The Life of the Negro Slave in Alabama
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The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19Th-Century Washington, DC and Virginia
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2017 The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia Julianna Geralynn Jackson College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Jackson, Julianna Geralynn, "The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia" (2017). Dissertations, Theses, and Masters Projects. Paper 1516639577. http://dx.doi.org/doi:10.21220/S2V95T This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia Julianna Geralynn Jackson Baldwin, Maryland Bachelor of Arts, St. Mary’s College of Maryland, 2012 A Thesis presented to the Graduate Faculty of The College of William & Mary in Candidacy for the Degree of Master of Arts Department of Anthropology College of William & Mary August, 2017 © Copyright by Julianna Geralynn Jackson 2017 ABSTRACT This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a way of exerting control over the 19th-century landscape. -
Disciplinary Gestures in Charles Kingsley´S at Last : a Christmas in the West Indies (1871) Revista Mexicana Del Caribe, Vol
Revista Mexicana del Caribe ISSN: 1405-2962 [email protected] Universidad de Quintana Roo México Wahab, Amar Re-writing colonized subjects: disciplinary gestures in Charles Kingsley´s at last : a christmas in the west Indies (1871) Revista Mexicana del Caribe, vol. VIII, núm. 16, 2003, pp. 133-178 Universidad de Quintana Roo Chetumal, México Disponible en: http://www.redalyc.org/articulo.oa?id=12801605 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto RE-WRITING COLONIZED SUBJECTS: DISCIPLINARY GESTURES IN CHARLES KINGSLEY’S AT LAST: A CHRISTMAS IN THE WEST INDIES (1871) AMAR WAHAB* University of Toronto Abstract The Victorian period of British travel writing in the “tropicalized” world distinguished itself from early nineteenth-century travel due partic- ularly to changing demands for re-inventing British control in the post-emancipation period. This article unpacks the textual and visual representations of Negroes and Coolies in nineteenth-century Trinidad in the travelogue of British natural historian, Charles Kingsley, high- lighting the discursive powers of these representations in re-stabilizing British rule and order in the colony. Kingsley’s re-writing of colonized subjects cannot be disconnected from the re-definition and re-deploy- ment of ideas of race and rule across the British Empire, especially in the context of post-emancipation labour shortages, the rise of the black subject and colonial anxieties about the “Negro character”. -
The Negro Is Paid to Dance
Diálogo Volume 8 Number 1 Article 17 2004 The Negro is Paid to Dance Matilde E. López Karin Killian Follow this and additional works at: https://via.library.depaul.edu/dialogo Part of the Latin American Languages and Societies Commons Recommended Citation López, Matilde E. and Killian, Karin (2004) "The Negro is Paid to Dance," Diálogo: Vol. 8 : No. 1 , Article 17. Available at: https://via.library.depaul.edu/dialogo/vol8/iss1/17 This Rincón Creativo is brought to you for free and open access by the Center for Latino Research at Via Sapientiae. It has been accepted for inclusion in Diálogo by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. The Negro is Paid to Dance Cover Page Footnote This article is from an earlier iteration of Diálogo which had the subtitle "A Bilingual Journal." The publication is now titled "Diálogo: An Interdisciplinary Studies Journal." This rincón creativo is available in Diálogo: https://via.library.depaul.edu/dialogo/vol8/iss1/17 Art by Fernando Llort. isThePaid Negro to Dance Image from stationary, provided by Claudia Morales Haro A Short Story by Matilde Elena Lopez Translated by Karin Killian Lima, Peru This is the history of a sad man, or better put, the history of a The only thing I remember about my father is a strong tail sad Negro who is now sadder still. I feel in my heart as though Jamaican who spoke only English. "British, British. Panama is I have been painted with pitch. I am drowning in a cesspool. I of no importance to me," he used to say. -
Introduction
