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THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
•N, KELLEY.'T SON. R. SCHEUEKMANN;
I VOL. IX. NO. 14. CHATHAM, .MORRIS COUNTY, N. J., ,1ULY 1, 1905. |1.60PEB YI rice and confetti, with fireworks and • \ . JREIKWEDDINGS re* lights—galore: ~Oirttrelr TeTurn MADISON TEAM iey will make their home in Chat- Papa,* ...:« • l ara. Darta, 1b « • • CHARLES FOR JUNE BRIDES Over one hundred guest* were pres- WAS SHUT OUT Bpaar, » I • • nit from Chatham, Madison, Orange, REAL ESTATE AND Miss Gfta WrUTaUgfal Btcomes laokotiHtown, etc. " Sp&r Twirls Great Ball Holding at a urn COMMISSIONER OF OEEDf, (Tie Bride of Mr. William F. Cpnklin-Ford. Them Dowa to 1 Hit Which AB. k. H. PO. A. K. •"-•\ Jp<« Stalocd. n ..# • »••'»- Keefe of Madison. Announcement has been made of ~ is Record for League. Donahae, l» ..I • • MAIM" STREET CHATHAM he marriage of Mian Edna Conklln, wain, rf ..« « • Khter. pi xr. and.,.. Mrs, , Bugene. ttrtatir.tt ELLETT7TANWERT WEDDING onklln. and William F. Ford, Jr., STROIIDSBURG WAS lEFEATER Hennioa.Ht ....I • • hich occurred at the M. E. parsonage Millar, at ....I • • MMMUMM •••••»••••»»» *)»•»»»••>»•»•< >n Center street on Wednesday, June ....I • • Madlgaa Keefe. Summit has again advanced to first 4th. Rev. H. Eugene Curta perform- place in the league race. Dover's vic- Bridget, a t « • <)m»of the prettloHt church wcddlnpt id the ceremony. VUM. p t • • 1 tory over Orange on Wednenday nan of the HCHHOII occurred mi WwlneHilay put them iii second place, mid Morris- uftt-rtiiHtti, when Mltw Grave Marie Concert by Chatham Glee dab. tt • 1 IT 11 I tuwu-Cbathaiu is now tied with Orange Under the auspices of the Ladles' • 0 0 0 0 0 0* 0—0 Mulligan, daughter of Mr. -
Brisbane Baroque
AUTUMN 2015 MUSICAL Wicked CABARET LA SOIRÉE SPECIAL EVENT Brisbane Baroque Celebrating three decades of storytelling Welcome Hello. 2015 is QPAC’s 30th anniversary and we invite you to celebrate this milestone with us. There is much on o er across our stages and outdoor venues, special programs that are the result of a number of wonderful partnerships with artists and companies we enjoyed collaborating with across three decades. One of the most rewarding things about creating art in Queensland is the responsive audiences who are keen to try new things. It goes without saying that you, our audiences, are critical to our work. The conversation that takes place between artists and audiences, in that space between the stage and auditorium is what makes live performance magical. It’s also why it is constantly changing. Feeling the energy in a room shift and respond to what is being played live in front of you is something that you have to be there to share in…there really is no substitute. Over the course of 30 years QPAC has become part of the fabric of the city and a touchstone in the lives of many of you, who saw your fi rst live performance here, graduated from university in the Concert Hall, or simply had an incredible night out here. I hope you feel QPAC belongs to your community and that you are able to join us in celebrating three decades of storytelling. Thank you. JOHN KOTZAS Chief Executive qpac.com.au | 136 246 Highlights CONTENTS MILESTONES 4–5 CABARET 6-7 SPECIAL EVENT 8–9 MUSICAL 10–15 OPERA 16–18 FAMILY 19–21 16 DANCE 22–25 -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Premier Bennett to Start Off Running
_ _ o . % IR071IICIAL LIH.~AR¥ P.~RLIAUE.