21-Day Anti-Racism Challenge©
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INFLUENCE Music Marketing Meets Social Influencers COVERFEATURE
06-07 Tools Kombie 08-09 Campaigns YACHT, Radiohead, James Blake 10-14 Behind The Campaign Aurora MAY 18 2016 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 157 UNDER THE INFLUENCE music marketing meets social influencers COVERFEATURE In the old days, there were a handful of gatekeepers – press, TV and radio – and getting music in front of them was hard, UNDER THE INFLUENCE but not impossible. Today, traditional media still holds significant power, but the number of influencers out there has shot up exponentially with the explosion of social media in general and YouTube in particular. While the world’s largest video service might be under fire over its (low) royalty rates, the music industry is well aware that its biggest stars offer a direct route to the exact audiences they want their music to reach. We look at who these influencers are, how they can be worked with and the things that will make them back or blank you. etting your act heard used to be, if not exactly easy, then at least relatively Gstraightforward for the music business: you’d schmooze the radio playlist heads, take journalists out to a gig and pray for some TV coverage, all while splashing out on magazine and billboard advertising. The digital era – and especially social media – have shaken this all up. Yes, traditional media is still important; but to this you can add a sometimes bewildering list of “social influencers”, famous faces on platforms like YouTube, Snapchat and Instagram, plus vloggers, Viners and the music marketing meets rest, all of whom (for now) wield an uncanny power over youthful audiences. -
My Life As an Undocumented Immigrant Nytimes.Com
6/10/2015 My Life as an Undocumented Immigrant NYTimes.com Magazine My Life as an Undocumented Immigrant By JOSE ANTONIO VARGAS JUNE 22, 2011 One August morning nearly two decades ago, my mother woke me and put me in a cab. She handed me a jacket. “Baka malamig doon” were among the few words she said. (“It might be cold there.”) When I arrived at the Philippines’ Ninoy Aquino International Airport with her, my aunt and a family friend, I was introduced to a man I’d never seen. They told me he was my uncle. He held my hand as I boarded an airplane for the first time. It was 1993, and I was 12. My mother wanted to give me a better life, so she sent me thousands of miles away to live with her parents in America — my grandfather (Lolo in Tagalog) and grandmother (Lola). After I arrived in Mountain View, Calif., in the San Francisco Bay Area, I entered sixth grade and quickly grew to love my new home, family and culture. I discovered a passion for language, though it was hard to learn the difference between formal English and American slang. One of my early memories is of a freckled kid in middle school asking me, “What’s up?” I replied, “The sky,” and he and a couple of other kids laughed. I won the eighthgrade spelling bee by memorizing words I couldn’t properly pronounce. (The winning word was “indefatigable.”) One day when I was 16, I rode my bike to the nearby D.M.V. -
Policing, Protest, and Politics Syllabus
Policing, Protest, and Politics: Queers, Feminists, and #BlackLivesMatter WOMENSST 295P / AFROAM 295P Fall 2015 T/Th 4:00 – 5:15pm 212 Bartlett Hall Instructor: Dr. Eli Vitulli Office: 7D Bartlett Email: [email protected] Office hours: Th 1:30-3:30pm (& by appointment only) COURSE OVERVIEW Over the past year few years, a powerful social movement has emerged to affirm to the country and world that Black Lives Matter. Sparked by the killing of Trayvon Martin by George Zimmerman in Stanford, Florida, and Zimmerman’s acquittal as well as the police killings of other black men and women, including Michael Brown, Rekia Boyd, and Freddie Gray, this movement challenges police violence and other policing that makes black communities unsafe as well as social constructions of black people as inherently dangerous and criminal. Police violence against black people and the interrelated criminalization of black communities have a long history, older than the US itself. There is a similarly long and important history of activism and social movements against police violence and criminalization. Today, black people are disproportionately subject to police surveillance and violence, arrest, and incarceration. So, too, are other people of color (both men and women) and queer, trans, and gender nonconforming people of all races but especially those of color. This course will examine the history of policing and criminalization of black, queer, and trans people and communities and related anti-racist, feminist, and queer/trans activism. In doing so, we will interrogate how policing and understandings of criminality—or the view that certain people or groups are inherently dangerous or criminal—in the US have long been deeply shaped by race, gender, and sexuality. -
