2014 Summer Guest Faculty

Total Page:16

File Type:pdf, Size:1020Kb

2014 Summer Guest Faculty 2014 Summer Guest Faculty Ann Vorus, Founder Ann Vorus founded The Raleigh School of Ballet (RSB) in 1981 and Raleigh Dance Theatre in 1984. Ms. Vorus trained with Dorothy Alexander, Robert Barnett, and Merrilee Smith at the Atlanta School of Ballet with additional study at the American Ballet Theatre School and the Joffrey Ballet. She danced as a soloist with Atlanta Ballet and was on the faculty of the Atlanta School of Ballet before moving from Atlanta. Ms. Vorus retired in 2003, passing the school onto long-time faculty members Susan Galdy and Mary LeGere. Angie Browning Angie Browning has been a part of the dance community for over 20 years. She has a BA in Dance from Meredith College. She has taught jazz, hip hop and Modern at Meredith College, Chapel Hill Ballet, and Cary Ballet and St Mary's. Angie was a member of the Whirlwind Jazz Company based out of Chapel Hill from 1996-2001. She also teaches Pilates apparatus and does personal training. She has taught various forms of physical fitness for over 20 years including Zumba and boot camp. She is excited to return to teach at The Raleigh Ballet School's Summer Intensive She lives in Raleigh with her two boys, husband and dog. Natasha Renee Frater Natasha Renee Frater is a native of Raleigh, NC. Her love and passion for dance started at age 13 through a dance class at Durant Road Middle School where she was introduced to Modern and West African dance. After viewing "Cry" performed by Judith Jamison of The Alvin Aliey Dance Theater, Natasha knew it was her calling to be a dancer and choreographer. During her Sophomore year at South East Raleigh High School, Natasha received training in classical Ballet, and was privileged to receive a dance scholarship to North Carolina Dance Institute where she trained in Ballet, Jazz, Modern and Hip Hop. Natasha graduated from Meredith College in 2011 with a B.A. in Dance with a concentration in Private Studio teaching. During college, Natasha interned with The African American Dance Ensemble of Durham NC. In March of 2011, Natasha traveled to San Ignacio, Belize to teach dance to local kids. She taught Jazz, Hip Hop, and Modern at the Holly Spring School of Dance and has guest taught at Meredith College, Bugg Elementary and North Raleigh Christian Academy. Natasha is married to Michael J. Frater. Jessica Higgins Jessica Higgins is a native of North Carolina, Jessica received her dance training at RSB/RDT from 1992-2000. She has attended Boston Ballet, Atlanta Ballet, NC Dance Theatre and Paul Taylor’s summer dance programs. In 2004, she graduated from Wright State University with a BFA in Dance and while performing with Dayton Ballet. Since graduation, Jessica has danced with Dayton Contemporary Dance Company II, Verb Ballets, and trained with Philadanco’s first company. Jessica currently living in NYC and has been dancing with Buglisi Dance Theatre, Battleworks, Covenant Ballet Theatre, Albano Ballet, Forces of Nature, Ballet Noir, Neville Dance Theatre, and the Berlin Wall Project. She is also a certified Pilates instructor. Kelly Higgins Kelly Higgins is a Certified Health Coach with a passion for health and life balance. She has been on a personal health journey since her diagnosis of an autoimmune disorder. Her health challenges forced her to rethink what her body needed to be healthy. By adding whole foods her body required and making self-care a priority, she experienced positive results. This success inspired and empowered her to share her commitment to health with others on similar journeys. Kelly received her training at the Institute for Integrative Nutrition. She is certified by the American Association of Drugless Practitioners. Kelly offers individual health education and coaching to those open to transforming their lives. Richard Krusch Richard Krusch began his study of ballet in Budapest Hungary at the Hungarian Dance Academy. He came to the United States in 2000 to study at the North Carolina School of the Arts. In 2003, he became a member of Carolina Ballet where he is currently a principal dancer. Kathryn Roberts Leibe Kathryn Roberts Leibe is a native of North Carolina. She trained at The Raleigh School of Ballet from age 11 - 