 24 – 25 Theatre Royal, Bury St Edmunds May 26 Bradford Literature Festival June 1 Marine Theatre, Lyme Regis June 3 – 4 Tobacco Factory, Bristol June 9 Upstairs at The Western, Leicester June 10 – 11 Key Theatre, Peterborough June 14 – 15 Queens Hall Arts, Hexham Hounslow Girl Tour Stage Manager Brief 2 June 16 Unity Theatre, Liverpool June 17 – 18 Derby Theatre June 22 – 25 Tara Arts, London PAYMENT: A fee based on ITC Rates of £440 per week, totalling £3960 will be payable Per Diems will be paid at £15.75. Travel and accommodation for the tour dates will be booked in advance and covered by the project. HOW TO APPLY: Please submit a CV and cover letter (max 2 pages) outlining your experience of managing small-scale tours and why you are interested and suitable for this position to Maeve O'Neill: [email protected] with “Hounslow Girl Stage Manager Application” in the subject line. DEADLINE: FRIDAY 12 FEBRUARY 5PM Hounslow Girl Tour Stage Manager Brief 3 .
Recommended publications
  • Sundowning by Nessah Muthy
    Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings.
    [Show full text]
  • THE TRACKERS of OXYRHYNCHUS by Tony Harrison
    Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Winter Season 2016-17 | October 2016 – January 2017 at the Finborough Theatre The first London production in nearly 30 years THE TRACKERS OF OXYRHYNCHUS by Tony Harrison. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Rob Mills. Music by Piers Sherwood Roberts. Choreography by Amy Lawrence. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Peta Cornish. Nik Drake. Richard Glaves. Sacha Mandel. Dylan Mason. Tom Purbeck. Dannie Pye. James Rigby. Adam Small. “I'm a God, Apollo, but I was tipped On a rubbish tip inside this manuscript. I’ve spent two thousand years asleep On an Oxyrhynchus rubbish heap." In a new production commissioned by the Finborough Theatre, the rediscovery of Tony Harrison’s The Trackers of Oxyrhynchus in its first London production for nearly 30 years opens at the Finborough Theatre for a four week limited season on Tuesday, 3 January 2017 (Press Nights: Thursday, 5 January and Friday, 6 January 2017 at 7.30pm). Egypt, 1907. Two archaeologists, Bernard Grenfell and Arthur Hunt, are searching for ancient fragments of poetry and plays, next to an old rubbish heap. Until the Greek God, Apollo, descends from the skies... Apollo is furious that they have failed to unearth the fragmentary text of a lost Satyr play by Sophocles. As he forces the two papyrologists to find the lost play, Grenfell and Hunt become part of the story they have discovered. Multi-award-winning poet and playwright Tony Harrison remakes the ancient Greek original into a play for our times – and rediscovers the satyr play.
    [Show full text]
  • Council Leader Jack Hopkins Has Written To
    From: The Leader of Lambeth Council Our Ref: Leader 2020 03 20 Your Ref: Rt Hon Rishi Sunak Chancellor of the Exchequer House of Commons London SW1A 0AA Sent by email: [email protected] CC: [email protected] Tuesday, 24 March 2020 RESILIENCE OF LAMBETH’S CULTURAL SECTOR AND ITS SELF-EMPLOYED WORKERS Dear Chancellor We write with concern about the impact Covid-19 will have on our borough’s cultural sector and its self-employed workers. Lambeth is rich with culture and the borough’s creative and digital industries provide 22,000 jobs, generating £1.8bn GVA to the economy. The borough is home to 20 Arts Council England National Portfolio Organisations, including the National Theatre, BFI, Rambert and the Southbank Centre. Organisations that play a key part in ensuring the diversity and accessibility of London’s cultural sector are located throughout our borough, including the Black Cultural Archives, The Old Vic, Young Vic, Extant, Corali, Ovalhouse Theatre and Streatham Space Project. VCS organisations such as Iconic Steps, Creative Sparkworks and Spiral Skills join the afore mentioned organisations, and many more, in partnership led initiatives spearheaded by the council and backed by the GLA. Designed to strengthen the sector and achieve inclusive growth, these initiatives and the very viability of organisations are now under threat. In order to protect the resilience of the sector, Lambeth Council is calling for further mitigating measures from government. While measures such as the job retention scheme are welcomed, urgent clarification is needed over the groups of workers covered (e.g.
