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Zadie Smith and Monica Ali
UDC 821.111.09 Ali M. 821.111.09 Smit Z. P P University of Nottingham ZADIE SMITH7 AND MONICA ALI: ARRIVAL AND SETTLEMENT IN RECENT BRITISH FICTION INTRODUCTION: THE IMMIGRANT EXPERIENCE AND NEW BRITISH WRITING !e thirteenth and "nal volume in the Oxford English Literary History covers the period 1948-2000 and is entitled !e Internationalization of English Literature . !is title refers not to the astonishing extent to which English Literature has become an international subject, studied in schools, colleges and universities all over the world, but to the way in which the very concept of what constitutes ‘English’ literature has been transformed. As Bruce King, the author of the volume puts it, during the post-war period ”the literature of England went through a major change, a change in subject matter and sensitivities as historically signi"cant as earlier shi#s in sensibility given such names as Romanticism, Victorianism and Modernism” (King 2004: 1). !is transformation has come about because of the arrival in Britain of successive waves of immigrants, largely from countries that were formerly part of the British Empire. Authors from these communities brought to English writing new contexts, new narratives, both personal and national, and a new sense of language and form. In the work of such writers as Monica Ali, Hanif Kureishi, Andrea Levey, Timothy Mo, Salman Rushdie and Zadie Smith, readers have been confronted with texts that challenge them in unfamiliar ways, requiring them not only to adapt to new literary modes, but also to consider the experiences of distant countries and to understand and assess the part played by Britain in those countries’ histories. -
Monica Ali's Brick Lane
Gustaf Crusensvärd EN2302 Autumn 2010 School of Teacher Education Kristianstad University Lena Ahlin Monica Ali’s Brick Lane – Fiction, Yet Relevant: The Plight of Bangladeshi Women from a Fictive Perspective 1 Brick Lane is a novel about Muslim immigrant culture in London, most specifically that of Nazneen and her family. The novel depicts instances of great bravery and fear, oppression and the struggle for independence. It approaches several problematical topics in this day and age. At the forefront of these topics are oppression, immigration, segregation, racism and sexism. This essay will solely focus on the topics of sexism and the function of gender and oppression of women in the novel. I will then relate these instances to real world incidents in order to show how the novel’s author, Monica Ali, in spite of her Western upbringing and perspective, has depicted several problematical cases of injustice in Muslim culture. While Ali has been highly criticized for her, supposedly, incorrect portrayal of Bangladeshis in London, the topics of the novel remain relevant in the larger scheme of Muslim society, as I will prove throughout this essay. The essay will argue that the issues portrayed in the novel are authentic and relevant in their general application to Muslim culture, in spite of Monica Ali being brought up in the West and her fabricated characters. Through drawing parallels between Ali’s fiction and known issues in Muslim culture, this essay will prove that Ali, regardless of how unrealistic her portrayals are, still depicts incidents of relevance to both Muslim society and Muslim women. -
Impact of Cultural Clash and Cultural Reorientation in Monica Ali's Brick
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Impact of Cultural Clash and Cultural Reorientation in Monica Ali’s Brick Lane 1. Dr. M. Madhavan Assistant Professor Department of English Annamalai University 2. Dr. G. Arputhavel Raja Assistant Professor Department of English Annamalai University 3. Dr. K. Muthuraman Dean Faculty of Indian Languages Professor of English Annamalai University 4. Dr. V. Gnanaprakasam Associate Professor Department of English Annamalai University Abstract This paper endeavours to analyze the impact of cultural collision and cultural reorientation in Monica Ali’s Brick Lane, which is packed with themes of cultural