N.Paradoxa Online Issue 12, March 2000
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Ndidi Dike Nnadiekwe (Nigeria) 27
n.paradoxa online, issue 4 August 1997 Editor: Katy Deepwell n.paradoxa online issue no.4 August 1997 ISSN: 1462-0426 1 Published in English as an online edition by KT press, www.ktpress.co.uk, as issue 4, n.paradoxa: international feminist art journal http://www.ktpress.co.uk/pdf/nparadoxaissue4.pdf August 1997, republished in this form: January 2010 ISSN: 1462-0426 All articles are copyright to the author All reproduction & distribution rights reserved to n.paradoxa and KT press. No part of this publication may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, including photocopying and recording, information storage or retrieval, without permission in writing from the editor of n.paradoxa. Views expressed in the online journal are those of the contributors and not necessarily those of the editor or publishers. Editor: [email protected] International Editorial Board: Hilary Robinson, Renee Baert, Janis Jefferies, Joanna Frueh, Hagiwara Hiroko, Olabisi Silva. www.ktpress.co.uk The following article was republished in Volume 1, n.paradoxa (print version) January 1998: N.Paradoxa Interview with Gisela Breitling, Berlin artist and art historian n.paradoxa online issue no.4 August 1997 ISSN: 1462-0426 2 List of Contents Editorial 4 VNS Matrix Bitch Mutant Manifesto 6 Katy Deepwell Documenta X : A Critique 9 Janis Jefferies Autobiographical Patterns 14 Ann Newdigate From Plants to Politics : The Particular History of A Saskatchewan Tapestry 22 Katy Deepwell Reading in Detail: Ndidi Dike Nnadiekwe (Nigeria) 27 N.Paradoxa Interview with Gisela Breitling, Berlin artist and art historian 35 Diary of an Ageing Art Slut 44 n.paradoxa online issue no.4 August 1997 ISSN: 1462-0426 3 Reading in Detail : An Analysis of the work of Ndidi Dike Nnadiekwe Katy Deepwell Ndidi Dike Nnadiekwe was born in London. -
Information to Users
INFORMATION TO USERS This manuscript has been reproducedthe from microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough,margins, substandard and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletioiL Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Order Number 9825472 The consciousness of African American women artists: Rage, activism and spiritualism (1860-1930). Interdisciplinary implications for art education Chappell, Brenda Joyce, Ph.D. -
Our Project Is Not to Add to Art History As
‘Our project is not to add to art history as we know it, but to change it.’ The establishment of the Association of Art Historians and the emergence of feminist interventions, 1974-1990 Victoria Horne Introduction In 1974 The Burlington Magazine announced that, ‘at an inaugural meeting in Birmingham in March this year an Association of Art Historians was formed with a regular constitution.’1 The following year the AAH began organising national conferences and in 1978 commenced publication of an affiliated journal titled Art History. This was a formative moment in British art history, during which the professional status of the discipline was strengthened within the context of an expanding higher education system. This article investigates the intersections between professional legitimation and disciplinary critique that marked this period in recent history. In 2017, as the UK Association of Art Historians expansively rebrands itself as the Association for Art History, it is worth looking back and taking stock of this earlier moment of disciplinary self-recognition, institutionalisation and diversification. The coincident emergence of the professional organisation for art history scholars and feminist critique provides a fascinating glimpse of the contradictory forces at play in shaping the contemporary field. Women’s unprecedented academic inclusion and consequent investigations into their predecessors’ historical absence demanded the development of new theories, methodologies and ways of looking at, thinking and writing about art and its history. Feminist intellectual enquiry therefore ascended, entwined with the expanded participation of women in art and academia, but not reducible to it. As Deborah Cherry informed readers of Art History in 1982 this enquiry was not intended to be additive but deeply transformative: ‘Our project is not to add to art history as we know it, but to change it.’2 Thus, feminism’s explicitly political scholarship was fuelled by a profound aspiration to reshape the historical imagination of the late twentieth century. -
L-G-0012835349-0035737508.Pdf
A Companion to Feminist Art WILEY BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English‐speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic con- figurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Wiley Blackwell Companions to Art History series pro- vides a magisterial, state‐of‐the‐art synthesis of art history. 1 A Companion to Contemporary Art since 1945 edited by Amelia Jones 2 A Companion to Asian Art and Architecture edited by Rebecca M. Brown and Deborah S. Hutton 3 A Companion to Renaissance and Baroque Art edited by Babette Bohn and James M. Saslow 4 A Companion to British Art: 1600 to the Present edited by Dana Arnold and David Peters Corbett 5 A Companion to Modern African Art edited by Gitti Salami and Monica Blackmun Visonà 6 A Companion to American Art edited by John Davis, Jennifer A. Greenhill and Jason D. LaFountain 7 A Companion to Chinese Art edited by Martin J. Powers and Katherine R. Tsiang 8 A Companion to Digital Art edited by Christiane Paul 9 A Companion to Dada and Surrealism edited by David Hopkins 10 A Companion to Public Art edited by Cher Krause Knight and Harriet F. Senie 11 A Companion to Islamic Art and Architecture, -