~Ir BLDg. Premier Bennett to start off running Details of the planned, Nothing official is planned with council, the Regional Following the dinner cabinet' before their Alex Fraser, Highways visit of the British Columbia"~ for the party on the 22rid. District, the press and other during which the Premier departure for Terrace. No Minister will be in the Cabinet are more or less However the Premier's day official engagements. The will make a speech, the brlef will be accepted uniess Hazeltons while Don complete. The Premier will will start very early on the only chance the general cabinet will meet in a this procedure has taken Phillips will visit the Prince arrive in Terrace- on the 23rd as he will be jogging public will have to speak regular cabinet session in place. The briefs will be Rupert area, Other 22nd in one of the govern- around the track at Skeena with the Premier wfll be at a the Senior Citizens Room of accepted one by one with a ministers will also. be ment jets. He Will be ac- Junior Secondary School •dinner sponsored by the the Arena Complex. This spokesman allowed to speak making contact in various companied by Provincial getting underway at 6:30 Terrace Centennial Lions meeting is closed to all. It in support of the brief before areas. will get underway at 2 p.m. •the cabinet. For last minute details of Secretary Grace McCarthy, a.m. The Premier invites all between noon and 2 p.m. .... Following the brief the cabinet visit information his Executive Assistant school children and citizens This will be held at the From 3 p.m. -
Agnes Scott Alumnae Magazine [1984-1985]
iNAE m^azin: "^ #n?^ Is There Life After CoUege? AGNES SCOTT COLLEGE ALUMNAE MAGAZINE v^ %' >^*^, n^ Front Coilt; Dean julia T. Gars don her academic robe for one of the last times before she ends her 27-year ten- ure at ASC. (See page 6.) COVER PHOTO by Julie Cuhvell EDITORIAL STAFF EDITOR Sara A. Fountain ASSOCIATE EDITOR Juliette Haq3er 77 ASSISTANT EDITOR/ PHOTOGRAPHER Julie Culvvell ART DIRECTOR Marta Foutz Published by the Office of Public Affairs for Alumnae and Friends of the College. Agnes Scott College, Decatur, GA 30030 404/373-2571 Contents Spring 1984 Volume 62, Number FEATURES ARTIST BRINGS THE MOUNTAIN HOME hdieCidudi I Agnes Scott art professor Terry McGehee reflects on how her trek in the Himalayas influenced her art. IS THERE LIFE AFTER COLLEGE? Bets_'v Fancher 6 Dean Julia T Gary takes early retirement to pursue a second career as a Methodist minister. 100 YEARS. .. Bt'ts>- ¥a^^c\^er 14 John O. Hint reminisces about his life and his years at Agnes Scott. DANCE FOLK, DANCE ART DANCE, DARLING, DANCE! Julie Culudl 16 Dance historian and professor Marylin Darling studies the revival and origin of folk dance. PROHLE OF A PLAYWRIGHT Betsy Fancher 18 Pulitzer Prize-winning alumna Marsha Norman talks about theatre today and her plays. "THE BEAR" Julie Culwell 22 Agnes Scott's neo-gothic architecture becomes the back- drop for a Hollywood movie on the life of Alabama coach Paul "Bear" Bryant. LESTWEFORGET BetsyFancher 28 A fond look at the pompous Edwardian figure who con- tinues to serve the College long past his retirement. -
Sunday Morning Grid 3/1/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 3/1/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Bull Riding College Basketball 4 NBC News (N) Å Meet the Press (N) Å Snowboarding U.S. Grand Prix: Slopestyle. (Taped) Red Bull Series PGA Tour Golf 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Explore This Week News (N) NBA Basketball Clippers at Chicago Bulls. (N) Å Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday NASCAR Racing Sprint Cup Series: Folds of Honor QuikTrip 500. (N) 13 MyNet Paid Program Swimfan › (2002) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Local Local Local Local Local Local Local Local Transfor. Transfor. 24 KVCR T’ai Chi, Health JJ Virgin’s Sugar Impact Secret (TVG) Deepak Chopra MD Suze Orman’s Financial Solutions for You (TVG) 28 KCET Raggs New. Space Travel-Kids Biz Kid$ News Asia Biz Rick Steves’ Europe: A Cultural Carnival Over Hawai’i (TVG) Å 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Uncle Buck ›› (1989) 34 KMEX Conexión Paid Al Punto (N) Fútbol Central (N) Mexico Primera Division Soccer: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written B. -
Todd Mason Papers PASC.0363