dislocation, displacement, change and continuity, strangeness and familiarity encountered by characters living in a complex and multicultural world. Interestingly, postcolonial society witnessed an upsurge of cross cultural fertilization of societies, which resulted in untold miseries of the people. Diaspora not only connotes demographic dislocations, but also cultural reorientation as the foreign culture impinges upon the native culture. Keywords: Diaspora, Collision, Culture, Dislocation, Displacement, Reorientations Volume XI, Issue XII, 2019 Page No: 1286 Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Introduction Monica Ali has become an international celebrity because of her concern to raise the cry of women suffering alienation and sexual oppression in the patriarchal society. Her novels are critically examined to expose patriarchy’s use of culture and traditional morality as powerful tools to control the female bodies. The representation of Bangladeshi woman is quite thought provoking as in theory she is considered as an image of love and honour, but in practical life she is subjugated, sexually molested, raped, and brutalized in the name of traditional morality and religion. -
Official Selection 2007 Toronto International Film Festival Official
Presents brick lane starring Tannishtha Catterjee, Satish Kaushik and Christopher Simpson Directed by Sarah Gavron Producers Alison Owen and Christopher Collins Screenplay by: Abi Morgan and Laura Jones Official selection 2007 Toronto International Film Festival Official selection 2007 Telluride International Film Festival (UK, 2007) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html cast Nazneen Tannishtha Chatterjee Chanu Satish Kaushik Karim Christopher Simpson Shahana Naeema Begum Bibi Lana Rahman Razia Harvey Virdi Mrs Islam Lalita Ahmed Hasina Zafreen crew Director Sarah Gavron Producers Alison Owen Christopher Collins Executive Producers Tessa Ross Paulra Jalfon Duncan Reid Paul Trijbits Writers Abi Morgan and Laura Jones Director of Photography Robbie Ryan Production Designer Simon Elliott Editor Melanie Oliver Associate Producer Faye Ward Katherine Butler Composer Jocelyn Pook Ssound Andy Shelley Costume Designer Michael O’Conner Make-Up Designer Kirstin Chalmers Associate Directors Sangeeta Datta Ruhul Amin Casting Directors (India) Uma Da Cunha Loveleen Tandan Casting Director Shaheen Baig BRICK LANE went into production in June 2006 and was filmed over the summer on location in London and India and at Three Mills Studio, East London. synopsis At the tender age of seventeen, Nazneen’s life is turned upside down. After an arranged marriage to an older man, she exchanges her Bangladeshi village home for a block of flats in London’s East End. -
Chanus Return: the Reclamation of Bengali Identity
Cleveland State University EngagedScholarship@CSU ETD Archive 2009 Chanus Return: The Reclamation of Bengali Identity Mamta Roy Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the English Language and Literature Commons How does access to this work benefit ou?y Let us know! Recommended Citation Roy, Mamta, "Chanus Return: The Reclamation of Bengali Identity" (2009). ETD Archive. 500. https://engagedscholarship.csuohio.edu/etdarchive/500 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. CHANUS RETURN: RECLAMATION OF BENGALI IDENTITY MAMTA ROY Masters of Arts in English Kurukshetra University, India May, 1982 Master of Philosophy in English Kurukshetra University, India April, 1989 Submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY May, 2009 This Thesis has been approved For the Department of ENGLISH And the College of Graduate Studies by _______________________________________________________ Thesis Chairperson, Dr. Jennifer Jeffers __________________________________________ Department & Date _______________________________________________________ Dr. Adam Sonstegard __________________________________________ Department & Date _______________________________________________________ Dr. Gary Dyer __________________________________________ Department & Date This thesis is dedicated to my family, friends and students who have been so encouraging over the years, and most to all to my savior Jesus Christ whose grace is sufficient for me. III ACKNOWLEDGEMENTS This thesis is the outcome of the lively and intellectually stimulating discussions in the 695 English class taught by Dr. Jenniffer Jeffers. I would like to thank her for her guidance, comments and suggestions throughout the writing process. -