Introduction R. J. Ellis One of the most influential books ever written, Uncle Tom’s Cabin; or, Life Among the Lowly was also one of the most popular in the nineteenth century. Stowe wrote her novel in order to advance the anti-slavery cause in the ante-bellum USA, and rooted her attempt to do this in a ‘moral suasionist’ approach — one designed to persuade her US American compatriots by appealing to their God-given sense of morality. This led to some criticism from immediate abolitionists — who wished to see slavery abolished immediately rather than rely upon [per]suasion. Uncle Tom's Cabin was first published in 1852 as a serial in the abolitionist newspaper National Era . It was then printed in two volumes in Boston by John P. Jewett and Company later in 1852 (with illustrations by Hammatt Billings). The first printing of five thousand copies was exhausted in a few days. Title page, with illustration by Hammatt Billings, Uncle Tom’s Cabin Vol. 1, Boston, John P. Jewett and Co., 1852 During 1852 several reissues were printed from the plates of the first edition; each reprinting also appearing in two volumes, with the addition of the words ‘Tenth’ to ‘One Hundred and Twentieth Thousand’ on the title page, to distinguish between each successive re-issue. Later reprintings of the two-volume original carried even higher numbers. These reprints appeared in various bindings — some editions being quite lavishly bound. One-volume versions also appeared that same year — most of these being pirated editions. From the start the book attracted enormous attention. -
The Edward Houstoun Plantation Tallahassee,Florida
THE EDWARD HOUSTOUN PLANTATION TALLAHASSEE, FLORIDA INCLUDING A DISCUSSION OF AN UNMARKED CEMETERY ON FORMER PLANTATION LANDS AT THE CAPITAL CITY COUNTRY CLUB Detail from Le Roy D. Ball’s 1883 map of Leon County showing land owned by the Houstoun family.1 JONATHAN G. LAMMERS APRIL, 2019 adlk jfal sk dj fsldkfj Contents Introduction ........................................................................................................................................................ 1 The Houstoun Plantation ................................................................................................................................. 2 Edward Houstoun ......................................................................................................................................... 2 Patrick Houstoun ........................................................................................................................................... 6 George B. Perkins and the Golf Course .................................................................................................. 10 Golf Course Expansion Incorporates the Cemetery .......................................................................... 12 The Houstoun Plantation Cemetery ............................................................................................................. 15 Folk Burial Traditions ................................................................................................................................. 17 Understanding Slave Mortality .................................................................................................................. -
Resistance, Language and the Politics of Freedom in the Antebellum North
Masthead Logo Smith ScholarWorks History: Faculty Publications History Summer 2016 The tE ymology of Nigger: Resistance, Language, and the Politics of Freedom in the Antebellum North Elizabeth Stordeur Pryor Smith College Follow this and additional works at: https://scholarworks.smith.edu/hst_facpubs Part of the History Commons Recommended Citation Pryor, Elizabeth Stordeur, "The tE ymology of Nigger: Resistance, Language, and the Politics of Freedom in the Antebellum North" (2016). History: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/hst_facpubs/4 This Article has been accepted for inclusion in History: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] The Etymology of Nigger: Resistance, Language, and the Politics of Freedom in the Antebellum North Elizabeth Stordeur Pryor Journal of the Early Republic, Volume 36, Number 2, Summer 2016, pp. 203-245 (Article) Published by University of Pennsylvania Press DOI: https://doi.org/10.1353/jer.2016.0028 For additional information about this article https://muse.jhu.edu/article/620987 Access provided by Smith College Libraries (5 May 2017 18:29 GMT) The Etymology of Nigger Resistance, Language, and the Politics of Freedom in the Antebellum North ELIZABETH STORDEUR PRYOR In 1837, Hosea Easton, a black minister from Hartford, Connecticut, was one of the earliest black intellectuals to write about the word ‘‘nigger.’’ In several pages, he documented how it was an omni- present refrain in the streets of the antebellum North, used by whites to terrorize ‘‘colored travelers,’’ a term that elite African Americans with the financial ability and personal inclination to travel used to describe themselves. -
Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
The Antebellum Houses of Hancock County, Georgia
PRESERVING EARLY SOUTHERN ARCHITECTURE: THE ANTEBELLUM HOUSES OF HANCOCK COUNTY, GEORGIA by CATHERINE DREWRY COMER (Under the Direction of Wayde Brown) ABSTRACT Antebellum houses are a highly significant and irreplaceable cultural resource; yet in many cases, various factors lead to their slow deterioration with little hope for a financially viable way to restore them. In Hancock County, Georgia, intensive cultivation of cotton beginning in the 1820s led to a strong plantation economy prior to the Civil War. In the twenty-first century, however, Hancock has been consistently ranked among the stateʼs poorest counties. Surveying known and undocumented antebellum homes to determine their current condition, occupancy, and use allows for a clearer understanding of the outlook for the antebellum houses of Hancock County. Each of the antebellum houses discussed in this thesis tells a unique part of Hancockʼs history, which in turn helps historians better understand a vanished era in southern culture. INDEX WORDS: Historic preservation; Log houses; Transitional architecture; Greek Revival architecture; Antebellum houses; Antebellum plantations; Hancock County; Georgia PRESERVING EARLY SOUTHERN ARCHITECTURE: THE ANTEBELLUM HOUSES OF HANCOCK COUNTY, GEORGIA By CATHERINE DREWRY COMER B.S., Southern Methodist University, 2009 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2016 © 2016 Catherine Drewry Comer All Rights Reserved PRESERVING EARLY SOUTHERN ARCHITECTURE: THE ANTEBELLUM HOUSES OF HANCOCK COUNTY, GEORGIA by CATHERINE DREWRY COMER Major Professor: Wayde Brown Committee: Mark Reinberger Scott Messer Rick Joslyn Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 ACKNOWLEDGEMENTS First and foremost, I want to thank my family and friends for supporting me throughout graduate school. -
© Brian Casserly, 2020 Bellevue College HIST 205: History of World
1 Bellevue College HIST 205: History of World War II Spring 2020 Please see the class Canvas site for details of how HIST 205 will be taught remotely to meet Covid-19 social distancing requirements for Spring Quarter of 2020. www.phdcomics.com This syllabus contains essential information about class policies, structure, etc. that are intended to help further your learning in the class. It is your responsibility to be familiar with it. There will be a quiz on the syllabus Instructor: Dr. Brian Casserly Office Hours: Virtual – see Canvas for details. Contact Information: E-mail (best way to contact me): Use Canvas e-mail or [email protected] Phone: (425) 564-3140 “I hate war as only a soldier who has lived it can, only as one who has seen its brutality, its stupidity.” Dwight Eisenhower “Rule 1, on page 1 of the book of war, is: 'Do not march on Moscow'... Rule 2 is: Do not go fighting with your land armies in China.” Bernard Law Montgomery “Great Britain provided time; the United States provided money and Soviet Russia provided blood.” Joseph Stalin © Brian Casserly, 2020 2 INTRODUCTION AND TEACHING PHILOSOPHY: Welcome to HIST 205! Fundamentally, history involves the study of change and seeks to explain why these changes occur and how they have influenced human societies and cultures. History helps us understand ourselves, our world, and how and why it is the way it is. For the rest of the quarter I look forward to working with you as we examine some of the major developments and experiences of World War II and explore its consequences for a variety of societies around the world. -
Historic House Museums
