DOCSLIB.ORG

STATESBORO BLUES As Recorded by the Allman Brothers Band (From the 1971 Album LIVE at the FILMORE EAST) Transcribed by Prusche Words and Music by Willie Mctell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
STATESBORO BLUES As Recorded by the Allman Brothers Band (From the 1971 Album LIVE at the FILMORE EAST) Transcribed by Prusche Words and Music by Willie Mctell STATESBORO BLUES As recorded by The Allman Brothers Band (From the 1971 Album LIVE AT THE FILMORE EAST) Transcribed by prusche Words and Music by Willie McTell D5 (type 2) D6 (type 2) G5 (type 2) G6 (type 2) A5 (type 2) A6 (type 2) D5 xxxx 10 fr. xxxx 10 fr. xxxx 15 fr. xxxx 15 fr. xxxx 17 fr. xxxx 17 fr. xxxx 10 fr. D6 G5 G6 A5 A6 D5 (type 3) xxxx 10 fr. x xxx 10 fr. x xxx 10 fr. x xxx 12 fr. x xxx 12 fr. xxx 10 fr. A Intro P = 128 1 c c c g12 j V V V V V V V V P V V V I 8 V V u u z V V V V V Gtr I [[[[[[ T 10 10 8 A 8 8 10 10 10 8 8 8 B 10 10 10 (10) 10 10 sl. sl. sl. sl. sl. sl. g c c I 128 j V V V V V j j V V V V Gtr II T A 10 10 12 10 10 B 12 12 12 12 sl. V V V V V V V P W V 4 g V V V k V z c V k fV V gV V k V I V V V V u 10 10 8 15 14 10 8 8 10[[[[[[[[[[[[[(10) T 8 10 10 10 9 (9) 10 13 10 A 8 8 10 B 10 10 sl. sl. sl. sl. sl. sl. sl.sl. sl. sl. sl. sl. g c I V j j V V V V V j T A 12 10 10 12 B 12 12 sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org STATESBORO BLUES - The Allman Brothers Band Page 2 of 11 V V 7 g P c k j V V P gV V V V V V fV V V V V V k P I z V V V V u z u u V z [[[[[[ 10 8 T 10 10 9 10 10 9 10 8 10 10 10 10 9 10 8 3 10 A 10 8 10 B 10 (10) sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. c g j V V V j V V fV V V V V I V V u u u [[[[[[ T 10 A 10 10 12 12 12 12 12 10 12 B 12 12 sl. D5 D6 D5 D6 G5 G6 G5 G6 D5 D6 D5 D6 Gtr II mf c c c c c c c c c c c c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ V V gV V V V V fW V gV 10 g V W V V V V V V V V u fgVV I k k j g g V u Gtr I fff 10 9 [[[[[[[[[[[[[[[ 10 17 14 10 8 13 (13) 14 T 10 (10) 8 8 10 10 10 8 9 10 9 A 9 B 9 sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. D5 c D6 c D5 c D6 c G5 c G6 c G5 c G6 c G5 c G6 c G5 c G6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 13 g V fgVV j j gV k V V V V V V V V V V V P V V V V I V g g V u V V u u z u u u u [[[[[[[[ [[[[[[ [[ T 10 9 10 10 10 8 10 10 9 10 10 8 10 10 10 10 A 10 9 10 8 10 10 10 10 B 10 9 10 sl. sl. sl. sl. sl. sl. sl. sl. sl. D5 c D6 c D5 c D6 c D5 c D6 c D5 c D6 c A5 c A6 c A5 c A6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ V V gV V 16 g c V V gV V V V V V V V V V I W V V k j j u k k [[[[[[[[[[[[[[[[[ 10 10 9 9 [[[[[[[[ T 8 9 10 7 10 10 8 10 (10) 8 A 10 10 B 10 sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org