    [Show full text]
  • Spectral Latinidad: the Work of Latinx Migrants and Small Charities in London
    The London School of Economics and Political Science Spectral Latinidad: the work of Latinx migrants and small charities in London Ulises Moreno-Tabarez A thesis submitted to the Department of Geography and Environment of the London School of Economics for the degree of Doctor of Philosophy, London, December 2018 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 93,762 words. Page 2 of 255 Abstract This thesis asks: what is the relationship between Latina/o/xs and small-scale charities in London? I find that their relationship is intersectional and performative in the sense that political action is induced through their interactions. This enquiry is theoretically guided by Derrida's metaphor of spectrality and Massey's understanding of space. Derrida’s spectres allow for an understanding of space as spectral, and Massey’s space allows for spectres to be understood in the context of spatial politics.
    [Show full text]
  • Lambeth's Creative & Digital Industries Strategy for Growth
    Creative ways to grow. Lambeth’s Creative & Digital Industries Strategy for Growth Contents Foreword 3 Our vision 4 Our strategy 7 Building on our strengths 19 Meeting the challenges 31 Making it happen 56 Working in partnership 69 ActionSpace Lambeth’s Creative & Digital Industries Strategy for Growth 1 Foreword For the first time the council has taken a look at the current performance and future potential of Lambeth as a creative and digital hub. Our strategy identifies the opportunities and threats; the benefits of growth for our our residents, businesses and places; and how we can encourage and support this dynamic sector. It is the result of truly co-productive work. Over many months we have brought together creative and digital businesses, education providers, trade bodies, young residents, thought leaders and social entrepreneurs. We have explored individual and collective ambitions. We have recognised the challenges and how we might achieve success. Now we have the foundation and commitment to make Lambeth the next destination and, in time, leader for London’s creative and digital economy. Lambeth Council has a pivotal role to play in growing the sector. It has a unique opportunity. We welcome, encourage and work in partnership with businesses and we expect that collaboration to benefit our community. Lambeth has all the right elements to build thriving and sustainable creative and digital clusters. Our strategy is a clear commitment to achieve this aim. It fits within the borough’s Strategic Plan, Future Lambeth, which draws on Lambeth’s strengths, potential and values to transform its goals into reality.
    [Show full text]
  • 07C Somerleyton Road
    Stage C Report FUTURE BRIXTON: Somerleyton Road Project JUNE 2013 2 FUTURE BRIXTON: Somerleyton Road Project Stage C Report SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 3 contents Section 1 Introduction Section 2 Scheme Overview Section 3 Design Response Section 4 Structural Feasibility Report This report has been reviewed and approved for issue by the following members of the PTEa project team: Kaye Stout Pollard Thomas Edwards architects Tim Atwood Conisbee Consulting Engineers Phillip Murphy PRP SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 4 Executive Summary The Somerleyton Road project is a The report focuses on three design unique opportunity for the council options for the development of the site to work with communities living and and reflects the council’s position that working in Brixton to bring about positive whilst there are very clear and definite change to this exciting part of the aspirations for the site, there is also borough. flexibility in how those aspirations can be achieved. The ambitious plans include: bringing Ovalhouse and all their expertise in The council is looking for a development engagement and community participation partner who shares our passion and to Brixton, building new homes, a vision for Brixton and this report significant proportion of which will be represents the first step towards creating affordable to local people and providing something very different and very a mix of community and commercial exciting for the future of Brixton. spaces which will support local communities and potentially be managed by a community development trust. SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 5 Introduction section 1 SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 6 Introduction PURPOSE OF REPORT / POTENTIAL BASIS OF REPORT This report sets out three options for developing a FOR LEAD MEMBER TO INTRODUCE This report has been prepared by the PTEa team mixture of uses across the site.