In Monica Ali's Brick Lane
38 Yıldız KILIÇ ÖZET İngiltere’nin çok-kültürlü kimliği yeni ve tehlikeli bir ‘öteki’ keşfetmiş bulunmakta. Karayip Adaları ve Hindistan’dan İngiltere’ye 1930’lar ve THE PARADOX OF THE ‘MUSLIM BRITISH NATIONAL’ IN 50’lerde göç eden azınlıklara duyulan nefrete, milenyum-sonrasında MONICA ALI’S BRICK LANE ‘İslamafobi’nin eklenmesiyle, bu kimlik daha da karmaşık bir hal almıştır. Patlamaya gebe bu ortama, Monica Ali’nin Brick Lane (2003) adlı romanı Yıldız KILIÇ∗ kışkırtıcı bir söylemle, gelişmekte olan karşıt nefretin doğasını irdeler ve direncin kaynağını geçmişte munis ve sessiz kalan Müslüman ‘esnaf’ kesiminde bulur. Brick Lane, İslam’ı kuşatan ‘karanlık bilinmez’ söylemini aşarak, insani boyutlarıyla açıklığa kavuşturur. İngiliz kültüründe yeniden ABSTRACT tanımlanan Müslüman zümre, böylece Amerika’nın teşvik ettiği söylem doğrultusunda, beşeriyetten uzak, soyut bir ‘kötülük’ ile The multicultural identity of England has defined a new threatening ‘Other’. değerlendirilmektense, toplumsal kopukluğu yaşamış ve tahammülsüzlüğe The animosity towards Afro-Caribbean/Indian insurgence dating from the maruz kalmış bir kesim olarak tanımlanır. Romanın ironiyle öne sürdüğü 1930’s and 50’s onwards has been further complicated by post-millennium olası tehlike, Londra’nın her an maruz kalabileceği bir İslami ihtilal değil, ‘Islamophobia’. Within this volatile context Monica Ali’s Brick Lane (2003) eski sömürgeci gücün sebebiyet verdiği ve Müslüman azınlık tarafından o ana offers a troubling insight pertinently anticipating not only the nature of -
Racism: a Study of Monica Ali's Brick Lane
RACISM: A STUDY OF MONICA ALI’S BRICK LANE FAKHARE ALAM RESEARCH SCHOLAR DEPT. OF ENGLISH & MEL UNIVERSITY OF LUCKNOW INDIA Abstract Brick Lane is fraught with the issues pertaining to racism. The novel explores the issues related to racism in more detail and assesses the relevance of it in the present era of multiculturalism and globalization. The issues include: discrimination, hatred, prejudice, exploitation, oppression, suppression, dislike, intolerance, and so forth. The novel also examines the consequent effect of racism on the lives of affected people. The novel also endeavours to illustrate the colonial aftermath through the knowledge of history of the character. Key Words: Racism, Race, Hatred, Prejudice, Intolerance, exploitation, discrimination. In the view of some prominent sociologist racism is a system of group privilege. In Portraits of White Racism, David Wellman defines racism as “culturally sanctioned beliefs, which, regardless of intentions involved, defend the advantage whites have because of the subordinated position of racial minorities.” Other renowned sociologists Noel A. Cazenave and Darlene Alvarez Maddern define racism as “. a highly organized system of ‘race’- based group privilege that operates at every level of society and is held together by a sophisticated ideology of color/’race’ supremacy. Petit Robert has defined racism as “a theory of racial hierarchy and inequality which claims the necessity of preserving the so called superior race from miscegenation and the right to dominate other races.” Ruth Benedict -
Politics of Right to Write and Monica Ali's Fiction