STATESBORO BLUES - The Allman Brothers Band Page 3 of 11 G5 c G6 c G5 c G6 c D5 c D6 c D5 c D6 c D5 c c c c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 5 10fr.5 11fr. 5 12fr. 4 10fr. 4 12fr. V V V 2 V V V V V 19 g V V V l V V k V V V V V c V V I u V V V u 10 17 14 10 8 10[[[[[[[[[[[[[(10) 8 [[[[[[ [[[[[[ T 8 10 10 10 8 8 8 10 10 10 10 10 A 10 10 B 10 10 sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. B Verse D5 c D6 c D5 c D6 c G5 c G6 c G5 c G6 c D5 c D6 c D5 c D6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 22 g V V k j j P V k j j V V k V V j I z u T 10 10 A 10 8 8 10 8 B 10 sl. sl. sl. sl. D5 c D6 c D5 c D6 c G5 c G6 c G5 c G6 c G5 c G6 c G5 c G6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 25 g c P V V c V V V V V z V V V V V k k j V V V k k j I u u u u u u u T 10 8 10 A 10 8 10 10 10 (10) (10) 8 10 10 14 B 10 10 sl. sl. sl. sl. sl. D5 c D6 c D5 c D6 c D5 c D6 c D5 c D6 c A5 c A6 c A5 c A6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 28 V P g j V V k V V V k z V V V V k j V k V V I u V u u V V u T 10 10 8 10 10 10 10 8 A 10 10 8 10 10 8 B 10 10 8 sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. G5 c G6 c G5 c G6 c D5 c D6 c D5 c D6 c D5 c c c c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 5 10fr.5 11fr. 5 12fr. 4 10fr. 4 12fr. V V V V gV V gV 31 g V V V V V P V V V V V V V V I W V j z V u [[[[[[[[[[[[[10 10 10 10 9 10 9 [[[[[[ T 10 10 10 10 8 10 8 10 8 10 8 10 8 10 A 10 B 10 sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org STATESBORO BLUES - The Allman Brothers Band Page 4 of 11 D5 c D6 c D5 c D6 c G5 c G6 c G5 c G6 c D5 c D6 c D5 c D6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ V V V 34 g V c V V V gV fV V k j j V P V k j j j V gV V u k I z u 10[[[[14 T 7 8 9 10 10 10 7 8 9 A 10 8 (8) B 10 sl. sl. sl. sl. sl. D5 c D6 c D5 c D6 c G5 c G6 c G5 c G6 c G5 c G6 c G5 c G6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ V V V V V 37 g V V V V V V j j P V V U I u z u 10 8 10[[[[[[[[ (10) [[[[[[[[[[[[[[[[[[[[[[[[[[ T 10 8 10 10 8 10 8 10 A 10 10 B sl. sl. sl. sl. sl. sl. sl. D5 c D6 c D5 c D6 c D5 c D6 c D5 c D6 c A5 c A6 c A5 c A6 c _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 40 c c V P g j V V V V k z V V V V k j P V V I u V V u z u [[[[[[ T 10 10 8 10 10 10 10 8 10 8 A 10 10 8 10 B (10) 10 sl.
Load more

Recommended publications
  • Some Bros. & a Blonde
    page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli­ cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now.
    [Show full text]
  • “Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
    “Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album.