    [Show full text]
  • Love and Information
    Thursday 29 April, 7.30pm Friday 30 April, 2pm & 7.30pm Saturday 1 May, 7.30pm Love and Information By Caryl Churchill Directed by Pooja Ghai Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams Vice-Principal & Director of Drama Orla O’Loughlin Vice-Principal & Director of Production Arts Andy Lavender Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: Dave Buttle (Charlie Beck, Lily Hardy, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Okunola, Guildhall School is part of Culture Mile: Sonny Pilgrem, Alyth Ross, Dan Wolff), Robert Harper culturemile.london (Kitty Hawthorne), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Genevieve Lewis, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Guildhall School is provided by the City of London Sheyi Cole, Aoife Gaston, Brandon Grace, Conor McLeod, Corporation as part of its Hassan Najib, Millie Smith, Tara Tijani, Dolly Webb), contribution to the cultural life David Stone (Justice Ritchie), Faye Thomas of London and the nation (Caitlin Ffion Griffiths), YellowBelly (Hope Kenna) Love and Information By Caryl Churchill Pooja Ghai director Rosa Maggiora designer Diane Alison-Mitchell movement director Andy Taylor composer Sam Levy lighting designer Maisie Roberts sound designer Thursday 29, Friday 30 April and Saturday 1 May 2021 Live performances broadcast from Silk Street Theatre Recording of this performance by any means whatsoever is strictly prohibited. Please note this production contains strong language and adult themes.
    [Show full text]
  • Late Company
    STAGE TRAFFIC PRODUCTIONS PRESENT THE EUROPEAN PREMIERE OF LATE COMPANY BY AWARD-WINNING CANADIAN PLAYWRIGHT JORDAN TANNAHILL STARRING TODD BOYCE, DAVID LEOPOLD, ALEX LOWE, LUCY ROBINSON AND LISA STEVENSON AND DIRECTED BY MICHAEL YALE AT FINBOROUGH THEATRE FROM 25 APRIL – 20 MAY 2017 As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, Canadian playwright Jordan Tannahill, “the hottest name in Canadian theatre”, will debut his play, Late Company, at the Finborough Theatre, for a strictly limited season from 25 April – 20 May 2017, with press nights on 27 April/28 April. The full cast for Late Company are: Todd Boyce (Michael), David Leopold (Curtis), AlEx LowE (Bill), Lucy Robinson (Debora) and Lisa Stevenson (Tamara). This production will be directed by MichaEl YalE, with set and costumes by Zahra Mansouri, lighting by Nic Farman and sound by Chris Prosho. One year after a terrible tragedy; 2 sets of parents, one dead son, one living son. Who is to blame? A suburban dinner party for closure after 17 year-old Joel commits suicide. The guests; his heartbroken mother and father, his so-called tormentor Curtis, and his parents. Far from finding the peace they seek, the dinner strips bare their good intentions to reveal layers of parental, sexual, and political hypocrisy. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and the ever-changing complexities of parenthood in the 21st century. Todd Boyce’s (MichaEl Shaun-Hastings) theatre credits includes The Exorcist (Birmingham Rep), The Last of the Boys (Southwark Playhouse), Hamlet (The Young Vic), The Women of Lockerbie (Orange Tree Theatre, Richmond), Glyn and It (Yvonne Arnaud Theatre, Guildford), Whose Afraid of Virginia Woolf (South Australian Theatre Company), The Normal Heart (Sydney Theatre Company), Limited Edition (Sydney Dance Company), Lovers from Hell (Ovalhouse), Dr Faustus (Sydney Theatre Company) and The Exonerated (Riverside Studios).
    [Show full text]
  • RHIANNON FAITH – Choreographer/Director / Writer
    RHIANNON FAITH – Choreographer/Director / Writer Rhiannon Faith is a boundary-breaking Artist whose work and experiences cross artforms. She is an exciting British female voice, making waves in directing, choreography and most recently as a published author. In 2021 she has been nominated for a Woman in Dance Award. Rhiannon’s current project is a new gritty dance-theatre show entitled DROWNTOWN set in an unnamed coastal town covering isolation, loneliness, shame and failed support systems. The run at the Barbican in London for 2020 and the tour has been postponed due to COVID-19 and meanwhile as the show explores similar themes to those that are affecting people during lockdown, Rhiannon has created DROWNTOWN LOCKDOWN, a digital prologue film. The cast are filmed in their own homes, before they leave for the beach, the setting for the show. It was launched online by the Barbican Centre in July 2020. In 2019 Rhiannon was Movement Director for the spectacular award-winning outdoor event experience entitled FIRST TO FIGHT at Muzeum 1939 in Gdansk, Poland, in recognition of the 80th Anniversary of the beginning of World War II (The Drum Experience Awards). Video can be seen here. Rhiannon is the first ever Associate Artist at Harlow Playhouse. She was appointed in 2018 and has developed two new productions with Harlow including DROWNTOWN supported by DanceEast and Arts Council England. SMACK THAT (a conversation), also developed at Harlow Playhouse, toured from February 2019 and played at the Ovalhouse in London. The show also toured the UK in 2018 to critical acclaim and was nominated for Innovation in Dance at the One Dance UK Awards.