http://oac.cdlib.org/findaid/ark:/13030/c8rb770b No online items Finding Aid for the Todd Mason Papers PASC.0363 Processed by Cheryl Clayton with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé after initial encoding by Julie Graham. UCLA Library Special Collections Online finding aid last updated on 2020 November 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Todd Mason PASC.0363 1 Papers PASC.0363 Contributing Institution: UCLA Library Special Collections Title: Todd Mason papers Creator: Mason, Todd Identifier/Call Number: PASC.0363 Physical Description: 2.25 Linear Feet(2 boxes and 4 flat boxes) Date (inclusive): 1967-1981 Abstract: There is little information available about Todd Mason. During his career, he worked as an actor, did voice overs, and was a newspaper writer. From 1968-1975 Mason was an associate of Mike Connors and worked for the television series Mannix. The collection consists of writings, photographs, correspondence, and audio cassette recordings related related to his career. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the file level. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
ETD Template
The Anniversaries of the October Revolution, 1918-1927: Politics and Imagery by Susan M. Corbesero B.A., Pennsylvania State University, 1985 M.A., University of Pittsburgh, 1988 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Susan Marie Corbesero It was defended on November 18, 2005 and approved by William J. Chase Seymour Drescher Helena Goscilo Gregor Thum William J. Chase Dissertation Director ii The Anniversary of the October Revolution, 1918-1927: Politics and Imagery Susan M. Corbesero, PhD University of Pittsburgh, 2005 This dissertation explores the politics and imagery in the anniversary celebrations of the October Revolution in Moscow and Leningrad from 1918 to 1927. Central to Bolshevik efforts to take political and symbolic control of society, these early celebrations not only provided a vehicle for agitation on behalf of the Soviet regime, but also reflected changing popular and official perceptions of the meanings and goals of October. This study argues that politicians, cultural producers, and the urban public contributed to the design and meaning of the political anniversaries, engendering a negotiation of culture between the new Soviet state and its participants. Like the Revolution they sought to commemorate, the October celebrations unleashed and were shaped by both constructive and destructive forces. A combination of variable party and administrative controls, harsh economic realities, competing cultural strategies, and limitations of the existing mass media also influenced the Bolshevik commemorative projects. -
Feather Coat Yuan Zhuang a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts U
Feather Coat Yuan Zhuang A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Washington 2021 Committee: Jeanne Heuving Joe Milutis Program Authorized to Offer Degree: Creative Writing and Poetics 1 ©Copyright 2021 Yuan Zhuang 2 University of Washington Abstract Feather Coat Yuan Zhuang Chair of the Supervisory Committee Jeanne Heuving School of Interdisciplinary Arts and Sciences I take up the ancient Chinese folk story “Zhu-Qing,” told to me by my mother when I was a child and its story of a magical robe that I imaginatively came to remember as a feather coat. Whoever would put on this black feather coat would leave behind their earthly limitations and become a crow, flying high into the sky. I translate “Zhu-Qing” into American English and create two sagas of contemporary Chinese women who are transformed by the feather coat,” Celery Seed and Carrot Blossom” and “Flower with No Fragrance.” In “Underneath the Feather Coat,” I recount my research into “Zhu-Qing” and the volume of “strange” stories in which it was initially collected and consider the transformative effects of magic and fantasy. 3 Feather Coat Yuan Zhuang 4 Contents I. “Zhu-Qing” 6 II. Celery Seed and Carrot Blossom 17 III. Flower with no Fragrance 57 IV. Underneath the Feather Coat 81 5 I. “Zhu-Qing” 6 Lord Wu’s Temple About four hundred years ago, a young student in his twenties was heading west. It was a rainy day. Raindrops were throwing on people’s faces vigorously by the wind.