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 12-4-1990 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1990). The George-Anne. 1202. https://digitalcommons.georgiasouthern.edu/george-anne/1202 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. - THE FINAL FOUR Nevada hosts Boise State Stories, page 6 Central Florida faces GSU Stories, page 7 :;:::;:;;:.v:;.;::x::::::::/::::-.::::.;:.:::::::::::::!::;::::::::.:::::;;;: NON-PROFIT i ORGANIZATION I U.S. POSTAGE PAID |STATESBORO, OA. EXTRA .PERMIT NO. 286 George-Anne 912/681-5246 Vol. 63, No. 19 ■ Tuesday, Decmber 4,1990 Since 1927, Georgia Southern's Official Student Newspaper Georgia Southern University • Statesboro, GA 30460 Division 1-AA Championship set for Dec. 15 Final four teams advance George-Anne staff reports Nevada will host Boise State, and Central Florida will visit Georgia Southern in the semifinal rounds of the Division 1-AA playoffs Saturday, with the winners advancing to the 1-AA Championship December 15 at Allen E. Paulson Stadium in. Statesboro. Boise State (10-3) downed No. 1-seed Middle Tennessee State 20-13 to advance, while Nevada (12-1) beat Furman 42-35 in three overtimes. In the other bracket, Central Florida (10-3) topped William & Mary 52-38, and Georgia Southern (10-3) held off Idaho 28- 27.
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Anlässlich des 45-jährigen Bandjubiläums der ALLMAN BROTHERS BAND erscheint ihr zweites Album “Idlewild South” als geremasterte CD, 2CD-Deluxe und 3CD+Blu-ray Audio Super Deluxe Version Deluxe/Super Deluxe Versionen mit verworfenen Aufnahmen, abweichenden Versionen und dem kompletten Konzert ‘Live at Ludlow Garage’ Am 23. September jährte sich die Veröffentlichung des zweiten Albums der Allman Brothers Band auf Atco & Capricorn Records zum 45. Mal. Idlewild South war der Nachfolger ihres selbstbetitelten Debüts von 1969 und während dieses kommerziell nur wenig erfolgreich war, erarbeitete sich die Band mit ihren zahlreichen Konzerten und Tourneen doch eine Menge Aufmerksamkeit, was schließlich dazu führte, dass Eric Clapton Duane Allman für sein Album mit Derek and the Dominos (1970) rekrutierte, welches auch den Song “Layla” hervorbrachte. Idlewild South war das erste Album, das in Zusammenarbeit mit dem Produzenten Tom Dowd entstand und aufgrund des hektischen Tourplans fanden die Aufnahmen in verschiedenen Studios statt, z. B. in New York, Miami und Macon, Georgia, dem neuen Zuhause der Band. Die meisten Songs, darunter auch zwei ihrer legendärsten – “Midnight Rider” von Gregg Allman und Kim Payne und “In Memory of Elizabeth Reed” von Dickey Betts – wurden zuvor live getestet. Der Albumtitel kommt von der heruntergekommenen, einsamen Hütte, in der die Band probte und feierte. Das Farmhaus, welches sie für die stattliche Summe von 165 Dollar im Monat mieteten, lag am Ufer eines künstlichen Sees außerhalb von Macon und weil es dort zuging wie in einem Taubenschlag, verglich die Band es mit dem gleichnamigen New Yorker Flughafen (mittlerweile John F.
    [Show full text]
  • THE COWL True, Not True Because It's Here."
    "It's here because it's THE COWL true, not true because it's here." Volume XXXII, No. 1 Wednesday, May 2, 1979 Providence, R.I. 02918 USPS 136-260 12 Pages areas on campus were inspected, including Raymond and Alumni cafeterias, Mural Lounge, the Fieldhouse Salmonella Investigation Rathskellar, and the faculty kitchen in Harkins Hall, fourth floor. "No major sanitary breaks site were found," Dr. Faich results prove inconclusive disclosed. "We checked two epidemics occuring at the refrigerators, drains and sinks - By Maureen O'Hare and fever. Twenty five percent of the commuter students surveyed same time,'' explained Dr. all areas of the kitchen. All of the determined Faich. "One is bad enough, but food facilities met with our Investigations conducted by also cited these symptoms. By Lori Evangelos two definitely gets messy." standards. We found no concrete the Rhode Island Department of According to Dr. Faich, there Thirty three cases of salmonella cause of the illness, but it wasn't Health, and the Disease Control were possibly two separate "We do not forsee breaking were actually cited. from lack of looking Center in Atlanta, Georgia have illnesses occurring simul• ground in September" com• Presumably, the bacteria was failed to determine the cause of taneously; salmonella, and In an attempt to "track down" mented Gerry Alaimo, the passed via food or water." the intestinal epidemic which an upper respiratory infection the cause of the illness an in• Director of Intramurals and "An epidemic clearly oc- swept the campus in late March. unrelated to the salmonella spection of all food facilities was subcommittee chairman of the outbreak.