    [Show full text]
  • Barber Shop Chronicles
    Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint.
    [Show full text]
  • Georgia Fitch
    Georgia Fitch Agent Katie Haines ([email protected]) Before starting her solo writing career, Georgia co-wrote several plays with actress Tracy O’Flaherty including the critically acclaimed THE FOOTBALLER’S WIFE (Hen and Chickens 1997, Royal Festival Hall 1998, Riverside Studios 1998) and COME DANCING (Old Red Lion 1998). In 2001 Georgia and Tracy were joint Writer in Residence at the Bush Theatre and in the same year were selected for the Carlton New Writing Course. Between 2006 and 2008 Georgia was on attachment to Royal Court and Soho Theatre. In 2004 she was Writer in Residence at BBC Radio Drama. Her latest radio play, STRANGERS IN THE NIGHT, broadcast in July 2014 on BBC Radio 4 was picked as the BBC’s ‘Drama of the Week’. Stage REALITY (Brit School, performed at Barbican Theatre/Ovalhouse) 2015 BLAIR'S CHILDREN (Cockpit Theatre) June 2013 Dir. Charlotte Westenra FIT AND PROPER (RSC/Soho Theatre) 2011 DIRTY DIRTY PRINCESS (National Theatre, Connections) I LIKE MINE WITH A KISS (Bush Theatre) 2007 Dir. Mike Bradwell ADRENALIN…HEART (Bush Theatre) 2002 and 2004 Dir. Mike Bradwell 2004 Production performed at the Tokyo Theatre Festival 2002 Production opened the Bush’s Naked Talent season ALONE (Etc Theatre) 2000 ARRIVALS (Old Red Lion) 1999 Radio HOME FRONT (BBC Radio 4) THE PUMPKIN EATER (BBC Radio 4) DESPERATELY SEEKING BRADLEY (BBC Radio 4) 2014 STRANGERS IN THE NIGHT (BBC Radio 4) 2014 UP THE JUNCTION (BBC Radio 3) 2013 THE MOTHER OF… (BBC Radio 4) 2007 UNTITLED LOVER (BBC Radio 4) 2007 FORTUNES ALWAYS HIDING (BBC Radio 4) 2005 Written for the “Rapid Response” series: short dramas written in response to that week’s news.
    [Show full text]
  • An Evaluation of the Ovalhouse Future Stages Programme Methodology and Impact
    1616-Taking-Risks-design-13:Layout 1 18/1/16 16:51 Page 1 Taking Risks An evaluation of the Ovalhouse Future Stages Programme methodology and impact Funded by the Paul Hamlyn Foundation Imogen Slater, Chrissie Tiller and Alison Rooke Centre for Urban and Community Research, Goldsmiths, University of London 1616-Taking-Risks-design-13:Layout 1 18/1/16 16:51 Page 2 Imogen Slater, Chrissie Tiller and Alison Rooke are affiliated to This report was funded by Acknowledgements We would like to acknowledge the generous support of the following Future Stages funders: Arts Council England Eleanor Rathbone Charitable Trust J. Paul Getty Charitable Trust KPMG Foundation London Borough of Lambeth Paul Hamlyn Foundation The Equitable Charitable Trust We would also like to acknowledge the work of both Gerald Koessl and Aylwyn Walsh whose input and expertise was invaluable to the evaluation. We would also like to thank the Ovalhouse team, staff and pupils at Kennington Park Academy and Summerhouse PRU, and the children, parents and carers attending Pick&Mix for their input and support. Finally we would like to thank the Paul Hamlyn Foundation for funding this report. 1616-Taking-Risks-design-13:Layout 1 18/1/16 16:51 Page 3 Contents Executive Summary (i) – (iii) 1 Introduction 1 2 Situating the Project in the Wider Context 3 2.1 The Creating Change Network 5 3 From Method to Methodology: The Ovalhouse Framework of Value 7 3.1 The Value of Values 8 3.2 Values and Evaluation 8 4 Delivering Future Stages 10 4.1 The Numbers: Achievement against targets 11 4.2
    [Show full text]