Anti-Gender Movements on the Rise? Strategising for Gender Equality in Central and Eastern Europe
VOLUME 38 Anti-Gender Movements on the Rise? Strategising for Gender Equality in Central and Eastern Europe Contributions by Ekaterine Aghdgomelashvili, Anna Arganashvili, Magdalena Grabowska, Borbála Juhász, Jana Smiggels Kavková, Elżbieta Korolczuk, Zuzana Maďarová, Tamara Martsenyuk, Anna Nikoghosyan, Volha Piatrukovich, Veronika Šprincová, Jelena Višnjić and Tamara Zlobina ANTI-GENDER MOVEMENTS ON THE RISE? PUBLICATION SERIES ON DEMOCRACY VOLUME 38 Anti-Gender Movements on the Rise? Strategising for Gender Equality in Central and Eastern Europe Edited by the Heinrich Böll Foundation Published under the following Creative Commons License: http://creativecommons.org/licenses/by-nc-nd/3.0 . Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No derivatives — If you remix, transform, or build upon the material, you may not distribute the modified material. Anti-Gender Movements on the Rise? Strategising for Gender Equality in Central and Eastern Europe Edited by the Heinrich Böll Foundation Volume 38 of the Publication Series on Democracy Design: feinkost Designnetzwerk, Constantin Mawrodiew (derivation design by blotto design) Title picture: Viktoria Lomasko «Women's matter is revolution taking place instead of ( /and not) Borschtsch» Printing: Druckerei Arnold, Großbeeren ISBN 978-3-86928-139-1 This publication can be ordered from: Heinrich-Böll-Stiftung, -
Lottery Shock for Local Couple
www.st-gemma.co.uk Summer 2012 newsletter St. Gemma’s Hospice Garden Party Sunday 8th July from 12-4pm in the Hospice grounds Delicious food, stalls, entertainment for all the family, fresh produce, jewellery and much more. ll of David and Judith Smith – photograph courtesy of Yorkshire Post Newspapers A gift in your Wi greatly any size would be ur appreciated by o r Lottery shock patients and thei families. for local couple Congratulations to Judith and David Smith who recently scooped David also has a long standing connection with St. Gemma’s the rollover jackpot of £12,000 from the Leeds Hospices Lottery. Hospice. While secretary of the church council at St. John’s in The retired grandparents from Alwoodley, Leeds started playing Alwoodley, David attended a meeting where the idea of converting the St. Gemma’s and Wheatfields Hospice lottery 18 months ago after St. Gemma’s Primary School into a hospice was first presented, over a close friend and Judith’s cousin were cared for at St. Gemma’s 30 years ago. David said, within weeks of each other. The experience inspired them to do more to support their local hospice. Judith told us, “It’s nice to feel like I was there at the beginning. ” I just burst into tears when I found out we’d won, it was s uch a Judith and David are already planning how to spend their winnings. “shock. I just couldn’t believe it. It’s one of those things that hap - The couple fancy a cruise to the Arctic Circle, taking in the Northern pens to someone else. -
Next Steps in the Sequence
Next steps in the sequence The implications of whole genome sequencing for health in the UK PHG Foundation project team and authors Dr Caroline Wright* Programme Associate Dr Hilary Burton Director Ms Alison Hall Project Manager (Law) Dr Sowmiya Moorthie Project Coordinator Dr Anna Pokorska-Bocci‡ Project Coordinator Dr Gurdeep Sagoo Epidemiologist Dr Simon Sanderson Associate Dr Rosalind Skinner Senior Fellow ‡ Corresponding author: [email protected] * Lead author Disclaimer This report is accurate as of September 2011, but readers should be aware that genome sequencing technology and applications will continue to develop rapidly from this point. This report is available from www.phgfoundation.org Published by PHG Foundation 2 Worts Causeway Cambridge CB1 8RN UK Tel: +44 (0)1223 740200 Fax: +44 (0)1223 740892 October 2011 © 2011 PHG Foundation ISBN 978-1-907198-08-3 Cover photo: http://www.sxc.hu/photo/914335 The PHG Foundation is the working name of the Foundation for Genomics and Population Health, a charitable organisation (registered in England and Wales, charity no. 1118664; company no. 5823194) which works with partners to achieve better health through the responsible and evidence-based application of biomedical science. Acknowledgements Dr Tom Dent contributed the section on risk prediction in the Other Applications chapter. Dr Richard Fordham contributed to the Health Economics chapter. Professor Anneke Lucassen, Dr Kathleen Liddell and Professor Jenny Hewison contributed to the Ethical, Legal and Social Implications chapter. Dr Ron Zimmern contributed to the Policy Analysis and Recommendations chapters. The PHG Foundation is grateful for the expert guidance and advice provided by the external Steering Group, in particular to Dr Jo Whittaker, Mr Chris Mattocks and Dr Paul Flicek for their extensive comments on the manuscript. -