15. She finished High school and received her BFA from the University of North Carolina School of the Arts – School of Dance. She has been a guest teacher for North Carolina Dance Festival and UNCSA summer program. Kathryn studied on scholarship with the Boston Ballet, The Rock School of Pennsylvania Ballet, The Joffrey Ballet School, Limón Institute and was a merit scholar at the Merce Cunningham studios. Kathryn has performed, choreographed and trained dancers throughout North Carolina, New York City and New Jersey. She is currently on faculty at The Academy of Dance Arts in New Jersey where she resides with her family. Most recently Kathryn received her Pilates teaching certification through Kinected (formerly the Kane School) and Ellie Herman of Brooklyn, NY Ellin Porterfield Ellin Porterfield began her love of theatre at an early age and has been teaching, writing and directing theatre with both children and adults for over 20 years. She holds an M.F.A. in Children's Theater from the University of North Carolina at Greensboro, a B.A. in Theater (minor in English) from Appalachian State University, and is a certified Montessori teacher. She is currently the director of cre.ate, an organization in Raleigh that offers creative classes, camps, workshops and artist studios. Ms. Porterfield is very excited to be part of The Raleigh School of Ballet this summer. Sari Reid Sari Reid grew up studying classical ballet at the Irine Fokine School of Ballet in Ridgewood, New Jersey. From age thirteen to eighteen, she also studied in New York City at the American Ballet Theatre School with Valentina Pereyaslavec, Maria Swaboda and Leon Danielian, as well as the private studios of David Howard and Melissa Hayden. After graduating high school, Ms. Reid was accepted as an apprentice with the Pennsylvania Ballet and then into the company where she remained for eight years under the directorships of Benjamin Harkarvy and Robert Weiss. While there, she had the pleasure of working with some of the world’s greatest choreographers such as John Butler, Lynne Taylor-Corbett, Loyce Houlton and Choo San Goh, and danced in the ballets Swan Lake (Cignet), Coppelia Dawn variation, Great Galloping Gottschalk (soloist), and Stars and Stripes (first campaign lead), to name a few. Peter Anastos cast Ms. Reid as the lead in his ballet Domino, which he created for the company. 2014 marks Ms. Reid’s twentieth year of teaching ballet to all levels, from beginner to professional dancers. In 1999 she created and directed a pre-professional ballet program for The Studio Atlanta Dance in Atlanta, Georgia which is still in place today. As Coordinator for Pacific Northwest Ballet School’s DanceChance program in Seattle, Washington – a unique program which reaches into underserved communities to discover talented, public school students – she oversaw day-to-day aspects of the program including transportation, class scheduling and all liaison duties. Ms. Reid currently lives in Connecticut with her husband and daughter where she is a full-time, special-education paraprofessional, and teaches ballet at Connecticut Ballet in Stamford, and D’Valda and Sirico Dance Centre in Fairfield. Hong Yang Hong Yang is originally from Beijing, China where she studied dance at the school of the Beijing Dance Academy graduating in 1995. She joined the National Ballet of China and was a principal dancer there before going to Toronto, Canada where she danced with Ballet Jörgen Canada. In 2002 she joined Carolina Ballet as a soloist. Ms Yang’s repertoire is extensive. Along with being featured in many ballets by Robert Weiss, she performed choreography by George Balanchine including, Apollo, Allegro Brilliante, Concerto Barocco and The Four Temperaments; Lynn Taylor Corbett including Carmina Burana, Great Galloping Gottschaulk, and Carolina Jamboree, and Jose Limon including Moor’s Pavane. She also performed works by Dameon Woetzel, Christopher Wheeldon and Tyler Walters. She retired in 2011 with a performance of Tatiana in Balanchine’s A Midsummer’s Night’s Dream. Since then she has been passing on her knowledge and love of dance through teaching. .
Recommended publications
  • Valerie Roche ARAD Director Momix and the Omaha Ballet
    Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002.