    [Show full text]
  • A Resolution by the State Transportation Board of Georgia 2001
    A RESOLUTION BY THE STATE TRANSPORTATION BOARD OF GEORGIA 2001 DUANE ALLMAN BOULEVARD AND RAYMOND BERRY OAKLEY III BRIDGE — DESIGNATED. WHEREAS, in 1969, a group of young but already seasoned and demonstrably and incredibly talented musicians, including guitarist Duane Allman, bassist Berry Oakley, vocalist and organist Gregg Allman, guitarist Dickey Betts, percussionist Butch Trucks, and percussionist Jaimoe, formed the Allman Brothers Band and established the band's home in Macon in April of that year; and WHEREAS, at now legendary jam sessions at their initial base on College Street, their later home at the "Big House" on Vineville Avenue, and other locations in and around Macon, including Rose Hill Cemetery and a farm known as Idlewild South, the band fused elements of blues, jazz, rock, and country music to create a musical genre now known and loved as "southern rock" and became one of the most exciting groups of performers ever to take the stage; and WHEREAS, the band members' talents and tour de force marathon performances across the nation not only received critical acclaim and awed their peers among musical greats but also served to inspire countless others and made Macon a musical mecca; and WHEREAS, Duane Allman's all too brief life was tragically ended at age 24 by a motorcycle accident on a street in Macon on October 29, 1971, and Berry Oakley suffered a similar fate at the same age and at almost the same location a year later on November 11, 1972; WHEREAS although their presence is sadly missed, these musicians' incomparable
    [Show full text]
  • Dickey Betts & Great Southern Back Where It All Begins Mp3, Flac
    Dickey Betts & Great Southern Back Where It All Begins mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Back Where It All Begins Country: France Released: 2005 Style: Southern Rock MP3 version RAR size: 1199 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1338 mb Rating: 4.4 Votes: 444 Other Formats: MP2 MP4 MIDI DMF WMA VOX MP1 Tracklist DVD-1 Opening DVD-2 Statesboro Blues DVD-3 Blue Sky DVD-4 Change My Way Of Living DVD-5 Get Away DVD-6 Ramblin‘ Man DVD-7 Back Where It All Begins DVD-8 Come On In My Kitchen DVD-9 Seven Turns DVD-10 In Memory Of Elizabeth Reed DVD-11 No One To Run With DVD-12 Jessica CD-1 Southbound (Soundcheck Version) CD-2 Blue Sky (Soundcheck Version) CD-3 In Memory Of Elizabeth Reed (Soundcheck Version) CD-4 Donna Marie (Live From The Rock Hall) CD-5 Jessica (Live From The Rock Hall) Companies, etc. Licensed To – Eagle Rock Entertainment Ltd. Credits Bass Guitar – Pedro Arevalo Drums – Frankie Lombardi Guitar – Danny Toler*, Dickey Betts Organ [Hammond] – Michael Kach* Percussion – Frankie Lombardi Piano – Michael Kach* Vocals – Dickey Betts, Frankie Lombardi, Michael Kach* Notes Live at the Rock and Roll Hall Of Fame + Museum. Includes Bonus CD. Running Time: 152 mins. approx. 16:9, DVD 9, all regions. © 2005 Betts Back Alley, Inc. Barcode and Other Identifiers Barcode: 3298494262210 Other versions Category Artist Title (Format) Label Category Country Year Dickey Betts & Back Where It All Eagle ER DV CD 025 ER DV CD 025 Europe 2005 Great Southern Begins (CD + DVD) Vision Related Music albums to Back Where It All Begins by Dickey Betts & Great Southern David Allan Coe - I've Got Something To Say Dickey Betts & Great Southern - Dickey Betts & Great Southern Allman Brothers Band - Idlewild South Jewel - Soundcheck Party The Dickey Betts Band - Pattern Disruptive The Allman Brothers Band - Brothers And Sisters Jeri Lynn Dickey, Jonathan Dickey - I Must Tell Jesus Floyd Miles & Friends - Goin' Back To Daytona.
    [Show full text]
  • New Chris Delis Song List Export
    SONG ARTIST 3:00 AM Matchbox 20 Addicted to love Robert Palmer All For You Sister Hazel All I Want Toad The Wet Sprocket All Over You Live Allison Elvis Costello American Band Grand Funk RR American girl Tom Petty Amy Pure Prarie League Back Here BB Mak Bad Case Of Loving You Robert Palmer Bad moon rising CCR Badlands Bruce Springsteen Barely Breathing Duncan Shiek Before you accuse me Eric Clapton Best Of My Love Eagles Better Man Pearl Jam Black Is Black Los Bravos Black Magic Woman Santana Blue On Black Kenny Watyne Shepard Blue Suede Shoes Elvis Boys Of Summer Don Henley Breakdown Tom Petty Breakfast at tiffanies Deep Blue Something Brown eyed girl Van Morrison California Dreaming Mamas & The Papas Can't Do That The Beatles Can't Find My Way Home Blind Faith/Eric Clapton Can't Help Falling In Love Elvis Can't You See Marshall Tucker Band Carolina On My Mind James Taylor Champagne Super Nova Oasis Change John Waite Change The World Eric Clapton Cold shot Stevie Ray Vaughn Collide Howie Day Cover Me Bruce Springsteen Crazy Little Thing Called Love Queen Crossfire Stevie Ray Vaughn Crossroads Cream Counting Blue Cars Dishwalla Crash Dave Matthews Band Crazy Seal Dancing In The Dark Bruce Springsteen Daniel Elton John Danny's Song Loggins & Messina Desperado Eagles Dock of the bay Otis Redding Down under Men At Work Drift away Dobie Gray Drive Incubus Drops Of Jupiter Train Eight Days A Week Beatles End Of The Innocence Don Henley Every Breath You Take The Police First cut is the deepest Sheryl Crow Five O'clock World The Vogues Follow
    [Show full text]
  • The String Cheese Incident the String Cheese Incident
    08.12 08.12. 16 SCRANTON, PA . 16 DISC ONE SCRANTON, PA SET ONE 01 STATESBORO BLUES 8:16 02 MIDNIGHT RIDER 9:02 03 TROUBLE NO MORE 4:41 THE STRING CHEESE INCIDENT 04 MELISSA 7:35 05 OUTSIDE AND INSIDE 9:28 06 AIN’T WASTIN‘ TIME NO MORE 8:19 07 GROUP HOOT 1:27 08 THE MIGHTY QUINN (QUINN, THE ESKIMO) 10:04 09 GROUP HOOT 2:09 10 JESSICA> 7:13 1 1 DRUMS> 5:20 10 JESSICA> 4:54 DISC TWO SET TWO 01 CAN’T WAIT ANOTHER DAY 7:42 02 BELIEVE 9:08 03 DUDLEY’S KITCHEN 3:43 04 SONG IN MY HEAD 8:45 05 SIRENS> 5:53 06 PEACH JAM> 8:46 07 BOLLYMUNSTER 8:21 DISC THREE 01 CLOSE YOUR EYES 9:15 02 IT IS WHAT IT IS 19:27 03 COLORADO BLUEBIRD SKY 11:56 ENTIRE SET 1 with Scott Sharrard (guitar) Statesboro Blues with Jaimoe (percussion) Midnight Rider with Jaimoe, Marc Quiñones (percussion) Trouble No More with Jaimoe (percussion) , Lamar Williams Jr. (vocals), Bruce Katz (keys) Melissa with Bruce Katz (keyboards) THE STRING CHEESE INCIDENT Outside And Inside with Marc Quiñones (percussion) Ain't Wastin' Time No More with Butch Trucks (drums), Oteil Burbridge (bass), Jack Pearson (guitar), Bruce Katz (keyboards) Quinn, The Eskimo with Butch Trucks (drums), Jack Pearson (guitar), Bruce Katz (keys) Jessica with Butch Trucks (drums), Oteil (bass), Jack Pearson (guitar), Bruce Katz (keys) SCRANTON, PA ou can order Neato Labels from www.neato.com! çπ2016 SCI Fidelity Records. 2060 Broadway, Suite 225, Boulder, CO 80302 All rights reserved.