The Ekphrastic Gaze in British Postmodern Fiction
The Ekphrastic Gaze in British Postmodern Fiction Eingereicht zur Annahme als Dissertation an der Technischen Universität Dortmund, Fakultät Kulturwissenschaften (Anglistik/Amerikanistik) vorgelegt von Nataliya Gorbina [email protected] Matrikelnummer: 182257 Erstgutachterin: Prof. Dr. Christiane Maria Binder Zweitgutachter: Prof. Dr. Gerold Sedlmayr Dortmund, April 2020 Veröffentlicht als Dissertation in der Fakultät Kulturwissenschaften der Technischen Universität Dortmund. Table of Contents 1. Introduction................................................................................................................ 1 1.1 The Current State of Research in the Study of Ekphrasis in British Literature.................................................................................................................... 2 1.2 Issues of Methodology......................................................................................... 5 2. The Postmodern Turn Through the Ekphrastic Gaze in British Fiction................... 17 2.1 The Shift from Modernism to Postmodernism in the Arts................................ 17 2.2 The Sociocultural Poetics and Politics of the Ekphrastic Gaze in British Postmodern Fiction.................................................................................................. 20 3. The (De-/Re-)Construction of the Object of the Ekphrastic Gaze: In the Interstices between Art, Words, and Life..................................................................... 33 3.1 “Could a Life be a Work of -
Multi-Cultural Shakespeare in Britain 1
Impact case study (REF3b) Institution: University of Warwick Unit of Assessment: 29 English Language and Literature Title of case study: Multi-Cultural Shakespeare in Britain 1. Summary of the impact Shakespeare is at the heart of British culture, and the ways in which we stage his plays help define our understanding of ourselves. Tony Howard’s research has highlighted the central role of outstanding Black and Asian actors in shaping and enriching our relationship with those plays. By uncovering the history of these performers in The Robeson Project and Multi-Cultural Shakespeare in Britain, the research describes how Shakespeare has mediated between BME cultures and concepts of national identity and inclusion. It has restored the contribution of Black and Asian actors to the history of British theatre and re-connected contemporary Black and Asian actors with their artistic and cultural heritage. It has stimulated tourism through exhibitions and festivals, and inspired new forms of artistic expression. 2. Underpinning research Embedded in his broader research interests in the social and political contexts of Shakespearean performance, the two projects – The Robeson Project and Multi-Cultural Shakespeare in Britain – explore the use of the classical theatrical repertoire, especially Shakespeare, as a vehicle for ideological debate and for political self-expression. Combined, the research offers a history of Black and Asian actors playing Shakespeare within the turbulent social and political landscape of race relations in the USA and UK, and Cold War politics. In 2008 Professor Tony Howard (1973 – present) was awarded a Creative Fellowship by CAPITAL, a HEFCE-funded collaboration between Warwick University and the Royal Shakespeare Company, to investigate the career of singer, actor and human rights activist Paul Robeson. -
Quarterly Journal of the ROSL Issue 3, September-November 2014
OVERSEAS Quarterly journal of the ROSL Issue 3, September-November 2014 Telling tales Winning words Building the future Exclusive shorts Charting a resurgence in Music Competition Gold A look at planned Specially commissioned storytelling, from the 1st Medallist Huw Wiggin improvements, and stories from top ROSL Burma book festival to on preparing for the renovations to the Bar authors and the 2013 work by our arts scholars performance of his life and Brabourne Room Caine Prize winner 14632_Steinway Overseas ad_Layout 1 15/01/2014 15:49 Page 1 OVERSEAS OVERSEAS ISSUE 3 September-November 2014 The Royal Over-Seas League is a self-funded Commonwealth organisation that offers clubhouse facilities to members, organises Commonwealth art and music competitions and develops joint welfare projects with specific countries. 20 18 Overseas editorial team Editor Ms Miranda Moore Deputy Editor Ms Christine Wilde: +44 (0)20 7408 0214 x205; [email protected] From the Director-General; A winning performance . 20 Design Ms Hannah Talmage A view of the Annual Music Competition from Display advertisements Mr David Jeffries: Editor’s letter . 4 +44 (0)20 8674 9444; [email protected] the Gold Medallist; plus a review of the heats Royal Over-Seas League Incorporated by Royal Charter World Five literary gems . 22 Patron Her Majesty The Queen Specially commissioned ‘ultimate’ short stories Vice-Patron Her Royal Highness Princess Alexandra KG GCVO The return of the storyteller . 5 President The Rt Hon the Lord Luce KG GCVO DL Charting the resurgence of the performance art Books . 23 Chairman Sir Anthony Figgis KCVO CMG* Vice-Chairman Sir Roger Carrick KCMG LVO* Titles by some of our most successful authors Hon Treasurer Mr Simon Ward FCA* Turning the page .