    [Show full text]
  • Sarah Brooks
    Sarah Brooks Brooks Family Homeschool 17236 NE 144th St Redmond, WA 98052 425-408-0205 [email protected] 5’6” DOB: 05/04/2003 Grade 12; GPA 4.0/4.0; CLT EXAM 94/120 Training Pacific Northwest Ballet School 2011-2020 Classical Ballet Levels I-VIII (Pointe, Pas, Variations, Repertory, Conditioning) Abbie Siegel, Marjorie Thompson, Marisa Albee, Nancy Crowley, Meg Potter, Dana Hanson New Voices: Choreography and Process for Young Women in Dance I and II 2018-2020 Eva Stone, Michelle Curtis Modern V-VIII 2015-2020 Eva Stone Summer Courses Alonzo King LINES Ballet Online Advanced program 2020 School of American Ballet 2019 Pacific Northwest Ballet 2017, 2018, 2020 Oregon Ballet Theater 2016 Master Classes Kidd Pivot Master Classes 2020 Tiffany Tregarthen Chop Shop Bodies of Work Contemporary Dance Festival 2017, 2018, 2019 Adam Barruch, Alicia Mullikin, others Gaga master class at Gibney Dance, Velocity Dance Center 2017, 2019 Performance Experience School of American Ballet Summer Choreography Workshop 2019 Pacific Northwest Ballet School Bruce Wells’ Beauty and the Beast – (performances cancelled due to Covid19) 2020 Bruce Wells’ Pinocchio 2019 New Voices Choreographic Showcases 2019 Spring Fling Fundraiser Performances 2019 Next Step: Outside/In 2019 End of Year School Performance 2012-2019 Virtual School Celebration 2020 Pacific Northwest Ballet (with PNB School) Coppélia (Alexandra Danilova and George Balanchine)- Waltz girl 2016 George Balanchine’s The Nutcracker- Candy Cane 2015 Don Quixote (Marius Petipa/Alexander Gorsky/Alexi Ratamansky)-
    [Show full text]
  • View Campaign Brochure
    CAROLINA BALLET’S Carolina Ballet would like to thank the following supporters for their early Pleaseinvestment visit Carolina in Choreographing Ballet’s website for aCarolina list of all Campaign Ballet’s Gifts Future. through October 31, 2018. $1,000,000+ Mr. and Mrs. Andrew Steidinger Ronald and Maryllen Blum Enviromental Control Judy and Steve Zelnak Synergy Face & Body Hal Bowman and Mercedes Auger Liz and Britt Ferrill Ms. Vera Tayeh Richard Catlin and Associates, Inc. Mrs. Mary A. Fisher $250,000+ Beverly Taylor Dr. Margaret K. Champion Ms. Christina Floyd Anonymous NC Family Mr. and Mrs. Richard A. Thomas Matt and Gina Chapin Fonville Morisey Realty Dr. and Mrs. Malcolm McDougal Brown Rob and Sally Tiller Citrix Mr. and Mrs. Stanley H. Fox The John William Pope Foundation Lars and Elisabeth von Kantzow Mr. Brian Cook Dan Gaugert and Terry Harper Stefanie and Douglas Kahn Robert Weiss and Melissa Podcasy Jacobi Daley Nicholas and Carol Gillham Moise Khayrallah Katherine White and Thomas Urquhart Deloitte Alicia and Sean Gilsenan Martin Marietta Materials Brooklyn and Mike Winters Jamie Drake Danielle Greco and Tony Bryant Ms. Patricia Dube Eileen Greenbaum and Larry Mintz $100,000+ $7,500+ George Evans and Karen Monaco Bob and Laura Gutman Anonymous (1) Anonymous (1) Drs. Richard Felder and Rebecca Brent Annette and Richard Hagopian Capitol Broadcasting Company Mrs. Franc A. Barada, Jr. Finnamore Real Estate Ms. Gayla H. Halbrecht Ms. Ellyn E. Daniels Nancy and Christopher Bolen Sharon and J.C. Garbutt Cheryl and Charles Hall Mrs. Jolene B. McGehee Brigs Restaurants Carolyn Happer and Leonard Graham Dr.
    [Show full text]
  • Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op
    Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 Item Type text; Electronic Dissertation Authors Stavrianou, Eleni Persefoni Citation Stavrianou, Eleni Persefoni. (2021). Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 (Doctoral dissertation, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 04:39:03 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660266 ADAPTING PIANO MUSIC FOR BALLET: TCHAIKOVSKY’S CHILDREN’S ALBUM, OP. 39 by Eleni Persefoni Stavrianou ____________________________________ Copyright © Eleni Persefoni Stavrianou 2021 A DMA Critical Essay Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Creative Project and Lecture-Recital Committee, we certify that we have read the Critical Essay prepared by: titled: and recommend that it be accepted as fulfilling the Critical Essay requirement for the Degree of Doctor of Musical Arts. _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ submission of the final copies of the essay to the Graduate College. I hereby certify that I have read this Critical Essay prepared under my direction and recommend that it be accepted as fulfilling the Critical Essay requirement.