HISTORIC HOUSE MUSEUMS Alabama • Arlington Antebellum Home & Gardens (Birmingham; www.birminghamal.gov/arlington/index.htm) • Bellingrath Gardens and Home (Theodore; www.bellingrath.org) • Gaineswood (Gaineswood; www.preserveala.org/gaineswood.aspx?sm=g_i) • Oakleigh Historic Complex (Mobile; http://hmps.publishpath.com) • Sturdivant Hall (Selma; https://sturdivanthall.com) Alaska • House of Wickersham House (Fairbanks; http://dnr.alaska.gov/parks/units/wickrshm.htm) • Oscar Anderson House Museum (Anchorage; www.anchorage.net/museums-culture-heritage-centers/oscar-anderson-house-museum) Arizona • Douglas Family House Museum (Jerome; http://azstateparks.com/parks/jero/index.html) • Muheim Heritage House Museum (Bisbee; www.bisbeemuseum.org/bmmuheim.html) • Rosson House Museum (Phoenix; www.rossonhousemuseum.org/visit/the-rosson-house) • Sanguinetti House Museum (Yuma; www.arizonahistoricalsociety.org/museums/welcome-to-sanguinetti-house-museum-yuma/) • Sharlot Hall Museum (Prescott; www.sharlot.org) • Sosa-Carrillo-Fremont House Museum (Tucson; www.arizonahistoricalsociety.org/welcome-to-the-arizona-history-museum-tucson) • Taliesin West (Scottsdale; www.franklloydwright.org/about/taliesinwesttours.html) Arkansas • Allen House (Monticello; http://allenhousetours.com) • Clayton House (Fort Smith; www.claytonhouse.org) • Historic Arkansas Museum - Conway House, Hinderliter House, Noland House, and Woodruff House (Little Rock; www.historicarkansas.org) • McCollum-Chidester House (Camden; www.ouachitacountyhistoricalsociety.org) • Miss Laura’s -
Tallahassee, Florida. 19
Kerce, Red (Benjamin L.), 1911-1964. Vine covered column ruins of Verdura plantation - Tallahassee, Florida. 19--. Black & white photoprint. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/44417 59 Vitruvio International journal of Architecture Technology and Sustainability Volume 2 Is 1 Plantation Houses of North Florida Eduardo Robles 1 1 Florida A&M University, School of Architecture and EngineeringTechnology ABSTRACT The concept of Plantation conjures an image that identifies the North Florida / South Georgia region of the U. S. Leon County attracted many cotton planters from Georgia, Virginia, Maryland, North and South Carolina in the 1820’s to the 1850’s. Up to the beginning of the Civil War, Leon County was the 5th largest producer of cotton counting all counties from Florida and Georgia. The Civil War brought the plantation culture to a standstill. The plantations transformed the environment based on their need for open fields in which to cultivate different crops, or raise a variety of animals with the help of slaves. From the 1900’s many plantations abandoned their land to nature producing a deep change in the local landscape. Today plantations are not used as much for planting crops but more for hunting or as tree farms. The hunting plantations do not grow crops but provide good conditions for the hunting of animals and birds. Other plantations were torn apart, sold and now are part of the Tallahassee urban fabric. In other words, they disappeared. The transformation of the plantations has been slow and steady, and has become the image of the area, even the region. -
Irreversible Encounters and the Point of No Return!
Irreversible Encounters and the Point of No Return! Katherine Olston MFA 2009 Abstract Irreversible Encounters and the Point of No Return! investigates the politics of Otherness through an examination of the position of the Westerner as Other within the context of Thailand. The project initially explores Otherness as a construction in general and then focuses specifically on the configuration of Otherness within Thai society, and its role in the enactment of core, interlinked ideals of Thai self-identification and nationhood. The research project considers the particular historical, political, cultural and societal factors that have contributed to contemporary Thai perceptions of the Westerner, or ‘farang’ as Other in relation to the Thai Self. Through sculpture and video installation the art practice delves into the intimate space of the experience of being Other, acknowledging the relative nature of identity and examining issues such as the shock of recognising the Self as Other and the subsequent realisation that the Self may simultaneously be Self and Other. The practice examines the barrier between belonging and not belonging, and the desire to traverse this barrier through adaptation and the modification of one’s identity, and the futility of this endeavor. Irreversible Encounters and the Point of No Return! reveals stereotypes and preconceptions extant in the way we view ourselves and others in order to explore the complexities and contradictions inherent to the process of Othering. Through theory and practice the project provides an insight into just one of those irreversible experiences in our lives where core perceptions of Self, and the way we inhabit the world are fundamentally challenged, forcing us into previously unknown territory, to a place from which we can never return.