ASIATIC, VOLUME 6, NUMBER 1, JUNE 2012 Politics of Right to Write and Monica Ali’s Fiction A.F.M. Maswood Akhter1 University of Rajshahi, Bangladesh Abstract The Brick Lane-writer Monica Ali’s status as an ethnic icon – an image so hyped by the white media – automatically curbs her creative freedom of representation and confines her to ghettoes. Consequently, Ali’s other pieces are ignored, not because of their lesser literary merit but for their author’s treading into “not-permissible” grounds, that is, “non-ethnic” materials. The audiences back home and within diaspora, on the other hand, tend to consider this Dhaka-born writer just as one more outsider having no legitimacy to deal with them, and they even voiced their outrage in London streets against Brick Lane (2003) for depicting what they considered a “shameful” portrait of them. They question her right to write about “home” just as the West could not appreciate the European or American settings and characters in her later books. Ali, on her part, however, claims to have disowned these licensing authorities in a bid to safeguard her writerly discretion. Brick Lane thus becomes the metaphor that embodies the poetics and practices of this intricate, intriguing politics in which the hegemonic publishing industry in the West along with the grinding U.S.-U.K. review machine (of The New York Times, The Guardian and so on) has rather a decisive role to play. Abstract in Malay Status ikon etnik Monica Ali yang menulis novel Brick Lane, suatu imej yang dibesar- besarkan “media putih” – secara automatik menghadkan kebebasannya berkreatif dan menjuruskan karyanya tentang kedhaifan. -
On Cultural Identity in Brick Lane from the Perspective of Postcolonialism
US-China Foreign Language, September 2018, Vol. 16, No. 9, 470-473 doi:10.17265/1539-8080/2018.09.004 D DAVID PUBLISHING On Cultural Identity in Brick Lane From the Perspective of Postcolonialism MA Ling, ZHANG Shun-sheng University of Shanghai for Science and Technology, Shanghai, China This paper explores the process of establishing cultural identity among the three leading characters and analyzes the causes for multiple cultural identity in Monica Ali’s Brick Lane. Keywords: cultural identity, Brick Lane, Monica Ali Introduction Monica Ali, a distinguished Bangladesh-British writer, enjoys great prestige in the world after her publication of Brick Lane. The experiences of the main characters in this novel symbolize the necessity of establishing mixed ethnic cultural identity in the background of multiple cultures. This paper is intended to arouse people’s attention towards the mixed ethnic culture, promote cultural diversity, and achieve the integration of different cultures in the East and the West by the study on the construction of cultural identity. Postcolonialism It is considered that Edward W. Said, Homi K. Bhabha, and Gayatri C. Spivak have made great contributions to the development of postcolonialism, a concept which appears in the late 1970s, emphasizes cultural invasion, and focuses on the field of cultural ideology. It uses a placid mode to reveal “an extreme spirit of cultural hegemony and cultural imperialism” (Yang, 1996). Since the advent of the new century, it has drawn much attention in the field of academic research and enjoyed a great reputation with its rapid development. It also has a great influence on literary criticism all around the world and also reshapes the subjectivity of the minority people. -
A Post-Colonial Study of Fact and Fiction in Monica Ali's Brick Lane
1 Margaret Wallace Nilsson EN2302 University of Kristianstad Autumn 2010 Level III Essay/15Hp Lena Ahlin A Post-Colonial Study of Fact and Fiction in Monica Ali’s Brick Lane 2 The aim of this essay is to examine Monica Ali’s literary interpretation of the Bengali immigrant community and where her interpretation reflects upon the actions of the protagonist Nazneen and the major antagonists, in Ali’s widely acclaimed debut novel Brick Lane (2003). Several aspects of the characters both do and do not break Islamic and Bengali ethnic boundaries. The essay’s main focus will be on the author’s representations of character and scene constructions and eventual comparisons with the ethnic Bengali community outside of the fictional settings of the novel. M.K. Chakrabarti’s article, Marketplace and Multiculturalism, published in the Boston Review (December 2003/January 2004), compares Brick Lane’s modern-day drawing room scenes to the insular and limited world of the Jane Austen novels, with which he draws certain literary parallels. Nazneen, the central character, lives in an “isolated” and lonely world which is unaffected by the events outside of the Tower Hamlets in East London, where she resides and spends her days alone in a small rented council flat. It can be argued that perceptions pertaining to language and knowledge of language allow the user to widen his or her perspective. The lack of language can have several negative effects on how the user perceives the world. Arguably, Nazneen’s language abilities do affect her capability to communicate outside of her own ethnic community: The reader is confronted with her inner-most thoughts on the subject of language: “Nazneen could say two things in English: sorry and thank you. -