    [Show full text]
  • A SEASON of Dance Has Always Been About Togetherness
    THE SEASON TICKET HOLDER ADVANTAGE — SPECIAL PERKS, JUST FOR YOU JULIE KENT, ARTISTIC DIRECTOR 2020/21 A SEASON OF Dance has always been about togetherness. Now more than ever, we cannot“ wait to share our art with you. – Julie Kent A SEASON OF BEAUTY DELIGHT WONDER NEXTsteps A NIGHT OF RATMANSKY New works by Silas Farley, Dana Genshaft, Fresh, forward works by Alexei Ratmansky and Stanton Welch MARCH 3 – 7, 2021 SEPTEMBER 30 – OCTOBER 4, 2020 The Kennedy Center, Eisenhower Theater The Harman Center for the Arts, Shakespeare Theatre The Washington Ballet is thrilled to present an evening of works The Washington Ballet continues to champion the by Alexei Ratmansky, American Ballet Theatre’s prolific artist-in- advancement and evolution of dance in the 21st century. residence. Known for his musicality, energy, and classicism, the NEXTsteps, The Washington Ballet’s 2020/21 season opener, renowned choreographer is defining what classical ballet looks brings fresh, new ballets created on TWB dancers to the like in the 21st century. In addition to the 17 ballets he’s created nation’s capital. With works by emerging and acclaimed for ABT, Ratmansky has choreographed genre-defining ballets choreographers Silas Farley, dancer and choreographer for the Mariinsky Ballet, the Royal Danish Ballet, the Royal with the New York City Ballet; Dana Genshaft, former San Swedish Ballet, Dutch National Ballet, New York City Ballet, Francisco Ballet soloist and returning TWB choreographer; San Francisco Ballet, The Australian Ballet and more, as well as and Stanton Welch, Artistic Director of the Houston Ballet, for ballet greats Nina Ananiashvili, Diana Vishneva, and Mikhail energy and inspiration will abound from the studio, to the Baryshnikov.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • October 2020 New York City Center
    NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ
    [Show full text]
  • BEYOND BALLET a Town Hall on the State of Ballet and Diversity
    FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory.
    [Show full text]
  • Parent-Student Handbook 2020-2021
    Parent-Student Handbook 2020-2021 The Rankin 1004 Broadway, 2nd floor Columbus, GA. 31901 TABLE OF CONTENTS Welcome and Mission 2 Instructors 2-4 NEW Covid Protocol 5-6 Dance Year & Holidays ____________________________________________________6 Summer Intensives and Summer Classes 6 Performance Opportunities 5 Student Placement 6 Promotions 7 Pointe Training 7 Student Evaluations 7 Parent Observation 7 Conservatory Etiquette 8 YDC Dress Code 8 Ballet Bun 9 What to Have in a Ballet Bag 9 Conservatory Policies ______________________________________________________9-10 Absences/Tardiness 10 Video Recording/Social Media Policy _________________________________________10 Studio and Office Hours ____________________________________________________10 Registration Information 11 Payment Plans ____________________________________________________________11 Withdrawals 12 1 | Page ~Welcome: The CSU Youth Dance Conservatory (YDC) is one of many programs offered under Continuing & Professional Education at The Rankin. The YDC partners with The Columbus Ballet to offer the best classical ballet training and performance opportunities to aspiring dancers in our community. An air of tradition and discipline fills an atmosphere of intense, yet fun learning from our youngest dancers to advanced levels. In addition, the Conservatory offers training in jazz, contemporary, modern, and stretch. Our advanced students have been accepted to many well-recognized summer intensive programs such as: Atlanta Ballet, Montgomery Ballet, American Ballet Theatre, Boston
    [Show full text]
  • Roberto Muñoz
    Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan..
    [Show full text]
  • A New Ballet Company Comes to Wake Forest!
    A New Ballet Company comes to Wake Forest! My name is Ruth Leney-Midkiff and I am the Co-Founder and Artistic Director of the Wake Forest Civic Ballet (WFCB). Twelve years ago, Patty Ogden, Owner and Director of Destiny Dance Institute (DDI), asked me to develop a high caliber ballet program for young dancers at DDI. We now have what is recognized as one of the top ballet programs in the Triangle area. What began as a single weekly class so long ago has blossomed into a fully-developed, Pre-Professional curriculum. We now have five levels and a permanent faculty of six instructors, who come to us with outstanding credentials from schools and companies worldwide. Our most advanced young dancers attend class five times weekly, and have been invited to study at some of our nation’s most prestigious dance schools including: Pacific Northwest Ballet, Central Pennsylvania Youth Ballet, Richmond Ballet, Charlotte Ballet, and Carolina Ballet. Some have gone on to dance professionally, and many are enthusiastically aspiring to careers as young dance artists. In 2010, we founded the Destiny Dance Institute Ballet Company (DDIBC), which gave our dancers a vehicle to perform both classical and contemporary repertoire. From Tchaikovsky’s Nutcracker and Sleeping Beauty, to Stravinsky’s Firebird and guest artist Bill de Young’s edgy “Slate,” our dancers have leapt and twirled their way into the world of dance. Our success is built upon a commitment to hard work, quality training, and excellence in production. DDIBC has used its resources to foster the arts in our community, not only by hiring instructors and choreographers, but also by engaging local seamstresses, set designers, lighting designers, photographers, actors and more.
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]