    [Show full text]
  • RANDALL BRAMBLETT to RELEASE ​PINE NEEDLE FIRE​ NOVEMBER 13Th, 2020 VIA NEW WEST RECORDS
    RANDALL BRAMBLETT TO RELEASE PINE NEEDLE FIRE NOVEMBER 13th, 2020 VIA ​ ​ NEW WEST RECORDS AMERICAN SONGWRITER PREMIERES “I’VE GOT FAITH IN YOU” FEATURING DUANE ​ ALLMAN’S 1961/1962 GIBSON SG FROM THE ALLMAN BROTHERS BAND’S LEGENDARY AT FILLMORE EAST ​ Randall Bramblett will release Pine Needle Fire on November 13th, 2020 via New West ​ Records. The 12-song set was produced by Bramblett and Gerry Hansen and is the follow up to his acclaimed 2017 album Juke Joint At The Edge Of The World. In addition to his solo work ​ ​ over the course of his illustrious 40-plus-year career, Bramblett has recorded, performed and composed alongside rock luminaries like Gregg Allman, Bonnie Raitt, Steve Winwood, The Band’s Levon Helm, Widespread Panic, Marc Cohn, and more. With Pine Needle Fire, he ​ ​ recognizes a thread throughout its songs. Bramblett says it is “about time passing, or at least grappling with the realization that you don’t have an infinite amount of time left like you think you do when you’re young. So there’s the mortality part of it. And then another part has to do with our current situation in this country. I grew up protesting in the ‘60s and ‘70s, so I’ve always felt connected to politics. Now I’m really hung up on it. And you look around and there’s a lot of people that are kind of desperate for change and for justice...or maybe they’re just desperate. They’re trying to hang on in this world. I’m one of them.
    [Show full text]
  • Let It Rock: the Mount Olympus of American Rock Bands, 1965-1995
    Let it Rock: the Mount Olympus of American rock bands, 1965-1995 Course description: This is an eight-week course that will take a deep dive into the music and story of six of the greatest American rock and roll bands, groups that defined the genre. The rich history of rock and roll is full of brilliant songs and singers, but the essence of rock and roll has always been the rock and roll band—that small--usually four to seven piece—ensemble made up of young musicians who caught lightning in a bottle together, taking their blues, R&B, rockabilly, early rock, country, folk and even jazz influences and combining them to create music that is timeless and inspiring. A band is like a family; there is friendship, rivalries, tragedy, triumph and intense love. This course will take a close look at six of the most iconic, artistic, and successful of those bands. In the first three weeks we will cover a trio of the most impactful American groups in rock and roll history. The fourth week we examine a band that was 4/5 Canadian, but made their musical mark in the US. Weeks five and six we cover a band that was originally British, but became a household word when they came to America, and we will devote the final two weeks to a beloved, late, legendary American rocker. Each session will include: • A thorough, fast-moving background lecture about each band, including; quotes, excerpts from books, and photographs of the bands and key people around them presented in a slide show format with accompanying biographical commentary.
    [Show full text]