A Study of the South Asian Diasporic Narratives
Cultural Identity in the Global-Age: A Study of the South Asian Diasporic Narratives By Shamaila Haleem NATIONAL UNIVERSITY OF MODERN LANGUAGES ISLAMABAD DECEMBER 2018 Cultural Identity in the Global-Age: A Study of the South Asian Diasporic Narratives By Shamaila Haleem MPhil, National University of Modern Languages, H-9, Islamabad 2011 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In English To FACULTY OF LANGUAGES NATIONAL UNIVERSITY OF MODERN LANGUAGES, ISLAMABAD Shamaila Haleem Shamaila Haleem, 2018 ii NATIONAL UNIVERSITY OF MODERN LANGUAGES FACULTY OF LANGUAGES THESIS/DISSERTATION AND DEFENCE APPROVAL FORM The undersigned certify that they have read the following thesis, examined the defence, are satisfied with the overall exam performance, and recommend the thesis to the Faculty of Languages for acceptance: Thesis Title: Cultural Identity in the Global-Age: A Study of the South Asian Diasporic Narratives Submitted By: Shamaila Haleem Registration #: 381-PhD/Lit/Jan 11-02 Doctor of Philosophy Degree Name in Full English Name of Discipline Dr. Ali Ahmad Kharal ______________________________ Name of Research Supervisor Signature of Research Supervisor Dr. Muhammad Safeer Awan ______________________________ Name of Dean (FOL) Signature of Dean (FOL) Maj. Gen. Zia Uddin Najam, HI (M), (Retd) Name of Rector Signature of Rector _____________________________ _______________________ Date iii CANDIDATE DECLARATION FORM I Shamaila Haleem Daughter of S. Muhammad Haleem Registration # 381-PhD/Lit/Jan 11-02 Discipline English Literature Candidate of PhD English Literature at the National University of Modern Languages do hereby declare that the thesis, Cultural Identity in the Global-Age: A Study of the South Asian Diasporic Narratives submitted by me in partial fulfillment of PhD degree, is my original work, and has not been submitted or published earlier. -
"MY CHILDREN ... SHALL STRIKE THEIR ROOTS INTO UNACCUSTOMED EARTH": REPRESENTATION of DIASPORIC BENGALIS in JHUMP a Lahirl's LATEST COLLECTION of STORIES
"MY CHILDREN ... SHALL STRIKE THEIR ROOTS INTO UNACCUSTOMED EARTH": REPRESENTATION OF DIASPORIC BENGALIS IN JHUMP A LAHIRl'S LATEST COLLECTION OF STORIES Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within 111)' control, shall strike their roots into unaccuston;ed earth. "1 With the publication of Unaccustomed Earth (2008) Jhumpa Lahiri has returned to short stories yet again.2 This collection of eight stories, her latest, takes its title from the above-quoted passage in Nathaniel Hawthorne's Introduction to The Scarlet Letter. This Hawthorne-passage - with its unmistakable existential thesis and diasporic overtone - seems to be particularly relevant to her subject. Lahiri herself is reported to have said that she was struck when she read Hawthorne's words: "I just thought about how much they stand for everything that I had been writing about: the experience of being transplanted, and people being transplanted."3 Lahiri however does not so much accept Hawthorne's notion as test it since her stories seem to suggest that while human fortune improves if men and women "strike their roots into unaccustomed earth," any such experiment of transplanting involves the plant in diverse complex consequences as well. Tasha Robinson in her review of Unaccustomed Earth calls the book "a symphony of eight movements,"4 since all the eight stories of Unaccustomed Earth, despite being divided into two sections, are engaged with similar set of themes and characters.