1 Do We Still Want Privacy in the Information Age? Marvin Gordon
Do we still want privacy in the information age? Marvin Gordon-Lickey PROLOGUE All those who can remember how we lived before 1970 can readily appreciate the many benefits we now enjoy that spring from the invention of digital computing. The computer and its offspring, the internet, have profoundly changed our lives. For the most part the changes have been for the better, and they have enhanced democracy. But we know from history that such large scale transformations in the way we live are bound to cause some collateral damage. And the computer revolution has been no exception. One particular casualty stands out starkly above the sea of benefits: we are in danger of losing our privacy. In the near future it will become technically possible for businesses, governments and other institutions to observe and record all the important details of our personal lives, our whereabouts, our buying habits, our income, our social and religious activities and our family life. It will be possible to track everyone, not just suspected criminals or terrorists. Even now, information about us is being detected, stored, sorted and analyzed by machine and on a vast scale at low cost. Information flows freely at light speed around the world. Spying is being automated. High tech scanners can see through our clothes, and we have to submit to an x-ray vision strip search every time we board an airplane. Although we have laws that are intended to protect us against invasion of privacy, the laws are antiquated and in most cases were written before the computer age. -
Red Hot & Boom Quiz
Red Hot & Boom Quiz 1. What was the name of the Independence Day celebration that preceded Red Hot & Boom in the 1980s? a. Lights On the Lake b. Fourth of July Jam c. Kaboom Town d. Skyblast 2. Who has been the radio partner with the City of Altamonte Springs for Red Hot & Boom? a. iHeart Radio b. XL 106.7 FM c. Clear Channel d. All of the Above 3. Only one Red Hot & Boom artist has the distinction of creating a dance craze. Los Del Rio performed what mega hit in 1996? a. C’mon Ride the Train b. Gangnam Style c. Macarena d. Cupid Shuffle 4. Many artists began their careers as child stars. Which boy band members were part of the cast of Disney’s The All-New Mickey Mouse Club? a. Jordan Knight & Joey McIntyre (New Kids on the Block) b. Justin Timberlake & JC Chasez (*NSYNC) c. Zach Herron & Jack Avery (Why Don’t We) d. Brady Tutton & Drew Ramos (In Real Life) 5. Several artists have appeared on the floating stage more than once. Which artist’s performances were 16 years apart? a. MAX b. Stacie Orrico c. Jessie James d. Shaggy 6. Florida was experiencing a severe drought and subsequent wild fires, so fireworks were not a part of the event in what year? a. 1998 b. 2000 c. 2005 d. 2013 7. A number of Red Hot & Boom artists have competed on national music competition shows. Which of these performers did NOT appear on American Idol? a. Kimberly Locke b. Alex & Sierra c. -
Critical Discourse Analysis #Blacklivesmatter: Critical Perspectives, February 2, 2016 Dr
Critical Discourse Analysis #BlackLivesMatter: Critical Perspectives, February 2, 2016 Dr. S. Lanehart, Professor and Brackenrige Endowed Chair in Literature and the Humanities What is “Critical / Critique? (Wodak) The notion of `critique' which is inherent in CDA's programme is also understood very differently: some adhere to the Frankfurt school, others to a notion of literary criticism, some to Marx's notions (see above and Reisigl and Wodak, 2001 for an overview). Basically, ‘critical’ is to be understood as having distance to the data, embedding the data in the social, taking a political stance explicitly, and a focus on self-reflection as scholars doing research. What is CDA? (Teun van Dijk) Beyond description or superficial application, critical science in each domain asks further questions, such as those of responsibility, interests, and ideology. Instead of focusing on purely academic or theoretical problems, it starts from prevailing social problems, and thereby chooses the perspective of those who suffer most, and critically analyses those in power, those who are responsible, and those who have the means and the opportunity to solve such problems (van Dijk, 1986: 4). Heterogeneity of methodological and theoretical approaches represented in this field of linguistics would tend to confirm van Dijk's point that CDA and CL `are at most a shared perspective on doing linguistic, semiotic or discourse analysis' (van Dijk, 1993: 131). What is CDA? (Horkheimer) To draw consequences for political action from critical theory is the aspiration of those who have serious intentions, and yet there is no general prescription unless it is the necessity for insight into one's own responsibility. -
Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
Macklemore & Ryan Lewis – White Privilege II Lyrics
Macklemore & Ryan Lewis – White Privilege II Lyrics [Verse 1] Pulled into the parking lot, parked it Zipped up my parka, joined the procession of marchers In my head like, "Is this awkward? Should I even be here marching?" Thinking if they can't, how can I breathe? Thinking that they chant, what do I sing? I want to take a stance cause we are not free And then I thought about it, we are not "we" Am I in the outside looking in, or am I in the inside looking out? Is it my place to give my two cents? Or should I stand on the side and shut my mouth? "No justice, no peace," okay, I'm saying that They're chanting out, "Black Lives Matter," but I don't say it back Is it okay for me to say? I don't know, so I watch and stand In front of a line of police that look the same as me Only separated by a badge, a baton, a can of Mace, a mask A shield, a gun with gloves and hands that gives an alibi In case somebody dies behind a bullet that flies out of the 9 Takes another child's life on sight [Hook] Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free [Verse 2] You've exploited -
OPEIU LOCAL 8 Statement on the Murder of George Floyd and Nationwide Protests
June 12, 2020 OPEIU LOCAL 8 Statement on the Murder of George Floyd and Nationwide Protests We stand in solidarity with every working person who is outraged and voicing their rejection of the systemic violence and racism that has allowed the incalculable lynchings of unarmed Black people in this country for hundreds of years, most recently George Floyd, Breonna Taylor, Ahmaud Arbery, and Tony McDade. We cannot remain silent as people of color are extrajudicially killed at the hands of police. We cannot ignore the devastating effects of systemic racism and oppression in our communities. We will not shy away from stating BLACK LIVES MATTER because it's true and some people need to be reminded of that simple fact. We stand with those who are rising up to effect change and dismantle oppressive systems. We believe the true violence is the looting of human lives and continued police brutality. We agree with the Washington State Labor Council, “We must root out white supremacy within all of our institutions, but in particular within law enforcement.” We demand justice and will collectively raise our voices to call for it in our Union, in our workplaces, in the halls of congress, and in the streets. We will not stop fighting for economic, social, and racial justice. In Solidarity, OPEIU Local 8 Executive Board and Members of Local 8’s Race, Equity and Social Justice Committee If you are looking for ways to actively support this resistance work please consider making a donation to one of these local groups at this time: Black Lives Matter Seattle-King County: https://blacklivesseattle.org/ and https://blacklivesseattle.org/bail-fund/ Northwest Community Bail Fund: https://www.nwcombailfund.org/ Book recommendations to educate yourself on matters of race and history: How to be Anti-Racist by Ibram X. -
270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
Resources to Facilitate Discussion About Race (With Special Thanks to Rabbi Melanie Aron)
Resources to Facilitate Discussion About Race (with special thanks to Rabbi Melanie Aron) Film: • Baltimore Rising (The impact of Freddie Gray) • Say Her Name: The Life and Death of Sandra Bland • Emanuel (The story of the Charleston shooting during bible study) • Just Mercy • Selma • 13th (Documentary which argues that present day mass incarceration is an extension of slavery based on the 13th amendment.) • Eyes On the Prize (Civil Rights Documentary Series) • I Am Not Your Negro (Documentary featuring James Baldwin) • When They See Us (The story of the Central Park 5) Books: • The New Jim Crow: Mass Incarceration in the Age of Colorblindness, Michelle Alexander • White Fragility: Why It’s So Hard for White People to Talk about Racism, Robin DiAngelo • How to Be an Anti-Racist, Ibram X. Kendi • Post Traumatic Slave Syndrome: America’s Legacy of Enduring Injury and Healing, Joy DeGruy Leary • I’m Still Here: Black Dignity in a World Made for Whiteness, Austin Channing Brown • Between the World and Me, Ta-Nehisi Coates • Waking Up White: and Finding Myself in The Story of Race, Debby Irving • America’s Original Sin: Racism, White Privilege, and the Bridge to a New America, Jim Wallis • White Rage: The Unspoken Truth of Our Racial Divide, Karen Anderson • Why Are All the Black Kids Sitting Together in the Cafeteria: And Other Conversations About Race, Beverly Daniel Tatum • So You Want to Talk About Race, Ijeoma Oluo • Stony the Road: Reconstruction, White Supremacy and the Rise of Jim Crow, Henry Louis Gates • Eliminating Race-Based Mental Health Disparities: Promoting Equity and Culturally Responsive Care Across Settings, Monica T. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy.